Like Woah! “O.S.O.F.”

Not to be confused with that cheesy American pop group, Like Woah! is an electro-house duo that hails from Sydney, Australia and loves to play DJ sets. In their own music, these two self-professed nerd/sport/ravers have a taste for wobbly synth melodies and extraterrestrial-sounding laptop noise, and their self-titled EP, released via Bang Gang’s imprint, has caught the attention of Boyz Noize, Steve Aoki, and right on up to Jay Z (we think they’re telling the truth about this). They rarely showcase their own material in the live setting, so enjoy this one on the headphones, if you can sit still during the beat.

Like Woah! – O.S.O.F.

Sonantes Sonantes

Brazilian singer CeU caught many an ear with her debut album last year, so it makes sense that her name’s getting the most attention on this project. But rather than just reprising her previous work, Sonantes brings together several prominent Brazilian musicians to create songs for imaginary films. Though those supposed movies get short shrift (a line in the press materials, and apparently nothing in the liner notes), the songs speak for themselves: sometimes hazy, sometimes sparse atmospheric rock, with CeU’s vocals floating above. There’s the occasional electronic touch (nice effects on “Toque de Coito”) or retro or Afro-Cuban trace (the throwback feel to “Mambobit”). Sinuous, inventive, and, yes, cinematic. Now someone just needs to make those films.

Dungen Announces Fall Tour

With a new drummer in tow, Swedish four-piece Dungen will head Stateside, for its first tour across the pond in three years. Johan Holmegard joins guitarist Reine Fiske, bassist Mattias Gustavsson, and Gustav Ejstes, and these guys’ psych-jazz tunes are well worth catching in the live setting. The band will showcase material from its most recent release, 4, due out this fall.

Dates
10/24 Brooklyn, NY: Music Hall of Williamsburg
10/27 Hoboken, NJ: Maxwell’s
10/28 Philadelphia, PA: Johnny Brenda’s
10/30 Boston, MA: Great Scott
10/31 Toronto, ONT: Horseshoe Tavern
11/01 Ann Arbor, MI: Blind Pig
11/02 Chicago, IL: Bottom Lounge
11/04 Minneapolis, MN: 400 Bar
11/07 Seattle, WA: Chop Suey
11/08 Portland, OR: Doug Fir
11/10 San Francisco, CA: Bottom of the Hill
11/11 Visalia, CA: Cellar Door
11/12 Los Angeles, CA: The Echo

Photo by Karl Max.

The Bug Brings Zoo to North America

Kevin Martin (a.k.a. The Bug) releasedLondon Zoo last week, and he has a few North American dates planned to showcase the new material. For those already eager for more, check out a completely unreleased track called “Flying” over at RCRD LBL.

09/19 Nelson, BC: TBA
09/20 Vancouver, BC: Open Studios
09/21 Edmonton, AB: The Pawn Shop
09/26 Los Angeles, CA: TBA
09/27 San Francisco, CA: Club Six
09/28 Seattle, WA: Neumos
09/30 Portland, OR: Rotture
10/01 Montreal, QC: Academy Club
10/03 New York, NY: Love
10/04 Boston, MA: Great Scott

Kevin Martin a.k.a. The Bug with MC Ras B and Warrior Queen. Photo By Sheikh Amhed.

Carl Craig and Tribe

Time for another Detroit music history lesson. Tribe was a collective of artists and jazz musicians who came together in the 1970s to release albums that have since become favorites of record collectors and reissued by the likes of Ubiquity, Hefty, Soul Jazz, and other labels. Fast forward to Spring 2007, when fellow Motor City resident Carl Craig re-assembled the group to record an album that features new arrangements of Tribe material, as well as brand-new compositions. Here, saxophonist Wendell Harrison, trumpeter Marcus Belgrave, trombone player Phil Ranelin, and Craig himself discuss the group’s past and future, as well as making the album. There’s also some wonderful live footage of Tribe’s first gig together, at the JVC Jazz Festival in 1970.

High Places Announce Tour Dates

We recently profiled Brooklyn-based duo High Places, who claimed to be three times as loud as the bands they open for. With their self-titled debut album about to drop, Rob Barber and Mary Pearson prepare to splinter eardrums across North America this fall, with shows that include a performance with Dan Deacon and several with noise-rockers Ponytail. Meanwhile, Barber and Pearson’s album drops September 23 via Thrill Jockey.

08/30 Los Angeles, CA: The Echo
09/16 Pittsburgh, PA: Brillobox
09/17 Cleveland, OH: Grog Shop
09/18 Grand Rapids, MI: Division Avenue Arts
09/19 Madison, WI: Majestic Theater*
09/20 Champaign-Urbana, IL: Pygmalion Festival
09/21 Rock Island, IL: Huckleberry’s Pizza Parlor
09/23 Chicago, IL: AV-aerie
09/24 Minneapolis, MN: Triple Rock
09/25 Grinnell, IA: Gardner Lounge**
09/26 Iowa City, IA: TBA
0927 Denver, CO: Rhinoceropolis
09/29 Salt Lake City, UT: Kilby Court**
09/30 Missoula, MT: The Badlander**
10/02 Seattle, WA: Nectar Lounge**
10/04 Vancouver, BC: Richards on Richards**
10/06 Portland, OR: Backspace**
10/08 San Francisco, CA: Bottom of the Hill**
10/10 Los Angeles, CA: The Smell
10/12 Phoenix, AZ: Modified**
10/15 Austin, TX: Emo’s**

* = w/ Dan Deacon
** = w/ Ponytail

Get Physical Preps Full Body Workout 4

Tech house’s finest DJs and producers gathered together to contribute to Full Body Workout Vol. 4, the latest offering from Berlin’s Get Physical imprint and the first installment of this series we’ve seen in nearly two years. Set for release on September 26, the compilation will feature a sampling of brand-new artists on the GP roster, like Frakfurt-based producer Daniel Mehlhart and Belgian wonder-kid Jona, as well as old, familiar faces like Lopazz and Italoboyz.

The compilation will be released in both vinyl and CD format. The disc features all fourteen tracks picked by the Get Physical crew, while the vinyl features eight of the release’s best cuts, tailored for the turntables.

Workout
CD
01 Jona “Blackened
02 Daniel Mehlhart “Redrum Society”
03 Einzelkind vs. Meat “Baléa”
04 Gavin Herlihy “Indian Horn
05 Italoboyz “Downtown”
06 Elektrochemie “Starstruck (Revisited)”
07 Dakar “Milking the Cash Cow”
08 Djuma Soundsystem “Small Fries”
09 Ida Engberg & David West “The Giant from Nibiru
10 Patrice Bäumel “Javelin”
11 Matchbox “Live in Brazil”
12 Lopazz “Live in Brazil”
13 Williams “Natty Dread”
14 Omurah “Colefire”

Vinyl
A1 Patrice Bäumel “Javelin”
A2 Einzelkind vs. Meat “Baléa”
B1 Italoboyz “Downtown”
B2 Einzelkind vs. Meat “Baléa”
C1 Jona “Blackened
C2 Daniel Mehlhart “Redrum Society”
D1 Ida Engberg & David West “The Giant from Nibiru
D2 Williams “Natty Dread”

Pictured: Italoboyz

Exclusive Reggae Sumfest Recap

By all accounts, this year’s Reggae Sumfest concert, held July 13-19 in Montego Bay and one of the island’s largest multi-artist events, was a major success. Although rumor had it that international guests like T-Pain and Lil’ Wayne did not fare so well with the notoriously fickle Jamaican audience, local veterans and new talent all shone at the well-produced three-day event. XLR8R was lucky enough to have two representatives at the festival, who have provided exclusive images and commentary. Thanks to Cascade Wilhelm and Pierce Stacy for their contributions. Here’s a taste of what it was like to be among ten thousand fans as reggae’s biggest artists did their thing.

July 17, Mavado: When Mavado walks onstage, you can hear the energy of the crowd lift, voices raise to howls of excitement and, depending on the show, you can hear bullets fly. In this photo, Mavado was getting to the height of his song, “We Shall Overcome.” He was backed for the track by a 10-person choir and, for a brief moment, the massive crowd was quieted, hypnotized in respect and awe before being rocketed back into the high-stepping beat of “Gangster for Life.”

July 17, Etana: Etana’s powerful voice, lyrical empathy for struggle and injustice, as well as her grace as a performer all ensure her inevitable success as an international reggae star. She was one of the most engaging artists at Sumfest, with songs that were hopeful, introspective, romantic, and political. She continuously connected with fans, answering back to the adoring audience, “I love you, too!”

July 17, Vybz Kartel: Seeing Vybz Kartel live was a highly intoxicating experience. With one of the most unique lyrical styles in dancehall, a disarmingly polite and poised stage presence, and an arresting charm, it might have taken you a few minutes to even notice that Vybz Kartel was wearing a full-length fur coat and hat in the middle of July in Jamaica. Despite being dressed to kill (holding his signature “Vybz” rum throughout most of the performance), he delivered one of the freshest, most sensual and danceable performances this year.

July 19, Beres Hammond: Backstage at Sumfest, a music producer described Beres Hammond as the “Marvin Gaye of Jamaica,” but you’ve got to see Hammond live to believe it. For all who know Hammond’s legacy as a singer, producer, bandleader, and musician, it is true that love, in all forms, is his inspiration. During his lengthy, engaging set at Sumfest, Beres seduced a willing crowd, while his band of younger musicians kept the beats hot.

Photos by Cascade Wilhelm.

Abe Vigoda Skeleton

L.A. kids Abe Vigoda have spent the last four years developing their sound into what PPM label-owner/No Age drummer Dean Spunt describes as “tropical punk.” And while last-week’s-big-thing Vampire Weekend has made Graceland a dangerous line to walk, Abe Vigoda crossbreeds Paul Simon’s signature Afro-pop with face-melting post-punk to maintain the Spunt’s description on Skeleton, their third full-length. From the jovial guitars of “Dead City/Waste Wilderness,” the album explores sunny melodies (“The Garden”) and heavy noise passages (“Whatever Forever”) while keeping a cohesive flow. That’s what happens when you grow up at The Smell instead of an Ivy League university.

Page 2876 of 3781
1 2,874 2,875 2,876 2,877 2,878 3,781