Gang Gang Dance to Tour

Art-rock trio Gang Gang Dance named its latest album, Saint Dymphna, after the patron saint of mental illness, epilepsy, and incest. So expect the next round of live performances from the band to be memorable, as they’ll be playing songs off the album and already have a rep for their colorful shows. Coinciding with the tour will be the repressing of 2005’s God’s Money, which is currently out of print.

Gang Gang Dance:
08/02 Northampton, MA – Pearl Street Nightclub
08/03 Philadelphia, PA – Kung Fu Necktie
08/05 Baltimore, MD – Ottobar
08/06 Columbus, OH – Circus
08/07 Detroit, MI – Magic Stick
08/09 Chicago, IL – Lollapalooza
08/28 Los Angeles, CA – The Troubadour
08/30 San Francisco, CA – Rickshaw Stop
09/02 Arcata, CA – Depot
09/03 Portland, OR – The Works
09/04 Vancouver, BC – Biltmore Cabaret
09/05 Seattle, WA – Bumbershoot Festival

Photo by Andy Eisberg.

Exclusive: Roots Manuva “Do Na Bodda Mi (XRABIT Remix)”

Off Roots Manuva‘s Slime & Reason, “Do Nah Bodda Mi” is a Toddla T-produced track where electro and dancehall meet with a bang. German hip-hop producer XRABIT‘s take on the track turns it into a bass-heavy, upbeat jam.

Roots Manuva – Do Nah Bodda Mi (Xrabit Mix)

Various Artists Panama! 2

Panama on blast! With its diverse racial make-up and unique location at the end of Central America, Panama has long been a hotbed for Afro-Latin rythyms, and this compilation further documents a unique period when the country’s musicians were fusing traditional native sounds (cumbia, guaracha, guaguanco, etc.) with the emerging funk and soul sounds floating down from the United States. From Papi Brandao’s accordion-fueled take on “La Murga de Panama” to The Soul Fantastics’ cover of Bill Withers’ classic “Ain’t No Sunshine,” the compilation is filled with choice selections, but make extra sure not to miss Idamerica Ruiz’s impassioned vocals on the rustic stomp of “No Llores Porque Me Voy.”

Butane Endless Forms

Endless Forms begins with “This is Your Brain on Music,” in which neuroscientist Daniel Levitin expounds on music’s mysterious effect on humans while enigmatic ambiance suspensefully broods behind him. It’s an unconventional start to a techno album, and it tips you to Butane’s skewed take on a genre plagued by predictability. Berlin-via-St. Louis producer Andrew Rasse goes from there to create chugging, midtempo tracks suffused in eerie atmospheres and accentuated by inventive tones and peculiar percussion. Compositions like “Nite Vision,” “Mutation,” and “Adaptation” exude a dark, subtle sexiness, a lascivious locomotion, lending Endless Forms a subterranean vibe that’s as chilling as it is seductive. Your brain will wriggle.

Inbox: Amanda Blank

XLR8R checks in with cheeky rapper Amanda Blank while she catches her breath after touring the states all spring with Santigold. Blank privies us to Brazilian crowd-surfing, sticks it to club-rap haters, dishes on buddy Spankrock, and delivers big ups to Missy Elliot, R. Crumb, and the Wizard of Oz. Blank’s debut full-length, I Love You, comes out July 14 on Downtown.

XLR8R: What are you listening to right now?

Amanda Blank: The Fleet Foxes (I know I’m late on them, but they are so good!), The Death Set, Major Lazer, Rahfee Malik, Julie Ruin, and Maluca. Oh, and the new Sweatheart EP that’s about to come out! It’s our tour soundtrack this month.

What’s the weirdest story you’ve ever heard about yourself?

That I am a 19-year-old Puerto Rican from Baltimore. I wish!

What band did you want to be in when you were 15?

Every girl band ever, but probably Heart the most!

Worst live show experience?

I’ve fallen off stage a few times, and I almost knocked my teeth out with the microphone on a few occasions. Probably the worst was also the best: I ran and did a stage dive at a festival in Brazil into a crowd of thousands of kids. It was so fun (but also so scary) when they took me out so far into the crowd I thought I wasn’t coming back! They were so excited that they were pulling at me really hard. One guy even tried to take my sneakers off – and the girls were grabbing my crotch and my tits! I guess that’s how it goes. It was pretty exciting in some ways, but I think maybe in the future I’ll be a little more careful. Eh….probably not. Who knows?

What’s the shittiest thing about the club-rap phenomenon?

The assumption that we’re stupid or vapid because we make club and party music.

Favorite venue to play in?

The Barbary in Philadelphia.

What is your favorite thing you own?

Woah! That’s like having to pick a favorite band. My house is full of weird-ass shit! I did recently get an R. Crumb drawing that I really, really love. It’s of three very plump and curvy naked women with super-long hair, and it’s beautiful. It’s the first thing you see when you walk into my house.

Name one item of clothing you can’t live without.

My cropped black leather jacket. I got it at a thrift store years ago and it’s so comfy and worn in and fits me perfectly. I thought I lost it once and actually cried like a little baby!

Tell us something funny about Spankrock.

I thought he was the one that lost the jacket and I swear I almost killed him. He has a scattered brain and loses everything!

What did you always get in trouble for when you were little?

Doing the opposite of everything I was told to do or not do. I was always getting caught with my hand inside the cookie jar. My poor mom!

Which pop star would you most like to work with?

Missy Elliot. She’s so rad!

What’s the last thing you read?

I’m reading City of God as we speak. I’ve seen the movie a million times and someone told me the book is beautiful, so I bought it at a lil’ used bookstore in Omaha, Nebraska on tour. It is really quite good. I also bought the Royal Book of Oz. I love all the Wizard of Oz stories.

Complete this sentence: In the future…

I will take care of myself more on tour and not rage out like some dirty boy in a dirty rock band.

Stupidest thing you’ve done in the last 12 months?

Trusted a liar.

What’s next for you?

Hopefully some sleep.

Quantic and His Combo Bárbaro “Arianita”

Will Holland (a.k.a. Quantic) once again steers us through the tropic regions of the globe with this track from his upcoming album, Tradition in Transition. This time around he successfully excavates the musical territory of the Caribbean and Latin America and infuses those sounds with a fresh seasoning of funk and soul elements.

11 Arianita

Decibel Festival Line-up Announced

Seattle’s Decibel Festival sees its sixth installment this year, and the organizers are rolling out the details. The ’09 edition will take place September 24 – 27, and it’s going to be a recession-friendly event this year. In response to the economy, Decibel is offering discount passes through July 24, so plan ahead and knock 50 bones off the ticket price.

Then, of course, there’s the all-important music line-up. Past editions have seen everyone from Richie Hawtin to Deadbeat land in Seattle, so expect the list to triple in size in the coming months.

Alex Under
Alter Ego
Andrew Weatherall
Benga
Boxcutter
Bruno Pronsato
Caspa
Daedelus
Goldmund
KiloWatts
Lusine
Mad Professor
Martyn
Mary Anne Hobbs
Megasoid
Mikael Stavöstrand
Monolake
Mountains
Move D
N-Type
Nosaj Thing
Pezzner
Reagenz
Spacetime Continuum
Sub Swara
Tadeo
Tanner Ross
Voodeux
The Wighnomy Brothers

MUTEK_10

Photos by basic_sounds and Tim Saputo

This May, XLR8R contributor Bill Fewell and I were lucky enough to travel to Montreal to cover MUTEK, one of the most exciting electronic music festivals in North America. This year’s line-up reflected a shift in the often straightforward minimal techno and experimental focus. Expertly curated and painstakingly detailed, MUTEK’s 10th birthday party lasted four days and five nights and encompassed an an entire spectrum of forward-looking music.

Gas was the first thing I saw at the festival, and my favorite of all the events. Wolfgang Voigt’s first-ever Canadian performance under his legendary, groundbreaking ambient alter-ego was truly special. Performing off in a corner while a two-story screen towered behind him, he took the audience on a terrifying and beautiful journey through the heart of the black forest. While the audio transitions from song to song were surprisingly stiff, the visuals provided enough mind-melt to distract.

Applepips CEO Appleblim spun a brilliant selection of 2-step dubstep with a few wonky and funky selections that got the crowd super-hyped for the rest of the night, which, in our opinion, was the most solid of all the Nocturne evening events.

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XLR8R fave Deadbeat, back in his adopted hometown, also really delivered. Straddling the line between house, techno, dubstep, and funky, he served up a very bottom-heavy, dancefloor-friendly set that sent the crowd into a frenzy.

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Moderat played to a packed Metropolis, and managed to far surpass their recorded collaborative album with that night’s intense live set. They ended with the Modeselektor classic, “Let Your Love Grow,” with a sea of hands and lighters in the air.

Mala, the deeper half of Digital Mystikz spun a devastating dubstep set, ranging from depth-charge dubs to wobble-bass acrobatics. The way Mala strings together tracks is simply amazing, though hardly a surprise coming from one of the originators of dubstep. We didn’t even mind hearing him reload Sponge Bob!

The next day found us exploring Montreal, where we were pleasantly surprised that you can buy a hot dog in pretty much any restaurant in the city.

Midwest ambient duo The Fun Years were fantastic, and so were their visuals, which lulled us into the happy kingdom of half-awake listening.

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Berlin’s Jahcoozi, a crowd favorite, brought a refreshing sense of spectacle to the stage.

The next day we met up with Poirier and Guillaume to shoot this episode of XLR8R TV. They showed us around town and brought us to the dopest chicken spot.

The first Piknic Electronik event was perfect. It was also the first day it didn’t rain while we were in Montreal. We arrived just in time to catch the last half of Deep Space resident Brendon Moeller‘s set. He played a lot of tunes off his new collection, Jazz Junk Safari, and some top-shelf, deep, dubby techno that could only by followed by the one and only Thomas Fehlmann, who spun a flawless mix and even included a shuffle-house throwback moment. The German Techno mastermind was followed by great sets by Manchester’s Trus’ Me and home-town hero The Mole. Four thumbs up to MUTEK for programming a perfect techno-piknic experience. We couldn’t imagine a better line-up for chilling out on a island park with Montreal’s skyline sitting peacefully in the background.

Thomas Fehlmann.

Later, we returned to Monument National to catch Mille Plateaux veterans SND‘s set, which we thought was brilliant, but seemed to bum out a few people in the crowd. Fractured garage beats, SND’s trademark clean chord stabs, and sub-bass and noise were the orders of the night. Loved every minute of it.

Nocturne 4, a joint venture with Resident Advisor, offered a whole lot of great techno, but, to be honest, we don’t really remember too much from that night other than DoP ‘s live show being every bit as fun as they are known for. Maybe it’s because we had been drinking Guru and vodka all day. But we do remember Carl Craig playing a smokin’ three-hour set, which was chock-full of Detroit classics, and kept the packed house moving (and screaming) until dawn.

Carl Craig

The next day we finally ate Montreal’s famous and delicous smoked meat sandwich with black cherry soda. Then we braved the icy winds and rain to witness the much-anticipated return of K-hole house pioneer with Perlon boss Zip spinning back to back on the island for the second and last installment of the Piknic Electronik. It was a excellent way to spend a rainy afternoon, getting smashed and dancing to a killer Villalobos set. Maybe he’ll hit the U.S. soon? (Thank god Obama won, right?)

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DJ Vadim U Can’t Lurn Imaginashun

U.K. breaks master and recent cancer survivor Vadim Peare is still at the top of his game on Imaginashun. The survivor’s high is evident on the obscenely catchy dancehall jaunt “Hidden Treasure,” and the wet, Zapp-esque disco of “Thrill 103” exudes the feeling of a stroll on gold-paved streets. Vadim’s rhythms can still keep up to breakneck MC rhymes on “Soldier” and the ridiculous arthritic funk of “Maximum.” There are a few moments that don’t gel—witness the tacky Bollywood schlock of “Tu He Ma Ne Toddy.” However, in a time when so much hip-hop and soul is plagued by anemic AutoTuning and auto-piloted rhythms, Vadim’s wealth of new ideas is rather refreshing.

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