The Coathangers Scramble

This new full-length from the Atlanta-based girl group comes hot on the heels of their signing with Suicide Squeeze, and boy, is it a goodie. Sassy, breathless “oh-oh-ohs” and angular, fuzz-dipped guitars hash with jarring no-wavisms and jangly, K Records-style bedroom pop on songs like “Arthritis Sux” and “Stop Stomp Stompin.’” “It’s like you live in a jungle/But you ain’t no Tarzan/Your frame is so tiny/But you’re an elephant man,” whines a medley of spiteful vocals on the latter track, before diving into a foot-stomping chorus. If this batch of angst-driven tunes is any indication of what direction the foursome is heading, Vivian Girls had better watch out.

Inbox: Black Lips

Sure, we’re always curious to know about an artist’s upcoming release, most recent tour, or arsenal of analog gear, but XLR8R‘s also got a curiosity for quirk. Thus, each week, we email a different artist and find out what makes them tick, in the studio and in life. It’s been a rather whirlwind start to the year for self-described “flower-punk” outfit Black Lips, with a new full-length, 200 Million Thousand, out on Vice, and a gigantic tour to match the larger-than-life title of the album. The boys found a few minutes to chat with us here.

What are you listening to right now?

Our friend made us a ’60s garage comp from blogs around the internet. There [are] some really good songs on it, but unfortunately, I don’t know who the artists or songs are.

What’s the weirdest story you ever heard about yourself?

People like to say that we pee in each other’s mouths. How could I kiss my mother with those lips?

What band did you want to be in when you were 15?

We were appreciators of The Germs, The Stooges, Them, Link Wray and his Ray Men.

Worst live show experience?

I’ve been hit in the face with a lowball glass during the first song of a set in Costa Mesa. Not sure if that’s the worst, but it sure did suck.

Favorite city to play in?

It’s always great to hit any of the major cities—New York, Stockholm, Chicago, and, of course, Atlanta.

When you are out on the town, what is your drink of choice?

Scotch and soda water.

What is your favorite thing you own?

I don’t really own it, but the piano in my room. Also, my queen-sized bed. That thing is sweet.

Name one item of clothing you can’t live without.

My coat. Winters would have a whole new degree of harshness without it. Socks are great too.

You identify your music most closely with which condiment: ketchup, salsa, mustard, relish, or barbeque sauce.

BBQ sauce. It can be sweet, sour, charred, or soft. It’s almost always associated with the South as well.

What did you always get in trouble for when you were little?

Vandalism, drinking, smoking.

What other artist would you most like to work with?

Outkast.

What’s the last thing you read?

I read about 30 news articles everyday. Sometimes more, if it’s a busy day.

Complete this sentence: In the future…

In the future, we will all be old men.

Stupidest thing you’ve done in the last 12 months?

Believed I could put my trust into something I knew wouldn’t work out. Really, just going against my intuition and common sense

What’s next?

Touring in the U.S. [and] Europe, hopefully Japan, Oz, New Zealand.

Carl Craig, LCD Join Sonar Lineup

The first wave of Sonar 2009 artists were announced on XLR8R.com at the end of February, and names like Animal Collective and Fever Ray have made their way onto the roster over the last several weeks.

Now just two months away, Sonar 2009 welcomes another round of artists to the bill this morning, Carl Craig, Jeff Mills, James Murphy, and Pat Mahoney among them. Particularly noteworthy is the fact that this year’s festival is the first time Sonar will see a contingency from the Middle East, in the form of Syrian-born producer Omar Souleyman. BBC Radio 1 host Mary Anne Hobbs will host a showcase, and on the off chance you’ll have little ones in tow, the festival now boasts Sonar Kids

Sonar 2009 takes place June 18, 19, and 20, in various locations around Barcelona. Get thee a festival pass.

Full Lineup
Grace Jones, Late of the Pier, Buraka Som Sistema, SebastiAn, Erol Alkan, Crookers, Brodinski, The Gaslamp Killer, Joker, Martyn, Mary Anne Hobbs, Carl Craig, Jeff MIlls, Orbital, Animal Collective, Crystal Castles, Fever Ray, Mujava, Deadmau5, Moderat, Beardyman, Shed, Marcel Dettmann, Rob da Bank, dan le sac vs. Scroobius Pip, Ebony Bones, Lars Horntveth, Luomo, Omar Souleyman, Frequencies, Ben Frost, RRICCEE, Konono No 1, Filastine, Micachu and the Shapes, Mark Jones plays Wall of Sound, Joe Crepusculo vs. La Estrella de David y Thelematicos, Tarantula vs. Orguesta del Caballo, Ganador, Colch-on vs. Suma, Institut Fatima

Pictured: Carl Craig

Papercuts “Future Primitive (Ruby Suns remix)”

San Francisco troubadour Jason Quever (a.k.a. Papercuts) recently dropped You Can Have What You Want, another collection of hazy, reverb-drenched pop gems. Here, New Zealand outfit Ruby Suns infuses “Future Primitive” with tinkling synth swirls and bassy stabs, transforming a restrained pop number into something more kinetic.

papercutsrubysunsremix

Serengeti & Polyphonic “My Patriotism”

Chicago avant-rap duo Serengeti & Polyphonic are set to release their sophomore album, and if “My Patriotism” is any indication, they’ve once again paired Geti’s socially aware, stream-of-consciousness rhymes with Polyphonic’s skittery, IDM-flavored beats that often recall the late ’90s Warp catalog.

Terradactyl is out June 23.

10 My Patriotism

Au Revoir Simone Plots Tour

It’s no secret that touring comprises a huge part of Au Revoir Simone‘s collective life as a band, and the Brooklyn-based trio will prove that again this spring, with the gigantic world tour they’ve just announced. Dates are in support of the group’s latest synth-pop opus, Still Night, Still Light, being released through the girls’ own imprint on May 19.

In a recent conversation with them, we were enlightened as to how many adventures these girls seem to find while on the road, from cars breaking down in Texas to dropping musical gear into Italian toilets and being robbed while eating falafels. The fun starts in Paris, tomorrow.

Dates”
04/18 Paris, France – Alhambra Theatre
04/19 Tourcoing, France – Grand Mix
04/21 Lyon, France – L’epicerie Moderne
04/22 Milan, Italy – La Casa 139
04/24 Rome, Italy – Circolo degli Artisti
04/27 Vienna, Austria – WUK
04/28 Munich, Germany – Atomic Café
04/29 Berlin, Germany – Admiralspalats
04/30 Aarhus, Denmark – Train
05/1Copenhagen, Denmark – Rust
05/2 Husqvarna, Sweden – Popadelica Festival
05/3 Stockholm, Sweden – SvMK
05/5 Helsinki, Finland – Tavastia
05/6 London, England – Bush Hall
05/10 Brussels, Belgium – Les Nuits de Botanique Festival
05/21 Toronto, ON – Lee’s Palace *
05/22 Montreal, QC – La Tulipe *
05/28 Boston, MA – TT The Bears *
05/29 Brooklyn, NY – Music Hall of Williamsburg #
05/30 Washington, DC – Rock and Roll Hotel *
05/31 Cincinnati, OH – Southgate House #
06/01 Nashville, TN – The End #
06/02 Memphis, TN – Hi Tone #
06/04 Dallas, TX – The Cavern #
06/05 Houston, TX – Walter’s on Washington #
06/06 Austin, TX – Mohawk #
06/09 Tucson, AZ – Plush #
06/11 Los Angeles, CA – El Rey #
06/12 Santa Barbara, CA – Club Mercy #
06/13 San Francisco, CA – Bimbo’s #
06/15 Portland, OR – Wonder Ballroom ^
06/16 Seattle, WA – Neumo’s ^
06/17 Vancouver, BC – Richard’s on Richards ^
06/19 Salt Lake City, UT – Kilby Court ^
06/21 Boulder, CO – Fox Theater ^
06/23 Omaha, NE – Waiting Room ^
06/24 Madison, WI – High Noon Saloon ^
06/25 Chicago, IL – Logan Square ^
06/26 Cleveland, OH – Grog Shop ^
06/27 New York, NY – Bowery Ballroom ^

* = w/ Jeffrey Lewis and The Junkyard
# = w/ The Antlers
^ = w/ Findlay Brown

Kotchy “Check Out My Keychain (dÉbruit’s KeeCLAC Remix)”

Brooklyn-based experimental hip-hop artist Kotchy recently released his fun, R&B-inflected I’d Have to Be High EP, which features remixes from The Chap, Dev79, and Hrdvsion, among others. Here, Parisian Dj dÉbruit remixes “Check Out My Keychain” as his bump-hop alter ego KeeCLAC.

I’d Have to Be High is out now.

07 Check Out My Keychain (dÉbruit’s KeeCLAC Remix)

Dntel Early Works for Me If It Works for You II

Dntel’s latest release, a behemoth three-disc collection, combines remastered versions of his first two albums for Pthalo with a collection of previously unreleased tracks recorded around the time of 2001’s Life is Full of Possibilities. While the new material reveals a few glitch and ambient pop gems (befitting his James Figurine alias), the reissues should be more interesting to fans of Jimmy Tamborello’s work with The Postal Service. With generous nods to drum & bass, 1998’s Early Works for Me if it Works for You backs Tamborello’s admission of being influenced by Aphex Twin and late ’90s Warp Records artists, while 2000’s Something Always Goes Wrong has clear roots in IDM.

The Show Is The Rainbow Wet Fist

Nebraska native and spazz-punk extraordinaire Darren Keen comes with plenty of DIY cred, having played nearly 1000 shows everywhere from barns to bars and yes, the occasional arena. (Those opening slots often come courtesy of his pals and frequent touring partners, The Faint.) Unfortunately, his second album, Wet Fist, doesn’t have the tunes to back up his high-energy, over-the-top live antics. While the music is competently done, Keen’s mix of glitchy beats, rough-around-the-edges falsetto, and white-boy funk has been done before, and better. Wet Fist certainly isn’t going to make anyone forget about their Beck records. Skip the album and check out The Show Is The Rainbow when he comes to your local dive bar.

Kid Koala Presents Dynamic Party

Canadian DJ Eric San (known as Kid Koala) has opted to take the family-friendly approach to touring and will stay for a number of days in a few select spots (rather than spending one night in many different locations) for the next round. Each stop of the tour will include a dynamic event called LOUD PARTY/QUIET WORK, a back-to-back combination of two distinctly different types of parties.

The first leg of the two-fer event, “Loud Party,” will be a turntable, shake-it-loose, dance affair staged at a local concert venue or club. Expect raffles, pillow fights, and other hullabaloo. In order to balance out the craziness of the first party, Kid Koala will follow with a five-hour “Quiet Work” set of low-key tunes to inspire creativity on a separate evening. Participants are encouraged to bring sketchbooks, yarn, clay, or other creative tools with which to work. For five dollars, everyone will receive a pencil, hot chocolate, and baked goods from San’s wife, Corinne (who hopes to open a bakery in Montreal some day).

You can participate in either of the two parties in Los Angeles, New York, or Toronto on the following dates:

LOS ANGELES
QUIET WORK

Thursday, April 26
5 p.m. to 10 p.m.
Gallery Nucleus
210 East Main Street, Alhambra, CA, 91801
Tickets: $5 (includes a free cup of hot chocolate and a pencil)

LOUD PARTY
Thursday, April 27
Bordello Bar
901 E. 1st St, Los Angeles, CA
Tickets: $10

NEW YORK
LOUD PARTY

Sunday, May 3
Le Poisson Rouge
185 Bleecker St., New York, NY, 10012
Tickets: $12 advance/ $15 door

QUIET WORK
Monday, May 4
7 p.m. to midnight
House Of Yes
342 Maujer St., Brooklyn, NY
Tickets: $5 (includes a free cup of hot chocolate and a pencil)

TORONTO
LOUD PARTY

Thursday, May 7
Lee’s Palace
529 Bloor St W., Toronto, ON
Tickets: $12 advance / $15 door

QUIET WORK (In association with the Toronto Comic Arts Festival)
Monday, May 11
6 p.m. to 11 p.m.
The Central
603 Markham St., Toronto, ON
Tickets: $5 (includes a free cup of hot chocolate and a pencil)

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