Milyoo “Tough Enough”

Earlier this week, Kentucky-based producer Milyoo (a.k.a. Tommy Wilson) released his first long player on Subeena‘s Opit imprint. The 10-song album, Archeology (artwork above), which includes previously released singles “Colours” and “Dasein,” as well as this track, gives Wilson plenty of room to explore different sonic influences, including hip-hop, house, and bass music. “Tough Enough” starts off dark and quiet, but eventually drops into a driving house banger with a forceful, rumbling bassline.

Tough Enough

Darkside Darkside EP

Darkside is NY native and musical wunderkind Nicolas Jaar‘s side project with guitarist Dave Harrington; that brief description alone just about encapsulates the sound of the duo’s debut release. The three untitled tracks that make up the Darkside EP aren’t a far cry from the sparse, downtrodden productions heard on Jaar’s debut album, Space is Only Noise, as the only discernible difference between the two records is the presence of warbling guitar sounds. The two musical styles actually mesh together quite well, but aren’t explored much beyond the realm of moody, midtempo dirges.

To an extent, the cuts on Darkside are practically interchangeable. Harrington’s guitar tone consistently evokes the essence of David Lynch film soundtracks, albeit with a bluesier edge, Jaar’s beats remain slow and bouncy while utilizing a very limited number of sounds, the ever-present swirl of ambient noise is patently tense and brooding, and the low-register croons delivered by Jaar are manipulated with effects and vocoders a bit more than on his solo material. The resulting music is both impressive and original, but a straight listen through of “A1,” “A2,” and “A3” might lead you to believe the EP is actually one 15-minute song. So, it would seem that Darkside has settled on a very specific sound. That’s all well and good, but we’ll be looking forward to hearing a wider display of these talented musicians’ abilities.

Soosh “Take My Hand”

Yesterday, we revealed our top downloads for the month of November, and sitting perched atop the heap was a remix from up-and-coming Glasgow producer Soosh (a.k.a Soroosh Khavari). “Take My Hand” is the latest sonic offering from the artist, a leisurely and atmospheric track with various vocal samples and recordings stretched over quiet blips, soft synth pads, and light percussion. This track is not on any officially released material, but Soosh does have plans to unload three separate EPs in the first part of next year, releases that will include remixes from Lapalux, Jameszoo, and Greenwood Sharps, to name a few.

Take My Hand

Take My Hand

Nina Kraviz to Release Debut Album

Muscovite DJ and producer Nina Kraviz is set to release her debut full-length album on February 27 of next year through Radio Slave‘s Rekids imprint. Kraviz is known for her ability to explore various facets of house and techno, so it’s not surprising that her self-titled album is said to have “plenty to explore, from stripped-bare house to [the] deepest Detroit sounds via beautifully ambient pockets and more soul-infused slo-mo jams.” Check out the tracklisting and artwork for the forthcoming LP below.

1. Walking In The Night (with Hard Ton on 303)
2. Aus (feat. King Aus on the Mic)
3. Ghetto Kraviz
4. Taxi Talk
5. False Attraction
6. Working
7. Choices
8. Love Or Go
9. Best Friend
10. 4 Ben
11. Turn On The Radio
12. Petr
13. The Needle
14. Fire

Watch Jamie xx Talk Remixes, New Music, and Working with Gil-Scott Heron

The Creators Project recently caught up with Jamie Smith of The xx to talk about his music, working with other artists, and what’s on the horizon for The xx. In the video, Smith says he is primarily working on new music for his band, rather than solo material, and that club music will be a major influence on the group’s new sounds. See Smith talk about RJD2, Gil-Scott Heron, living in Brixton, and more, below.

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Lokiboi & Hackman “Untitled”

This never-before-released cut of gritty tech-house is the fruit of a collaboration between newcomer Lokiboi (pictured above) and bass-music regular Hackman. A clip of “Untitled” has been floating around the internet for a short while, but this is the first time the dark and propulsive tune has been posted up for a full listen or free download. And if the pair of producers keep making jams like this one, we certainly wouldn’t mind hearing a whole lot more of their collaborative work.

Untitled

Video: 48/4 “Run”

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While the name Dro Carey is one that has been increasingly bandied about in recent months, the Australian artist has been mostly recognized for his inventive musical production, not to mention his releases for the likes of labels such as Templar Sound, Hum + Buzz, and RAMP. As it turns out, the man possesses a multitude of talents, as he also put together this new clip for fellow Aussie 48/4. “Run” is a highly melodic, slow-burning tune that gradually unravels its warbling synth lines and subtle sense of melancholy, and Dro Carey nicely maintains that spirit while assembling a series of images that are simultaneously colorful, mildly psychedelic, and brimming with nostalgia.

Trailer Trash Tracys “You Wish You Were Red (Ital’s Remix)”

The last timeXLR8R mentioned indie darlings Trailer Trash Tracys (pictured above), its (very) long-awaited debut album was still lacking a due date. But after a period of false starts and delays, Domino offshoot Double Six has declared the album will see the light of day on January 16 of next year (February 7 here in the US). While a significant chunk of the album has already surfaced online during its long gestation period, we’re positive this remix of the London foursome by Brooklyn oddball Ital (a.k.a. Daniel Martin-McCormick) isn’t something you’ve heard before. The lo-fi pop of the original tune, initially a b-side to 2009’s “Candy Girl,” and then re-recorded for release as an a-side this past October 31, is almost completely omitted from Ital’s compelling and subversive take. Frontgirl Susanne Aztoria’s vocals remain, but instead of soaring over sugary shoegaze fuzz, they get torn, twisted, and thrown over rumbling bass and stuttering arrhythmia. The end result sounds good to our ears, but it’s worth noting that Ital did manage to discard two of Trailer Trash Tracys’ most talked-about traits: lyrics inspired by Sufi poetry, and the use of “solfeggio harmonics,” a new agey approach to music that focuses on using specific frequencies that are said to have corresponding spiritual effects (for example, what a more traditional musician would call a slightly sharp Middle G is something that instead “liberates guilt and fear” for the practicing solfeggist). [Editor’s note: Yes, we made up the word “solfeggist.”]

You Wish You Were Red (Ital’s Remix)

XLR8R x Beatport: Girl Unit

Over the past few months, XLR8R has been curating a special set of charts for Beatport. London’s Girl Unit is a key member of the Night Slugs family, and also the artist responsible for the label’s biggest tune, the anthemic “Wut.” While 2011 has been a relatively quiet year for the R&B- and hip-hop-indebted producer, with only a handful of new remixes seeing the light of day, anticipation remains high for his next musical salvo. Before it arrives, we asked him to put together a chart listing some of his favorite tunes of the moment.

1. Kingdom “Hood By Air Theme” (Night Slugs)
2. DJ Deeon “Milkshake” (Dance Mania)
3. Green Velvet feat. Russoul “Millie Vanillie” (Relief Records)
4. Breton “RDI (Girl Unit Remix)” (Hemlock Recordings)
5. Mantra “From Beyond” (Bunker Records)
6. Mark Du Mosch “Bareknuckle (Nukubus Edit)” (SD Records)
7. Tom Trago & Bok Bok “Vector” (Sound Pellegrino)
8. DPX “Non Format” (Clone Records)
9. Aphrohead “In The Dark We Live (Thee Lite) (Dave Clarke Remix)” (Bush Records)
10. D.I.E. “Get Up” (Clone Records)

Listen to each individual track by clicking the song titles above, or go here to check out the entire chart. To see the rest of the charts in the XLR8R x Beatport series, click here.

Mux Mool “Raw Gore”

Brooklyn-based producer Mux Mool (a.k.a. Brian Lindgren) has dropped a second track from his soon-to-be-released full-length album, and has announced his December tour dates, including his plans for 2011’s end-of-the-year festivities. “Raw Gore” is taken from Planet High School, which comes out on February 7 via Ghostly International, and sees Mux Mool showing off his fluid, bass-centric brand of instrumental hip-hop. Another track from the album, “Palace Chalice,” was previously made available for download. In addition to the tour dates listed after the jump, Mux Mool will also be touring the country more thoroughly in the spring. (via Stereogum)

December 9 – Ann Arbor, MI – The Blind Pig
December 28 – Los Angeles, CA – Low End Theory w/ Eprom
December 29 – Tahoe, CA – SnowGlobe Festival
December 30 – San Francisco, CA – 1015 Folsom w/ Addison Groove, Sepalcure
December 31 – Nashville, TN – Bridgestone Arena

Raw Gore

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