Pole 1,2,3

With a damaged Waldorf Pole-4 audio filter Stefan Betke set about to produce three beautiful dub-tech albums. Acid rain-corroded basslines and ghostly synth chords barely arose from the grime and crackle of the Waldorf. It was a fitting soundtrack for the feared life after the Y2K meltdown. Now, Betke reissues those first three albums. The tepid and barrenly minimalist steps of his ’98 debut gradually progress to the oceanic digital-dub of his breakthrough album 3. Sure, years later, copycats have left these skeletal masterpieces feeling like well-worn jeans, but the tracks found herein represent a time when artists redefined what dub and minimal could be.

The Dead Science to Tour U.S., Europe

Having recently released their chaotic, multi-layered album, Villainaire, Seattelite art-pop band The Dead Science will go on tour at the end of this month. The charming trio will pass through heartland America and Canada on their way east, stopping to play with likes of experimental indie-rockers Volcano! and bizarre instrumentalists Kingdom Shore, among others. After rounding off the American on the West Coast, they will hit up Europe, making several stops in France. While you wait to hear the band’s beautiful combination of breathy, pained vocals and nuanced orchestral composition live, you can check out one of their tracks here.

09/19 Boise, Idaho: Neurolux
09/20 Salt Lake City, Utah: Kilby Court
09/21 Denver, Colorado: Hi-Dive
09/22 Kansas City, Missouri: Record Bar
09/23 Ames, Iowa: Iowa State University
09/24 Minneapolis, Minnesota: Triple Rock Social Club (with High Places)
09/25 Chicago, Illinois: Empty Bottle (with Volcano!, Loto Ball Show)
09/26 Toronto, Ontario: El Mocambo
09/27 Ottawa, Ontario: St. Brigids Centre for the Arts (with Kingdom Shore)
09/28 Montreal, Quebec: Il Montore
09/30 Kittery, Maine: Arts and Leisure
10/01 New York City, New York: Knitting Factory (with Extra Life, Aa)
10/02 Philadelphia, Pennsylvania: Danger Danger Gallery (with Voodoo Economics)
10/03 Washington D.C.: Sonic Circuits Experimental at the Velvet Lounge
10/04 Charlotte, North Carolina: The Milestone
10/05 Jacksonville, Florida: Jack Rabbits
10/06 Tampa, Florida: New World Brewery
10/07 Orlando, Florida: Wills Pub
10/08 Atlanta, Georgia: The Earl (with Sunburned Hand of the Man)
10/09 New Orleans, Louisiana: Hi Ho Lounge
10/10 Denton, Texas: Hailey’s
10/11 Austin, Texas: Emo’s Lounge (with My Education)
10/13 Phoenix, Arizona: Modified Arts
10/14 Los Angeles, California: The Smell
10/15 San Francisco, California: Rickshaw Stop
10/18 Portland, Oregon: Rotture
10/19 Tacoma, Washington: The New Frontier (with Ribbons)
10/30 Seattle, Washington: Showbox (with Shudder to Think)
11/04 London, England: Scala (with WHY?)
11/06 Haarlem, Netherlands: Patronaat
11/07 Brussels, Belgium: Botanique
11/09 Dijon, France: Why Not Festival (with Silver Mt. Zion)
11/11 Toulon, France: Theatre de la Porte D’Italie
11/12 Montpellier, France: 100% Festival
11/14 Grenoble, France: Le Ciel
11/15 Strasbourg, France: Laiterie (with Notwist)
11/19 Dudingen, Switzerland: Bad Bonn
11/22 Rome, Italy: Init
11/24 Vienna, Austria: Szene

Photo by Robert Newell.

Woodhands “Dancer”

Toronto-based threesome Woodhands just released their latest album, Heart Attack. “Dancer,” the appropriately named first single, is an enthusiastic electro-pop gem with a dirty underbelly. Sweet female vocals run up against abrupt male shouting (Is he screaming “You’re Michael Jackson”?) over bright synths that slow for an understated, glitchy bridge. The composition will either make you move or make you “want to cry while you’re having sex,” as the band puts it. Lulu McAllister

Dancer

The Bug Adds Tour Dates

Kevin Martin, a.k.a. The Bug, has tacked several more dates onto his previously mentioned tour. He’ll be showcasing his new album, London Zoo in North American cities through mid-December. Ghislain Poirier and his trusty sidekick, MC Zulu, will join Martin for one for one of the dates, then it’s on to several shows with Nine Inch Nails.

09/12 Glasgow, Scotland: Glasgow School of Art
09/19 Nelson, British Columbia: TBA
09/20 Vancouver, British Columbia: Open Studios
09/21 Edmonton, Alberta: The Pawn Shop
09/26 Los Angeles, CA: Pure Filth
09/27 San Francisco, CA: Club Six
09/28 Seattle, WA: Neumos (Decibel Festival)
09/30 Portland, OR: Rotture
10/01 Chicago IL: Subterranean*
10/02 Montreal, Quebec: Academy Club (Pop Montreal)
10/03 New York, NY: Love
10/04 Boston, MA: Great Scott
10/11 Manchester, England: Warehouse Project
11/01 Leeds, England: Warehouse Project
11/07 Graz, Austria: Elevate
11/28 Rapid City, SD: Rushmore Plaza Civic Center#
11/29 Billings, MT: Metrapark Arena#
12/01 Saskatoon, Saskatchewan: Credit Union Centre#
12/04 Kelowna, British Columbia: Prospera Place#
12/05 Victoria, British Columbia: Save on Foods Memorial Centre#
12/07 Portland, OR: Rose Garden Arena#
12/08 Nampa, ID: Idaho Center#
12/09 Missoula, MT: Adams Center#
12/12 Sacramento, CA: Arco Arena#
12/13 Las Vegas, NV: Planet Hollywood Resort and Casino#

* = w/ Ghislain Poirier, MC Zulu
# = w/ Nine Inch Nails

Kevin Martin a.k.a. The Bug with MC Ras B and Warrior Queen. Photo By Sheikh Amhed.

Seven Questions for Pascal Pusher

Lyon-born, Paris-based Pascal Rioux doesn’t have much time for the “French Touch”–the signature disco-house sound established by Daft Punk, Etienne de Crécy, and Cassius. Rioux played his share of house music as a club DJ in the 1990s and producing tracks for the Rotax label and Glasgow Underground, but he found his soul in American ’70s and ’80s funk and established several labels and Pusher Distribution to bring his beloved grooves to the world.

Pusher trades in imprints like Q-Tapes, Soultronik, Beat & Discovery, and Big Single, the latter of which has been tearing up American dance floors with its rare groove reggae remixes. Big Single’s “biggest” releases include Mato’s Jamaicanized Rick James “Mary Jane” remake and breakthrough reggae band The Dynamics’ covers of Rolling Stones “Miss You” and White Stripes “Seven Nation Army”–all straight party jams!

Next up from the Pusher camp is an album by French-Vietnamese producer Onra, which takes beat digging in Hanoi to a new level, and the anticipated debut solo album by Mr. Day, the alias of Eric Duperray, a.k.a. Patchworks and the Dynamics front man. Believe me, the Pusher’s dope is some addictive stuff! Pascal vacationed in the Western U.S. this past month and gave us some music and culinary impressions.

1. XLR8R: Do you do A&R as well as run Pusher?

Pascal Rioux: I run the Favorite [label], which I started in 2004 with a release by an American ’70s soul artist, Lee McDonald. I met him in New Jersey after Mr. Day and I covered one of his songs and had some business to clear up. In 2005, I started Big Single with a release by The Dynamics. I’m doing both labels by myself.

2. Do you release mostly French artists?

75 percent are French, except for Lee McDonald and Modo Solar, who are from Sao Paulo, Brazil.

3. How did the The Dynamics get so big?

The concept was to do an all cover album, which is not a new idea–Jamaican artists have been covering American songs for a long time. But we wanted to take classics, like Curtis Mayfield’s “Move On Up” or Rolling Stones–songs that everyone knows–and do them in a reggae style. Their first single, a cover of “Seven Nation Army,” sold 4000 copies. The second album will be something different, a mixture of reggae, Afrobeat, Ethiopian jazz. and soul.

4. Distributors are going out of business left and right. Why did you start Pusher?

I wasn’t happy with traditional distribution because the distribution rep takes one Euro to put your record’s name on a list. The Pusher company really saved our labels’ business. I started out small and now I deal with 40 shops. But we only sell music that we love and feel. We’re not in it to do a big volume of sales.

5. What was your favorite music when you were 21?

I loved early ’80s funk, like Marvin Gaye, Isley Brothers, Leon Ware, Cameo, Mtume, and Donny Hathaway.

6. What brand do you smoke?

Merit, or I do roll-ups, cause you don’t smoke as many of those!

7. What’s the strangest American food you’ve had on this trip?

Well, first of all, American restaurants put cheese on everything. One place we went had tuna with cheese on it [A tuna melt –Ed]. I guess the strangest thing to me was trying [chicken-fried] steak. Everything here is fried. And you’ll never see those large quantities of food in France. When Americans come to France, they’ll feel underfed!

Lake “Blue Ocean Blue”

Lake are unabashed makers of pop music, and this, paired with their apparent love of Dr. Seuss, makes for an upbeat, feel-good debut album, Oh the Places We’ll Go, for K records. Members of the group, all currently based in Olympia, WA, are all multi-instrumentalists and songwriters in their own right. Combined, they make danceable, slightly psychedelic music fill of snares, keyboards, reverb-drenched vocals, and thoughtful lyrics. And you have to give props to a band unafraid of referencing the name of a Dr. Seuss book for an album title. Photo by John Ringh.

Lake – Blue Ocean Blue

Five Star by Free Blood

Experimental soulsters Madeline Davy and John Pugh of Free Blood discuss their favorite lords of the dance.

Busby Berkeley
Busby Berkeley is responsible for the classic style of movie-musical choreography yet his stuff stands as some of the most experimental and psychedelic. He was never hesitant to spend studio money on his vision, even it meant building a giant fountain or an orchestra of violins outlined in neon. Berkeley exploded perspective by moving the camera around, beneath, and above the dancers. The scenes build in visual density until the human forms become completely abstract.

Michael Clark
Like Berkeley, Clark often works with camera angles and editing. “Because We Must, Part 3” has a beautiful overhead scene of dancers moving their bodies and guitars together to form shapes. He makes hyper-relevant pieces, often collaborating with contemporaries from other fields like Wire and Leigh Bowery. He also has great pieces exploring the movements of one body. “Shivering Man” shifts between a nimble pixie character and a man who shakes uncontrollably.

David Byrne
The Talking Heads’ “Once in a Lifetime” video plays off this idea of the body’s limitations. David Byrne spazzes and jerks in a way that makes it seem as if his body is in control of him and not the other way around–there’s a sort of humor involved. The video uses multiple and repeated sequences of his gesticulations to the point where you start to see the buried rhythm in his apparently random dancing/seizures. The repetition creates order, no matter how chaotic.

Bob Fosse
Fosse is the exact opposite of Byrne. He is serious precision in action. As a solo performer and choreographer, Fosse made every move and step so fucking sharp it cuts your eye just watching it. The fingers and toes are all pointed just so. The chin slanted in a very specific angle, either up or down. There are no accidents in Fosse’s work. No camera trickery or weird props. Just one scarily adept performer strutting, swinging, dipping, scraping, and flipping across the stage–all in one take!

Soul Train
The Soul Train dance line is a source of inspiration. The idea of striving to be the freakiest/sexiest/smoothest/whatthefuckingest dancer on the floor is sometimes sorely lacking from dance parties. If we all had just 20 seconds to show our stuff, you’d want it to count, right? Dancing with friends when you’re trying to shock or just crack each other up is when you come up with your best moves.

Ghislain Poirier “Go Ballistic feat. Zulu (Toddla T & Duckbeats Remix)”

It’s not hard to obey this track title’s command. Canada’s king of bass, Ghislain Poirier, has teamed up with badman MC Zulu, and the two do, in fact, seem to go ballistic, with soca-drenched rhythms and melodic raps that bounce up and down with the beats and bass. For the remix, Toddla-T and Duckbeats, who have reworked the likes of Hot Chip, Tricky, and Kid Acne, turned the original rhythm inside out by adding some good old-fashioned shuffle to the beat. We dare you not to go a little nuts upon hearing this.

Ghislain Poirier – Go Ballistic feat. MC Zulu (Toddla T & Duckbeats Remix)

Arctic Hospital Neon Veils

Here comes love: from Wisconsin, by way of Japan, it’s the first release on a promising new label (an offshoot of Plop) dedicated to techno, dub, and minimal. Eric Bray’s work as Arctic Hospital–he’s also in a band called The World on Higher Downs–is warmer than its name suggests, and it’s got nothing to do with coldness or routine functionality. Each of Bray’s eight tracks of ambitiously crafted techno exceeds the six-minute mark, so they seem designed to fade deliciously into and out of the likes of Luomo and Minilogue in a DJ set. With an edge that’s aerobic as well as cerebral (not to mention, pretty), they’re all sharp enough for the discriminating dancefloor.

Page 2853 of 3781
1 2,851 2,852 2,853 2,854 2,855 3,781