Only a person with an active self-editing mechanism could have produced this album title. And indeed, Canadian Gregory De Rocher seems to have eliminated most of pop’s errors on this deceptively simple paean to electro/synth pop á la Human League. Tracks hover around four minutes and sport basic melodies that quickly worm into the mind, making it easy to overlook the subtle details of production that make this album much more than nostalgic pap. Lowfish scores high, providing understated enjoyment while reveling in machine warmth.