Mark E Announces New Album for Spectral Sound

Over two years since his first full-length Stone Breaker landed via Ghostly’s Spectal Sound label, Mark E will return to the imprint to deliver his sophomore album this spring.

The nine-track Product of Industry LP is said to be heavily influenced by the industrial history of the UK’s Midlands region, where the respected producer and his family have presided for generations. In the album’s press release, Mark E explains, “The name lies in the manufacturing past of the area [where] I grew up… How the decline of industry in the Midlands UK changed the landscape physically and socially—I’m now a music producer and DJ, and this is totally different to my grandparents, who were truck drivers and sheet metal workers.” He goes on to further explain that the title comes from “how things have changed, and how I came to be in this position, due to the current global financial situation. I lost my job due to it, [which led to me] trying out music—and here I am, a product of industry, both currently and historically.” In addition, the press release explains that the record was made with an emphasis on musical machinery, utilizing mostly analog gear, in comparison to Stone Breaker, which Mark E reveals was “100% digital.”

Spectral Sound will officially release Mark E’s sophomore full-length on April 28. In the meantime, the forthcoming record’s tracklist is included below.

01 Kultra Kafe
02 Persia
03 Smoke
04 Being Hiding
05 Bog Dance
06 Myth of Tomorrow
07 Eganix
08 Image Monitor Learn
09 Leaving Osaka

Glass Gang “Waves (Edit)”

Taking up the uncommon task of making edits from its own tracks, Brooklyn trio Glass Gang has reshaped its own shoegazey, noise-soaked “Waves” into a bouncey piece of dense house. Aside from the clattering shuffle of the edit’s sparse beat, the band focuses its efforts on creating thick sheets of glacial pads which prove impenetrable by most everything—save for the occasional snippet of wordless vocals. In addition to this edit of “Waves,” Glass Gang has also taken on two other of its own productions, the results of which can be streamed in full after the jump.

Waves (Edit)

The White Lamp Ride with You

After decades in the game, Darren Emerson has been on something of a roll in recent years. His recent collaborations with vocalist Peter Josef as The White Lamp have resulted in releases for labels such as Sonar Kollektiv and Futureboogie, and now the pair has come up with “Ride with You,” its first outing on Scuba’s Hotflush imprint. Interestingly enough, Emerson wrapped up his 2013 with a solo EP marking his debut for John Digweed’s Bedrock Records, and in some ways, it’s hard to decide which effort is most surprising.

As a former member of Underworld, progressive house and atmospheric techno are terms that have long been associated with Emerson. Given that, it’s almost strange to think he spent 13 years as a solo artist before producing something for Bedrock, a cornerstone of that sound. In contrast, “Ride with Me” sees Emerson distinctly moving away from the tones he’s usually associated with, perhaps onto something fresher. It’s certainly more intimate, sultry, and sexy, although some of the producer’s more typical aural totems remain intact.

The original mix of “Ride with You” arguably provides the record’s best offering. Built on a new-school house framework—all dub grooves, with plenty of soul and space between those sounds—there’s also a vaguely bleak or even sinister air to the arrangement. It’s a bit like Lazarus Q creating disco for psychos on “Goodbye Horses,” only far less intimidating.

Boxed with some particularly choice remixes, the record makes for a coherent addition to the Hotflush catalog. There’s accessibility in abundance, nodding to the label’s flirtations with pop, yet this is all late-night club stuff. Mike Dehnert‘s take on things is especially potent, a solid, drummy, and minimal four-to-the-floor affair that cuts everything back to focus on hypnotic voices and a cacophony of percussion. It’s the most creative of the alternative versions, with Emerson’s own “Dub Extravaganza” opting for warm, building notes that should fare well with his established fan base, and ItaloJohnson delivering a pumping, snappy, tech interpretation that’s compulsive and hip shaking, but breaks no real ground. Regardless, the “Ride with You” package is still one that’s worthy of some attention.

Bert On Beats “Arriba”

Estonian producer Bert Prikenfeld (a.k.a. Bert On Beats) has lent his globetrotting style to Portuguese label Enchufada’s free, bimonthly Upper Cuts series, now entering its third season. Without allegiance to a particular country or genre, “Arriba” weds tropical rhythms to a Middle Eastern flute refrain, with occasional accordion lines teasing around the brash, UK bass-influenced production.

Arriba

PAN Details Upcoming Releases from Black Sites, Bass Clef, and More

Bill Kouligas’ experimental PAN imprint had an exceptional 2013, further cementing itself as a trustworthy label for conceptual innovations in music. 2014 looks to be just as busy for the prolific outpost—after starting the year with a new EP from roster mainstay Helm, PAN has detailed its release schedule for the coming months.

First, February 17 will see a label debut from acid-indebted artist Bass Clef, who will release the four-song Raven Yr Own Worl EP. The following week, Italian producer Valeri Tricoli will release a double album (and first solo LP in six years), titled Miseri Lares. In March, London-based producer and No Symbols label founder Beneath will debut a self-titled, four-track EP (his first for PAN). Tentatively set for April, the improvisational duo of Helena Hauff and f#x (a.k.a. Black Sites) also have a new EP in the works, called Unit 2669. Finally, rising Berlin-based producer and new PAN signing M.E.S.H. will unveil his self-titled EP, though a release date has not been announced.

Until this deluge of esoteric music officially drops, the tracklists for each of the forthcoming PAN records can be found below. (via Juno Plus)

Bass Clef – Raven Yr Own Worl EP
A1 Self-Perpetuating Fun Loop
A2 Fluorescent City Shining City
B1 Euphoric Nihilism
B2 Adventures Unventured, Tenderness Untendered

Valerio Tricoli – Miseri Lares
A1 La Distanza
A2 Hic Labor Ille Domus Et Inextricabilis Error
B1 Error
B2 In The Eye Lf The Cyclone
C1 Das Schräg Haus
C2 Le Qoheleth ?
D1 Miseri Lares
D2 In Your Ruins Is My Shelter

Beneath – Beneath EP
A1 Bored 2
A2 Occupy
B1 One Blings
B2 Stress 1

Black Sites – Unit 2669 EP
A Unit 2669
B ??????

M.E.S.H. – M.E.S.H. EP
A1 Siren Server
A2 Interdictor
B1 Captivated
B2 Imperialsewers
B3 Glassel Finisher

Download a New Mix from Cooly G

The same week she released her Hold Me EP via Hyberdub, dynamic UK DJ/producer Cooly G has just dropped a fresh mix to stream and download. Throughout the London artist’s 37-minute podcast for Dummy is an intriguing range of sensual, club-focused jams, many of which play with a variety of classic and contemporary house sounds. Playing off the flavor of her new EP as much as it offers an intriguing conterpart, Cooly G’s new mix can be streamed and downloaded below; a condensed interview discussing the artist’s future plans, among other topics, can be read here.

Santiago Salazar Preps ‘Departure’ EP

Although last year saw the Los Angeles techno vet launch his Major People label, Santiago Salazar‘s first release of 2014 will drop next month via Spanish label Fanzine. The four-track Departure EP is said to find the Underground Resistance affiliate and former XLR8R podcast contributor providing “four pieces of soulful electronic music suitable for mind or body dancing, [utilizing] slow tempos, vintage drums, resonant pads, and heavy synth workouts.” Before Salazar’s new EP sees a vinyl release on February 24 (the digital release arrives the following week), its air travel-themed tracklist and a preview of each tune are included below.

A1 Departure (SFO 2 LAX Mix)
A2 Cruising Altitude (Mile High Mix)
B1 Turbulence (50ml Mix)
B2 Arrival (Puro Califa S Mix)

Maxmillion Dunbar and A Made Up Sound Ready EPs for Trilogy Tapes, Share New Tracks

Will Bankhead’s Trilogy Tapes label will release new 12″s from Maxmillion Dunbar (operating under his Max D alias and pictured above) and A Made Up Sound (a.k.a. 2562) late next month, and has preempted their release with previews of each record. Both Max D’s Drizzling Glass EP and A Made Up Sound’s Night Owl EP will mark each artist’s debut on the label, and—given what we can glean from each release’s lead single—the two records take drastically different sonic paths.

Full streams of Drizzling Glass‘s new age-streaked closer “Calvin & Hobbes” and Night Owl‘s jagged opening effort “Fortress (The Hague, 2005)” are included below, along with each EP’s tracklist. Both records are expected to drop in late February. (via Resident Advisor)

01 Jubilee
02 Oshima Flicks
03 Pop Song
04 Calvin & Hobbes

01 Fortress (The Hague, 2005)
02 Caustic Network
03 Kovaxxxt
04 Situation

Moogfest Adds Flying Lotus, Machinedrum, Black Dice, Factory Floor, and More to 2014 Lineup

After detailing its initial lineup and a host of label-curated showcases, Asheville, North Carolina’s Moogfest has announced a new wave of additional artists for the 2014 art, music, and technology event. Entering its fourth year in Asheville, Moogfest “honors the creativity and inventiveness of Dr. Robert Moog and pays tribute to the legacy of the analog synthesizer.” Additional artists set to perform at the spring festival—which takes place from April 23 to 27—include the likes of Brooklyn experimental outfit Black Dice, LA beat wizard Flying Lotus (pictured above), electro-pop veterans Pet Shop Boys, Berlin-based producer Machinedrum’s Vapor City Live show, London trio Factory Floor, Matthew Dear’s techno alias Audion, agit-pop star M.I.A., Modeselektor’s and Apparat’s collaborative Moderat project, and more. The newly updated Moogfest schedule can be found below, and tickets for the event are still available to purchase here.

Watch a Video for Fatima’s New Flako-Produced Single

Following London-based vocalist Fatima‘s recently released “Family” b/w “La Neta” single for Eglo—both tracks from which were produced by Flako—is this new video for “La Neta.” Directed by Sebastian Hallqvist and shot entirely in New York City, the location-based piece contrasts various cold and dreary sites in the Big Apple, with Fatima’s colorful attire and upbeat demeanor successfully complimenting her soulful sincerity. The persistently transient nature of the video accents the fluidity of Fatima’s vocals and Flako’s funky production, providing an effective metaphor for when she sings “I can do whatever I want to.”

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