Form 696: Trouble for U.K. Live Music

As if promoting parties in London wasn’t hard enough, the practice might become next to impossible in the near future. According to U.K. paper the Independent, a new piece of legislation could pass that would force venues to hand over gobs of information about artists and performers that includes real names, aliases, private addresses, phone numbers, what type of crowd is likely to appear at the event, and expected genres of music.

From Independent‘s site:

“The police say they need the information demanded on Form 696, which runs to eight pages, so they can pinpoint which acts and venues attract troublemakers, and make sure venues are safe.”

Apparently, it could spell serious trouble for live music in the U.K. capital. Martin Rawlings, director of the Pub and Beer Association, told the paper: “I know of licensees faced with this [legislation] saying they are just not going to put live music on.”

Former punk star and Undertones singer Feargal Sharkey has verbalized his concerns over the issue. There is also a Facebook group and a petition running on the 10 Downing Street website protesting the form.

Pictured: The Undertones.

Metermaids “The Blackhawk War Will Only Ruin The Nightlife If You Let It”

Masters of multiple genres, the New York-based duo known as Metermaids have stepped deep into mashup territory for their latest release, pitting their own debut album, Nightlife against the Sufjan Stevens’ widely acclaimed Illinoise. An unlikely pairing this is, given that Metermaids have a tasted for all things hip-hop and beat-driven, while multi-instrumentalist Stevens is better known for his acousitc guitars and gentle piano solos. Grab Nightlife in Illinoise for free here.

Metermaids – The Blackhawk War Will Only Ruin The Nightlife If You Let It 1

Untamed feat. Dawgy Bagz “Shotz”

Although a widely-circulated sampler has been floating around the internet since March, Diplo and DJ Benzi waited a long time to finally drop the complete Fear and Loathing in Hunts Vegas mixtape. Starring the Huntsville, Alabama-based Paper Route Recordz crew, Fear and Loathing features the Southern MCs spitting about sex, money, partying, and generally being gangsta over a crazy litany of beats. Diplo and Benzi get real creative here, littering the mix with samples of everyone from Orbital to George Michael. One joint even samples the “Soul Glo” jingle from Coming to America. Here, “Shotz” finds rappers Untamed and Dawgy Bagz rhyming over a cinematic violin melody snagged from the Crouching Tiger, Hidden Dragon soundtrack. Mad Decent is currently offering the entire mixtape on a “pay what you want” basis, so grab yourself a copy if this track gets your head nodding.

Shotz

Best of 2008: Plump DJs

UK breakbeat dons, Plump DJs, celebrate bassbin-quaking from Fake Blood and Burial.

Who was the best artist of 2008?

Fake Blood. A string of excellent remixes and now top tune “Mars” has put this artist at the top of our tree… Is it breakbeat? Is it electro? Who really gives a fuck?

Who was the worst artist of 2008?

Madonna and Justin Timberlake for that crap track they farted together recently… Proof that even gods make mistakes!

What was the best music trend of 2008?

Dubstep, fidget house, and Burial’s genre-bashing album… More underground rebels breakin’ boundries.

What was the worst music trend of 2008?

River trance, gastro-funk, lymph core, and erm…

What was the best piece of music-making hardware or software in 2008?

If we told you, we’d have to kill you.

What was the best 12″ single of 2008?

“Mars” by Fake Blood. Can’t wait to hear more from this artist next year. His music has not been pigeonholed into any defined genre, and that’s how we like it. Fresh…

Best of 2008
Drop the Lime
Abe Vigoda
Bradford Cox
Andrew Jeffrey Wright
eLZhi
Cut Copy
Fucked Up
Evidence
Vivian Girls
Matt Furie
dj/ Rupture
Telepathe
The Death Set
Holy Ghost
Mochipet
CTRL
Plump DJs
Jose James
Worship Worthy
Peter Beste
Hercules and Love Affair
Magda
The Alchemist
DC Recordings

Max Tundra Parallax Error Beheads You

The first album from British multi-MIDI-instrumentalist Max Tundra in six years, these 10 tracks appropriately share a name with a phenomenon of angular displacement. Tundra’s tonal OCD shifts unrelentingly, rocking the point of perception from plane to plane. The one constant is spry pop instincts. Before Jamie Lidell hiccupped through the Motown and Stax catalogs, Tundra explored Paisley Park. These days he’s mixing diced funk with Scritti Politti’s wordplay and falsetto synth-pop patches. Then steps in the vintage sequencer’s gleeful micro-editing, which plays the part of twitchy hype man to the most exuberant, accessible hooks of Tundra’s career, mechanically galvanized to the max on “Which Song,” “Orphaned,” “Number Our Days,” and “Until We Die.”

Free Blood Plans U.S. Tour Dates

Madeline Davy and John Pugh, a.k.a. the experimental soulsters in Free Blood, will open the new year with five U.S. tour dates in which they’ll bring the post-punk-meets-disco-meets-noise on their debut full-length, The Singles, to the live setting.

Though most of these dates are on the west coast, mid-Januray sees one date in NYC, and an east coast mini-tour rumored for March.

01/08 Los Angeles, CA – La Cita
01/09 San Francisco, CA – DNA Lounge
01/10 Sacramento, CA – Old Ironsides
01/11 Seattle, WA – Chop Suey
01/16 New York, NY – Le Poisson Rouge

Photo by Jason Frank Rothenberg.

J*DaVeY “No More”

The music of J*DaVeY could fall under any one of the following umbrellas: hip-hop, future jazz, electro-jazz… basically you could make up your own genre and probably find a way to fit the duo in. Jack Davey and Brook D’Leau close out the year by giving us another free track from their double EP, The Beauty in Distortion/The Land of the Lost. This one, from the former, is a slow, steady jam for the afternoon.

JDavey – No More

Calmer “Open Source”

With all the holiday hoopla making everyone a little crazy and causing chaotic traffic jams in subway tunnels, we thought a track by an artist who goes by the name Calmer might be suitable for this morning. Otherwise known as Collin M Palmer, this Brooklyn-based percussionist/composer’s music lives up to its name on his forthcoming album, Past is Present. Call it a fusion of avant-jazz and psychedelic-influenced electronics. The new album marks his debut for Moodgadget, and will be released on January 20. Photo by Tom Gillmore.

Past is Present
01 Miles Ahead (Take One)
02 Past is Present
03 Open Source
04 Rotation (Take One)

Calmer – Open Source

Best Of 2008: CTRL

Freeman, of free-thinking Finnish clothing brand CTRL, on hipsters, high heels, and Henrik Vibskov.

Who was the best music artist of 2008?

I thought about this really hard and didn’t get anywhere, so I have to namedrop and say handsome boy Mark Ronson, as an internet radio DJ and the best self-promoter (he’s on eastvillageradio.com every Friday night). And maybe the new Walkmen album, You & Me.

Who was the worst music artist of 2008?

Worst? Hey I’m not a hater, but I gotta say that actually the best artist of 2008 is Reverend Al Green. His new album, Lay It Down, sounds like a classic 1970’s Al Green. And the new Wolf Parade is just awesome.

What was the best style trend of 2008?

High-heels. As always, this one’s a classic. I mean, if you’re a girl you should always wear high-heels. Always. Never sneakers.

What was the worst style trend of 2008?

Hipster. Who knows what it is, but it seems that it’s an urban guy thing and it looks like most of these dudes have serious symptoms of PMS, fatigue, irritability, anger, depression, and breast tenderness.

What was the best clothing label of 2008?

Henrik Vibskov. He’s a danish Renaissance man… Yeah, he’s cool.

What will be big in 2009?

Love and happiness. So be it.

Best of 2008
Drop the Lime
Abe Vigoda
Bradford Cox
Andrew Jeffrey Wright
eLZhi
Cut Copy
Fucked Up
Evidence
Vivian Girls
Matt Furie
dj/ Rupture
Telepathe
The Death Set
Holy Ghost
Mochipet
CTRL
Plump DJs
Jose James
Worship Worthy
Peter Beste
Hercules and Love Affair
Magda
The Alchemist
DC Recordings

Justice A Cross the Universe

On this live CD attachment for the Parisian duo’s tour documentary, Justice almost redeems itself by making another album of dirty French electro at its diabolical best. As expected, they overload the pomp and hack up house beats into sputtering, un-oiled rhythms where mere cymbal splashes could blow out speakers. While live tweaks imbue “D.A.N.C.E.” with new life and mange to make Uffie’s rap cameo about 5% less painful, Justice cuts off too many songs right when the momentum builds. “We Are Your Friends” is little more than a two-minute jukebox sing-along. On the other end of the spectrum, they also overindulge in 10 minutes of garbage-disposed synth riffs on the finale, “Phantom Part 2.”

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