The world has changed dramatically in the five years since Unit released his debut, The Narcoleptic Symphony, but Cristian Fleming’s sonic forays are as cryptic as ever. Microscopic scrapings of noise coalesce from chaos into whorls of rhythm; it’s the aural equivalent of running a magnet over a scattered handful of iron shavings while watching them fuse into a single entity. These granular symphonies, complemented by sweeping synth melodies, call to mind vintage Vangelis or Aphex Twin. While his approach is not as revolutionary as it was at the turn of the millennium, few producers manage to operate in both a macro and micro sense as effectively as Unit does.