This Week in Music Tech: Delorean’s Studio, Pioneer and Native Instruments Updates, 32-Bit Plug-ins for Logic, and More

Wrapping up another week full of many new gear announcements, the latest This Week in Music Tech showcases the studio of Spanish electronic pop outfit Delorean, says farewell to Moog’s Little Phatty, and catches up with legendary synth designer Dave Smith—all before checking out new controllers from Pioneer and Native Instruments, a wireless MIDI PUC, and 32 Lives, an application that allows for use of 32-bit plug-ins in Logic X. And, just for fun, we also take a look at what just might be the worst controller ever. It’s all inside this edition of our weekly gear and production news wrap-up.

For our latest In the Studio piece, we checked in with Barcelona outfit Delorean to discuss the process which yielded the group’s new full-length, Apar, discovering how the group approached crafting its self-proclaimed “big production album.” The complete interview and photo set can found here.

Earlier this week, Moog announced that it will discontinue production of its Little Phatty analog synthesizer, one of the last units designed with the help of the company’s founder and synthesizer pioneer Bob Moog. To mark the occasion, Moog prepared a slightly sentimental mini-doc to send the Phatty—originally released back in 2006—on its way.

Pioneer introduced the DDJ-SR this week. Essentially a two-channel version of the company’s existing DDJ-SX controller, the new unit is optimized to work with Serato DJ, and will come with a free download of the program. The DDJ-SR is expected to hit stores next month with an MSRP of $699.

Native Instruments also unveiled updates to its DJ controller line, showing off new versions of its S2 and S4 Traktor controllers. Both offer a few useful new features, perhaps the most important of which is the fact that both the S2 and S4 can now either work with Traktor on a laptop/desktop or with NI’s Traktor apps for iPhone and iPad. The new controllers are expected to be in stores by the end of the month, with current pre-orders pricing the two-channel version at $499 and the four-channel version at $799.

A new fundraising campaign hit the web this week for PUC, a small, puck-like device which can convert and send MIDI data wirelessly. The device claims to be able to free MIDI devices from the “tyranny of wires,” and seems especially useful for those who utilize the iPad’s many music-production apps. Those interested in finding out more about the PUC can watch the promo video above—if they can sit through the kitschy delivery and questionable music featured therein—or simply check out the product’s Indiegogo campaign, here.

One of the few gripes we pointed out in our review of Apple’s Logic X software was that 32-bit plug-ins would no longer work in the program, meaning those who had spent their hard-earned money building an arsenal of 32-bit FX and instruments were left out in the cold. Now, an answer is on the way with 32 Lives, a new application from Sound Radix which is capable of “generating 64-bit Audio Units versions of your loved and hard-earned 32-bit legacy plug-ins.” The beta version can currently be downloaded for $69, and a full release is on its way. More information on 32 Lives can be found here.

Attack Magazine recently sat down to have a chat with pioneering synth designer Dave Smith, the man behind the Prophet series of keyboards and the main collaborator with Roger Linn on the much sought-after Tempest drum machine. The extensive interview covers a variety of topics—including the evolution of synths, MIDI, and why analog signals are still a vital part of synthesis. The full interview can be read here.

Lastly: While we here at XLR8R mostly focus our attentions on the latest advancements in production gear and innovations in music technology that could fundamentally change the way we all create, the “musical instrument” seen in the video above is not such a piece. Essentially a controller that allows users to manipulate atrocious, pre-packaged musical selections via “laser beams,” the newly launched Beamz by Flo is the latest piece of equipment claiming to make anyone and everyone an instant musician. We’ve included it here not only because the promotional video and the product are laughably bad, but also to point out the benefits of keeping up with current music technology—so that we’re never as clueless as these guys.

Press Play: Green Velvet, DJ Rashad, Daniel Avery, Claude VonStroke, and More

We’ve got quite the selection of sights and sounds in today’s Press Play feature, including DJ sets, record premieres, fresh remixes, intriguing videos, brand-new original productions, and more from the likes of Green Velvet, Jacques Renault, Samo Sound Boy, DJ Rashad, Claude VonStroke, MANIK, Nathan Fake, Daniel Avery, Fort Romeau, Odd Nosdam, and Total Freedom, among others. The whole lot of interesting and high-quality pieces is available to experience by simply clicking on of a handful of buttons, after the jump.

NYC house duo The Martinez Brothers remixed Green Velvet’s funky new “Bigger Than Prince” single, and has shared the results in this video featuring vintage footage of the tune’s titular icon.

Ahead of his forthcoming Double Cup LP for Hyperdub, footwork stalwart DJ Rashad dropped a full stream of frenetic album cut “Every Day of My Life.”

Daniel Avery’s “All I Need” is the latest acid-laced dancefloor jam to leak from his debut LP for Phantasy, Drone Logic.

Claude VonStroke is previewing clips of every song from his forthcoming Urban Animal LP for Dirtybird before it drops at the end of this month.

To announce his next EP for Body High, LA DJ/producer Samo Sound Boy unveiled a stream of the synth-laden “Your Love.”

Clark’s two-disc remix compilation is out this coming Monday, but before then, the veteran Warp-signed producer shared a pair of cuts from its tracklist: his remix of Nathan Fake’s “Fentiger” (above) and Nathan Fake’s remix of his “Growl’s Garden” single (below).

Before it drops next month via Josh Wink’s Ovum label, the House Cut 1 EP by NYC DJ/producer MANIK can now be heard in its entirety.

Fort Romeau’s Stay True EP is set to appear via Ghostly next Monday, but before then, we’re treated to a full stream of one of its bouncing, disco-informed house cuts.

LA artist and Fade to Mind co-owner Total Freedom dropped a solid mix for Dummy this week, which includes music from the likes of Fatima Al Qadiri & Visionist, Kingdom, Dvoli S’vere, Ciara, Nguzunguzu, and Future Brown, among many others.

Melé teased his video game-themed Melé Vanelé 2 mixtape with an appropriately digitized and brightly colored clip for his new “DMX” tune.

In pure disco-house fashion, NYC stalwart Jacques Renault remixed this lively tune from fellow New York disco obsessives Escort.

Here’s a lengthy clip of the gauzy, percolating track that dropped this week from London up-and-comer Eliphino and oft-reliable record hub Hypercolour.

The latest mix to appear from Adam Marshall—the New Kanada boss, Graze affiliate, and DJ/producer in his own right—is a sizable podcast for Ilian Tape, featuring music from Pangaea, Surgeon, Basic Soul Unit, SCB, the mixmaster himself, and more.

Longstanding Anticon beatmaker Odd Nosdam pays tribute to late-great Broadcast vocalist Trish Keenan across this gorgeously warped cassette, appropriately called Trish.

For the third installment of its four-part Detroit Tech Now video series, Thump talks to Mark Flash and Jon Dixon of Underground Resistance, as well as other local DJ/producers, about what it means to be a Detroit artist and how the city influences their music.

Fisky “Unfair”

Hailing from Moscow, budding production talent Fisky is set to deliver the next outing for fledgling Barcelona label Tracy, the Downtown Beats EP. Pulled from that record is “Unfair,” a particularly sumptuous tune which utilizes a set of skittering hats, sharp claps, quick snares, and tuned sub-bass to make its way toward the deeper end of house. What drives the tune, though, is a collection of spacey organ chords which ride just behind the beat, twisting every so often around a series of tasteful R&B vocal chops. Fisky’s entire Downtown Beats EP—which features three other original tracks from the Russian producer, as well as a hyperactive remix by Seapoint—will see a release sometime this month.

Unfair

Jo_Def “B_Mine”

Part of a newly launched digital EP series that promises to be “always three tracks and always free,” Jo_Def‘s & You counts as the second record to appear via the Tar net-label. The expectedly three-track affair is led by “B_Mine,” a footwork-infused bit of soulful beat work that lightly rolls its hyperspeed claps and snares atop a few heavenly samples, which are gracefully laced together across the track’s two-plus-minute run. Jo_Def’s entire & You EP can be downloaded for free now over on Tar’s Bandcamp.

B_Mine

Druid Cloak Bastion of the Sterling Thrones

Nameless North American producer Druid Cloak has been slowly building his profile over the last year with a string of well-received remixes and dark, shadowy EPs. The three original tracks on Bastion of the Sterling Thrones, his third in a series of “location-based concept recordings,” were inspired by a heroic narrative. As Druid Cloak explains, “It follows a young hero through a battle to save his true love from the grips of evil.” This conceptual arc is bolstered by remixes from Bad Taste labelmates Tony Quattro and Timbah.

The first two originals are the strongest, and do the best job reflecting the producer’s attention to detail. “Archpriest” kicks off the EP with a warped vocal loop and a heavy, rumbling groove. The track succeeds largely because of the careful spatial spread, despite the fact that many of the timbres chosen harken back to a dated witch-house aesthetic. The following song, “Sterling Thrones,” utilizes ’90s-sounding orchestral hits against skittering percussion and a blooming arpeggio to reach a very pleasing climax. The track carefully transitions into a militaristic handclap breakdown and an epic choir backdrop that certainly feel soundtrack-worthy.

The final original track and the EP’s two remixes don’t fare as well, largely due to the producers’ choice of sounds. “The Poultice” relies on trap-inspired percussion treatments and a naked, pitched-up vocal sample that makes it feel more like a production exercise than a full-fledged track. While both remixes are certainly functional—Timbah’s grimey take on “Sterling Thrones” is particularly admirable—they feel tacked on due to their drastic stylistic variation. While it’s not uncommon to include remixes on an EP to bolster appeal, Bastion Of The Sterling Thrones‘s concept feels diluted by their inclusion.

Canblaster Readies New EP, Shares Lead Single

It has almost been a full year since Club Cheval affiliate Canblaster put his name to a release (and even that one was a collaborative record), but he’s about to put an end to the lull in activity with a six-song EP for Parisian label Marble. Though we only recently got word of it, the French DJ/producer’s next record, called Infinite, is already set to drop on September 16, and Canblaster has shared a stream of its first leak, the slow-grooving “I Think About U,” ahead of the occasion. That single can be heard below, where a preview of the Infinite EP and its tracklist can also be found.

1. Introduction / Mindset
2. I Can’t Wait
3. I Think About U
4. Presents (feat. Para One)
5. I See You
6. The Situation

Video: Bass Clef “Stenaline Metranil Solar Flare”

Setting images of a lonely knob-twiddling astronaut in space against flashing, futuristic visuals, the latest video from Bristol producer Bass Clef arrives for his “Stenaline Metranil Solar Flare” tune—a swirling track from 2012’s Reeling Skullways that makes nice use of reverbed percussion loops and spritely arpeggios. As previously mentioned on XLR8R, the original version of this video’s track will be accompanied by remixes from Punch Drunk label head Peverelist and Bass Clef’s alter-ego, Cosef Jonrad, on a remix 12″ that is due out on October 7.

SCNTST “Basement Structure”

We haven’t exactly been keeping tabs on Hamburg-based DJ/producer Boys Noize or his eponymous label, but its latest signee, SCNTST (a.k.a. Bryan Müller), has managed to catch our attention. The young producer trades in particularly hard-hitting rhythms that ride the line between bombastic club sounds and an austere techno aesthetic. On “Basement Structure,” taken from his Percee Scan EP (out next Monday as a four-track digital package and two-track vinyl), Müller works a distorted, thumping kick with disco-sourced hi-hats into a frenzy, creating a barnburner of a jam with little more than those elements and a handful of slowly swelling synth chords. The rhythmically focused production takes a momentary detour during a swirling breakdown, just before flanged piano chords ramp the energy back up and keep “Basement Structure” steadily driving until its conclusion.

Basement Structure

Pioneer and Native Instruments Tease Controller Updates

Today, both Pioneer and Native Instruments unveiled updates to their DJ controller lines, with the former introducing the two-channel DDJ-SR (pictured above) and the latter officially announcing updates to its S2 and S4 Traktor controllers.

First, news came of Pioneer’s DDJ-SR, a more compact, two-channel version of the company’s DDJ-SX controller. In the press release that came with the announcement, Pioneer states that the DDJ-SR “inherits many of the same functionalities and controls of the larger DDJ-SX introduced in 2012, offering large aluminum jog wheels, integrated performance pads, and a new ‘Pad Plus’ feature that adds four additional audio effects to the performance pads.” Furthermore, all units are optimized to be used with Serato DJ, and come with a free download of the program. The new controller will see a release beginning in October with an MSRP of $699. The accompanying DDJ-SR demo video can be viewed below, and more details can be found here.

Native Instruments also announced updates to its S2 and S4 Traktor controllers today, adding eight color-coded RGB buttons for triggering FX and samples, jogwheels with even higher resolution, and dedicated Flux Mode and Remix Decks controls to the updated units. Perhaps most important of all, though, is the fact that the new versions of the S2 and S4 can now either work with Traktor on a laptop/desktop or with NI’s Traktor apps for iPhone and iPad. A demo video featuring DJ TechTools‘s Mad Zach using the new units can be seen below, and more information on each controller update can be found here. Both the S2 and S4 are expected to be in stores by the end of the month, with current pre-orders pricing the two-channel version at $499 and the four-channel version at $799.

ManMakeMusic Preps New Records from U and Laszlo Dancehall

Berlin-based DJ/producer George FitzGerald has had an easy time keeping his name in the news lately—recent singles “I Can Tell (By the Way You Move)” and “Thinking of You” b/w “Nighttide Lover” have been making the rounds in a big way. Up next, his ManMakeMusic label has announced two new vinyl releases ready to appear next month. The first record is due on October 7 from anonymous producer U, who made his debut for the label back in 2012 with the MMAKEU01 10″. U will return with another limited-run 10″, the I EP, which is described as “ethereal electronic excursions into the hinterlands of house.” Laszlo Dancehall, the duo of Leon Vynehall and Christian Piers (a.k.a. A1 Bassline), is set to follow its inauguralGave Up EP with LZD Part II, a three-song effort that sees the pair continuing to indulge in a raw, lo-fi house aesthetic. LZD Part II will drop on October 21, but in the meantime, the tracklists and artwork for both upcoming ManMakeMusic releases can be viewed below.

LZD Part II EP
1. Whip What
2. Fatty Que
3. Flute Worx

I EP
1. I
2. Let the Sunshine In
3. +1

Page 1577 of 3781
1 1,575 1,576 1,577 1,578 1,579 3,781