Jef Stott Saracen

Since founding Lumin and Stellamara, Jef Stott developed a jones for Middle Eastern sounds; then went on to degree in anthropology and pen ethnographies of Morocco and Turkey. After working with music pros in those locales, as well as in Algeria, Egypt, Iran, and Tunisia, Stott added the influence of his S.F. tribal scene presence and live performance vibes to create Saracen, his first full-length release. Instead of taking a dance/dub base and plugging in Middle Eastern traditions here and there, he reverses the mix, producing contemporary Middle Eastern music. While Stott adeptly plays a host of native instruments and is a master knob-twiddler, he surrounds himself with indigenous musicians and vocalists and the results could blare out of Cairo marketplace speakers with nary an eyebrow raise.

Noro Morales Quintet “Saona (Gilles Peterson and Sinbad Remix)”

Gilles Peterson has been selecting cuts and spinning mixes for couple decades, focusing mostly on acid-jazz and latin fusions on BBC radio and in London clubs. Over the years, he’s run a slew of labels, including Acid Jazz Records, Talkin’ Loud, and, currently, Brownswood Recordings, and he’s a life-long cratedigger who owns a house just to store his massive record collection. Pulling from these unfathomable vaults and encyclopedic knowledge, Peterson has been responsible for some great compilations, including the Fania DJ Series that this track comes from. Adding some spaced-out depth and anachronistic effects, Peterson and Sinbad update this rare cut from the Noro Morales Quintet. Wyatt Williams

Noro Morales Quintet – Saona

B.Dolan The Failure

On The Failure B.Dolan–slam poet veteran and regular Sage Francis opener–yells, whispers, and raps over varying beats, samples, and noise on his dark-tinted, hard-to-categorize debut. Whether talking politics (“Young Americans”), flexing rap cadences (“Knock, Knock”), or fervently dishing dialogue (“Sky Cycle Blues”), Dolan does so with wit and vigor. The Failure does have disjointed moments (“Junk Poetry” and “The Scorpion Arrives”), but they reflect a non-linear approach that doesn’t pander to any genre, trend, or type of listener. Weird, heavy, and full of presence, The Failure, solidifies B. Dolan as a performer who can leave a mark solely with words and energy.

Au Verbs

At times, Au’s Verbs can be a calm meditation; other times, a jubilant parade through Portland, OR. Luke Wyland, the multi-instrumentalist behind the experimental folk-pop band, casts various PDX artists to help flesh out the swirling sounds on his second studio album. Included on the roster is Becky Dawson of Ah Holly Fam’ly, who lends her operatic vocals to the upbeat, hand clap-driven pop jam “rr vs. d.” “Are Animals” explodes into carnival mayhem after the two-and-a-half-minute vocal chorus build-up of “All My Friends”; more than 20 people clap furiously and howl gibberish while Dawson’s voice floats gracefully above it. The star, though, is bandleader Wyland, whose instrumental talents and knack for collaborations make this album worthwhile.

The Black Ghosts Ready Full-Length

As mentioned on XLR8R.com last fall, The Black Ghosts “have a knack for combining dance-punk, indie-pop, and electro-breaks, and somehow do it without sounding lame.” Simon Lord and Theo Keating sing, rock out, and have a taste for spooky outfits, and the same should be true when the London-based duo releases its self-titled debut album on L.A.’s IAMSOUND imprint.

Full of electro-pop grooves, the album follows 2007’s Any Way You Choose to Give It EP and will feature Damon Albarn guesting on vocals. Stay tuned for tracklisting, videos, tour dates, and more.

Pon DI Wire: Wayne Marshall Mixtape, Wailers Book Jazzie B Gets Royal Treatment

After dispelling several rumors, including one that he had checked into Kington’s Ward 21 psychiatric hospital with a “confused state of mind,” producer Donovan “Don Corleon” Bennett announced the start of a U.S. and Japanese tour with Munga, Pressure, and Alaine. Bennett will release his new Secrets riddim next week, with songs by Queen Ifrica, Morgan Heritage, Jah Cure, and Buju Banton.

Dancehall singjay Wayne Marshall (pictured above) will soon release a new mixtape called True Story. The title is a play on the singer’s signature song intro, “tr-true-true!” The tracks are mixed by Federation Sound’s Max Glazer and feature an all-star guest roster that includes Bounty Killer, Busy Signal, Mavado, Stephen Marley, and Future Fambo. Marshall says: “Most of the tracks [have] never been heard before,” adding, “A DVD is also included in the package, to give fans a behind-the-scenes look at the making of the CD.”

Mr. Vegas is back with another big tune and video for his single “Mus Come a Road”. The song rides a new cut of Barrington Levy’s 1982 smash “Prison Oval Rock;” Levy also makes a cameo in the video. Utilizing vintage wardrobe and street backdrops, the evocative video was shot by Winston Mayhew, whose credits include Busy Signal’s “Jail,” Morgan Heritage’s “Nothing To Smile About,” and Duane Stephenson’s “August Town.” The song decries Jamaica’s justice system and appeals to jailers to free those charged with low-level offenses.

The Wailers band finally gets its due in a new book by noted reggae writer John Masouri. Wailing Blues: The Story of Bob Marley’s Wailers (Wise Publications) tells the story of a band that was largely overshadowed by its charismatic leader, Bob Marley, and unfairly compensated for its contributions to his legacy and music.

The Queen of England has officially recognized the Funki Dread. Soul II Soul’s Jazzie B was bestowed with an O.B.E. by Queen Elizabeth for his contributions to British black music and work to support youth in music and sport. Known for its number-one hit, “Back To Life,” Soul II Soul remains active as a recording group and soundsystem. Jazzie B also compiled the new vintage reggae collection, School Days, out June 9 on Trojan Records.

Jamaican artist Prophecy has topped the Italian music charts with his cover of Black Uhuru’s “Guess Who’s Coming To Dinner.” Produced by Delroy ‘Worm’ Nevin on his Jah Birth label, Prophecy teams up with deejay Delly Ranx on this song, which is receiving heavy rotation on Italian radio.

In other new music news, Sean Paul’s hypeman, Farenheit, released his latest Josh One-produced single, “Hit ‘Em” (featuring Sean Paul and Jigzagula), last week via iTunes. Reggae Gold 2008 (VP) will drop June 17 and feature news songs by Mavado, Serani, Bugle, Wayne Wonder, plus an exclusive bonus DJ mix disc created by Mighty Crown Sound System.

Michael Franti and Spearhead will issue their new, heavily reggae-produced album, All Rebel Rockers, September 9 on Anti- Records. Recorded in Kingston, Jamaica with Sly & Robbie, the new release channels hybrid dub-infused soul flavors and features Zap Mama founder Marie Daulne and Jamaican soul/dancehall star Cherine Anderson.

Reggae Sumfest returns this year on July 13-19 in Montego Bay, Jamaica. Dancehall Night, on Thursday, July 17, will feature Beenie Man, Bounty Killer, Elephant Man, Mavado, Busy Signal, and Vybz Kartel, alongside newcomers Erupt, Demarco, and Serani. Friday’s Reggae Night features roots artists Queen Ifrica, Richie Spice, and Jah Cure, while Tarrus Riley and songbird Etana round out the International Night on Saturday, July 19.

Hot 107 Richie B’s Reggae Top Ten Chart
1. Lust “Just As I Am” (Born Music)
2. Black Judah feat. Warrior King “Mercy Please” (Teflon Blood)
3. Daville “Yesterday” (Fashowzy)
4. Terry Linen “Mood For Love (Missing You)” (Uplifting Music)
5. Prestige “I’m Bless” (Timeless)
6. Jr. Reid feat Andrew & Wada Blood “Want Tek Life” (JR Music)
7. Queen Ifrica “Choppa Grade” (Nice Time)
8. Sophia Brown “Love You Pure” (Cell Block/321 Strong)
9. Etana “Warrior Love” (Freemind)
10. Tony Rebel “Love Fire” (Taxi)

Top 10: Health, Daedelus, Audion

Varioius
Health/Disco
Lovepump United
Release Date: Out Now

If Health’s debut album was something of an assault on the ears, this collection of remixes should ensure they bleed. The L.A.-based synth-punk outfit hand-picked a collection of artists to rework tracks off its self-titled full-length. The resulting Health/Disco features Crystal Castles, C.L.A.W.S., Nosaj Thing, Curses, and Acid Girls (who deliver the standout tracks) reworking Health’s originals into an array of musical styles. A careful attention to track arrangement on the part of Health makes this sound like a proper album and not merely a collection of remixes.

Nalepa
“Monday (The Glitch Mob Remix)”
Download Here

We dropped this one on our MP3 section a few weeks ago, but nary a day has gone by since then I haven’t pulled it up in iTunes and let it blast, particularly in the morning. What better way to charge into a busy day than with this pounding, glitch-heavy number that features piles of synth chords, distorted feedback, and a bassline that will rival the next big quake we have here in San Francisco? Imagine what would happen to my speakers if these guys ever release a full album together…

Oh No vs. Oneness of Juju
Oh No vs. Oneness of Juju
Stones Throw

Indie hip-hop meets ’70s funk on this disc, a collaboration between producer Oh No and celebrated saxophonist J. Plunky Branch. The two connected when Oh No sampled Branch and his Oneness of Juju band for a track, and a match made in heaven ensued. Here, crisp rhythms meet crooning, hip-swinging funk and soul flavors made by electric guitars, saxophones, and vocals smooth as a gourmet coffee. As yet, this comp is unavailable to the masses, so you best begin spamming the inboxes of Stones Throw employees to ensure it becomes an actual release. Photo by Dan Monick.

Emmanuel Jal
War Child
Sonic360
Release Date: Out Now

Emmanuel Jal was a veteran of two civil wars by age of 13. He learned to carry an AK-47 before he was as tall as the gun. Such is life for a youth in Sudan–the country has been paralyzed by violence, slavery, and forced displacement in a civil war that has been fought off and on since the ’50s. For a former rebel fighter now in his mid-20s, Jal is lucky–he’s alive and outside of the conflict that continues today. Needless to say, his solo debut, Warchild, sees him working through some heavy memories, which makes for a captivating listen. Neal Pogue (OutKast, Talib Kweli, TLC) contributes his smoothed-out production skills to the album, leaving a glossy varnish on these rough tracks. Wyatt Williams

Nobody Presents Blank Blue
Western Water Music Pt. 2
Ubiquity
Release Date: Out Now

Talk about a concept album. Elvin Estela, better known as 31-year old producer Nobody, teamed up with vocalist Niki Randa for this album, which is a marriage of their respective talents and an epic tale of Armageddon, destruction, poisonous mushrooms, and a population living under water. Each song features a different character’s point of view in the story, from an omniscient narrator to a psychic fish, to victims of the fallout. Musically, Estela’s production is at its best here, with gorgeous arrangements of guitars, percussion, floating synths, and harmonies that do, at times, feel akin to gently floating underwater.

Audion
Billy Says Go
Spectral Sound
Release Date: May 26

Matthew Dear returns under his Audion guise and rolls out another three tracks of unadulterated minimal techno. The title track bumps along amid an array of percussion sounds, spooky choruses, and not much else. “Snap Into It” plunges the listener into dance music’s netherworld, with a heavy, persistent bassline that hypnotically repeats itself until the end of the track. Finally, “Against All Odds” is an unsettling number that takes its good old time to climax, teasing you with one laptop-generated sound after another until the entire thing explodes somewhere around 5 minutes and thirty seconds. Nice!

Daedelus
Love To Make Music To
Ninja Tune
Release Date: July 15

On this, his first full collaboration with Ninja Tune, Alfred “Daedelus” Darlington knows no middle ground–not that he ever paid heed to it before. In fact, one of the best things about this all-over-the-map producer (who seems to release something every two months) is his ability to tackle multiple genres in ways the rest of us would never even think of. On Love To Make Music To, he covers banging electro, soul, hip-hop, and all those sub-genres in between while simultaneously telling the story of a man who gets trapped in a morgue at the 1893 World’s Fair in Chicago. As always, the energy is relentless and the eccentricity in full force.

Ratatat
LP3
XL
Release Date: July 8

This is, as its straightforward name indicates, the third full-length from N.Y.-based duo Ratatat. What have the kings of guitar-driven synth noise been up to since the release of Classics in 2006? Continuing to dabble in their particular version of instrumental rock, though this time around, Mike Stroud and Evan Mast focused mainly on pianos and layered up the synthesizers instead of their usual guitar fare. Songs feel more meticulously constructed here when compared to the duo’s first two releases, and there’s a touch of melancholy that crops up from time to time and creates another level of depth to the music.

He Can Jog
MiddleMarch
Audiobulb
Release Date: June 27

The cover of this disc–a girl clad in white standing in a bleak, wintery woodland–hints at the contents of this release, the latest from Midwest-born producer Erik Schoster. Combining dreamy pop music with experimental electronics (not to mention an arsenal of bells, harps, acoustic guitars, laptop-processed bleeps, and static), he has created an album that would please both laptop scientists and kids wanting something pretty to listen to while driving a car. And yes, the album is named after the George Eliot novel.

The Delta Fiasco
Dreameaters EP
Smoke and Mirrors
Release Date: May 22

With the hybrid of dance and rock music being a particular fascination of the XLR8R crew right now, it’s appropriate as ever to profile these three lads from Liverpool. They may look like your average hipster outfit making throwaway tunes no one will remember in two years, but in actuality, this band fuses the energy of current dance music with the traditional indie rock song structures, and does so quite well. Most notable here is singer Nathan Walczak as he belts his lyrics with as much ferocity as the best of today’s broken-hearted indie musicians.

Pictured above: Health at the House of Spirits in Echo Park. Photo by Health.

Last Week’s Top Ten

Cryptacize Holds Karaoke Contest

Putting out a remix version of 2007’s Dig That Treasure would seem the natural next step for Cryptacize, but the Bay Area-based trio who tends to eschew predictability has instead opted to hold a karaoke contest. Contestants can submit their own versions of the track “Cosmic Sing-along” and possibly win some cash.

From a recent press release:

“Record a karaoke version of “Cosmic Sing-a-Long” and email the mp3 to akcontest [at] gmail [dot] com, or post your video to YouTube or Vimeo and email the link to that same email. Contestants can sing as a group or solo, make up new lyrics, choreograph dance, puppets, employ special effects and extensive CGI and/or stop-motion, or anything really. Points galore for creativity.”

The deadline for entries is June 7, and the winner will be announced on June 15. Click here to get the karaoke version of the track, and if you need a refresher, pick up the original here.

Blue Sky Black Death Late Night Cinema

On their fourth full-length and first completely instrumental album, the production duo of Kingston and Young God (a.k.a. Blue Sky Black Death) employs a variety of sounds to craft an orchestral masterpiece. (Think Beethoven with a sampler and drum machine.) The six-minute opening track, “The Era When We Sang,” opens with rapid keys, atmospheric percussion, and a soulful vocal sample before a breakdown of soft strings, pianos, and a light flourish of horns takes over. It sets the pace for what follows: a dark yet beautiful soundscape with heavy classical overtones and lush drops that commands listeners’ attention, navigating us through various moods. Late Night Cinema may be categorized as “hip-hop,” but it’s better suited for the opera hall than your trunk.

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