Breakbeat Era/Reprazent drummer Sedgley slows the tempo of his day-job bands in order to go solo as a producer, and the man’s got undeniable diversity happening here. Between the brazenly chunky non-clich?d blaxploitation funk of “Happy” to the perky, digi-soulful and two-stepping “Two-Way” and the rich downtempo steez of “Slowly,” Sedgley leaves us thirsting for more.