Video: Factory Floor “Turn It Up”

UK trio Factory Floor‘s eponymous LP for DFA has been steadily gaining traction—it earned an XLR8R Pick back in September—and rightfully so, as its taut, hard-hitting tunes perfectly encapsulate the visceral experience of watching live dance music methodically unfold. Now, the band has released a video for “Turn It Up,” the first single culled from that record, and its back-to-basics, no-frills visuals line up perfectly with the crisp sound the band has constructed. Director Dan Tombs utilizes a melange of pixelated shapes and morphing colors that bend and weave to the kick drum’s steady beat for a perfectly hypnotic effect.

What’s more, “Turn It Up” is set to drop as a 12″ single via DFA on December 9. The record will arrive backed with remixes from techno luminary Carl Craig and Hyperdub polymorph Laurel Halo, whose reworking of Factory Floor’s track coincidentally capped off her recent XLR8Rpodcast.

Tom Encore “The Roach (Deft Remix)”

After a brief hiatus, London label Concrete Cut will relaunch early next month with the five-track Broadband EP from Polish producer/DJ Tom Encore (pictured above). Alongside Encore’s two original tracks for the effort will be a trio of remixes, including this menacing production courtesy of Croydon’s Deft. Though he keeps things very much heavy-handed, Deft replaces the garage skip of Encore’s original tune with a never-ending array of shape-shifting percussion. The switch keeps the remix at a breakneck pace while also showcasing both Deft’s ability to create brooding sonic force and his keen sense for textural ambience. This extra-strength rework should fit nicely alongside those from Kodiak and Bambooman, which are also set to appear on the Broadband EP when it drops on December 2. In the meantime, a preview of the forthcoming record (including its remixes) can be streamed after the jump.

The Roach (Deft Remix)

Check Out Zed Bias’ New Remix of Illum Sphere

Just a few weeks ago, we were treated to a stream of “Sleeprunner,” the lead single from Manchester producer Illum Sphere‘s upcoming Ninja Tune debut, Ghosts of Then and Now. And today, fellow Manchester resident and 2-step veteran Zed Bias, fresh off the release of his own Boss LP for Swamp 81, has given us the premiere of his remix of that track.Making for a graceful stunner that interweaves a slew of melodic lines over pummeling beats to great effect, “Sleeprunner (Zed Bias Remix)” will be included on Illum Sphere’s “Sleeprunner” single when it drops on December 9 via Ninja Tune. It can be streamed in full before then, below.

Download Nguzunguzu’s Remix of Darkstar

With the recent release of its HD7 remix EP (which happens to feature a new remix by Zomby), Darkstar has shared an additional rework not included in the collection from prolific LA pair Nguzunguzu (pictured above). Taking on Darkstar’s “Timeaway,” Nguzunguzu repurposes the piano-led, melodically rich original song into a booming exercise in street-wise club music, wrapping a spiralling melody around a series of 808 hits and sharp, percussive FX. The resulting remix can be streamed using the player below and downloaded for free here.

Trouw Announces Final Year, Details New Policies

In the last few years, XLR8R has again and again sung the praises of Trouw, an Amsterdam club situated in an old newspaper factory which has become one of our favorite spots on the planet. Planned since its inception as a temporary endeavor, Trouw will enter its final year beginning in January, and has laid out a few new ground rules to ensure that its last 12 months will be memorable ones.

A post on Trouw’s blog announced two big changes to how the club works: First of all, there will be no more pre-sale tickets for regular club nights (although the club does say it will “be making exceptions for concerts and special club nights”). This will be done in an attempt to help preserve “the excitement surrounding the nights,” as the club believes that “the spontaneity and the freedom [of these events] are being jeopardized” by shows that completely sell out well before they actually take place. Furthermore, Trouw will instate a “no cameras” policy beginning January 1 of next year. “We hope that when the cameras are gone, a feeling will emerge whereby everyone can do, act, and wear whatever he/she pleases,” states the post before adding, “What happens in Trouw, stays in Trouw.”

Trouw’s full post about these new policies and the hopes for its final year can be read in full here.

Watch a New Documentary on Low End Theory

The mythology of famed LA club night Low End Theory has grown exponentially over the years, so its only fitting to discover a recent 20-minute documentary about the SoCal institution. Started in 2006 by producer and Alpha Pup founder Daddy Kev, the weekly gathering has been a jumping off point for many of the area’s finest beatmakers, giving such heavy-hitters as Flying Lotus, The Gaslamp Killer, Daedelus, and Nosaj Thing a place to stretch their wings and experiment in a creatively friendly environment. Director Kyle dePinna’s piece features interviews from a wealth of local and satellite producers, as well as clips from several Low End Theory nights, and can be watched below.

Killawatt “1625”

Ahead of the December 2 release of his Bring Down The Walls EP for Osiris, UK producer Killawatt (a.k.a. Matthew Watt) has shared a cut from the record. Opening with a distorted drone which pans from side to side, “1625” lurches toward a ferocious industrial beat. Field-recorded voices and background textures remain constant through the song’s slow and mesmerizing shift from boisterous locked grooves to pounding, untamed techno. Killawatt slowly compresses his mix around the drum pattern as it tumbles onto the downbeat, dragging the hollowed-out track to its pressurized conclusion.

1625

Stream the New Two-Disc Compilation from L.I.E.S.

As we mentioned last month, Ron Morelli’s prolific L.I.E.S. label is set to drop its second two-disc compilation, entitled Music for Shut-Ins, which has now been made available to stream in full. Morelli, whose first venture into compiling tracks from the deep L.I.E.S. catalog was the XLR8R Pick’d American Noise, has described the 21-track offering as “club music for people who hate going to the club.” Spread across two discs and featuring tracks from the likes of Legowelt, Marcos Cabral, Vereker, Beautiful Swimmers, Svengalisghost, Greg Beato, and Beau Wanzer, amongst others, the first disc looks back on 2013, while the second disc leans a little further left, and is said to include “a collection of hits, misses, new loves, and future head scratchers running the gamut from floor-ready beat tracks to post chillout room bleep-hop to industro-wave anti-beat experimentation, with no restrictions or limitations.” The entirety of Music For Shut-Ins can now be heard in its entirety here, courtesy of NPR.

Download a New Mix from Bok Bok

Though he’s recently collaborated with LA-based Fade to Mind vocalist Kelela and is readying a new 12″ with Dutch house mainstay Tom Trago, Night Slugs co-founder Bok Bok hasn’t released much on his own this year. So it’s something of a pleasant surprise to see that he’s helmed the most recent podcast for Resident Advisor. The London DJ/producer’s new mix arrives with the heading “Drum trax,” which is indicative of the percussive music on display from the likes of Karizma, Xosar, Kay Drizz, Jam City, and forthcoming Night Slugs tunes from Helix, Neana, and Deamonds—not to mention a handful of the mixmaster’s collaborative efforts. All of Bok Bok’s new mix can be streamed and downloaded for free here, where its tracklist and a quick Q&A can also be found.

Hexagon? Blue Hour

Boris Bunnik has made his name(s) on ironclad, Detroit-referencing techno and electro variants as Conforce and Versalife (as well as a host of other aliases), and his seldom-used Hexagon project echoes these characteristics. Judging by Blue Hour, Bunnik’s latest EP under that name, Hexagon’s defining aspect is its untethered sense of rhythm. The producer’s drum patterns have stayed pretty stable throughout his catalog, but on the three tracks with beats here, he lets them run fairly wild.

This rhythmic asymmetry helps Bunnik work up a pervasive sense of unease. His often-used string pads hover in places, but thanks to his drums, their emotional intent is murkier. The scattershot patterns on “Absentum” remind of A Made Up Sound or the more abstract end of footwork, moving with a kind of malfunctioning step under off-kilter pads. “Spectral Analysis” conjures up DJ Stingray and Anthony “Shake” Shakir with its mixture of arpeggiated calculator motifs, square-bass zaps, and speedy, metallic drums. The slow-burning “Physical Dimension” is murkier, laced with a kind of 808 boom and swing and puttering, acidic bass, resulting in an atmosphere that’s gusty and more implied than explicitly stated. Bunnik bookends the record with a pair of ambient tracks. “Forecasts” opens with a statement of the discombobulated, forbidding aura to come, while the patient, blinking “Illuminated Atoms” is a relatively pretty finale. Although Hexagon is not as exacting as Conforce or Versalife, it carries with it the same implications of factories whirring into the night—it’s the kind of unflinching, post-industrial techno that will remain relevant, if not always groundbreaking, as long as such landscapes exist.

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