Davinche’s beats always sound better with MCs or singers on top; their stripped down Triton Workstation tones are too tacky on their own, with baroque strings fidgeting over clicky-clacky drum patterns. But with a human voice on top they become fully realized micro-symphonies, like a pairing of G-Unit and Dillinjah. Beware his tune’s sharp hooks; they’ll snag any of us unsuspecting cod.