Podcast 63: Techno Tear Up with Kontrol S.F.

Proclaimed by many to be one of North America’s most respected techno events, Kontrol has been bringing some of the genre’s most esteemed names to San Francisco since June of 2005, from old-school legends like Josh Wink, Daniel Bell, and Baby Ford to a younger generation that includes Matthew Dear, Modeselektor, Paco Osuna, and Alex Smoke. Pass through the front door of the EndUp, where the party is currently held, and it’s pretty much guaranteed you’ll spend the next several hours on the dancefloor.

Of course, if you happen to be on the other side of the country and can’t cough up the plane fare to make the crew’s December 6 event, there’s the option of downloading the latest installment of the XLR8R podcast. For this edition, which we’ve dubbed Techno Tear Up, the Kontrol guys contributed an hour-long, exclusive mix that showcases the range of sounds you’d hear at one of their parties. From deep and dubby to chunky, organic house and dark, minimal techno, this is the next best thing to actually attending the event.

Techno Tear Up with Kontrol S.F.
01 Brendon Moeller “Dreadmill”
02 Havantepe “Air”
03 Deadbeat “X-Berg Ghosts”
04 Luke Hess “Platte”
05 Martin Eyerer “Furthermore (Club Mix)”
06 Santiago Salazar “Sci Fi Xicano”
07 Argy & Sydenham “In The Mist”
08 Dan Curtin “Pull Up”
09 SIS “Nesrib”
10 Sascha Dive “Deepest America (Moodyman Remix)”
11 Genny G “Sereno Variabile”
12 William Kouam Djoko “Hard Loving”
13 J.Phlip “Falling Into Place (Ambivalent Remix)”
14 Arnaud Le Texier & Emmanuel Ternois “Serendipity”

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Podcast_Mix_2008_11_20

Top 10: Home Video, Aether, Buff1

Home Video
It Will Be OK
Self-released
Release Date: Out Now

David Gross and Collin Ruffino proved themselves adept at making moody, understated synth-rock when they released No Certain Night or Morning in 2006. This EP, the first we’ve heard from the duo since the aforementioned full-length, further solidifies them as masters of that particular milieu. The sweeping chords, electronic beatscapes, and trembling vocals are still present, but slightly matured, a bit more precise, and wonderfully somber as ever. JM

Matt Elliot
Howling Songs
Ici d’ailleurs
Release Date: Out Now

This one’s perhaps best described in the words of XLR8R scribe David Hemmingway, when he proclaimed Howling Songs to be “spectacularly glum and very, very special.” The final part of a trilogy (installments one and two were named Drinking Songs and Failing Songs, respectively), this album is a downbeat, melancholy affair that takes influence from drum & bass as much as it does Eastern folk. JM

Lymbyc System
Love Your Abuser Remixed
Mush
Release Date: Out Now

Last year, Lymbyc System released the introspective album, Love Your Abuser. More than a year later, friends of this Brooklyn-and-Austin-based band have taken a good thing and made it even better. The remixed version features The Album Leaf, Daedelus, and Eliot Lipp, among other contributors, each putting their own spin on pretty singles from this generally downtempo album. LM

The Cutler
Cutler
Steel Tiger
Release Date: Out Now

British electro-acoustic duo The Cutler provides pleasant symphonies of jazz-infused melody, quirky vocals, and playfully experimental accents on this album. Songs with singular bad-ass names like “Stiletto,” “Scimitar,” “Cleaver,” and “Pickaxe” yield a variety of happy sounds to set as the soundtrack for a busy afternoon in the city. LM

Aether
Artifacts
Exponential
Release Date: November 25

This is the first solo full-length Diego Chavez has released while wearing his Aether helmet (he also records as Otic Angst and A.M. Architect). Yes, the tracks may be rooted in top-notch hip-hop production, but it’s clear on Artifacts that Chavez isn’t confining himself to one genre, as seen in the rock guitars, free-jazz flavors, and the occasional vocal that sounds as though it was pulled straight off a Luomo album. JM

Eagles of Death Metal
Heart On
Downtown
Release Date: Out Now

Snarky rockers Eagles of Death Metal offer up the third installation of their particularly shameless brand of sexy with this release. In keeping with the band’s previous hard-rocking, guitar-driven pop melodies, Heart On tempers sped-up, electrified honky-tonk (“Wannabe in L.A.,” “Secret Plans”) with tight-pantsed, retro rock (“Heart On,” “How Can a Man with So Many Friends Feel So All Alone”). LM

The Whip
X Marks Destination
Southern Fried
Release Date: Winter 2009 (U.S.)

Between the synths, relentlessly hard-hitting drums, and lead man Bruce Carter’s lyrical hysterics, the 10 tracks here make for a very solid debut album from this Manchester, U.K.-based foursome. Suffice to say it’s bubbling with personality and energy, and several cuts above the usual dance-rock album. JM

Deerhunter
Microcastle
kranky

This beautiful album from Atlanta, GA-based indie-rockers Deerhunter ranges from shimmering shoegaze (“Cover Me Slowly,” “Calvary Scars”) to infectious melodies–”Never Stops” and single “Nothing Ever Happened” being the prime examples. From start to finish, Microcastle will melt you into a serene puddle of mixed melancholy and wonder. LM

Buff1
There’s Only One
A-Side Worldwide
Release Date: Out Now

Capable of carrying both the ruggedness of Guilty Simpson and the smoothed-out style of Little Brother, Ann Arbor, Michigan hip-hop act Buff1 has recently proven himself one well-rounded rhymer. On his sophomore set, There’s Only One, the MC keeps his subject matter and approach fluid. Meet Michigan’s next great MC. MH

Faunts
“M4 (Part II) (The Paranomasiac Remix)”
Friendly Fire
Download

While Canadian outfit Faunts put the finishing touches on its upcoming album, Feel.Love.Thinking.Of, we’re enjoyng the Paranomasiac remix of “M4 (Part II),” off the Faunts Remixed album. Paranomasiac (a.k.a. Nik from Shout Out Out Out Out) presents a cavernous space where the Batke bros’ soft vocals share the spotlight with heavy, opaque synths, agitated rhythm guitar and double-time maracas. LM

Text by Jennifer Marston, Lulu McAllister, and Max Herman.

Pictured: Home Video

Le Loup “Shenandoah”

Silly techno remixes of Bing Crosby singing “White Christmas” are all fine and good, but anyone within 10 feet of a newspaper knows the majority of the world isn’t necessarily feeling cheery during the holiday season. Working with this idea and hoping to render a more accurate portrait of the 2008 Christmas season, Daniel Gill has selected a group of artists for Ill Stay ‘Til After Christmas, where tracks tell several different sides of the holiday.

Appropriately, Jimmy Tamborello’s group, Figurine, offers up a breakup song, No Kids present “Another Winter in a Summer Town,” and Au Revoir Simone are said to have fashioned a rather bizarre take on the classic “I’ll be Home for Christmas.”

The compilation streets on December 2, with all proceeds going towards Amnesty International. Here’s Le Loup‘s eerie version of the traditional number “Shenandoah.”

I’ll Stay ‘Til After Christmas
01 Au Revoir Simone “Christmastime is Here”
02 Le Loup “Shenandoah”
03 Figurine “The Holidays Behind Us”
04 Sally Shapiro “Anorak Christmas (Piano Mix)”
05 Arthur & Yu “My White Elephant”
06 My Brightest Diamond “Nature Boy”
07 Parenthetical Girls “Festive Friends (Forever)”
08 No Kids “Another Winter In a Summer Town”
09 Radar Bros. “Baby Jesus”
10 Blitzen Trapper “Christmas Is Coming Soon”
11 Man of Arms “It’s Christmastime and Everything’s Wrong”
12 Au “I’ll Be Home For Christmas”
13 The Papercuts “Go Tell It On The Mountain”
14 Bosque Brown “Silent Night”
15 Turk Dietrich of Belong “Blue Christmas”

Le Loup – Shenandoah

Lonely Dear to Tour with Andrew Bird

Lonely Dear has come a long way since leader Emil Svanängen was self-releasing CD-Rs via his own website, and 2009 is looking to be quite busy for these indie-folk making Swedes. The band, who recently signed to Polyvinyl, will release the bittersweet, meticulously crafted Dear John on January 27.

Just a couple weeks before the album’s release, the guys will head Stateside, where a long list of tour dates, many of which are alongside Andrew Bird, await. With shows scheduled through March, it looks as though they’ll be anything but lonely in the new year.

Dear John
01 Airport Surroundings
02 Everything Turns to You
03 I Was Only Going Out
04 Harsh Words
05 Under a Silent Sea
06 I Got Lost
07 Summers
08 Distant
09 Harm
10 Violent
11 Dear John

Dates
12/10 New York, NY – Mercury Lounge
12/12 Brooklyn, NY – Union Hall
01/29 Northampton, MA – Iron Horse
01/30 Boston, MA – The Orpheum*
02/03 Washington, DC – The 930 Club*
02/04 Atlanta, GA – Variety Playhouse*
02/06 Orlando, FL – The Plaza*
02/07 New Orleans, LA – House of Blues*
02/09 Baton Rouge, LA – Spanish Moon
02/10 Houston, TX – Rudyard’s British Pub
02/11 Denton, TX – Hailey’s
02/12 Austin, TX – The Paramount Theater*
02/13 Albuquerque, NM – The El Rey*
02/14 Tucson, AZ – The Rialto*
02/17 Visalia, CA – Howie and Son’s Pizza
02/18 Los Angeles, CA – The Orpheum*
02/19 San Francisco, CA – The Fillmore*
02/20 San Francisco, CA – The Fillmore*
02/21 Portland, OR – Roseland*
02/23 Seattle, WA – The Moore*
02/24 Boise, ID – The Knitting Factory*
02/25 Murray, UT – The Murray*
02/26 Denver, CO – The Ogden*
02/27 Omaha, NE – Slowdown*
03/01 Chicago, IL – Schubas

* = w/ Andrew Bird

Friendly Foes “Get Yr Shit Together”

Should you be perusing the new releases coming out of Motor City in search of something other than hip-hop and techno, it’s worthwhile to check out Friendly Foes, whose Born Radical album is unabashedly steeped in pop and early ’90s indie rock sounds. Originally a solo operation of frontman Ryan Allen, the project expanded over the last year to include bassist Lizzie Wittman and drummer Brad Elliot, and the self-proclaimed “power trio” has already shared a bill with The Walkmen, Jealous Girlfriends, Born Ruffians, and Cadence Weapon. Born Radical is available digitally right now, with a physical release to follow on January 13.

Born Radical
01 Full Moon Morning
02 Get Yr Shit Together
03 Couch Surfing
04 My Body (Is A Strange Place To Live)
05 Breakfast Burritos
06 Get Ripped
07 Walk Home In The Dark
08 Epic Jamb
09 Wild (Once In Awhile)
10 Dying To Survive
11 Lil’ Tiger
12 Criminal Justice
13 Rush The Land

Friendly Foes – Get Yr Shit Together

Sebastien Tellier Touring Again

Stateside will see the return of Sebastien Tellier at the beginning of December, when the French master of all things sensual returns to the U.S. to further showcase material from his “11-track meditation on lovemaking,” otherwise known as his album Sexuality. He’ll bring his sultry songs to major U.S. cities before heading to Mexico. Hot!

Dates
12/03 Los Angeles, CA – Henry Fonda Theater
12/04 San Francisco, CA – Mezzanine
12/06 Denver, CO – Larimer Lounge
12/09 Chicago, IL – Schubas Tavern
12/11 New York, NY – Le Poisson Rouge
12/12 Mexico City, Mexico – Covadonga
12/13 Monterrey, Mexico – Escenica/Parque

MP3: “Sexual Sportswear (Donovan Remix)”

Matt Elliott Howling Songs

The latest release from Matt Elliott, the protagonist behind the Third Eye Foundation, is a resolutely dour one under his own name, the final part in a trilogy of “songs” albums following Drinking Songs and Failing Songs. Tellingly, Elliott opens the album with a song named after the five stages of grief proposed in Elisabeth Kubler-Ross’ On Death and Dying and experienced, in particular, by those diagnosed with a terminal illness. The downbeat mood barely lifts from there on in. Seemingly owing as much to mournful Portuguese fado and Eastern European folk musics as the drum & bass and music concrete that fuelled TEF, Howling Songs is spectacularly glum and very, very special.

Used to Be

Directed by Matt Amato, the video for Beach House’s song “Used to Be” is a study in light and loneliness. Long shadows and fading colors of a dusty desert town provide a backdrop for Beach House band mates Victoria Legrand and Alex Scally, who appear smartly outfitted in retro ’70s attire, despite the seeming absence of an occasion for it. Their characters hold preoccupied glances into mirrors and out windows that overlook things like an ambling train and a sturdy little white church with a makeshift cross sticking out the chimney; meanwhile, the spacious instrumentation matching the simplicity of the scene. The video exits with rhythmic pulses and a classic sunset convertible escape into the dessert. Lulu McAllister

R.I.P. LCD Soundsystem?

According to sources, it might be the end of things for James Murphy’s LCD Soundsystem outfit. According to an interview guitarist Al Doyle gave BBC 6Music, the band could be on permanent hold. “I don’t think James is going to do anything more under that name,” Doyle stated.

He also referenced future projects they might collaborate on, saying “we were thinking of doing something where we find a lot of old disco singers in New York that might still be around from the ’70s, and get them in as guest vocalists… God knows if we’ll make it happen.”

Murphy recently announced plans to start a “rock” band with fellow LCD member Pat Mahoney and Hockey Night members Paul Sprangers and Scott Wells. Material is rumored for release sometime next year, so, regardless of whether or not we ever get another disc bearing the LCD moniker, this is surely not the last of Murphy et al (via Drowned in Sound).

Photo By Dustin Ross.

Anticon Celebrates Tenth Birthday in NYC

Bay Area avant-hop label anticon. will celebrate its tenth birthday on December 18 at New York’s Knitting Factory. The event will feature appearances by the newly refreshed duo Themselves (doseone and Jel), Yoni Wolf of WHY?, Alias, label founders Sole and pedestrian and other special guests, who will perform a “stack of mini-sets” merged into one medley, according to the event flier.

anticon. emerged in 1998 as an artist collective of individuals bound by a mutual appreciation of underground rap and traditional hip-hop. Founders Sole (Time Holland) and pedestrian (James Brandon Best) named the label with their desire for boundless, challenging art in mind. The label gained momentum with the inclusion of jel (Jeffrey Logan), doesone (Adam Drucker), alias (Brendon Whitney) and eventually WHY’s Yoni Wolf. Music from the label has been filed under various genres and its founders don’t feel the need to settle on a single one anytime soon. The label website reads, “We find ourselves in the half-twenties of strange lives, in the middle of a unfathomable world, and we are grateful for company: future friends, listeners, and artists alike.”

Here’s to another ten years.

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