FilosofischeStilte “Hairdoo VIP”

The moniker of Dutch producer Luuk Graham, FilosofischeStilte, translates to “philosophical silence,” an idea which the fledgling 18-year-old artist may not apply directly to his music but certainly seems to ponder throughout his five-track Gold Tooth EP. Productions like the steady “Hairdoo VIP” are heavy on the 8-bit aesthetic, but ultimately boast very few sounds; it’s almost like Graham is trying to make a musical point by keeping things as simple as possible with both his arrangements and structure. FilosofischeStilte’s new record is out now via Lowriders Collective.

Hairdoo VIP

Dre Skull and Popcaan Collaborate On New Mixpak Single

Shame on us for letting this one slip through the cracks for a few weeks, but earlier this month, burgeoning dancehall MC Popcaan and Dre Skull dropped the first in a planned series of releases, a new single called “Get Gyal Easy” (artwork above). After paying his dues as a Vybz Kartel protege, Popcaan broke out on his own in 2011 and appears set to continue building his reputation as a man who knows his way around funky riddims and steamy bashment tunes alike, and it’s hard to think of a better producer for him to link up with than Mixpak boss Dre Skull, who was behind the boards on last year’s Vybz Kartel album, Kingston Story. You can listen to a stream of “Get Gyal Easy”—a tune for which Mixpak has even gone so far as to make t-shirts for—below.

“Get Gyal Easy”

Machinedrum and Om Unit Ready Collaborative EP as Dream Continuum

Because Travis Stewart (pictured above) clearly didn’t have enough on his plate, the prolific New Yorker behind Machinedrum (and one-half of Sepalcure) has teamed up with like-minded Brit Om Unit to form Dream Continuum, a collaboration brought together by the producers’ mutual goal of “finding the sweet spot between mid-’90s euphoric jungle and footwork.” The newly minted duo has plans to drop its debut endeavor, a three-track EP entitled Reworkz, via the ever-growing Planet Mu imprint on March 26. You can check the artwork and tracklist for the forthcoming effort below and head here to stream previews of all three tracks.

01 B Free
02 Giv a Lil Luv
03 Set It

Unknown “Tru Luv”

LA-based label Coral Records, partially responsible for the nascent and stylistically nebulous “seapunk” movement, has released a split EP (pictured above) by Curtis Vodka and Unknown as its fifth release. Germany’s Unknown is behind “Tru Luv,” a track that borrows heavily from old-school jungle while nodding to recent trends in the world of bass music. By combining the fast percussion of ’90s drum & bass with atmospheric synths and R&B vocal samples, this hi-octave raver constructs a sort of bridge between 1994 and 2012.

Tru Luv

Bobby Browser Just Browsing

San Francisco is an interesting place. When it comes to electronic music, it’s unquestionably one of the best cities in the US, a place where DJs from around the globe excitedly want to play, knowing they’ll be greeted by enthusiastic and knowledgeable crowds. In terms of quality parties and audiences with an open-minded attitude to all sorts of sounds, it’s honestly hard to top San Francisco, at least in terms of places situated on American soil. That said, it’s not a city that’s generally celebrated as a hotbed of producer talent. Yes, San Francisco was ground zero for the ’90s West Coast house scene and is also the home base for labels like Om and Dirtybird, but overall, the City by the Bay still lags behind places like New York and Detroit, not to mention London and Berlin, at least in terms of respect for its current musical output. So where does that leave an artist like Bobby Browser, whose Just Browsing EP is his first proper solo release?

In all likelihood, Just Browsing most likely isn’t going to propel San Francisco to the top of the respectability charts, especially when it’s being released on 100% Silk. The label, which has been undeniably impressive in its single year of existence, has yet to shake the perception that its core audience largely consists of reformed indie rockers and people who have only recently discovered dance music. Granted, this sense of lighthearted naivete, not to mention the label’s unmistakeably loose, handcrafted sound and DIY spirit, is a big part of what makes 100% Silk releases so enjoyable—and fashionable—but it’s safe to say that a portion of the dance-music community remains a bit skeptical.

Moving back to Bobby Browser, this sense of skepticism isn’t exactly alleviated by his previous affiliation with Party Effects, a dubiously electro-indebted Bay Area quartet that often seemed more preoccupied with taking silly group photos, building jokey websites, and indulging in internet memes than actually producing quality music. Thankfully, Browser’s post-Party Effects activities have been much better, as he’s been working both as a solo artist and as one half of relaxed house duo WAV DWGS. He’s always been a bit of a gear hound, often performing live with the assistance of an array of classic drum machines, and the songs on Just Browsing definitely display that affinity for vintage sounds.

“Smooth Cruise” kicks off the four-track release, bringing together washy synth melodies with a subtly funky disco bassline, percussion lifted from the early days of house, and just a few hints of acid. The song is definitely a throwback, perhaps even to an imagined era where disco, house, and ’80s funk breezily mingled on exceptionally cool dancefloors. Nonetheless, while “Smooth Cruise” certainly borrows from the past, it doesn’t sound dated. The same can be said for “Airbody,” which leans closer to old-school piano house and is undoubtedly the EP’s strongest cut. Like “Smooth Cruise,” the track emanates an ultra-hip, Pacific-Coast-at-sunset vibe, even with its more overt dancefloor inclinations.

Just Browsing only has one real misstep, and it’s a small one. “No Appointments” utilizes the same sort of retro sound palette as the rest of the EP, but also places the vocals of Mara Barrenbaum front and center. Although her singing chops are just fine, something about Barrenbaum’s voice comes off a bit thin and doesn’t quite jive with the production. The end result isn’t terrible by any means, but a singer with more soulful heft could have really hit it out of the park. That said, Browser quickly rights the ship on EP closer “Always Many,” a tune which balances twinkly melodies and tweaky acid lines over a pleasantly trundling bassline.

In the end, it may be unfair to evaluate the whole of San Francisco’s dance-music credibility on the basis of a single EP from a producer who’s only just beginning to strike out on his own as a solo artist. That said, San Francisco is a high-profile place that could certainly use an influx of recognition for its local production talent. Just Browsing may not be perfect, but it is rather good, and is hopefully just the first in a string of quality releases from Bobby Browser. In the meantime, he can rest assured that he’s done his city proud.

Honest Jon’s Compiles ‘Shangaan Electro’ Reworks on Forthcoming Comp

Back in 2010, the tireless London shop/label Honest Jon’s revealed a collection of extremely fast-paced dance tunes from South Africa on a buzzed-about compilation entitled Shangaan Electro (artwork above). Following its release, the imprint then commissioned reworks of these exotic electro cuts from the likes of Actress, Anthony “Shake” Shakir, Demdike Stare, and more, issuing the results on a number of 12″s. Now, Honest Jon’s has taken the next logical step, compiling all those reworks onto one LP, Shangaan Shake. Along with the aforementioned producers, the likes of Hype Williams, Theo Parrish, Peverelist, and juke dons DJ Rashad and DJ Spinn were tapped to find a pathway between their own styles and the blitzing sounds of Shangaan Electro. You’ll find the artwork and tracklist for the collection—which will see a release on March 13—below, along with a stream of Anthony Shakir’s contribution.

01 Mark Ernestus Meets BBC
02 Oni Ayhun Meets Shangaan Electro
03 MMM Meets Tshetsha Boys
04 DJ Rashad & DJ Spinn Meet Tshetsha Boys
05 Burnt Friedman Meets Zinja Hlungwani
06 Actress Meets Shangaan Electro
07 Old Apparatus Meets Shangaan Electro
08 Theo Parrish Meets Mancingelani
09 Demdike Stare Meets Shangaan Electro
10 Peverelist Meets Tshetsha Boys
11 Anthony Shake Shakir Meets BBC

12 RP Boo Meets Shangaan Electro
13 Actress Meets Shangaan Electro 2
14 Hype Williams Meets Shangaan Electro
15 Ricardo Villalobos & Max Loderbauer Meet Shangaan Electro
16 Mark Ernestus Meets BBC Version

Grouper “Demona”

The latest slice of hiss-drenched production to come from Portland’s Grouper is a cover of sorts, although we couldn’t fault you for having no idea what song was being reimagined here solely based on listening to the track. Really, who is to say exactly what is happening beneath the massive layers of slow-moving noise on Grouper’s version of Dead Moon’s “Demona?” Fortunately, the reward here is not in the details, but instead in the lush, textured sonics that culminate from the fuzzed-to-11 guitars, billowing pads, and soft, expansive vocals, which are so overcome with reverb that they barely reach our ears. This cover is available as part of the four-track 7″ which comes with the latest edition of the art/culture-centric Yeti Magazine. (via FADER)

Demona

Video: Walls “Into Our Midst”

Walls recently dropped a three-track effort for Kompakt, led by “Into Our Midst,” a song which also kicked off the duo’s 2011 LP Coracle. Now, to celebrate this fresh release, “Into Our Midst” has received a video treatment which pairs the floating slice of electronics with bright-colored lights and extensive footage of pastries being made. The “Into Our Midst” single—which features the title track, a reprised version (which you can stream below), and a new tune, “Idle Sway”—is out now.

Nicolas Jaar to Launch Clown & Sunset Aesthetics with Live Multimedia Performance at MoMA PS1

NYC artist Nicolas Jaar is set to expand his Clown & Sunset record label into a more comprehensive multimedia culture house called Clown & Sunset Aesthetics, which will launch with a five-hour live performance by Jaar and other members of his collective. The performance, christened “From Scratch,” will take place at MoMA PS1 in New York on Sunday, February 5, and will cap a weekend of music from Jaar that also includes a sold-out Clown & Sunset label showcase at the Music Hall of Williamsburg on Friday, February 3. Jaar will be performing in MoMA PS1’s geodesic dome alongside musicians Will Epstein and Sasha Spielberg, with sound-derived video art from filmmaker Ryan Staake and a movement piece by Lizzie Fiedelson.

XXYYXX “Eclipse (feat. Ruddy P.)”

Marcel Everett won’t be able to enter a club until Obama is wrapping up his second term, but that doesn’t mean he isn’t interested in making music that brings people to the dancefloor. The 16-year-old Orlando native, who records as XXYYXX, recently cooked up “Eclipse,” a fun, blooming number that’s bursting at the seams with melody and teenage naivete. The influence of a producer like Star Slinger is evident here, as ecstatic synths and vocal samples drive the song through a maze of hi-hat trills.

Eclipse (feat. Ruddy P.)

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