Roland VP-7 Vocal Processor

A great tool for producers, live performers, or people who just like to eff around with their voice, Roland‘s VP-7 Vocal Processor (MSRP: $639) stands as one of the most intuitive and multi-faceted vocal-effects pedals currently available. Run a MIDI cable from any of your synths into this box, plug in a microphone, and create any number of vocal harmonies yourself, or use the available voice types Female Choir, Boys Choir, Gregorian Choir, and Jazz Scat to have the box sing for you. The remaining options allow for continual manipulation of the created sounds, and a classic-sounding vocoder thrown into the mix definitely doesn’t hurt the VP-7’s appeal.

Steve Starks “Git Em (Munchi’s Kuduro Remix)”

This overstimulating remix of the new Steve Starks (pictured above) track, “Git Em,” didn’t make it onto the official release because the producer was a bit late in getting it to the label, the Tittsworth- and DJ Ayres-run T&A. But that doesn’t make this rework from Dutch tunesmith Munchi any less deserving of praise or attention. Most people know him for his experiements with moombahton (like this one here), but this kuduro treatment of Starks’ bass-heavy club smasher is an intricately crafted track filled with a number of energetic micro-samples, a huge amount or percussive sounds, and enough hyped-up, atonal synth noise to push a dancefloor over the edge into ‘crazy’ territory. Truthfully, you could say that for just about any of the five songs that did make it onto the Git Em EP, which includes remixes from Zombies for Money, Dillon Francis, and DJ Ayres. You can preview and purchase the whole thing here, and keep an eye out for Munchi’s own T&A EP, which should see the light of day in the next few months.

Git Em (Munchi’s Kuduro Remix)

Git Em (Munchi’s Kuduro Remix)

Video: LV and Okmalumkoolkat “Boomslang”

Hyperdub goes kwaito? Believe it or not, the stalwart UK bass/dubstep imprint is taking cues from South Africa on this new single. LV puts a new spin on the stuttering African sound, while MC Okmalumkoolkat—his friends just call him Kool Kat—says “Boomslang” like 800 times and generally looks like the coolest dude ever. How can you say no to Dwayne Wayne glasses and a hi-top fade? The “Boomslang/Zharp” single drops on October 11.

Andreya Triana “A Town Called Obsolete (Mount Kimbie Remix)”

Either Andreya Triana sold her soul to the gods of electronic music or she’s just got awesome connections. Case in point: she follows the brilliant Flying Lotus remix of her “Lost Where I Belong” song (a collaboration most anyone would pine for, at this point) with another re-work produced by one of the hottest outfits in post-dubstep, Mount Kimbie (pictured above). And yes, Kai Campos and Dominic Maker deliver another bit of their trademark sound—complete with the pops, clicks, fuzz, bass, and soul that we’ve so thoroughly enjoyed on Kimbie’s Crooks & Lovers debut. The duo’s treatment of “A Town Called Obsolete” works especially well thanks to the natural pairing of the R&B-flavored instrumental with Triana’s buttery vocal work; it sounds like something we might hear from Mary J. Blige decades from now.

A Town Called Obsolete (Mount Kimbie Remix)

A Town Called Obsolete (Mount Kimbie Remix)

El Guincho “FM Tan Sexy”

“FM Tan Sexy” is the latest track to leak off of El Guincho‘s much-anticipated new album, Pop Negro, and actually fits its nonsensical title quite well. It wears a radio-friendly sheen on top of its funky, Timbaland-esque beat, the twinkling hook and surrounding melodic elements are all reminiscent of carefree days spent soaking up the sun, and when the bass really starts to work, things get downright steamy. El Guincho’s new song is certainly a departure from the warbling, psychedelic soundscapes of 2008’s Alegranza!, but as other bits of Pop Negro have shown, it’s a trajectory that producer Pablo Díaz-Reixa follows with aplomb.

06 FM Tan Sexy

Beak> to Tour US in September

If you’re not up to date on the latest in side-project trivia, one of the dudes from Portishead, Geoff Barrow, has another band; it’s called Beak> and it’s infinitely more kraut-y and formless than his main band. Barrow’s three-piece released its self-titled debut nearly a year ago, and just recently dropped a new single called “Wulfstan,” which is available to download on Bandcamp. Now, Beak> is hitting the road for a small handful of tour dates in the U.S., including a performance at the All Tomorrow’s Parties festival. You can check out that full list of dates below.

Roska and Untold Collaborate on New Single

Two of the biggest names in forward-thinking bass music, Roska and Untold, have come together for a collaborative EP to be released on the Numbers label. Entitled Myth, the record features two lengthy tunes jointly crafted by the producers, “Myth” and “Long Range,” both of which sound exactly like what you’d think the sum of the two distinct styles would amount to—Roska’s shuffling UK funky rhythms matched nicely with the otherworldly sounds and obtuse bass tones of Untold’s particular aesthetic. The Myth EP will be released on both 12″ and digital formats on September 27.

Stream the New Model 500 Single on R&S

We’ve already gushed over the news of the first Model 500 single to be released in over a decade, so you can imagine how excited and privileged we feel to be sharing that track with you now. Below, you’ll find “OFI,” the a-side track from Juan Atkins’, “Mad” Mike Banks’, and Mark Taylor’s forthcoming 12″ for R&S. We probably don’t need to say this, but the song is awesome—funky, electro-tinged Detroit techno at its best. Get your fill of that tune before the whole single is released September 13 with b-side “Huesca” and Mad Mike’s remix of “OFI.”

The XLR8R Music Player requires Adobe Flash Player version 9 or later. Click here to install.

Flavorwire Profiles New Orleans’ Sissy Bounce Scene

If you stay up on our pages (both print and web), you’ll be well aware of our ongoing affair with New Orleans’ sissy bounce scene and one of its biggest exports, Big Freedia. So, needless to say, we’re happy to see that folks are finally getting as excited about the gay-centric, hyperactive booty music as we’ve been. As a sort of introduction or “primer” of the genre, music and culture website Flavorwire posted a story focused around a handful of videos from sissy bounce icons Katey Red, Sissy Nobby, Vockah Redu, Rusty Lazer, and, of course, Big Freedia. Head over here to read the full Azz Everywhere: A Sissy Bounce Primer story.

Nicolas Jaar “Nico’s Feelin’ Good”

After years of producing, Wolf + Lamb compatriot Nicolas Jaar still doesn’t have a proper debut album, but we’re okay with that, seeing as how he wisely spends his time making tasteful, intricate edits like this one for Nina Simone’s version of “Feelin’ Good.” Jaar’s production, entitled “Nico’s Feelin’ Good,” is a dark, brooding number that exists equally on planes of swirling textural ambience and softly undulating deep-house grooves—the varied sounds not once interfering with the indelibly haunted vocal performance by Simone. The New York producer may not yet be known for his work with edits, but after hearing this track, not to mention the rest of the free six-song EP it comes from, we’ll happily trade the release of his debut for another handful of these re-works.

You can download the 6 Edits EP via Resident Advisor, here.

Nico’s Feelin’ Good

Page 2462 of 3781
1 2,460 2,461 2,462 2,463 2,464 3,781