Only a total genius nutcase like Dan Deacon could remix a remix and get away with it. Baltimore’s most infamous party-starter makes GZA‘s take on Salvador Santana into a synth-drenched, vocoder-laced piece of hypnotism that almost begs the listener to smoke some heady weed and put it on repeat. With high-frequency whirs and GZA’s voice panning throughout the track, it is difficult to even conjure the idea of the original, which was elegantly produced by The Hood Internet.

Keyboard City (Dan Deacon Remix)