Roller Disco: End of an Empire

In April, the death knell sounded for Brooklyn’s 66-year-old Empire Roller Skating Center–with its sale, New York City lost its last indoor roller rink, and a monument to style, finesse, and high-speed fancy footwork played out on 150 feet of maple-wood flooring.

Photographer Christopher Franko, 40, shot the final few months of rocking, skating, rolling, and bouncing with his collection of toy and vintage cameras. “At Empire, skating took on a whole new meaning,” writes Franko via email. “It was the self-proclaimed ‘Home of Roller Disco’ and the skaters were amazing. Many of them had been skate doubles in music videos and movies like Roll Bounce. There were all kinds of people: gay, straight, black, white, whatever… Empire was like a big playroom and lots of skaters had [a] kind of free-spirited freakiness to them. But there was one dude in particular [who was] a total enigma. He always skated alone, always laughing to himself. He came dressed each week in ’90s hip-hop drag–like if the RZA had a little brother–only he’d accessorize his look with glo-sticks and goggles. I always wondered what his story was.”

Musically, Empire was caught between the old and the new, playing a particularly NYC-style mix of R&B and soul classics along with dancehall hits and house jams. “Tracks that will always make me think of Empire [are] ‘Boogie 2nite’ by Tweet, ‘Never Stop’ by Brand New Heavies, ‘Where I Wanna Be’ by Shade Sheist, Kurupt, Nate Dogg & Snoop, and ‘Goin’ to See My Baby’ by Fatback Band,” recalls Franko, who, like so many patrons, will now have to drive to Staten Island to practice his crazy legs.

Nu-Jazz Round Up

Tons of amazing new jazz and, em, “nu-jazz” releases are flowing like cars down the turnpike this summer and fall. Lets look at what’s new in broken, future soul and electrojazz business.

Off the top: Tom Middleton, Zeb, King Britt, and Mark de Clive-Lowe take on vintage soundtracks for Six Degree’s new project: Cinematic: Classic Film Music Remixed (September 11). Choice cuts are Britt’s take on the theme to They Call Me Mr. Tibbs (classic Sidney Portier flick) and UK act Bent psyching-out with Fellini’s Roma.

XLR8R exclusive: Six Degrees has just revealed that it will be releasing Tom Middleton’s new album Life Tracks in October! Middleton is known for previous work with Global Communication and Jedi Knights.

Mark de Clive-Lowe

The aforementioned and always-busy de Clive-Lowe. His Antipodean Records imprint, along with Milan Records US, has released The Politik’s (CD/2LP/digital) self-titled, debut album. The Politik is singer Bembe Segue and de Clive-Lowe on production, and also features Bahamadia, Blu, replife, Waajeed (Platinum Pied Pipers/Bling47), Daz I-Kue (Bugz in the Attic), and Jason Yarde. De Clive-Lowe and Philly’s Lady Alma also have a dope new digital download single, “Pressure,” out now.

Speaking of EP’s and 12” singles: Seattle’s Suntzu Sound presents “EP 02” (out as a digital download now), featuring massive remixes of their debut EP by West London’s finest–Blakai (Bugz in the Attic’s Mark Force and Kaidi Tatham) and Domu, who rework tracks by AC Lewis and 1Luv.

Ohmega Watts

Meanwhile, fellow West Coast label Ubiquity will release their second Choices EP on September 11, 2007, featuring Radio Citizen/Hudson Mohawke, Ohmega Watts, and Milez Benjiman. The Choices series features exclusive tracks, one-off collaborations, and sneak peaks at future Ubiquity albums. Benjiman hails from the 4Lux crew out of Belgium, Watts reps Portland, OR, while Radio Citizen and Mohawke are German and Scottish souls, respectively. 

Broken/garage innovator Zed Bias is finally back after a few years’ absence, with both a fantastic remix of Soil & Pimp Sessions’ “Sahara” (out now) and his new EP, “Biasphere,” on Sick Trumpet, which drops this Friday, August 3.

Here’s a brief look at other major nu-jazz releases the next few months:

August
08/06: Seiji Seiji DJ Tools (Sonar Kollektiv)
08/06:Zeep (Chris Franck & Nina Miranda) Zeep (Far Out)
08/13: Eva Be Moving Without Traveling (Sonar Kollektiv/Best Seven)

Sepember
09/04Bitter:Sweet The Remix Game (Quango)
09/24: Flevans Unfabulous (Jack to Phono)
09/24: Quasimode Oneself & Likeness (Freestyle)
09/25: Heliocentrics Out There (Stones Throw)

October
10/01: Heavy Jazz Money$$ (BBE)
10/01: Deela Mano Mano (Switchstance)
10/08: Trickski Members Of The Trick'(Sonar Kollektiv)
10/15: Clara Hill’s Folkwaves-Sideways (Sonar Kollektiv)
10/15: Kon & Amir Off Track Volume 1: The Bronx (BBE)

Gear Alert: Korg Kaoss Pad 3

Korg’s third edition of the Kaoss Pad effects processor is no joke. Not unlike its preceding incarnations, the KP3 hosts a platform of effects, including several delays, flangers, and reverbs, and it also comes equipped with new algorithms, like an analog synth filter, a grain shifter, and expanded EQs. In addition to new parameters, the touchpad device also acts as an instrument unto itself, with actual vocoder and drum samples, plus the ability to trigger playback samples and sample on the fly. The KP3 is also a MIDI controller, which allows users to connect directly to their machines, rather than bothering with a mess of excessive cables. This bad boy has already been available a few months, and any DJ, producer, or musician could benefit from the bounty of this $399 electronic monolith.

Daily Download: ChemicalX “Endsville”

B. Sharp and J. Freeman have been producing drum and bass for a number of years, but “Endsville” is the spooky anthem that may establish the duo as potential dancefloor antichrists. Blending heavily effected vocals and the crunch of overproduced death metal, ChemicalX could be on the path to developing another wave of drum and bass.

Download this song as an MP3, or preview a week’s worth of tracks at the XLR8R Podcast. Subscribe using iTunes, or with an RSS reader of your choice.

C-Rayz Walz The Dropping

C-Rayz has built his career on being the not-so-serious MC with a serious edge, musically and lyrically. His use of wit and cynicism, combined with a deadly flow and gifted storytelling, have garnered him impressive accolades. With that kind of momentum, there’s no reason to stop now. The Dropping, like Year of the Beast before it, is an excellently produced album, with the vivid imagery we’ve come to expect. He turns it out on “Childhood,” with notable guest spots by Kosher Dillz and reggae upstart Matisyahu, and the Chinese folk playing of “Ginseng” is a prime example of his brilliance: a phat sound, dope beat, and a story to remember.

9th Wonder Preps Debut Solo Album

After an incredible running with the now infamous hip-hop trio Little Brother, production credits for Mary J. Blige, Jay-Z, and Destiny’s Child, and a Grammy under his belt, North Carolina-based Patrick Douthit, known to his fans as 9th Wonder, is finally releasing his debut solo album. Dream Merchant Volume 2 includes the soulful beatscapes Douthit made a name for himself with, but it isn’t just an instrumental album. Every track features a mass of different MCs, from Mos Def to Camp Lo to Memphis Bleek, and beyond, and if a Grammy for best underground hip-hop collection existed, Dream Merchant Volume 2 would most likely be in the running.

Instead of opting to work with artists who have the biggest recording budgets, Douthit chose known and lesser-known MCs who simply wanted to work with him. Whether or not Dream Merchant will break the charts remains to be seen, but when a hip-hop producer creates for the sake of making beats that the kids can vibe with, you know the impact may be nothing short of monumental (even if Lloyd Banks didn’t make the cut).

Dream Merchant 2 is out October 9, 2007 on Six Hole.

Tracklisting
1. Mr. Dream Merchant
2. Shots Feat. Big Dho and Sean Price
3. Merchant of Dreams Feat. The Embassy, Skyzoo, and Torae
4. Brooklyn In My Mind Feat. Mos Def, Jean Grae, and Memphis Bleek
5. Sunday Feat. Keisha Shontelle and Chaundon
6. Baking Soda Feat.Big Treal
7. Reminisce (Take Time) Feat. Big Remo and The Great Novej
8. No Time To Chill Feat. Little Brother
9. It Ain’t Over Feat. Jozee Mo and Tyler Woods
10. The Last Time Feat. Royce the 5’9, Naledge and Vandalyzm, The D, The Chi, and The Lou
11. Saved Feat. Saigon and Joe Scudda
12. Milky Lowa Feat. Camp Lo
13. Backlash Feat. Sean Boog and Buckshot
14. Thank You Feat. D.O.X and O-Dash
15. Let It Bang Feat. Ness and Skyzoo
16. What Makes A Man Feat. Big Pooh and Buddy Klein

Scion’s Fourth National Art Tour

The fourth installment of Scion‘s National Art Tour is already underway, moving pieces from artists based all over the world to cities across the US.

This year, Andrew Pommier, Andy Mueller, Cody Hudson, Dalek, Sam Flores, Kelsey Brookes, Mike Giant, and plenty others will tackle the installation’s theme, “It’s a Beautiful World,” through painting, photography, sculpture, and collage–with intriguing results. Interpretations range in subject matter from beat-up cars to birdhouses.

The exhibition series–which began in 2003 as a means of showing Scion’s commitment to independent art–will stop in nine cities this year, beginning with Boston. The Miami installment coincides with the city’s Art Basel show (North America’s largest art event), and the Los Angeles edition will take place at the new Scion Installation L.A. space, where all artwork will be auctioned off and proceeds given to charity.

Read More About This Year’s Tour

Tour Stops
Boston, MA: August 3 – 18, 2007
New York, NY: September 7 – 27, 2007
Seattle, WA: October 12 – 28, 2007
Denver, CO: November 2 – 30, 2007
Miami, FL: December 7, 2007
Austin, TX: January 17 – February 15, 2008
Philadelphia, PA: March 7 – 21, 2008
Los Angeles, CA, Date TBA

Dalek’s interpretation of a beautiful world.

Bumps’ Artist Tips

Tortoise’s polyglot approach to music is grounded in the work of three percussionists–John McEntire, John Herndon, and Dan Bitney (a.k.a. Bumps)–who integrate elements of dub, funk, jazz, and numerous genres into the band’s instrumental compositions. But despite the wealth of side projects they’re involved in, they’ve never made a percussion album together… until now. After friendly prodding from Stones Throw‘s general manager Egon, the drummers sat down and started messing around last year at McEntire’s Soma Studios in Chicago. The resulting 23 instrumental tracks on Bumps, the side-project’s eponymous release on Stones Throw (some of which have already been fed to remixers), are a wellspring of potential breaks that showcase the creative possibilities of three drum kits. We first asked Herndon for drumming advice, and his response boiled down to, “Ask John McEntire.” Wise words, as evidenced by these five tips from McEntire, a sound-engineering expert.

Experiment With The Basics
We didn’t use anything too weird, like tambourines, shakers, or whistles. As far as microphones go, I don’t really have any particular insights that would be beyond the realm of what anybody else would tell you. It’s all about experimentation. It all starts with the players and the instruments. You just need to tweak things to make it sound right in the room.

Lots of Post-Play
On Bumps, we used a lot of analog synth modules, frequency shifters, and phase shifters. There’s lots of distortion and
compression. You can hear all that stuff pretty clearly. We were definitely finding out new ways to distort things. We took the possibilities of the synthesizer module further, especially with the frequency shifting. One of those cuts was really interesting. We split it in stereo and ran it through two frequency shifters that drifted close to the same pitch.

Separate Is Not Equal
We had one kit isolated, which gave us a different palette of sounds–really dry, crunchy, and upfront. You actually have more processing possibilities with that because the resulting sounds are cleaner.

Crossover Hits
It’s hard to get things separated. There can be too much hi-hat bleeding into the snare mic, and sometimes you have to fight
balance problems. You can do more physical isolation, like putting the hi-hat further away or adding baffling. Nowadays, you can also use a program like SoundReplacer.

Ascending The Throne
On a couple cuts we recorded in the bathroom in the studio with just one mic. It turned out really nice. I’d used it as an echo chamber for some other things before. So we went in there with a kick drum, snare drum, and hi-hat and gave it a try.

The Week In Tours, August 2

Danish atmospheric peak-time pro Trentemøller is making a brief appearance in the States this fall, with a live band, while San Francisco-based techno magnate Claude VonStroke heads off to various residencies in New York, Ibiza, and beyond. Capping things off, noise-rock sensation Liars are hitting the road with Interpol, taking on Madison Square Garden and other enormous venues across North America. Whoa.

Trentemøller
10/03 Vancouver, BC: Plaza Club
10/04 San Francisco, CA: Mezzanine
10/05 San Diego, CA: On Broadway Event Center
10/06 Los Angeles, CA: Avalon Hollywood
10/08 Seattle, WA: Neumos
10/10 Denver, CO: Cervantes Masterpiece Ballroom
10/11 Montreal, QC: Le Cercle
10/12 Toronto, ON: The Mod Club
10/13 New York, NY: Rebel

Claude VonStroke
08/03 Riccione, IT: Prince Club
08/04 Belfast, UK: Stiff Kitten
08/05 Ibiza, ES: Space
08/10 Belgrade, YU: Exile Club
08/11 Zurich, CH: Moving City Festival
08/17 San Francisco, CA; Shine
08/19 San Francisco, CA: Golden Gate Park
08/21 Ibiza, ES: Privilededge
08/24 Manchester, UK: Bleep
08/25 London, UK: Fabric
08/26 Bristol, UK: Just Jack
09/21 San Francisco, CA: Shine
09/27 New York, NY: APT
10/14 San Francisco, CA: Golden Gate Park

Liars w/Interpol
09/10 Albany, NY: Palace Theatre
09/12 Boston, MA: Agganis Arena
09/14 New York, NY: Madison Square Garden
09/15 Philadelphia, PA: Tower Theatre
09/16 Raleigh, NC: Disco Rodeo
09/18 Orlando, FL: Hard Rock Live
09/19 Miami, FL: BankUnited Center
09/21 Atlanta, GA: Tabernacle
09/22 Nashville, TN: Ryman Auditorium
09/23 New Orleans, LA: Sugar Mill
09/25 Houston, TX: Verizon Wireless Theatre
09/26 Austin, TX: Stubb’s Bar-B-Q
09/27 Dallas, TX: Palladium
10/10 Kansas City, KS: Uptown
10/12 Minneapolis, MN: State Theatre
10/14 Denver, CO: Fillmore
10/15 Salt Lake City, UT: McKay Center
10/16 Boise, ID: Big Easy
10/18 Seattle, WA: WaMu Theater
10/19 Portland, OR: Memorial Coliseum
10/20 San Francisco, CA: Bill Graham Civic Auditorium
10/23 Los Angeles, CA: The Forum

Page 3117 of 3781
1 3,115 3,116 3,117 3,118 3,119 3,781