Cut Copy to Release New LP Next Year on Modular

Nearly three years after the release of its breakthrough sophomore album, In Ghost Colours, Australian pop outfit Cut Copy has finished work on a follow-up full-length, entitled Zonoscope. The record is said to represent the band in its “purest form,” which, according to frontman Dan Whitford, goes a little sumthin’ like this: “All the way along we had this weird vision of a tropical, jungle, tribal sound. A place or an idea that we wanted to reach with some of the songwriting; to explore a looping, hypnotic trance and revise the whole palette of what Cut Copy was about.” And if you’d like to take a gander at the six-month recording process that birthed Zonoscope, we’ve embedded a two-part documentary by Krozm shot in Cut Copy’s Melbourne studio, below. Zonoscope will be released on February 8 via Modular.

Dark Party “Can’t Stop”

While we continue waiting for the first full-length album from Eliot Lipp’s and Leo123’s collaborative production outfit, Dark Party, the duo was kind enough to give us another taste of Light Years‘ 12-track offering. The sanguine “Can’t Stop” is a solid dance tune that sounds like it’s built almost entirely on memories; analog synthesizers bubble up melodies in stereo, dusty vinyl samples account for a healthy portion of the beat work, and the vocal clips shouted from the center sound like a woman delivering a hook she can’t quite recall. Dark Party’s song is a substantial exercise in turning something old into something new, the likes of which we’re likely to hear more of when Light Years drops on its new release date, December 7.

Can’t Stop

Watch Demdike Stare Talk Genres, Influences, Live Performances, and More

Soundtrack obsessives, record junkies, and unwitting “hauntologists” Sean Canty and Miles Whittaker (a.k.a. Manchester production outfit Demdike Stare) sat down with Hungarian web hub Kultblog for a great video interview. The two music makers go into depth about the genus of their collaborative project, the nature of genres (specifically, the one they’ve been associated with, hauntology), the influences that color their ominous soundscapes, and why their live show is bound to be a different experience from venue to venue. It’s a great introduction to one of the more interesting acts in electronic music of late, and probably will shed some light on subjects seasoned fans of Demdike Stare have often wondered about. We’ve embedded the first part of the interview up above, and the second part below.

Eliphino “I Just Can’t”

Up-and-coming tunesmith Eliphino (a.k.a. “What do you get when you cross an elephant with a rhino?”) is dropping the inaugural release for the brand-new magazine-cum-label somethinksounds on November 29, and here, we’ve got the premiere of the closing track on the four-song Undivided Whole EP. The production utilizes just a few standard elements (a couple thinly sliced synth melodies, a floating bass synth, some distant vocal clips, and a simple beat palette), the minimalism of which helps bolster the song’s alien vibe. At its core, Eliphino’s “I Just Can’t” is darkly soulful, dismally buoyant, and woozily feverish; a whole set of contradictions that add to the tense mood.

I Just Can’t

Dennis Ferrer Releases ‘The Red Room’ EP with Remixes From Kyle Hall and Others

House icon Dennis Ferrer recently dropped a brand-new EP on his own Objektivity label, a four-track record called The Red Room. Along with a radio edit of the original, the release features mixes of “The Red Room” from Detroit’s Kyle Hall, a collaborative production by The Martinez Brothers and Jerome Sydenham, and a dub edit by Ferrer himself. You can listen to bits of the record on Soundcloud here, and get the release via Beatport here.

Watch a Strange, Funny Interview with Brian Eno

When you’re of the ilk of legend Brian Eno, you can do whatever you like. Thankfully for us, the producer likes making brilliant, inventive music out of a wide array of disparate sounds and genres, like those on his brand-new Small Craft on a Milk Sea album, which is out now via Warp. And apparently, Eno also likes to be funny, like in this interview he did with “Dick Flash” of “Pork Magazine.” You may be a bit confused when you first start watching the piece, but don’t worry, this is just one of your all-time favorite musicians cracking wise as his countrymen are wont to do. We won’t ruin the joke, though we should say this one of the best things we’ve seen in a while.

FaltyDL and Space Dimension Controller Appear on New Remix 12″ From Anthony “Shake” Shakir

To be released later this month via Amsterdam’s Rush Hour imprint, Frictionalism 1994-2009 Remixes Pt. 1/2 is the first part of a 12″ series featuring tunes from Anthony “Shake” Shakir‘s monumental Frictionalism compilation album remixed by hotly tipped contemporary producers. The first record holds two tracks: a deep, shuffling reinterpretation of “Assimilated” by FaltyDL (pictured above) and a galactic funk treatment to “Detroit State of Mind” by Ireland’s Space Dimension Controller. You can get a bit more info on the release, check out snippets of each tune, and pre-order your copy here.

Listen to Emperatron’s Debut EP on Top Billin’

Helsinki party-starting production duo Emperatron just dropped its debut EP via hometown imprint Top Billin’, and were kind enough to let us take a sneak peek of the whole thing. Below, you’ll find the King Riddim EP: Four tracks of buzzing, hyperactive, club-ready electro-house, featuring two original Emperatron productions and a remix of the title track from Sharkslayer and Parisian newcomer Pressure. You can also download the b-side, “Panic,” for free.

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Wise Blood “Rot My Brain Away”

And now for another taste of blown-out, cavernous, and beautifully dislocated pop music from Pittsburgh’s Wise Blood, courtesy of London label-cum-blog Transparent. This cut premieres today before the 7″ it’s featured on, which also includes lead single “Solo (4 Claire),” is released on November 22. “Rot My Brain Away” is a brief but immediately infectious jam that launches directly into a booming rhythm, a host of soulfully droning melodies, and music maker Chris Laufman’s smiling vocal delivery. It’s easy to become lost in the tightly packed layers of Wise Blood’s number, trying to catch every buried sample and distorted sound that bellows from its core. So, don’t be surprised if you let it play seamlessly over and over before you realize—or even care—that you’ve listened to “Rot My Brain Away” about 10 times in succession. You can nab your copy of the limited edition 7″ (only 300 pressed) here.

Rot My Brain Away

Rot My Brain Away

Rot My Brain Away

Rot My Brain Away

Rot My Brain Away

Rot My Brain Away

Rot My Brain Away

Ikonika to Release Final Single From Debut Album

Now seven months after the release of her debut long-player for Hyperdub, UK dubsteptress Ikonika has readied the final single to be taken from Contact, Love, Want, Have for release at the end of the year. The Ikonoklast EP will drop on December 6, also via Hyperdub. The four-song record includes the title track, a remix of Ikonika’s LP cut “Idiot” from Funkineven, a great remix of the single by Chicago footworker J.O.H., and the fresh original tune “Yoshimitzu.” You can check out the vinyl label below.

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