Deadbeat Announces New Album

Montreal dub-techno heavyweight Deadbeat (a.k.a. Scott Monteith) has announced the arrival of his next album, Eight, on his Kompakt sub-label BLKRTZ. Eight, so named because the LP contains eight tracks (how clever), was recorded in an “industrial space” in Berlin, and will drop on September 10. Deadbeat’s new digs were equipped with Moog and Prophet 600 synthesizers, both of which the producer used to add a special analog depth and “full-spectrum bombast” to the songs. The end result is a collection of tracks Deadbeat says are more intense and powerful than his work from throughout the past 13 years. You can check out the tracklist for Eight below.

1. The Elephant in the Pool
2. Lazy Jane (Stepper’s Dove)
3. Alamut
4. Wolves and Angels
5. Punta de Chorros
6. My Rotten Roots
7. Yard
8. Horns of Jericho

Polysick “Totem (FaltyDL Remix)”

“Totem” is the lead-off track from Digital Native, the debut LP by synth-loving Italian Polysick (pictured above), and is, incidentally, one of the record’s stand-out cuts. While the original tune and the full-length on which it resides seem directed at those with an inclination for noodling modular synthlines, this remix from NYC bass practictioner FaltyDL (a.k.a. Drew Lustman) is a production of an entirely different variety. Lustman retains the tune’s clattering percussion and rattling maracas, but strips away most of the song’s melodic and tonal components. To compensate, he injects a heavy dose of bass and emphasizes a vocal hook that offers to “tell you something.” The remix is sparse, percussive, and fairly unusual, but is also sure to perk up the ears of those who already count themselves as fans of FaltyDL’s bass-centric creations.

Totem (FaltyDL Remix)

Hauschka Salon des Amateurs Remix EPs 1 & 2

On 2011’s Salon de Amateurs, Düsseldorf-based pianist/composer Hauschka exemplified the wildly diverse and rapidly evolving art form of 21st-century classical music with a collection of nominally house and techno pieces performed primarily on the prepared piano. On the album, Hauschka altered the traditional timbre of the instrument by manipulating its strings with foreign objects, employing such techniques as clamping them with binder clips, padding them with leather, or adorning them with ping pong balls. Tweaked in this fashion, the strings not only delivered the robust resonance of steel wires, but also produced muted percussive hits, tinny ringing, or any one of a variety of unusual tones. With this added versatility, Hauschka was able to travel down the same roads as The Brandt Brauer Frick Ensemble and the Moritz von Oswald Trio by releasing a vaguely techno/house album with a paucity of computer-generated noises. Now, on Salon des Amateurs Remix EPs 1 & 2, Hauschka continues to champion the post-modern, polystylist ideals of contemporary classical music by soliciting techno producers to inject his tunes with a dose of electronic manipulation.

The first contribution on Remix EP 1 is from tandem producers Ricardo Villalobos and Max Loderbauer, who take on the shimmering and intricate “Cube.” The remix is even more subdued than the original, with piano parts buried behind a percussion track that sounds more like popping speakers than actual drums. The slowly developing tune introduces hi-hats near the three-minute mark, while ever-so-slight variations enter and recede across its eight minutes. It feels as if the original song is being played quietly behind the drums (albeit after a mild warping), and is reminiscent of the the gentle, background cacophony of an orchestra tuning to concert pitch. The EP’s second entry comes courtesy of Kompakt co-owner Michael Mayer, who remixes “Radar” into a beautiful and understated gem that would feel perfectly at home on his own imprint. The song’s aesthetic stays true to the minimal branches of techno and classical music, utilizing a growing melody that builds piece by piece until it fully blossoms well after the track’s halfway point. Bits of plinking piano begin the proceedings, before being joined by a steady four-on-the-floor kick, a deep and hypnotic bassline, and intermingling ostinati provided by strings and piano. Of all the Salon des Amateurs remixes so far released, this take on “Radar” is certainly the most accessible, deftly striking the balance between experimentalism and sweet pop nectar.

The second EP makes a dramatic turn to churning, industrial techno with Steve Bicknell‘s remix of “Tanzbein.” The cold, hard tune is acid-flavored and barely comparable to the original piece. Its greatest similarity to Hauschka’s composition isn’t in its melody or mood, but rather in its ferocious repetitions and subtle changes that beg for an attentive listen. Vainqueur‘s fluttering remix of “Ping” closes out Remix EP 2 with a wash of delayed synthesizers. The atmospheric dub-techno tune is a severe departure from the original song, which is largely jazzy and upbeat, and contains only passing reference to the flitting sounds that Vainqueur emphasizes. The remix’s percussion is soft compared to the complex layers of synth sounds, which allows their elaborate rhythmic combinations to take center stage.

These two EPs precede a larger collection coming out this fall that will feature remixed versions of every song from Salon des Amateurs. If these four remixes are any indication, the complete collection is bound to be a cerebral journey that requires a close listen, rather than a run-of-the-mill remix release that banally rehashes the hooks from the original works. Remix EPs 1 & 2 aren’t difficult music, per se, but could be a touch too esoteric for those patently uninterested in the depth that classical music and experimental techno have to offer. But for those willing to ponder, meditate, and let the music flow through them, rest assured that Salon des Amateurs Remix EPs 1 & 2 can offer great rewards.

Remix EP 1: 8/10
Remix EP 2: 7/10

Boiler Room Announces Details of US Performances

A couple of weeks ago, we let the cat out of the bag regarding Boiler Room‘s launch of a weekly series of events thrown here on this side of the pond. Now, we’ve got all the specs on the series, which kicks off tonight with a performance headlined by MPC wizard AraabMuzik (pictured above). As we noted last time, the events will alternate between locations in LA and NYC, although the specific locales will not be released, as the performances are private and invite-only. Everyone else can, of course, scope out all the action as it happens over at Boiler Room’s livestream. Tonight, AraabMuzik will be joined by Baauer, ShadowBox, LE1F, and Physical Therapy in NYC, while future headliners include Dibia$e, Sinjin Hawke, and MikeQ, among others. Below, take a look at Boiler Room’s American schedule through July.

Los Angeles
July 10 – Dibia$e, Knxwledge, House Shoes, Mndsgn, Ahnu, Ages
July 24 – Sinjin Hawke, MORRI$, Falcons, Dreams, Taurus Scott

New York
June 26 – Araabmuzik, Baauer, Shadowbox, LE1F, Physical Therapy
July 3 – MikeQ, DJ Sliink, Nadus, TBA
July 17 – Ghe20 Gothik
July 31 – True Panther w/ DJ Spoko

Video: Surkin & Todd Edwards “I Want You Back”

The Sound Pellegrino imprint has matched up the great minds of New Jersey garage stalwart Todd Edwards and French producer Surkin for a collaborative EP as the third installment of its ongoing Crossover Series. Ahead of its digital release on August 27 (vinyl is out now), we’re treated to a video for “I Want You Back,” which was directed and edited by strange/mysterious Twitter persona @LILINTERNET. “I Want You Back” marks the first time Edwards has used his vocals on a track since he sang on Daft Punk’s “Face To Face,” and he certainly didn’t pull any punches for this one: The video features cuts of the artist crooning to the camera and wandering the boardwalks of New Jersey in a Sound Pellegrino jacket. As with previous installments of Sound Pellegrino’s Crossover Series (which has already featured collaborations between Bok Bok and Tom Trago and Joakim and Bambounou), Edwards and Surkin sat down for an interview, which you can check out , along with the artwork and tracklist for the pair’s EP, below.

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1. I Want You Back
2. This Way
3. Mighty Love
4. I Want You Back (Instrumental Version)

Teengirl Fantasy “Motif”

Established as they are, Logan Takahashi and Nick Weiss, the Brooklyn-based duo behind Teengirl Fantasy, remain a very oddball proposition. Their music incorporates tropes of classic and contemporary analog synth-based house and techno, but these elements are molded into tracks that don’t really attempt to cater to the dancefloor. Obviously, they can crank out party jams when they feel like it—“Cheaters,” for instance, still sounds incredible two years after its initial release. Teengirl, however, seems to prefer to sculpt and structure its sound around the duo’s impulsive, jam-based working dynamic, its members directing their efforts toward making actual songs while still leaving room for these songs to breathe or transform significantly—if they will it. The group doesn’t pander, and its music is all the more compelling and original for it.

This 12-inch single, Teengirl Fantasy’s debut for the long-running R&S label and a lead-up to its forthcoming second LP, Tracer (which is to be released by R&S outside the USA, while True Panther will handle the stateside release), features a song unique to this release, “Motif,” as well as a remix by Actress and an album cut from Tracer. Not only are all three tracks incredibly different, they’re all quite compelling.

“Motif” is, for a brief passage towards the end, a heavenly piano-house track, but elsewhere it is unclassifiable—a blissed drift through Teengirl’s ecstatic, nebulous dream-house realm. In the song’s seven minutes, there are at least three or four significant stylistic and rhythmic shifts, and even when the rhythms are relatively straightforward, the whirl of synths is busy cultivating a psychedelic mélange that’s too delightfully disorienting to even think about dancing to. A feeling of longing underscores both this tune and “Eternal,” the Tracer album cut included here. Whereas “Motif” moves along a deeper, more cosmic trajectory, “Eternal” is a more succinct, rhythmically insistent track—it keeps the same midtempo pulse and tight array of synths until three-quarters of the way through, when it enters the kind of Balearic, joyous domain that Takahashi and Weiss tend to casually dip into when their push-and-pull dynamic calls for it.

Actress’ remix of the title track is very much in keeping with the English producer’s other work—it’s minimal, hissing, subtly soulful, and hypnotic. The resemblance to the original is difficult to detect. Really, it straight up sounds like an original Actress track, one that could easily have fit on his marvelous, recently released R.I.P LP. Following Teengirl Fantasy’s strong showing on “Motif,” perhaps nobody should be surprised if the pair’s upcoming LP lands in similarly lofty territory.

Voltron “Desire (Jean Nipon Remix)”

Belgium’s Voltron has been doing his homework since last year’s Freshman EP, and has a new collection of six tracks dropping soon to show for it. The Sophomore EP features two original productions, “Play It” and “Desire,” as well as four remixes by the likes of Parisian drummer-turned-DJ Jean Nipon and Fade to Mind artist Gremino. Featured here, Nipon’s remix of “Desire” separates the light elements of Voltron’s version from the heavier components, constructing an airy ascent of dizzy synth sounds and barely there vocal samples that leads to a trembling percussive break. After the jump, you can also check out the video for Voltron’s original tune “Play It,” which revels in a nonsensical psychedelia of digital art as bright neon lights, a floating purple head, and pixelated visualizer sequences all vie for attention throughout the eye-catching visuals.

Desire (Jean Nipon Remix)

Video: Scuba “NE1BUTU”

We’re verging on about five months since Hotflush label head Paul Rose released his third Scuba LP, Personality, and the Berlin-based producer is still dropping related goodies, the latest of which is this clip for album highlight and recent single “NE1BUTU.” As bombastic and colorful as Rose’s production, this energetic video piece presents a fictional Nickelodeon-meets-The Scene TV show where kids get down to the funky dance cut as their moves are edited into flurries of bright moving graphics. It looks like a lot of fun, actually.

Dusk & Blackdown Work with Unnamed Producer for New 12″

A curious bit of news appeared on FACT today, in which the UK website announced that the two DJ/producers behind the Keysound label, Dusk & Blackdown, will soon release a new 12″. But what’s interesting is that the record is credited to Dusk + Blackdown + ; yes, that’s a blank space left for an as-yet-unnamed third producer. What’s more, there are snippets of the forthcoming release’s tunes to listen to, which leave almost no question as to who the elusive artist is. You can check it all out here.

:papercutz “Rivers (Synkro Remix)”

The single “Rivers” from Portuguese dark-pop producer :papercutz‘s upcoming album, The Blur Between Us, comes in several forms, like the Nowa Huta remix we posted earlier this month and a rework by Stalker. This week, Manchester’s Synkro (pictured above) has delivered his take on the orchestral, sweeping original by adding a thudding halftime beat. Individual elements of the mix find their way out of a murky, lurching labyrinth of effects and reverberation: Pointed rimshots, echoing fragments of strangled vocal samples, and airy chords settle into the lull of Synkro’s rhythm. The original version of :papercutz’s tune will be released with the rest of his sophomore LP on July 10.

01 Rivers (Synkro Remix)

Rivers (Synkro Remix)

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