XLR8R’s 10 Favorite Other People’s Podcasts of 2010

It would be downright ludicrous to think you could make a definitive list of the “best” podcasts to have launched from the internet in 2010 (or any recent year, for that matter). We’re fully aware of the more or less incalculable amount of DJ mixes, mixtapes, interviews, etc. that were broadcast from the infinite portals of the web, and our inability to hear even a fraction of them all. So, what we present to you as our year-end lists continue is a small grouping of the podcasts we here at XLR8R HQ have listened to and loved throughout the year, in our not-so-active feature from bygone times, OPP. Check them out, listed in no particular order, below.

FACT Mix 182: Four Tet

Nguzunguzu’s Moments in Love Mixtape

RA.231: Space Dimension Controller

IDS 001: Micky

XOYO Mix 04: Lone

LWE Podcast 62: DJ Qu

FACT Mix 131: Doc Daneeka

Braiden’s Mix for Sonar Festival 2010

LWE Podcast 41: Juju & Jordash

RA.200: Carl Craig

Beach House “I Do Not Care for the Winter Sun”

“New Beach House song.”—it’s a phrase that stirs even the soundsystem-inclined denizens of XLR8R HQ. Even if it is a holiday song, it’s a Beach House holiday song, and no other indie outfits are more warranted a try at pulling on our heart strings with seasonal music than that of Victoria Legrand and Alex Scally. “I Do Not Care for the Winter Sun” finds the duo returning to their humble beginnings of home-recorded sounds—effectively bolstering the piece’s intimacy like it was made just for whomever might be listening at the moment. Though the song does start off with some obligatory sleigh bell jingles and Legrand even slips in a couple “this time of year” references, everything else carries on as per usual for Beach House, which means sadly beautiful organ drones, subtle guitar strums, angelic vocal melodies, and ephemeral piano flourishes. It may work best as a ‘winter song,’ but “I Do Not Care for the Winter Sun” could’ve easily made a fine stopgap on the duo’s captivating Teen Dream record. (via Gorilla vs. Bear)

I Do Not Care For The Winter Sun

Watch Matthew Herbert’s Video for “Dublin”

Matthew Herbert, is in the midst of completing his One Trilogy, a three-album series which has served as the latest platform for the versatile London producer to explore his avant-pop side and also marks his first foray into the land of singing. The first of this trilogy, One One, contains 10 tracks named after various cities in the world and is where you’ll find the pacing, guitar-driven track “Dublin.” The video, which features a shorter version of the originally six-minute track, gives Herbert a healthy amount of screen time while he runs through the forest, sings into a dim light, and swims through a vast body of water. One One and One Club (made entirely from sounds recorded during a performance at Frankfurt’s Robert Johnson club) comes courtesy of London’s Accidental imprint, and are to soon be followed by the final part of the trilogy, One Pig, next year.

Download Paul Devro’s Brand-New Mixtape for Pomp & Clout

One of Mad Decent‘s many resident DJs, LA-based Paul Devro, has an early Christmas present for us all, a brand-new mixtape he’s called Disco Hoti Hai. Over on his label’s website, Devro explains the mix’s origins: “Pomp & Clout asked me to make them a mixtape for them of whatever I wanted, so I thought I’d put my Bollywood disco record crates to work. So here it is, my X-mas gift to you: super rare, super popular, super weird, and super awesome hindi tunes all chopped the fuck up, so that they sorta make sense.” And what better way could there be to celebrate the holidays than with such timeless hits as “Wordy Rappinghood,” “Wild Thing,” and “Funkytown” covered by India’s musical elite? You can stream or download Devro’s mixtape here.

Kevin Saunderson to Tour With Derrick May Next Year

2010 was a good year for Detroit techno pioneer Kevin Saunderson; the iconic DJ/musician/producer resurrected his Inner City band at Movement, and released a load of singles and EPs both for himself and members of the Saunderson extended family (like his nephew, Kweku). Now, the artist is ready to follow up that work with another exciting project, a world tour with fellow dance music innovator Derrick May. The pair’s traveling exhibition of sights and sounds will feature a tag-team battle across four turntables, but we don’t know when the tour starts or where it will be going. Until we track down that information, you can check out the trailer for Kevin Saunderson vs. Derrick May World Tour 2011, here.

Boys Noize to Release ‘Acid’ Compilation on His Label

As a sort of celebration of 20 years of acid music, German DJ/producer/label head Boys Noize has brought together a handful of friends and label mates to craft a compilation of brand-new tunes following the blueprints of the old-school club genre. Boys Noize Presents Super Acid is 12 tracks by the likes of Feadz, Erol Alkan, Brodinski, Joakim, and many others, all of whom used a Roland TB-303 (or software equivalent) to record their tunes. We don’t yet have any album art or a tracklist for the forthcoming compilation, but we can tell you it will be released on January 31.

Funkineven: London’s Soul-Funk Fusionist Helps Eglo Records Find Its Legs

Steven Julien’s East London studio is like an analog gear menagerie: vintage Korg, Yamaha, Akai, and Roland synths and drum machines are systematically arranged on desks and racks everywhere. Perched in a swivel chair for our chat, the 31-year-old producer looks sharp in his Keith Haring x Supreme t-shirt, an item issued as a tribute to the late music entrepreneur Malcolm McLaren. Julien has an eye for iconic art and design, as evidenced by his studio equipment, the Vivienne Westwood-copy skull ring on his finger, and the electronic fusion music he makes as FunkinEven.

Julien’s 2009 EP, Kleer, on Eglo Records, introduced the world to a techy new talent with an old soul. He had been making his own beats for 15 years before meeting Eglo honchos Alexander Nut and Floating Points’ Sam Shepherd, but the shy, West London-born Julien had never deemed his music worthy of release, and instead hoarded harddrives full of eclectic beats. His three all-embracing solo singles draw as much inspiration from 1980s funk acts One Way, Cameo, and, yes, Kleer, as they do from London broken-beat artists or LA beatmakers. But as much as Julien appreciates the media’s comparisons of his work to Dam-Funk, an artist he respects, he’s adamant about exploring his own ideas. “All I can do is release my music and kind of shock them a bit,” says Julien about the pigeonholing. “[The press] try and put me in a box, but then I release something with acid in it and they’re confused.”

“Mad Swing”

A closer listen reveals Julien’s pleasantly unpredictable offerings. “Heartpound” is fueled by thumping acid-house beats while “Mad Swing” is comprised of drunken drum machines and wobbly synths. The son of Grenadian parents, who bounced between South Acton housing estates and Ealing as a youth, likes surprising people with his “electronic fusion,” as he calls his music. He’s an avid record collector and former full-time barber who gave up haircuts to make fresh tracks, including music with his rising-star accomplice Fatima.

The two collaborated on Fatima’s single “Soul Glo,” a sassy Sa-Ra-styled funk track that earned admiration when it was aired at incubator nightclub Plastic People in London and received strong play from DJs like BBC 1Xtra’s Benji B. Eglo’s backing has only further cemented his rep. “I’m pretty lucky that I have people them backing my work and believing in my music,” he says. “[Eglo] works really well because we’re all growing as artists and making an adventure together.”

That adventure also includes recent studio collaborations with Detroit house stalwart Kyle Hall, a forthcoming EP, and remixes for Sandra St. Victor, Mark de Clive-Lowe, and Ikonika. He’s busy for sure, but clearly doing what he loves, which doesn’t include time for Britain’s national pastime: “I’m not passionate about football,” he says. “I’m just passionate about music. Music is my sport.”

“Heart Pound” b/w “Another Space” is out now on Eglo.

VisionAir “Yeagh”

We’re not entirely sure if it’s a good or bad thing when you can’t tell if a song is made with organic or synthetic instruments, analog or digital devices, people or machines. On one hand, it gives the music a sort of allure because of its ambiguous mystique, but editorially speaking, it’s that much more difficult to properly credit sounds to their rightful source. Maybe we’re just splitting hairs, but we shouldn’t all just sit around being wrong, right? Well, regardless of how these sounds were made, “Yeagh” by Dublin duo Richie Egan and Niall Byrne (a.k.a. VisionAir) recalls the warm vintage synths found in the ambling Krautrock grooves of yore, though obviously invigorated with the sheen of modern production technology. The vibe of the song, which closes out the pair’s brand-new A Vision EP (available for free download here), feels like an esoteric Tangerine Dream, Can, or even Silver Apples tune as performed by a guitarless Ratatat on quaaludes. Maybe that sounds weird, but so does this song—in a good way.

Yeagh

Yeagh

Yeagh

XLR8R’s 10 Best Videos of 2010

We’ll be the first to say it: 2010 was not the best year for music videos. It seemed the overarching theme throughout the clips bubbling up this year was the re-appropriation of old footage, edited as the director/artist saw fit. And that’s all well and good, but it certainly doesn’t make us go ‘Wow!’ The videos on our 2010 favorites list were made of authentic, inspiring, funny, touching, grotesque, strange, and beautiful pictures, and were apparently born of truly original ideas. We may not be nearly as into the music accompanying the pieces (personally, we thought “Drunk Girls” was one of the worst songs this year), but that’s not what this is all about, now is it?

10. Gatekeeper “Chains”

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9. Rainbow Arabia “Holiday in Congo”

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8. Flying Lotus “Kill Your Co-Workers”

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7. HEALTH “We Are Water”

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6. Caribou “Sun”

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5. Chromeo “Hot Mess”

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4. James Blake “Limit to Your Love”

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3. LCD Soundsystem “Drunk Girls”

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2. Hot Chip “I Feel Better”

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1. El Guincho “Bombay”

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Teebs Ardour

Flying Lotus—the Brainfeeder label head who released the debut album by friend and fellow beat aficionado Mtendere Mandowa (a.k.a. Teebs)—is quoted as saying that Teebs’ first full-length, Ardour, “sounds like an island vacation.” I’d be inclined to disagree with FlyLo unless he amended his statement to read, “Ardour sounds like an island vacation in autumn.” Mandowa—who is also an accomplished skater and painter—has crafted a sublime debut LP brimming with the color and vibrance of summer’s steamy days, but all varnished in the hollow crackle and chill of the oncoming months of fall. It’s a beautiful sound that remains throughout Teebs’ 18 tracks, and makes the nearly hour-long Ardour float by like an invigorating breeze.

Like his beat-scene peers Baths and Asura, Teebs’ music relies just as heavily on melody as it does rhythmic sounds—if not occasionally more so. The ringing chimes of “Burner” and the woozy guitar strums of “Wind Loop” predominate the shuffling beats that periodically interplay with those shimmering elements. Pianos outshine all other sounds on “Moments” and “Lakeshore Ave.,” and the orchestration of harps, violins, and other strings provide captivating centerpieces for “King Bathtub” and “Humming Birds.” It’s this wealth of various arrangements and Teebs’ unflinching dedication to a crisp-yet-lush aesthetic that drives Ardour to heights surpassing many of his young musical compatriots.

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