Tensnake Need Your Lovin (Tiger & Woods Remix)

It’s been almost two years since Marco Niemerski (a.k.a. Tensnake) released his critically acclaimed, chart-topping single “Coma Cat” on Permanent Vacation. Since that time, the record’s been picked up by Defected, earning Niemerski a wave of attention that’s seen him tour the world. Yet, despite this, Niemerski’s subsequent releases, such as this year’s “Something About You,” haven’t lived up to the hype that he’s attracted. Seemingly in a bid to get back on the horse, Niemerski’s latest single, “Need Your Lovin” (on Permanent Vacation), revisits his “Coma Cat” period by way of a re-release of that single’s strongest b-side with an all-new remix by mysterious duo Tiger & Woods.

The story of “Need Your Lovin” is a strange one. It sounds like a vocal version of “Coma Cat,” with the full sound palette and aesthetic sensibilities that made it’s a-side big sister great. In some ways, it’s the better song, as “Coma Cat” appropriated liberally (most famously from Anthony and the Camp’s “What I LIke”), while “Need Your Lovin” merely simulated. The resulting effect is a fully realized vocal track that fits nicely into the continuum of mid-’80s US garage. A tough, D-Train-like synth bass propels a Gwen Guthrie-like vocal through a concrete box of hand claps, snare drums, and floating synth pads. This contrasts starkly with “Coma Cat,” which shares an almost identical song structure with its source material.

“Need Your Lovin (Tiger & Woods Remix)” comes with three tracks: the original version (which was only available digitally before), the dub version (previously available digitally and on the 12″), and the all-new Tiger & Woods Remix. Of these, really only the new remix warrants discussion, as it’s the sole force keeping the two-year old release contemporary. True to form for Tiger & Woods, the duo’s remix is a complete rework of the song. Loopy, psychedelic, and employing a full-on barrage of filters, Tiger & Woods’ version takes the ’80s-garage groove and converts it into something that sounds almost like it belongs on early-period Roule or Crydamoure. Like some tasteful nouveau French touch, the original track becomes twisted and distorted through banks of delay and clever editing tricks that morph the vocals into a mush of hypnotic glossolalia. The remix does its job—it makes the track somewhat relevant for a contemporary dancefloor, but, then again, in the world of dance music, two years is almost a lifetime. Since the days of “Coma Cat,” we’ve progressed into a new period of bizarre hybridity characterized by bold (but not always successful) experiments like Niemerski’s own recent 2-step remix of Mark E‘s “Call Me.” As it is then, “Need Your Lovin” is a great track with a good remix, albeit one that was unfortunately released two years too late.

Grab a Free EP From Urulu

Burgeoning LA producer Urulu (allow this and this to give you a memory refresher of who that is, if need be) has a gift that he’d like us to share with you, a free, three-song EP. The offering is called The Untitleds EP, as it features a few tunes that just so happen to be nameless. You can stream or download all the soulful, house-indebted music on Urulu’s EP in the player below.

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RekChampa “Like You”

From the first deep, emotive chord that signals the beginning of “Like You,” you know you’re in for a treat. From there, Georgia-based producer RekChampa weaves a textured tale of moody 2-step for the next five minutes, layering hyper-detailed percussion and skillful R&B chop over some sticky synths. Then the real prize of “Like You” hits at about the 2:15 mark, where a far too short-lived, but entirely appropriate, vibraphone melody manages to peak through RekChampa’s bed of haziness. If you’re like us, and this tune has piqued your interest, you’ll be happy to hear that the artist recently dropped an EP of similarly enjoyable tunes for the Two Circles imprint entitled Pocket the Rest (artwork above), which is available for purchase here.

Like You

Gang Colours “On Compton Bay”

Just today, Pitchfork shared a fresh tune from up-and-coming UK artist Gang Colours that is apparently lifted from his forthcoming debut LP for Gilles Peterson’s Brownswood label. The album is called The Keychain Collection, and is due for release on February 27. “On Compton Bay” is a fine example of the sparse, percolating rhythms and undulating melodies the producer is keen to craft, and has effectively reminded us why we’ve been following Gang Colours’ work from the start.

On Compton Bay

Tri Angle Label Showcase to Tour Europe

Possibly the definitive record label of electronic music in 2011, Tri Angle has announced it will be taking three of its excellent artists across Europe for a brief tour. Holy Other (who we spoke with just last week), Balam Acab (who was featured back in August), and oOoOO (who was written up a year ago) are set to perform in Berlin, Amsterdam, London, Belgium, and Paris at the start of February 2012. You can check out the details of Tri Angle’s European tour below.

2/02 – Holy Other, Balam Acab, and more @ Panorama Bar – Berlin
2/03 – Holy Other, Balam Acab, oOoOO, and more @ Trouw – Amsterdam
2/04 – Holy Other, Balam Acab, oOoOO, and more @ TBA – London
2/08 – Holy Other, Balam Acab, oOoOO, and more @ AB – Belgium
2/09 – Holy Other, Balam Acab, oOoOO, and more @ Point Ephémère – Paris

Sibian & Faun “I’m Sorry”

Let’s face it. The use of pitch-shifted R&B vocals is, without a doubt, one of 2011’s most overdone musical tricks. Here at XLR8R, the amount of emails saying something along the lines of, “Hey, would you like to post my remix/refix/rework of (fill in the blank generic R&B cut)?” has absolutely reached critical mass. As such, the timing of Numbers’ latest release, “I’m Sorry” from Montreal duo Sibian & Faun, itself a refashioning of Ashanti’s “Hey Baby,” is unfortunate. This record could have very easily been a groan-worthy cliché, but, somehow, it’s actually quite good.

More than anything, “I’m Sorry” succeeds because of what it doesn’t do. Sibian & Faun thoroughly dice up the original Ashanti vocal, but the pair stops short of cutting the snippets into oblivion. As a result, what remains are intelligible pieces with actual words, which Sibian & Faun smartly string together in way that sounds like an actual R&B track, celebrating the genre rather than simply exploiting its well-worn tropes. As for the music, it falls somewhere in the Hudson Mohawke/Rustie end of the bass-music spectrum, thanks to its wavering 8-bit synth melodies and slowly growling bass tones. Nevertheless, while the track sounds big and its sonics are undeniably thick, “I’m Sorry” isn’t really designed for the club. It’s futuristic. It’s sexy. It’s pensive and maybe even a little sad. Plainly said, the song—and it is a song, the kind you might find yourself humming without even thinking about it—has some real emotional heft.

Korg Releases New Apps For iPhone and iPad

The company behind countless touchstone synths, samplers, and pieces of musical hardware, Korg, recently launched an effort to try its hand at building apps for musicians and producers and have rolled out three new products for the iPhone, iPad, and iPod Touch. First up, Korg has reworked its touch-screen FX unit and synthesizer, the Kaossilator, into the iKaossilator app ($9.99), which utilizes the iPhone’s touchpad to play and manipulate 150 different sounds along with the ability to easily export any and all user performances. Korg has also attempted to boil down one of its most legendary analog synths, the MS-20, to a single app, which they’ve conveniently deemed iMS-20 ($32.99, pictured above). Said to offer “deep analog-style sound creation,” the app can be controlled with MIDI (via Apple’s USB Camera Connection Kit) and allows for the export of audio directly to SoundCloud. Lastly, Korg’s Electribe sampler/sequencer has been reimagined as the iElectribe iPad app ($9.99), which comes complete with a plethora of built-in sounds and samples so that users can “simply tap their way to groove creation.” All the aforementioned virtual instruments are available now through the iTunes app store.

Greenmoney “Calling You”

Back in 2009, Leo Greenslade and Alex Phountzi (formerly of Bugz in the Attic) came together for what was supposed to be a one-off session with the goal of reworking Kanye West’s “Love Lockdown,” and, somehow, Greenmoney was born. Since then, the two have continued to produce and remix together and have even launched their own imprint under the same name. Now, two years later, Greenmoney is ready to release its second EP, Dubs Vol. 2 (artwork above), and has presented one of the outing’s arpeggiated, soul-infused, party jams, “Calling You,” to help spread the word. This tune will be available along with two similarly propulsive cuts, “Boomticka” and “Open Sesame,” when the Dubs Vol. 2 EP drops December 12.

Calling You

LuckyMe Counts Down to Christmas with Free MP3s

Because nothing says “Christmas” quite like free downloads of forward-thinking dance music, the good people at Glasgow’s LuckyMe imprint have put an advent calendar on the label’s site which will count down the days until December 25 with a free MP3 each day. The first two offerings came in the form of tracks from recent RBMA participant Claude Speeed and Rustie, but who’s to say what other artists will pop up on the calendar in the next few weeks? We’re hoping to see some jams from LuckyMe regulars like Mike Slott (also the label’s co-head, pictured above), Hudson Mohawke, Lunice, and maybe even Jacques Greene. To keep up with the free music calendar, head here from now until Christmas day.

The Field’s Axel Willner to Release LP as Loops of Your Heart

As we learned late last month, the main man behind Swedish ambient-techno outfit The Field, Axel Willner, has a side project called Loops of Your Heart, which is apparently releasing a new album next year. Cologne-based imprint Magazine will drop the seven-track And Never Ending Nights LP (pictured above), a record heavily influenced by krauty rhythms and kosmiche-style synth explorations, on January 30. Before Willner’s new record is available, you can check out its tracklist and stream one of its tunes below. (via Resident Advisor)

01. Little You, You Should Develop
02. Broken Bow
03. Neukölln

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04. End
05. Cries
06. Lost in the Mirror
07. At the Boards

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