Gui Boratto and Martin Eyerer Collaborate for Single

With Miami’s Winter Music Conference just around the corner, Gui Boratto and Martin Eyerer team up for their first collaboration as producers and try to breathe a little warmth back into techno. “The Island,” out February 18 on Audiomatique, finds Brazil-based Boratto and Stuttgart, Germany’s Eyerer combining their talents for a track of choppy, stabbing beats and cleverly constructed synth hooks. It doesn’t necessarily call to mind images of sand, sun, and surf, but we’re assuming it could work for an impromptu oceanside party. On the single’s b-side, a softer, more melancholy mood reigns on “The Beach.”

Tracklisting
A1. The Island
A2. The Beach

Gui Boratto Tour Dates
02/07 Goiania, Brazil: Club Sedna
02/09 Campinas, Brazil: Kraft
02/15 Singapore, Singapore: Zouk
02/16 Tokyo, Japan: Colors Studio
02/22 Brisbane, Australia: Bar Soma
02/23 Sydney, Australia: Chinese Laundry
02/24 Gold Coast, Australia, Venue TBA
02/29 Melbourne, Australia: Brown Alley
03/07 Sao Paulo, Brazil: Clash
03/09 Goiania, Brazil: XZone
04/05 Maringá, Brazil: Velvet
04/24 Oporto, Portugal: Industria
04/25 Aix-En-Provence, France: Studio 88
04/26 Innsbruck, Austria: Hafen
04/29 Amsterdam, Netherlands: Queensday
04/30 Valencia, Spain: Barraca
05/01 Lisbon, Portugal: Lux
05/04 Dublin, Ireland: Spy
05/08 Lyon, France: Nuits
05/09 Madrid, Spain: Low Club
05/10 Barcelona, Spain: Nitsa

Martin Eyerer Tour Dates
02/08 Tübingen, Germany: Blauer Turm
02/09 Osnabrück,Germany: House in the Sky
02/14 Cancun, Mexico: Venue TBA
02/15 Monterey, Mexico: Venue TBA
02/22 Stuttgart, Germany: Climax Institutes
02/23 Betzdorf: Germany: Help Club
03/06 Sao Paulo, Brazil: D-Edge
03/14 Stuttgart, Germany: Climax Institutes
03/15 Mainz, Germany: 50 Grad
03/21 Antwerp, Belgium: Café d’Anvers
03/22 Stuttgart, Germany: Rocker 33
03/23 Madrid, Spain: Mimetica Morphing Club
03/29 Rome, Italy: Qube
04/05 London, U.K.: Sosho
04/11 Sofia, Bulgaria: Escape Club
04/12 Cologne, Germany: Blumengold
04/18 Stuttgart, Germany: Climax Institutes
04/19 Frankfurt, Germany: Monza

Image of Gui Boratto (left) by Nino.

Faunts Drop New EP, Album in 2008

Eno, The Orb, Underworld, Radiohead, and Loscil are a few notable electronic/indie standard-bearers who dazzle listeners with their subtle, sublime, amorphous music. The term “ambient” doesn’t do justice to these artists, who incorporate cinematic features, dub bass, layered melodies and of course, clever rhythmic addition and subtraction. Now, add Edmonton, Canada’s classy five-piece ensemble Faunts to the aforementioned list of dream-inducing sound sculptors, with their new M4 EP as compositional evidence.

The five-song EP, available now on Friendly Fire Recordings, was created for a live performance hosted by the Film And Video Arts Society, to accompany three independent short films. Hence, the music patiently unfolds in lush widescreen scenes, with gentle electronic beats and dense synths surrounded by an effect-drenched fog. Faunts have honed their sound over a career spanning seven years, which has included recording the 2005 album High Expectations/Low Results (Friendly Fire) and playing live with fellow Canucks Broken Social Scene, Stars, and Do Make Say Think.

A second album is in the works for fall 2008. A remix companion to the LP will also be released, with contributions from Cadence Weapon, Trail of Dead, Copy, and others.

Hear the song “M4”

Tracklisting
1. M4 (Part II)
2. Sleepwalker
3. M4 (Part I)
4. Meno Mony Falls
5. Of Nature

Mochipet Preps Album

No one does futuristic, weirdo hip-hop quite like David Wang under his Mochipet guise, and come April, fans will have an entire album’s worth of the stuff when he releases Microphonepet through his Daly City Records imprint.

A sneak peek at the album tells us this release is going to be packed with danceable rhythms, silly rapping, and strange noises. Jahcoozi, Dopestyle, The Freshest Kids, Casual & Opio (of Hieroglyphics), and Meanest Man Contest all make appearances on the disc. No word on the tracklisting yet, but we’ll keep you posted.

Meanwhile, Europe is getting a taste of Wang’s live performances as he travels through the continent. Catch him at one of these dates:

02/08 Berlin, DE: The West Germany
02/09 Rotterdam, NL: Worm
02/10 Hamburg, SE: Golden Pudel Club
02/14 Aalborg, DK: 1000Fryd
02/16 Brussels, BE: Magasin4
02/23 Dublin, IR: TBC
03/7 Bern, AU: FormBar
03/8 Delemont: SAS
03/14 London, UK: Bangface
03/15 Emmenbruke, SW: Subtrakt Party
03/20 Geneva, SW: Electron Festival with Autechre and Luke Vibert
03/21 Antwerp, BE: Dissonant Festival

Photo by Alexander Warnow.

The Battle of Land and Sea The Battle of Land and Sea

The spare landscapes of Sarah O’Shura and Joshua Canny are filled with lo-fi longing. “I’ve traveled far just to get to this state,” O’Shura sings in the finale, “You Are the Sailor,” after over half an hour of patiently introspective, sometimes haunting soundtrack-esque songs. Some dreams unfold in slow motion, and some tracks were meant to be listened to while lost at sea. Sure enough, The Battle of Land and Sea‘s maritime metaphors are everywhere, especially on stark tracks like “I Built the Sea” and “Birdsong.” Understanding love, loss, and everything in between, at least for O’Shura and Canny, is evidently a very quiet process that works best when accompanied by the motion of the ocean.

Kelpe “Colours Don’t Leak Pt. 1”

After the release of 2005’s Sunburnt Eyelids, Kel Mckeown, better known as Kelpe went on a three-year hiatus in search of sound on the lake shores of Europe. Ex-Aquarium, his forthcoming full-length for DC, is the result of this time, and full of echoes, sparse drums, humming synths, and cracks and crunches galore.

Kelpe – Colours Don’t Leak Part 1

Teargas & Plateglass Black Triage

With Black Triage, instrumental collective Teargas & Plateglass continues to reach into the darkest depths of electronic-based music. This album sounds like the soundtrack to an imposing sci-fi/horror flick set in 2050–one that is tough to sit through all the way. Teargas & Plateglass are undoubtedly deft with the drum-machine pads and synths–the robust rhythms and sinister melodies of tracks like “Behold the Sea of Ills So Vast” hit pretty hard. The thing is, too many drawn-out silences and an abundance of overall eeriness make this one only appealing to fans of the ultra-overcast.

Q&A: Panther

A lot has changed for Portland’s Panther since the sassy, spastic electro-funk of last year’s Secret Lawns. For one thing, the band has expanded from the alter-ego of performance artist Charlie Salas-Humara to a duo with the addition of drummer Joe Kelly (formerly of 31 Knots). Similarly, Humara has ditched the tongue-in-cheek lyrics and heavy synthesizers of Secret Lawns for a more traditional approach to songwriting. Built on cello compositions and guitars, 14kt God–ready for release on February 19–is a surprising departure from the Panther of 2007. Charlie caught up with us to explain the reasons for his change, his favorite albums of all time, and why blogging might contribute to the apocalypse.

XLR8R:Why did you decide to add a drummer to Panther?

I had been writing these hectic, super-syncopated guitar and cello parts, and I wanted to try to put pop vocals over the top. It just seemed natural to have a drummer. I really wanted [the music] to become more and more organic, like a band.

In terms of sound, 14kt God is such a departure from your previous material. Is this a natural result of adding live instrumentation, or was it something more intentional?

It was totally intentional. I shouldn’t say this, but fuck it… I’m so tired of electronic music. I feel like people rely too much on programs that sequence out their ideas. There is no swing to 99% of the genre, but maybe that’s the point. I don’t know. It feels really forced and way too angular for me. I only want to hear organic music right now.

Is Panther meant to be taken seriously?

Yeah, I really hope that people take it seriously; I hope I didn’t fuck myself by using humor on the last record. Sometimes people confuse humor with joke[s]. This record is dead serious.

Who do you consider some of your influences?

I love the music I grew up listening to, which was a big mix. Like, I remember hearing Badfinger and Cuban music all in the same day. I am influenced by my uncle’s band, The Silos, and I have been listening to a lot of music from Niger, and Syria, too. But mainly I always go back to Black Flag and Fleetwood Mac. As far as dance, I love Merce Cunningham. It really fucks with my A.D.D.

How has your live show changed? Do you play instruments or is it still centered around dancing and singing?

I am playing a little bit of drums as well as some keyboards. I am thinking of playing guitar, too, but there is still a fair amount of dancing,

Do you have plans for some more music videos from this album?

E*Rock is working on one right now, for “Violence, Diamonds,” and there are a couple others in the works also.

What are your favorite and least favorite albums of all time?

My favorites are:
Fleetwood Mac Rumors
Sonny Sharrock Black Woman
Liquid Liquid Optimo
Royal Trux’s first record
Ethiopiques13
Badfinger Straight Up
Sun Ra Concert for the Comet Kohoutek
Elvis Costello Armed Forces
Spacemen 3 Recurring

I hate anything by Led Zeppelin.

What is the most ridiculous thing that has ever happened to you at a show?

A really huge, scary guy came up on stage and took the mic and started preaching to the crowd about starving children in Africa during the middle of my set. It was going on so long and the bouncers were too scared to do anything, so I just laid down on the stage to take a nap, and when I looked up, his girlfriend was alternating between giving me the finger and flashing me her breasts. It was really confusing and the crowd at first thought it was a prank I had pulled. Then they got bummed.

Is the record industry dying? Is the world ending?

I think the record industry is getting weird, right? Record sales are down and there is this attitude now that people feel they deserve the music for free. I get emails all the time, with people asking why I don’t put the record up for free. My favorites are these blogs/websites claiming to liberate music from the rich music industry or whatever. It’s the poor artists who are getting screwed, not just the record labels. I would like to go into these people’s [offices] and just start taking things and saying, “Come on! Why isn’t this free man?” But I am hopeful that people realize that, for the most part, it is art, and most people work hard, and culturally it is important. But yeah, I guess it doesn’t matter because the apocalypse is coming soon.

14kt God is out February 19 on Kill Rock Stars.

Lee “Scratch” Perry Chicken Scratch: Deluxe Edition

Kooky dubmaster Lee Perry is a living icon. His storied career, from working with Bob Marley to his famous Black Ark studio, is well documented. Chicken Scratch: Deluxe Edition is a collection of early recordings from his pre-dub years (mid-to-late ’60s) recorded at Kingston’s renowned Studio One. Perry croons over early ska rhythms on “Just Keep It Up” and “Madhead,” and on “Mother in Law” he gets playful and funny. Overall, the 18 tracks (most on CD for the first time) have great harmonies, hints of doo-wop and soul, and are pleasant listens. “Run Rudie Run” is a soulful tune one might not expect from Scratch, and it’s but one surprising gem of many in his prolific career.

Top 10: Hymns, Clinic, M83, Poker Flat

Hymns
Travel in Herds
Blackland
Release Date: March 11, 2008

Blame it on my Southern upbringing (half of which was spent feeding quarters into the jukebox of a no-frills dive bar), but nothing satisfies like a little twang and some country bass rhythms. Hymns, who hail from Texas but now operate from New York, add organs, bluesy saxophones, and electric guitars to their country-flavored, pedal-steel-driven album, creating a wonderful dichotomy that calls to mind both the masters of classic country and today’s newest up-and-coming indie bands.

Cloudland Canyon
Lie in Light
Kranky
Release Date: April 28, 2008

The album starts with low, haunting keyboards that slowly crescendo and explode into what sounds like 10 electric guitars riffing off one another. That pretty much sets the tone for the entirety of Lie in Light, which darts constantly between soft interludes and epic instrument clashes. Though “Krautrock” would probably best describe the sound of this Germany-based outfit, Lie in Light also contains a sizable helping of pop and ’80s sounds, though of course, executed with surprising twists.

M83
Saturdays = Youth
Mute
Release Date: April 15, 2008

Anthony Gonzalez is back with a new long-player under his M83 guise, and for Saturdays = Youth, he has bundled guitars, pianos, synthesizers, and breathy female vocals together, then enlisted Ken Thomas and Ewan Pearson to assist with production. Half dance music, half rock music, but then again, not really either one of those, Saturdays = Youth lives up to its name, with musical construction that feels cathartic and is coupled with lyrics that document the woes of life as a teenager.

Various Artists
Moods: You, the Night, and the Music
Backdrop
Release Date: February 19, 2008

You must bypass the sappy title to get the real goods on this compilation from ObliqSound sub-label Backdrop, but once that’s done, a wealth of nu-jazz, soul, and electronic music await. Whether its Frivolous cranking out synth melodies on a bouncy dance number, Stateless belting it out over leftfield hip-hop beats, or Ursula Rucker’s poetry sung over African tribal drums, this disc is an energetic, upbeat trip through a variety of styles.

Sunny Day Sets Fire
STRANGER/Remix
IAMSOUND
Release Date: February 26, 2008

This London-based five-piece’s style is as unabashedly poppy as it gets, but for its Stranger/Remix EP, meant to tide fans over until a full-length this spring, numerous artists stepped up to the mixing board and gave the band’s music added dimension. Stand-out tracks include CSS’ happy-go-lucky take on “Wilderness,” the cut-and-paste version of “Adrenaline” from XXXChange, and The Cool Kids’ crunchy, distorted remix of the title track.

EMC
The Show
M3
Release Date: April 8, 2008

EMC features the combined talents of Masta Ace, Punchline, Wordsworth, and Stricklin, all respected hip-hop artists in their own right. Besides tight production and clever lyrics these four bounce around like a ball on a four-square court, The Show is also notable because of its concept: EMC chose to write the album based on a day in the life of a hip-hop group, from waiting for tardy promoters to doing radio shows and driving aimlessly around town. Always nice to see a little wit and creativity breathed back into hip-hop.

Trouble Over Tokyo
Pyramides
Klein
Release Date: April 13, 2008

The softly plucked–dare I say–pretty guitar notes at the beginning of the first track here offer a deceptive introduction for Pyramides. Rather than follow up with a collection of predictable chord progressions and sensitively sung lyrics, Trouble Over Tokyo launches into an album of abrupt stops and starts, falsetto vocals that give Panther a run for his money, and musical styles that run the gamut from ’80s to R&B. It’s something like a cross between your average indie rock band, Radiohead circa Kid A, and Destiny’s Child. No kidding.

Various Artists
Dead Man’s Hand
Poker Flat
Release Date: March 3, 2008

Poker Flat may be in love with the concept of gambling (as evidenced in not only its name, but also in 2006’s Bets’n’Bluffs sampler), but anytime the Germany-based label unleashes a new compilation it’s a safe bet you’re going to receive only the best in new house and techno made by dance music’s household names. Here, label boss Steve Bug, along with Märtini Brös’ Clé take listeners on a trip through the Poker Flat catalog, then finish things off with a few tracks made specifically for this compilation.

Clinic
Do It!
Domino
Release Date: April 2008

The four members of Clinic enjoy creating tension as much as they like wearing those surgical masks, and on this, their fifth long-player, they pit relaxing, folk-style acoustics against screaming guitar riffs while vocalist Ade Blackburn sings about love, alcoholism, witch hunts, and Christmas. Do It!’s press release states that “Clinic has never sounded so relaxed and so uptight.” We concur.

Voting
Speaking of the phrase “do it,” don’t forget to vote today!

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