Video: Samo Sound Boy “Shuffle Code”

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Just yesterday we premiered the latest EP to come from LA-based DJ/producer Samo Sound Boy via NYC’s Trouble & Bass imprint, and today we’ve got the video for its title track, “Shuffle Code.” The hyperactive tune is paired with what could be one of the coolest music videos we’ve seen this year, an animated tale of action, intrigue, and bass rendered as a 16-bit Sega Genesis adventure game. More like this, please.

Underground Resistance, Four Tet, FaltyDL, Kingdom, Battles, and More to Play VIA Festival

Touted as a gathering “that reflects the vibrancy of young artists and emergent technologies of today,” and pairs together musicians and visual artists for “real-time audio/visual performances,” Pittsburgh’s VIA Festival just announced the lineup for its 2011 festivities taking place in early October. DJs/producers/bands such as Underground Resistance, Four Tet, Blondes, Dam-Funk, Kingdom, FaltyDL, Battles, Trans Am, and Light Asylum, among many others, will perform their tunes accompanied by the work of videosmiths from around the world, including Brooklyn’s Thunder Horse Video. Before it goes down on October 5, you can check out the full VIA Festival lineup here, and nab tickets for it here.

Intreau “Alpha (Bowly’s Electromagnetic Remix)”

Here, we have one of three remixes featured on Polish artist Intreau‘s forthcoming Alpha Remixes EP (pictured above), a spaced-out, slow-burning tune from Montreal’s Bowly. The DJ/producer—who, incidentally, seemed to be all over MUTEK this year—tones down the energy of the original “Alpha,” and lets the dubby elements drift off into the endless expanse he creates around the pulsing dance rhythms. You can hear clips of the rest of the remixes before this EP drops on September 12 via Ukrainian label Wicked Bass, here.

Alpha (Bowly’s Electromagnetic Remix)

Video: Sun Glitters “Too Much to Lose”

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Here is a slow-moving video piece for “Too Much to Lose,” a lovely track taken from Sun Glitters‘ self-released LP, Everything Could Be Fine. While Luxembourg producer Victor Ferreira’s lovelorn beatscape plays out, we watch as a lone girl makes her way underwater, and eventually sheds her black dress before swimming away. The music video was directed by SunaSu and Vladimir Miladinovic.

Podcast 212: Alias

While much of the focus on Anticon these days revolves around the efforts of more recent additions to the label’s roster, many of the long-running underground hip-hop imprint’s original troubadors continue to turn out new music. For instance, next week Alias will be releasing a new full-length, Fever Dream. The Portland, Maine-based artist has long been hailed as one of the best producers in the Anticon stable—his 2003 album, Muted, could easily be cited as a crucial building block in what is now known as the beat scene—but we honestly had no idea what kind of chops he had when it came to assembling a DJ mix. In truth, this mix was originally sent over unsolicited, but we were so taken in by its combination of screwed ’90s R&B slow jams, leftfield instrumentals, bass-heavy head nodders, and a classic clip from Beverly Hills, 90210, that we quickly slotted it in as part of the XLR8R podcast series.

01 Jodeci “Cry For U” (Uptown/MCA)
02 Alias “Knockin’ In Mitsubishi’s”
03 Lucy Pearl “Dance Tonight” (Virgin)
04 AdamBomb “Sea of Nyquility”
05 MARRS “Pump Up the Volume” (4th & Broadway)
06 Claude Rainez “Possum Milk”
07 Vangelis “Entends Tu Les Chiens Aboyer?” (EGG)
08 Bibio “Willenhall” (Warp)
09 David Silver “You’re So Precious To Me” (90210)
10 D33J “Drowning Pools”
11 Alias “Dahorses” (Anticon)
12 Total “Can’t You See (feat. Notorious B.I.G.)” (Bad Boy)
13 Son Lux “Flickers (Alias Jodecial Hotline Remix)” (Anticon)
14 John Surman “Edges of Illusion” (ECM)
15 Alias “Revl Is David” (Anticon)

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Max Tkacz “Spray Paint”

This snappy, percussive cut just dropped into our laps courtesy of Detroit-based tunesmith Max Tkacz and DJ 3000, the Underground Resistance cohort behind Motech, the label releasing his Eclectics EP. “Spray Paint” won’t be on that forthcoming record when it drops in October, but maybe it should be. The label head actually sent the bouncing techno jam along somewhat begrudgingly, saying “I almost told [Max] ‘Hell no, this is dope,’ but hey, if people get a hot track for free, why not?” We like that mentality.

Spray Paint

Spray Paint

Jason Burns See Thru You EP

At this point, it’s almost comical that the music often tagged as post-dubstep has been fleshed out so completely as a sound, but still lacks a proper name of its own. (And no, “bass music” doesn’t really count.) In the case of a producer like Jason Burns, the term post-dubstep is especially bothersome because his music has so little to do with actual dubstep. Sure, the Cleveland-based producer may have been previously been involved in that scene, but his new EP, See Thru You, owes a lot more to soulful garage and R&B.

Released on San Francisco’s Brap Dem! imprint, the three-song effort begins on a high note with “Die 4 U,” an oddly upbeat piece of melancholy 2-step powered by its punchy percussive shuffle, potent synths, and an incredibly addictive vocal refrain. The track repeats “I diiiiiiiiiiieeeee for you” over and over again, and it’s hard not take to the claim seriously. “I Can’t Change” is more somber, a tune with stripped-down drums, a thick bassline, and what sounds like a sad accordion providing the melody. Unfortunately, the track leans a little too heavy on its vocal sample; it’s not a bad song, but it’s the weakest offering here. Wrapping things up is “See Thru You,” a quality tune whose clicky R&B drum patterns and lilting pads bear more than a passing resemblance to something that might be turned out by the Night Slugs camp.

In all honesty, the See Thru You EP is not the most innovative release of 2011, as the music undeniably reflects many of the usual tropes of the post-dubstep sound. That said, it’s a sound that still has some legs, particularly when it’s being this skillfully assembled. DJs could do a lot worse than giving these tracks a few spins.

LOL Boys Give Away Free EP

Though a 36-minute, nine-track record might usually constitute an album for most people, genre-hopping Canadian/Californian production duo LOL Boys calls it an EP, and this time around it’s a free one, too. The dancefloor experimentalists are currently offering their Bubbles EP (that’s the Lisa Frank-inspired artwork up top) at no cost to you via CocoBass. The tunes are said to boast an “amalgam of influences from Chicago’s Dance Mania House to Airport Trance to Netherlands Bubblin’ to calypso,” and can be procured here.

The Two.Fifteens “Extra Cheese Slapp”

This is our first time hearing LA production duo The Two.Fifteens, but for a couple of anonymous newcomers with a small number of self-released tunes, they seem to have their identity figured out. We were sent “Extra Cheese Slapp” with the dubious description “what Burial would sound like if he was from South Central,” which—even though we don’t see the need to drop the B-word—is apt enough. Eerie melodic elements and distant sound effects interplay with a trunk-rattling bassline and slow-bouncing hip-hop beats for a track that certainly begs a repeat or two. You can grab more of the pair’s nasty tracks for free, here.

Extra Cheese Slapp

Extra Cheese Slapp

Glasser “Treasury of We (Delorean Remix)”

Two very different members of the True Panther family get together on this remix of Glasser’s “Treasury of We” from last year’s Ring LP, which is transformed into a sunny, piano-house-indebted tune by the boys of Delorean (pictured above). Needless to say, we love it, and not only because it’s a solid, dancefloor-appropriate rework of an already great song—it might as well be a brand-new Delorean track with Glasser on vocals. (via Desparrame)

Treasury of We (Delorean Remix)

Treasury of We (Delorean Remix)

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