Brazilian Street Art Takes Over Manhattan

A joint collaboration between the Jonathan Levine Gallery and the Choque Cultural Gallery (Sao Paulo) is bringing Ruas de Sao Paulo: A Survey of Brazilian Street Art, to New York on February 17. As its name suggests, the aim of this event series is to expose Brazillian artists and their culture, as well as promote an interactive relationship with audiences. Funded in part by a benefit held last month, there will be a public mural project, live painting demonstration, art exhibition, and Brazilian-themed celebrations. The event will also feature video-mixing with Brazilian artists and their work.

On February 15, the Hiro Ballroom will hold a launch party for the show hosted by the Jonathan Levine Gallery and the Choque Cultural Gallery (Sao Paulo). The party will also feature DJ Greg Caz from Brazilian Beat Brooklyn and live painting, the results of which will be available for purchase following the event.

Ruas de Sao Paulo opens February 17, 2007 at the Jonathan Levine Gallery.

Cameron Octigan

Bob’s Getting Boring?

February in California means colder days, the Grammys, and the annual Ragga Muffins Bob Marley Reggae Festival that travels to Long Beach, San Francisco, and Santa Cruz. The event, organized by promoter Moss Jacobs and radio deejay Barbara Barabino, is in its 26th year, and although the two-day concert serves as a major gathering for West Coast reggae enthusiasts, many veteran supporters are grumbling about its increasingly uninspired line-ups.

Headliners such as England’s Steel Pulse and Pato Banton are omnipresent at American reggae festivals, and tour the West Coast with near Timex predictability. Record collectors and fans revere Jamaica’s Bunny Wailer and Junior Reid, but neither has released solid albums in decades, and their stage shows rely heavily on their careers’ hits. Many ardent reggae fans, critics, and radio personalities have commented to xlr8r.com that the showcases lack juicy draws and current chart-toppers like Sizzla, Capleton, Baby Cham, Vybz Kartel, Buju Banton, Beenie Man, and newer roots acts like Jah Mason, Lutan Fyah, Junior Kelly, Queen Ifrica, and Fantan Mojah.

One reason for the absence of such talent may be the ongoing frictions between certain Jamaican artists and gay and lesbian rights groups, which recently forced the near-cancellation of Buju Banton’s October 2005 appearance in the Bay Area. Another factor could be the skyrocketing cost of artist appearances in general, with some acts charging as much as $20,000 (USD) per show.

Some respite from the less-than-reggae crossover fare that includes Orange County’s Pepper, Nor Cal hip-hoper Wisdom, and the Hawaiian act Ooklah the Moc comes from authentic talents like Richie Spice, who, unlike the majority of other acts on the bill, has both a current Jamaican Top 30 single (“Brown Skin” on Don Corleon) and a highly anticipated new album (In The Streets To Africa on VP, out Feb 20). Other awaited performances include the late-’80s female deejay sensation Lady G, reggae’s “first family” Morgan Heritage (who are also in the charts with their single “Brooklyn and Jamaica” on Juice Boxx), and a rare visit from ‘’70s-‘’80s rub-a-dub crooner Leroy Smart.

Morgan Heritage, Steel Pulse, and the Twinkle Brothers are all slated to appear at the festivals.

The rest of the bill offers more questions than answers. For instance, will Kenyatta Hill, the son of recently departed Culture band leader Joseph Hill, be able to adequately fill his father’s shoes? What will the Gladiators sound like minus their signature vocalist Albert Griffiths? Will St. Croix’s Midnite deliver the sublime roots meditations they’re capable of, or an unpolished snooze fest? Finally, new roots singer Gyptian was recently denied entry to the U.S., so only Jah knows if the announced line-up will remain intact.

Fans who bus it over to Long Beach will be pleased by the city’s exclusive Marley Day appearance by U.K. roots/dub act the Twinkle Brothers, making those in the Bay Area and the seaside hamlet Santa Cruz scratch their heads and wonder why they didn’t buy a Long Beach ticket.

Many nations now celebrate Bob Marley’s birth with tributes and concerts. Perhaps the popularity of these gatherings will inspire Ragga Muffins to regain their edge as the best in the West.

Tomas Palermo

Show Info

Long Beach
Saturday, February 17
Lineup: Steel Pulse, Richie Spice, Pepper, Gyptian, Ce’Cile, Bushman, Lady G, Leroy Smart, Admiral Tibbett, Black Judah, Wisdom, and Luna Angel.

Sunday, Feburary 18
Lineup: Bunny Wailer, Junior Reid w/Andrew & Wada Blood, Morgan Heritage, Midnite, Pato Banton, Gladiators, Culture, Cultura Profetica, Ooklah the Moc, and Mr. Mutton.

Festival MCs: Amlak Tafari & Richie B

Santa Cruz
Thursday, February 22
Lineup: Steel Pulse, Eek-A-Mouse, Morgan Heritage, and Culture.

Friday, February 23
Lineup: Bunny Wailer, Midnite, Twinkle Brothers, Gladiators, Soul Majestic

San Francisco
Saturday, February 24
Lineup:
Bunny Wailer, Steel Pulse, Midnite, Eek-A-Mouse, Morgan Heritage, Gladiators, Cutlture, Luna Angel, and Wisdom.

Aereogramme on Tour

Scotland’s Aereogramme, whose My Heart Has A Wish That You Would Not Go hit record stores Tuesday, heads Stateside for the first time in four years after an intense struggle to finish the album and some very bizarre health problems.

If this new release seems a quieter affair than 2006’s cathartic, noise-ridden Seclusion, it’s with good reason. A throat infection (supposedly induced by touring, cigarettes, and whiskey) found member Craig B mute for several weeks when writing My Heart… in 2005, and the pensive, serene melodies and string arrangements on the songs no doubt reflect both the stillness and frustration he was feeling.

In the end, more good than bad has come of Craig’s period of quarantine. Critics agree this is a potentially career-changing album for the band, and you can see for yourself when they hit the road this spring alongside labelmates A Northern Chorus. Check back for further updates to the tour dates, coming soon.

My Heart Has A Wish That You Would Not Go is out now on Sonic Unyon.

Tour Dates
04/01 Philadelphia, PA: Johnny Brenda’s
04/02 New York, NY: Knitting Factory
04/03 Brooklyn, NY: Luna Lounge
04/04 Boston, MA: The Middle East
04/09 Chicago, IL: Subterranean
04/13 Seattle, WA: Crocodile Cafe
04/16 San Francisco, CA: The Independent

Video: Dead Space Film Preview

Somewhere in the city of Paris lurks French graffiti artist Psyckoze, and filmmakers Jean “Turf One” Labourdette and Marielle “Lela” Quesney were there to document his action in Dead Space. As its title suggests, the film follows Psyckoze through the empty landscape of abandoned tunnels, namely the famous Catacombs that stretch for 69 miles below the streets of Paris.

Watch a preview of Dead Space now at XLR8R‘s Video Section.

Hey-o-Hansen The 06 Singles

The 06 Singles is an intriguing and rewarding piece of dancefloor science from a priceless Berlin oddity who purveys killer Deutsch-Afro-Alpine dubstep sounds. This collection of the six singles and five remixes released over the last year touches on everything from the maximal (the accordion stomp of “Moon” and the crushing Amens of Karl Marx Stadt’s “Extinguisher” remix) to the minimal (Harzkrafthof’s gorgeous, slinky, techno remix of “Gogogo”) and everything in between. Rasta/African-inflected vocals also add serious depth. This one’s a gem.

Gus Gus Forever

On their fifth album, Gus Gus appears to be adhering strictly to the adage “Fuck art, let’s dance.” Now stripped down to a core trio-Biggi Veira, Earth, and President Bongo-alongside a handful of collaborators (Pall Oskar, Aaron Carl, former member Daniel Agust), the group frequently looks towards archetypal dance-music lyricism rather than anything consciously “arty.” Nevertheless, they manage to appropriate an Argentinian football chant: “If you don’t jump, you’re English,” they declare in the song of the same name. If you ain’t jumpin’ to Forever, check that your legs aren’t broken.

Gui Boratto Chromophobia

Now that he’s covered all of the Kompakt sublabels, Gui Boratto finally makes it to the mothership with his debut long-player. Blending emotive charm and microcosmic beat programming, tracks like “Terminal” and “Hera” charge the air with a refined electric sizzle while snappy, back-beaten grooves keep things moving forward. “Gate 7” and “Shebang” employ Jeff Mills-like minimalism with hypnotic loop-layering and serpentine modulation, stopping on a dime and re-engaging for a little dancefloor whiplash. “Mala Strana” and “The Verdict” round the album off nicely with some lightly seasoned ambient downtime.

Frivolous Midnight Black Indulgence

Decadent and enchanting, Midnight Black Indulgence weaves a nocturnal narrative with chapters spanning the emotional and stylistic gamut. Gardner’s virulent 4/4 tech-house minimalisms twist and bump on tracks like “Sooo Savey” and “Forget the Funk,” but it’s the sleek, scat-jazz allure of “The Long Way” and the opiate-like “Abandoned Earth” that indicate the depth of his mastery. Textural subtleties and lightly swirled melancholy are interlaced throughout the album, bringing out a richness in character rarely achieved by many outside of Matthew Herbert or Luciano. The title says it all.

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