Rolando to Inaugurate New Label with Three-Track EP

A former member of Detroit’s fabled Underground Resistance collective, Rolando has announced the launching of a new imprint, Roland Rocha Records, or R3 for short. Now based in Edinburgh, Scotland, the techno veteran has launched R3 with the goal of allowing for more “artistic freedom to put music out in the right context, [with] the right timing, and [to maintain] the ultimate control of his own work.” As such, the label’s inaugural release will come in the form of the Juu EP, which boasts three new Rolando productions—”Juu,” “Non,” and “Time Adjustment.”

Before the upcoming EP officially launches R3 on April 28, two of the effort’s productions have been included on Rolando’s latest mix, which appeared on the French web magazine Trax late last month. That mix, including “Time Adjustment” and “Juu,” can be heard via the player below, where the artwork for the Juu EP has also been included.

01 Spencer Parker – Spacial (Answer Code Request loop mix) – Work Them Records
02 Random Audio – Outer Space Division – Belief System
03 Spencer Parker – Spacial (Answer Code Request remix) – Work Them Records
04 Ishtar – Aril Brikha (Deep’a & Biri remix) – Black Crow
05 Konplott – Fixed – Be As One
06 Stephen Brown – Medusa (Don Williams remix) – Technorama
07 Deniro – Bobcat – Tape Records
08 Rolando – Time Adjustment – R3
09 Miss Sunshine – Drifter – Coincidence
10 Grg – Wisdom – ???
11 Unbalance – Voice Dub (Rolando remix) – Rebalance
12 Aaardvark – Plus Det – Skudge
13 Josh Wink – Are You There (Harry Romero remix) – Ovum
14 Heron – The Wave – ???
15 Robert Hood – Untitled (Mark Broom edit) – M Plant
16 Rolando – Juu – R3
17 The VS Theme – Echoplex – IMF

Kid Smpl Announces New EP, Shares Lead Single

Returning to Hush Hush for his forthcoming Silo Tear EP, Seattle-based producer Kid Smpl is said to combine ambient atmospheres with rough, mechanical textures on his next record. A press release for the rising artist’s follow-up to last year’s intriguingArmour EP explains that it “presents a colder, more abrasive, and exceptionally physical sound.” Before Silo Tear EP drops on May 5, the record’s titular cut is available to stream below, where its tracklist can also be found.

01. Silo Tear
02. Far Light
03. Ja
04. Core
05. Protect

Carisma “Talento Matema?tico”

The Carisma project represents the combined efforts of Buenos Aires DJ/producers Carolina Stegmayer and Ismael Pinkler. Together, the pair recently delivered the Directamente EP for Matias Aguayo’s consistently unpredictable and effortlessly fun Cómeme imprint, from which the loose-fitting “Talento Matema?tico” has been pulled. With a thick drum machine serving as the tune’s backbone, “Talento Matema?tico” begins with a faint sequenced melody and wordless vocal echoes peppered with playful rythmic FX. Appearing to be in no rush, Carisma only begins to unfold the track well past its opening minute, lacing the tune with vintage chords stabs and new layers of charging hats which file in and out of the production as it runs its effortless course. In addition to this download of “Talento Matema?tico,” Carisma has also passed along a video for its similarly vintage-leaning, Latin-tinged “Que Linda Tu Pradera,” which can be watched in full after the jump.

Talento Matemático

Listen to Bonobo’s Essential Mix for BBC Radio 1

Longtime Ninja Tune affiliate Bonobo has delivered the latest Essential Mix for BBC Radio 1. First aired over the weekend, the two-hour affair—which features tracks from Martyn, Machine Drum, Maya Jane Coles, Mano Le Tough, Dark Sky, Throwing Snow, Dauwd, and Taylor McFerrin, alongside a number of Bonobo’s own productions—is now available to hear in full. After a brief introduction which finds Bonobo quickly covering the trajectory of his career and the ways his live and DJ sets inform each other, the NYC-based producer launches into his mix with a series of dancefloor-friendly tracks steeped in the type of moody, blues-tinged vibes Bonobo has built his reputation on over the years.

The man’s complete Essential Mix can be streamed in full via BBC Radio 1, here, or streamed and downloaded via the player below, courtesy of EverybodyWantsToBeTheDJ. (via FACT)

Vangelis – Abraham’s Theme [Polydor]
Bonobo – Don’t Wait [Ninja Tune]
Letherette – D&T (Dorian Concept Remix) [Ninja Tune]
Dark Sky – Clear [White]
Maya Jane Coles – Something In The Air (Bonobo Remix) [Hypercolour]
Catching Flies – Mama’s Wisdom [White]
Mano Le Tough – Primative People (Tale Of Us Remix) [Permanent Vacation]
Dauwd – Lydia [Kompakt]
Cuthead – Maputo Jam [Uncanny Valley]
Maribou State – Moon Circles [Southern Fried]
Sharon Van Etten – We Are Fine (Tourist Remix) [White]
Jimpster Porchlight & Rocking Chairs (KiNK Remix) – Porchlight And Rocking Chairs (KiNK Remix) [Freerange]
Lorca – Naoko [Naked Naked]
Bonobo – First Fires (Maya Jane Coles Remix) [Ninja Tune]
Jungle – Drops (Pedestrian Edit) [White]
Werkha – Lapwing [Tru Thoughts]
Ten Walls – Requiem [Life And Death]
Francis Bebey – Bissao (Pilooski Edit) [Born Bad]
General Ludd – Woo Ha [Mister Saturday Night]
Romare – Jimmy [White]
William Arcane – Reflected [Pictures]
London Grammar – Hey Now (Bonobo Remix) [Metal & Dust]
Taylor McFerrin Feat. Emily King – Decisions [Brainfeeder]
Throwing Snow Feat. Adda Kaleh – The Tempest [Houndstooth]
Kelis – Runnin’ (Machinedrum Remix) [Ninja Tune]
Illum Sphere – Embryonic (Lone Remix) [Ninja Tune]
Martyn – Glassbeadgames (8 Hours At Fabric (Dub With Four Tet) [Ninja Tune]

Preview Gerd’s Upcoming 12″ for DFTD

On the way from the recently inaugurated DFTD, an imprint of longstanding UK label Defected, Still Believe sees veteran DJ/producer and 4Lux boss Gerd using his well-honed house techniques to construct two brand-new, dancefloor-ready pieces, both of which are now available to preview.

Created with help from Italian DJ/producer Marcoradi, the record’s title track alternates between pointed piano chords and distorted vocal loops, while Gerd’s solo-produced “Work Da Tool” creates a pounding tune out of mechanical synths and choppy vocal snippets. The preview below gives a sneak peek at the varied styles featured on Gerd’s forthcoming two-track 12″, which is set to hit retailers on May 26. Both sides of Still Believe can be previewed before then, below.

MCFERRDOG “I Wanna See”

The 1080p tape label is set to continue building its catalog at a speedy pace with the Club Amniotics album on its way later this month from MCFERRDOG, a new alias of burgeoning NYC producer Max McFerren. Pulled from the 10 “fantastical, weird-as-I-wanna-be experiments” featured on the record is “I Wanna See,” a particularly emotive piece of uptempo house which bends curiously pitched vocal snippets atop its set of pulsing piano chords and airy pads. Though a bit off-beat, there is something intrinsically catchy and surprisingly uplifting to McFerren’s track. Those curious to see where else the stateside producer plans to take his MCERRDOG project will have to wait until April 22, when Club Amniotics drops in both cassette and digital form. In the meantime, a video for “I Wanna See”—featuring an endearingly miniature narrative—can be watched after the jump.

I Wanna See

Daphni Teams Up with Owen Pallett for New 12″; Stream It Now

Daphni, the dancefloor-oriented project of Dan Snaith (a.k.a. Caribou, pictured above), will soon be releasing a new 12″ that features a pair of collaborations with composer, violinist, and fellow Canadian Owen Pallett. Snaith claims that both songs, “Julia” and “Tiberius,” have been a part of his DJ sets for a while and the record will reportedly appear on his own Jialong label next week. The timing is interesting, as Pallett—who previously worked under the name Final Fantasy and has also collaborated with the likes of The Arcade Fire, Beirut, and The Mountain Goats—has a solo LP on his own on the way. Entitled In Conflict, it’s scheduled for release on May 13 via Domino. It’s a safe bet that the album’s content won’t have a ton in common with this new Jialong 12″, but listeners are free to begin forming their own opinions by checking out “Julia” and “Tiberius,” both of which are streaming in full below.

Hyperdub Details New Kyle Hall 12″, Shares Mini-Mix from Kode9

Celebrating 10 years of releasing quality, uncompromising electronic music from around the world, Hyperdub has its sights set on a very big year for 2014. New records from the likes of Cooly G, Fatima Al Qadiri, and King Britt’s Fhloston Paradigm alias have already been announced or released, and we’ve also received the details of the first in a series of four compilations that will arrive this year to help celebrate the anniversary. Adding to that today, the label has unveiled a forthcoming 12″ from Detroit iconoclast Kyle Hall (pictured above) and a mini-mix of new music from Hyperdub honcho Kode9.

Kyle Hall’s “Girl U So Strong” b/w “Take Me Away” 12″ will be the first record to arrive with a previously unreleased track lifted from the upcoming Hyperdub 10.1 comp, and is set to drop on May 12, one week before the aforementioned collection hits retailers. That record’s a-side is among the myriad tracks crammed into Kode9’s 10-minute Hyperdub 10.1 Mini-Mix, which also features new productions from Mala, Kuedo, DJ Rashad, the mixmaster himself, and others. Though no tracklist was shared, Kode9’s quick session can be streamed in full below. The artwork for Hall’s “Girl U So Strong” b/w “Take Me Away” is also below.

Anthony Naples to Release Another Trilogy Tapes EP; Listen to a New Track Now

Anthony Naples had himself a busy 2013 on the release front, issuing records for Mister Saturday Night, Rubadub, The Trilogy Tapes, and his own Proibito imprint. His 2014 has been quiet so far, but earlier today, the Brooklyn-based producer announced that his first effort of the year would find him returning to The Trilogy Tapes for another go-round. Although details about the release are slim—the label has only noted that the EP contains four tracks and is scheduled to appear in May—a new song was shared via The Trilogy Tapes’ SoundCloud. Entitled “Perro,” the the slow-grooving, eight-and-a-half-minute tune can be heard in its entirety below.

J. Velez Territories

Following up last year’s well-received MMT Tape Series collection for Rush Hour, late-blooming Jersey City producer J. Velez presents six loosely connected, genre-defying cuts on Territories, a lean LP which values open-ended sonic experimentation over most everything else.

With the release of Territories coinciding with Velez’s announcement that he would soon be retiring his Professor Genius alias, this LP could be seen as something of a new starting point for the artist’s creative endeavors. If so, Velez here does not seem particularly intent on nailing down an exact direction or sound to define this new era in his career. It’s nearly impossible to pinpoint how exactly Territories‘ six cuts are connected together other than by Velez’s restless sound manipulation and the familiar L.I.E.S. hardware crunch which lines much of the album. Still, the record never sounds at odds with itself; instead, Territories is proudly playful and aimless. Droning opener “Blood and Bones” leads to the industrial chug of “Curves,” and from there, Velez really takes nothing but more left turns—”Festival Mounds” endlessly tweaks bubbling synths over a miniature beat, “Ley Lines” takes a submarine voyage beneath uneasy sci-fi synths, and “Wrecks” offers a thickly textured, faintly melodic soundscape. The closing “Venas” is the record’s only cut that resembles Velez’s work on the MMT Tape Series, its slow-motion four-on-the-floor providing a rhythmic bed for a series of new-age sound improvisations.

Like much of L.I.E.S.’ catalog, Territories is refreshingly unrestricted. Velez sounds free to follow a number of creative whims, and has no trouble seeing them through to their ends. Still, while these various excursions are certainly unique and interesting, they are seldom exciting. As such, this is an LP that is likely to please hardware heads and diehard electronic adventurers, but won’t offer much to those who only venture this far left of the norm for special occasions.

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