Roche What’s Left?

Ben Winans launches this SF-based label with eight tracks of various lengths and approaches to downtempo. Between the distorted electronics of “Intro Fo Show,” the ghostly orchestrations and babbling vocal samples of “Back Again Da Monk Stylee” and the manipulated tripmospheres over the breaks of “Breaks Down,” you’re gonna find what you need as far as bong-hit soundtracks and DJ tools.

Stigmato Inc. Strive To Be Happy Remixes

Barcelona boys Tito Rosell and Carles Sanchez celebrate the domestic release of their debut album with thumping re-rubs of this celebratory jam. San Francisco boy Kaskade nicely chops up singer Danna Leese’s vocals into a stew of boosted beats and filtered effects, Rithma seizes the flute bit and trounces off to a psychotropic rainforest and Supreme Beings of Leisure land you in a breakbeat lounge. Great takes.

The L.A. Issue

Every year we choose one thriving metropolis to shower with love. This year, we pay homage to Los Angeles, featuring the city’s hottest producers, record labels, artists, and clothing designers, including John Tejada, Dublab, Junglist Platoon, Languis, Medusa, Mush, Plug Research, Nobody, Rory Wilson, Showpony, Six Space, Tony Watson, R.A.W. , Slowrider, Florencio Zavala, Buffmonster, Bizzart, the Stones Throw crew, and Aceyalone.

Zip Dimbiman

If you are into minimal techno, you know Perlon. The saga continues with the label’s 33rd release by Zip-a funky, clicky, groove thang replete with dissonant chord pulses. With his finger firmly pressed on the g-spot of dance, Zip continues on with the b-side, “Planet Curry,” a barrage of offbeat blippiness that still maintains that amazing drive to make us dance. Anomalous!

Jon Keneddy Take My Drum to England

Stockport native Kennedy makes it clear that his heart remains with his drum kit on this debut album. The mix of rock-style hi-hats and snares, as well as the funky tom-toms show off his musical background and bring a complex, intelligent rhythm to each track. How fortunate, then, that the drum is only one small piece of this musical collage, which exceeds the boundaries of predictable songwriting. An added bonus are the layers of guitars, flutes and pianos that sound like Layo and Bushwacka and the members of Zero 7 locked in a closet together with an acoustic guitar. And that makes for an album definitely worth checking out.

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