Following the Belgian duo’s seemingly endless string of remixes (for the likes of Grace Jones, Lindstrøm, and MGMT) and sparse grouping of singles, Aeroplane has finally announced the release of its debut full-length, entitled, ironically enough, We Can’t Fly. The LP will reach retailers September 6 in the UK via Wall of Sound, without a label set for the US release. To mark the announcement, Aeroplane and Wall of Sound have offered the duo’s “Essential Mix” for BBC Radio 1—which was recorded live back at the end of April, and features the title track from their forthcoming debut album—for free download here. Check out a Aeroplane’s massive European and US tour schedule after the jump.

05/21: Together @ The Coronet – London, UK
05/22: We Like To Party – Bristol, UK
05/25: White Rabbit – New York, NY
05/27: Popscene – San Francisco, CA
05/28: 740 – Los Angeles, CA
05/29: Red Rocks – Denver, CO
0530: Wynn – Las Vegas, NV
06/02: Hi-Fi Club – Calgary, Canada
06/03: Voyeur – San Diego, CA
06/04: Celebrities – Vancouver, WA
06/05: Santanera – Playa Del Carmen, Mexico
06/09: Opera – Atlanta, GA
06/10: Making Time @ Voyeur – Philadelphia, PA
06/13: Rockness – Inverness, Scotland
06/18: Sonar – Barcelona, Spain
06/19: The Arches – Glasgow, Scotland
06/25: Glastonbury, UK
06/26: Plan B – London, UK
07/03: Fresh Weekend – La Coruna, Spain
07/05: Montreux Jazz Festival – Montreux, Switzerland
07/07: Wax On @ Eden – Ibiza, Spain
07/08: Alive Festival – Lisbon, Portugal
07/09: Oxegen Festival – Ireland
07/10: Wazemme’s Burning – Lille, France
07/15: Wrong Bar – Toronto, Canada
07/16: Vagabond – Miami, FL
07/17: Camp Bisco – Mariaville, NY
07/22: Gaz Club – Xalkida, Greece
07/23: Katavothres Bar – Kefalonia Island, Greece
07/24: Xalkidiki Beach Bar – TBC, Greece
07/25: Paranga Beach Bar – Nikita Halkidiki, Greece
07/30: Pling Plong – Vienna, Austria
08/06: Wonderland @ Eden – Ibiza, Spain
08/08: Uzes – Montpellier, France
08/12: Sziget Festival – Budapest, Hungary
08/13: Flow Festival – Helsinki, Finland
08/20: Pukkelpop – Hasselt, Belgium
08/21: Lowlands – Holland
08/22: Razzmatazz – Barcelona, Spain

Just earlier this morning, we posted the latest heat from L-Vis 1990: a remix of Polish duo Supra1‘s track for Trouble & Bass, “Still Believe.” Now, we just caught wind of FACT posting another remix of the single, this time from Blunted Robots co-owner Brackles. Producer Rob Kemp opted to keep diva Amy Douglas’ wailing vocal performance in his version, and heaped loads of bouncing low end, smooth synths, and percussion elements atop it. The track will be available to download for seven days, right here.

As world-famous, globe-trotting DJs go, you have to admit that A-Trak is among the least hateable. Earlier today, the Fool’s Gold boss cached a little more goodwill by releasing his new Dirty South Dance 2 mixtape as a free download. He first unveiled the news on his website, but the files can be downloaded via Bandcamp or the little widget we’ve posted after the jump. Also, make sure to peep the album artwork and full tracklist while you’re at it.

Tracklist
1. Intro
2. Trizzy Turnt Up
3. How Low Can U Bake
4. We Don’t Want No Goblins
5. She Got a Dum Donk
6. Whatever You Shoot
7. Ice Cream On Blast
8. Carte Blanche ft. Kid Sister: Do! Do! Do!
9. Twerk That Driver
10. Vampires Going Ham
11. Loonies To Blow
12. Make The Trap Wile Out
13. O Let’s Overdo It
14. Donnis: Gone (DJ Craze remix)
15. Ain’t I A Joker

It’s no secret that Hot Chip loves techno. The UK geek-pop outfit’s latest album is absolutely soaked in the genre’s kind of churning dance grooves, so they must be totally ecstatic that the Don of Detroit, Carl Craig, snagged the elements of “One Life Stand” and transformed the song into an epic techno number. Craig’s remix is a 10-minute affair that relies almost completely on one rumbling bass line, a hi-hat-heavy beat, and sparse bits of synth tones scattered throughout. Singer Alexis Taylor’s inimitable voice doesn’t make an appearance until six minutes in, and only does a quick lap before letting Craig’s instrumental retake the spotlight. You can listen to Craig’s remix wizardry after the jump. (via Discobelle)

Canadians Sebastien Grainger (of Death From Above 1979) and Josh Reichmann (of Tangiers) have left their respective duos to explore new sonic territories in the realm of musical partnerships. As Bad Tits (we’ll excuse the moniker if you will), Grainger and Reichmann delve deeper into the garage-y post-punk inclinations of their former projects, and experiment a bit more with electronics. A 7″ entitled Garbage Night is seeing release at the end of June from Hand Drawn Dracula, and a strange little video for the band’s first single, “Bankok Hilton,” is online now.

Ghostly’s mild-mannered and introspective ambient artist The Sight Below dropped this mix for FACT just last Friday, and we’re still flying high on its somber sounds. His selections aren’t exactly identical to the lush textures and subtle electronics that color his original music, but they aren’t quite dancefloor friendly either. Instead, Rafael Anton Irisarri put together a potpourri of classic shoegaze, post-punk, and less esoteric sounds, explaining, “everything here is from vinyl, some tracks sound shittier than others, ‘specially if they were on a 7”.” Get the mix here, and check the tracks below.

Slowdive “Slowdive”
Chapterhouse “Treasure”
Franke “Jag Älskar Dig”
Joy Division “Isolation”
Echo & The Bunnymen “Do It Clean”
Spacemen 3 “Take Me To The Other Side”
Cocteau Twins “Lorelei”
Kate Bush “Hounds Of Love”
Iggy Pop “Nightclubbing”
Teenage Filmstars “Loving”
Seefeel “More Like Spac”
Clan Of Xymox “No Word”

Some pretty interesting and most definitely funny things tend to surface on the Mad Decent blog, but one item in particular just caught our eye. The collective for furthering African music and culture Akwaaba has been given its own column on the Mad Decent website, called ZEMIJAMS (the name is a play on the regional term for motorcycle taxis, zemijans). Up now is a quick introduction to the new column, along with a link to a post about Ghanian hip-hop and Afro-pop, and a promise for more emerging music from Africa’s underground. We’re interested to see what develops.