New York City’s Ilana Ospina and Chris Kelly (a.k.a. GoodandEvil) hand over the good good minimalism for ol’ Ricky Hawtin’s imprint. While detached, the four tracks here hardly come off as typically clinical: among other things, you’ll find warm, round basslines, distant piano plonks, shaker sounds, and-who’da thunk it?-a chanting female voice. Recommended.