NHK yx Koyxen, real name Kohei Matsunaga, has released a new EP via Zurich-based experimental label -OUS.
Combining a career as a celebrated architect and illustrator in Japan with a 20-year career as a musician, he’s a prolific producer who boats a steady stream of solo releases and numerous collaborations with the likes of Sean Booth from Autechre, Conrad Schnitzler, and Sensation from the Jungle Brothers.
Having recently released an LP on DFA, he’s now also dropped his Parallel Tempo EP for -OUS, featuring “guttural acid,” with “intricate percussive elements” over the course of nine minutes. Parallel Tempo EP is the Japanese artist’s first release on -OUS, and follows releases on Mille Plateaux, PAN, and Diagonal, to name a few.
Tracklisting
A1. Parallel Displacement A2. Blue and Purple Horses B1. M B2. Strange Gesture B3. Universal Gesture
In support of the release, NHK yx Koyxen has producer a hybrid tack, a blend of “Strange Gesture” and “M”, thus creating a new track titled after the EP, “Parallel Tempo.” You can download it now via the player below.
Better known for their eclectic podcast series, Métron Records will present their debut label release from Osaka-based producer 7FO. Having previously released a cassette on RVNG International, and a 7’’ single on Bokeh Versions in 2017, this is the Japanese producer‘s debut full-length vinyl release. The tracks, recorded between 2012 and 2017, have been tweaked, remastered and recorded on vinyl for the first time.
The mysterious figure recorded the tracks at home, processing guitar sounds, using a sampler, synthesizer and junk equipment. Following in the footsteps of the ambient giants of his native lands, 7FO’s music continues this illustrious heritage whilst offering something fresh, modern, and beautifully rendered. He describes his own sound as “gorgeous sustained tones and dreamlike oscillations that drift through the inorganic/electronic world reverberating through our subconscious creating sonic fables in our minds.”
Tracklisting
A1: Ama ( ( ( A2: Moment A3: MooN A4: Hakko Suru Zero / 発酵するゼロ B1: Ougon No Yuge / 黄金の湯気 B2: Fate
LP will land on April 13, with “Moment” streaming in full above.
Every week, MeldaProduction offers a 50% discount on four selected plugins from its sprawling selection of effects. This week’s offer, which runs until Sunday 23:59:59 UTC, features the MAutoDynamicEq, a powerful dynamic equalizer with unbelievable sound; MStereoSpread, a psychoacoustics based mono to stereo expander; MBitFunMB, a tool for extreme distortion lovers and bit crush aficionados; and MTransient, a transient shaper that delivers attack and punch to any rhythmic track.
You can find more on all four plugins offered here, with MeldaProduction’s full offering here.
Earlier this week, Medellín producer Verraco dropped Don’t Kill ’em All, a new three-track EP on Insurgentes.
The three tracks on Don’t Kill ’em All range from tripped-out alien-like electro to brutal techno and acid-drenched ambience, all composed via Verraco’s KorgMS20 and Intellijel Metropolis to move sweaty dancefloors.
In support of the EP, Verraco has offered up the EP’s title track, a cut that, according to Verraco, is “a declaration of resistance and empowerment of our mestizo and black breed.”
You can grab “Don’t Kill ’em All” via WeTransfer below, with the full EP available here.
PBDY is the alias of Paul Preston, an LA-based DJ, producer, and founder of TAR, a rising label and artist collective including names like DJ Earl, Kai Whiston, Jimi Nxir, and Deantoni Parks. Discovering a love for music in his early years in Phoenix, Preston began his first musical experiments after purchasing an MPC and some turntables, and no sooner was he DJing around town as much as possible. “I was all over Phoenix doing that shit,” he explains, laughing, in a previous interview. The next step was a move to Los Angeles, inspired by Flying Lotus, who, too, was just starting his career, and suggested via Myspace that Preston take the jump. By July 2011, Preston was settled on the West Coast, keen to immerse himself in LA’s beat scene “I had no-one out here, but it felt like home right away,” he recalls.
Fast forward 12 months and production began to take hold—as Preston looked to compile some special material for his DJ sets. Together with Jeremiah Jae, Preston began blending his own “weird hip-hop beats” with Jeremiah’s raps, the results of which have arrived via various mixtapes and a 2016 album on Flying Lotus’ Brainfeeder under the alias JP Moregun. He returned to the label earlier this year with a DJ set of the Brainfeeder 2017 ∞ 2018 which features a collection of Brainfeeder tracks and rarities as well as a glimpse of what’s to come in 2018. Preston’s solo material remains a work in progress—although it has surfaced only to be deleted soon thereafter. He is now working on his debut solo record. As a DJ, he’s supported both Thundercat and Flying Lotus on world tours.
PBDY’s submission for the XLR8R podcast series plays out like a soundtrack to a futuristic film, weaving together a 60-minute narrative that flows through hyperactive, bass-heavy beats, smooth house, and film score ambience with understated style.
How was 2017 for you?
My 2017 was absolutely amazing. It was bar none the best year of my life. I managed to do three tours throughout the year. A European run with Jeremiah Jae as JP Moregun, then back to back tours with Thundercat and Flying Lotus. It really felt like a year that I found myself in the real world and also musically. Shit was intense in the best way imaginable. Also released a very close to me EP called Blender with UK vocalist Buchanan and moved my monthly radio show The Monolith to NTS Radio.
What have you been up to recently?
Recently, I’ve been keeping insanely busy. Since tour(s) ended in November I’ve been a pure hermit just in complete creation mode. Right now, I’m just making a ton of music, starting to shoot some of my short films I’ve been working on and writing for the past years and compiling/curating a book I’m putting together with loads of friends and family involved. Also watching mad amounts of animé and playing Dragonball Fighter Z, of course.
Where does the name PBDY come from?
The name PBDY (pronounced “Peabody”) was a really simple name idea. I just came to a place when I was younger that I needed to go by something I guess (people asking how to look me up). It’s a reference from Peabody & Sherman which is from the old adventures of Rocky and Bullwinkle.
Talk to me about the early years in Los Angeles, after your move. How did you get involved with Brainfeeder?
So I’ve been living in Los Angeles about seven years now. I became involved with Brainfeeder after Flylo and I bonded during the Myspace days, hahaha! When I was still living in Phoenix we started chatting about music, video games, and mostly film. It became only natural that I moved to LA and become more included in the squad. Once I moved here, I began playing locally and gathering some respect in the already deep scene. I played Low End Theory a bunch, Boiler Room a few times, as well as a handful of Brainfeeder showcases which included SXSW, Coachella, Tokyo, other Brainfeeder parties all over. I sorta became the Brainfeeder DJ. I’m honored to be considered that. That’s the type of stuff I always dreamed of in Phoenix.
You’ve released solo material but deleted it quickly afterwards. Can we expect PBDY solo productions anytime soon?
Ha! Yes, for those of you lucky enough to hear some of those sounds before I deleted, I appreciate your ears! For the longest time I just was like super anxious about releasing my own music, never thought it was good enough or finished etc…but now I’ve never been more excited to share what I’m working on. Happy to say there will be a solo PBDY record/mixtape this year, finally. Blessed to be putting something together for Brainfeeder.
You’ve toured with Thundercat and Flying Lotus. What’s it been like?
Touring with the boys was fucking amazing! Life changing times for me. I did the US Thundercat fall tour back to back with the Flying Lotus fall tour. I think I ended up playing like 50 shows in two months or so. Rolling with those guys is the best. It’s like travelling with your best friends. We just play mad video games, throw down as hard as possible every night at the show and give as much to the crowd as possible. I think I bruise my ribs every time I tour with them from just laughing nonstop (or stage diving). I truly am blessed to roll with those guys. Thankful as fuck.
Talk to me about the focus of TAR. When did it start and what do you look for in the artists and sounds you push?
TAR began about five years ago. It started as just a idea for a magazine that would include music but I got way more into collecting the music than the art. I really just love having a home for artists of all sorts and being able to help and encourage/inspire some of the younger breed that are just honing in on their skills. I look for artists who sound like something I’ve never heard or sound like something more people need to hear. A lot of people are pushing so many boundaries right now and I love to help break those walls down with them.
What’s coming up on the release front?
Got LOADS of stuff upcoming on TAR this year. Pretty much stacked up until fall already. New releases from BEAN, Nick León, Norfik, MICHELANGEL0 & Cralias to just name a handful. Also, a few compilations scattered throughout the year as well.
When and where was the mix recorded?
This mix was recorded in my humble little bedroom studio with the door open to the LA view. It was made in two one-take parts in the span of two days.
On what equipment did you record the mix?
I recorded this mix with my MPD26 in Ableton Live (no warping included) on some M-Audio speakers.
Was there a particular idea you were looking to convey?
As with all my mixes, I love to tell stories. I try to make my mixes feel cinematic and big. I want each little section to sound like scenes from a film. I also truly love taking the listener from point A to point B. The journey aspect is huge to me. It’s very important to spark emotion upon the listener. Put them in situational thoughts of sound to evoke their own journeys.
How did you choose the tracks you included?
Some of these tracks I picked may sound familiar for those who have seen me on tour recently with Flylo/Thundercat, as I specifically selected some tracks I was rinsing on tour for people who couldn’t be there. I also just picked a bunch of music I’ve been currently listening and jamming to, some new/upcoming TAR tracks, Brainfeeder fam, and a bunch of movie scores.
What’s in store for 2018?
2018 will be the year I put out the most content to date. I feel truly excited about this year and showing everyone what I’ve been too shy to so show off so far. I plan on touring more this year, putting out new music, finishing my first film, and dropping the book i’m curating called “PLEASE HELP ME!” Thankful to have new ears and eyes to spoil.
Tracklisting
01. Mac Qualye “2.0_5-infiniteloop0finsanity.vox” 02. Clark “Catastrophe Anthem” 03. DJ Animebby “Aaliyah” 04. DJ Tre “Gettin’ Happy!” 05. Nick León “Obsidian” 06. DJ Mastercard “Dream On” 07. Eat Paint “Sound A” 08. DJ Party God “She’s The Best” 09. Tzusing “Shame” 10. TEENANGEL “MALADEZA FT. JLZ” 11. DJ Mabooku “Future” 12. DJ Lycox “Dor Do Koto” 13. DJ Doraemon “Woodblock” 14. Bubas Produçoes “Relaxado” 15. Grasps_ “CLIQUES” 16. Dominowe “Club Killer” 17. Malcom “Phthalo Blue II” 18. Hans Zimmer & Benjamin Wallfisch “That’s Why We Believe” 19. BEAN “Forever” 20. DJ Windows XP “Maybe It Was Me” 21. Holodec “Smobbin” 22. LSDXOXO “DEATH GRIP (FT. BBYMUTHA)” 23. quest?onmarc “Subliminal Shade” 24. Ross From Friends “Would You Still Be Here” 25. WWWINGS “EXODUS (Ft. Jeremiah Jae)” 26. Adam Taylor “Chased” 27. Kai Whiston “TAKE YA BREATHE” 28. Little Snake “If u don’t knoh” 29. S280F & Echavox “nlt” 30. Sega Bodega “Requiem (Ft. Shygirl)” 31. Young Sizzle “Keepin’ It Real” 32. Gunna “Car Sick (Ft. NAV) 33. Ryuichi Sakamoto “Discovering River” 34. Ryuichi Sakamoto & Alva Noto “Carrying Glass” 35. Mike Levy (Gesaffelstein) “Something Has Changed” 36. oklou & Casey MQ “LURK” 37. Thundercat “DUI”
Following on from the he first wave of acts, which included Adam Beyer, Joseph Capriati, Derrick May, Ilario Alicante, Luciano, and Marco Carola, Kappa FuturFestival has now announced more names, this time including Amelie Lens, Apparat, Kolsch, Hot Since 82, KiNK, Larry Heard, Paco Osuna, Pan-Pot, Rødhåd and Motor City Drum Ensemble.
This new wave of headliners sees Belgian techno star Amelie Lens play with longtime electronic music pioneers Apparat and Kompakt’s Kölsch on the Saturday. Sunday, meanwhile, sees Hot Since 82 headline with live specialist KiNK, Chicago house legend Larry Heard, Kappa Futur favourite Paco Osuna, Second State duo Pan-Pot, plus Dystopian label boss Rødhåd and the deep digging, ever eclectic Motor City Drum Ensemble.
Full details on the fourth stage are yet to be announced, with the goal of testing the northern part of Parco Dora, which would bring the total footprint of the festival to over 70,000 square meters and the total capacity to over 50k people.
Phase 1+2 line-ups (a-z), more TBA
Saturday, July 7
Adam Beyer Amelie Lens Andrea Oliva Apparat Kölsch Joseph Capriati Marco Faraone Richy Ahmed Solomun Timo Maas
Sunday, July 8
Derrick May Hot Since 82 Ilario Alicante Jamie Jones KiNK Larry Heard Luciano Marco Carola Motor City Drum Ensemble Paco Osuna Pan-Pot Rødhåd
This year’s edition takes place from July 7 to 8 in Torino, Italy, with more information available here.
Aïsha Devi has announced the release of her sophomore album, DNA Feelings, out May 11 via Houndstooth. In conjunction with the album announcement comes first track, “Inner State of Alchemy,” and an artist statement entitled “DNA Feelings.”
Aïsha Devi’s voice is her most powerful tool in a repertoire that includes thumping beats and rave stabs, seraphic and guttural throat singing, mystical linguistics and corporeal sonics.
Born by the Swiss Alps with Nepalese-Tibetan heritage, a transversal of cultural and spiritual identity was forged, guiding both her personal and creative process as a non-conformed seeker. Devi applies meditation techniques in her approach to production and performance, channelling metaphysical research, ritualistic practice, and healing frequencies into an alternate club paradigm.
In 2013 Devi co-founded Danse Noire, a label collective supporting insurrectional club music from around the world, where she released her breakout single “Aura 4 Everyone,” followed by “Hakken Dub / Throat Dub’” in 2014. In 2015 Houndstooth released Devi’s debut album, Of Matter And Spirit, a significant sonic statement rich in political and philosophical subtext. The process led her to collaborate with Chinese visual artist Tianzhuo Chen on videos featuring profane and sacred iconography, as well as theatrical dance performances together with the Asian Dope Boys. Photographer Emile Barret is another longtime artistic collaborator.
Tracklisting
01. DNA ☤ ∞ 02. Dislocation Of The Alpha 03. Intentional Dreams 04. Aetherave 05. Hyperlands 06. Inner State Of Alchemy 07. Light Luxury 08. Genesis Of Ohm 09. Time (Tool) 10. Time Is The Illusion Of Solidity 11. Cell Stems Spa
Beirut-born, Berlin-based DJ-producer Nur Jaber will put out her debut album If Only—A State Of Peace on her imprint OSF on May 14.
Drummer, bassist, vocalist and now fully focused on electronic music, Nur Jaber is a resident DJ of STAUB at About Blank in Berlin. Known for her shows with live vocals over her DJ sets and using live 909 drums leaning toward more of a hybrid style, she is playing regularly at Berghain and Tresor and 2017 has seen her touring in Europe, Asia, and the US.
We’re told to expect nine tracks influenced by IDM, ambient, and classical music.
The LP will be paired with a remix EP featuring reworks by Dax J, UVB, Claudio PRC, and P.E.A.R.L.
Tracklisting
A1 / 1. A State of Peace A2 / 2. The Spirit Molecule B1 / 3. Mr X B2 / 4. Let Me Go C1 / 5. Late at Night C2 / 6. The End Is Near C3 / 7. A World Where Nothing Else Matters D1 / 8. If Only D2 / 9. When the Sun Sets (The End is Near Edit)
If Only—A State Of Peace LP will land on OSF on May 14, with “The Spirit Molecule” streaming in full below.
Innovative and colorful, the cinematographic electronic music of Maximilien is a mix of synthesizers and organic instruments. After his two debut tracks, “Messian” and “Alliance,” Maximilien’s upcoming album will be out next April via Elephant & Castle.
In support of the upcoming release, you can download “Alliance” via the WeTransfer button below. The track features the futuristic electronic music of Maximilien and the urban flow of Praa.
This year’s edition sees the traditional Closing Party, which is traditionally a small, more intimate affair, become the Closing Day, spreading to the Sucrière, in the Salle 1930 & the Esplanade, while still happening in Le Sucre. It will take place on Sunday, May 13, from 15.00 to 22.00.
The lineup is as follows:
Salle 1930: Laurent Garnier The Black Madonna Laurent Garnier b2b The Black Madonna Clémentine
Le Sucre: KiNK (4h live) Juliano
L’Esplanade: MCDE Records 10 years anniversary Motor City Drum Ensemble Henry Wu Pablo Valentino
The announcement lands after the confirmation of the annual event’s night programme for its 2018 edition.
This year’s night schedule runs from May 9 to 12 inclusive and features dozens of sets, both live and DJ, from local and internationally acclaimed artists. Scheduled to perform are the likes of Maetrik (a.k.a Maceo Plex), Kerri Chandler, Bicep, Mr Fingers a.k.a Larry Heard, Lee Gamble, Margaret Dygas, DJ Boring, Palms Trax, Avalon Emerson, and many more. Nights one, three, and four will take place at the Old Fagor-Brandt factories, running from 9.30 PM until 5.00 AM; while night two will be hosted across 17 stages in the clubs and concert halls in the city.
More information, including tickets, for this year’s event can be found here.