Danish producer Lars Pellarin‘s music is the aural equivalent of watching an abstract minimalist painting being created, with each aquamarine or purple-grey brushstroke applied methodically until a blank white canvas is shaded with amorphous colors. His intentionally obscured rhythms aren‘t the focus on these five tracks; rather, light-particle noise fragments and the hiss of long-decayed echoes create a slowly emerging fusion of sounds. A subtle, evocative presentation.