Watch a Short Tour Documentary on Chad Valley, and Catch Him Live in September

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British singer-songwriter-producer—and releaser of this fine piece of electro-popChad Valley (a.k.a. Hugo Manuel) just announced that he’s going on a run of tour dates throughout North America this September. It’s likely that you’re already hip to his brand of catchy, mildly chillwave-y pop, but if you’re not, have a peek at the video above to see what’s what, and then check out the dates with Active Child and Com Truise below.

Tour Dates with Active Child

9/12 Boston, MA @ Brighton Music Hall*
9/13 Montreal, QC @ Casa Del Popolo*
9/14 Toronto, ON @ The Garrison
9/15 Cleveland, OH @ Beachland Tavern
9/16 Chicago, IL @ Schubas
9/17 Minneapolis, MN @ 7th Street Entry
9/19 Denver, CO @ Hi Dive
9/20 Salt Lake City, UT @ Urban Lounge
9/21 Boise, ID @ Nuerolox
9/23 Seattle, WA @ Crocodile Cafe
9/24 Vancouver @ Electric Owl
9/25 Portland, OR @ Doug Fir Lounge
9/28 San Francisco, CA @ Bottom of the Hill

* with Com Truise

CHLLNGR “Haven”

Despite toting a seemingly blissful name and incorporating a fair share of African-style percussion, there is absolutely nothing warm about “Haven,” the first track to surface from CHLLNGR‘s forthcoming album of the same name. Instead, the young producer has crafted a piece of work that is even colder than his Copenhagen base, something like the aural equivalent of entering an ice cathedral. Donning an assortment of haunting pads and distant piano chops, CHLLNGR unleashes a barrage of controlled and intricately placed drums which revolve around the track’s slower-moving elements before laying a skillfully chopped and pitched—and absolutely chilling—vocal sample on top. CHLLNGR’s new LP doens’t hit the streets until next Tuesday, July 5, so for now we suggest you bundle up and get to downloading.

CHLLNGR -Haven

self-titled Checks in With Zomby for a Lengthy Q+A on His New Album

The elusive gentleman behind Zomby finally spoke—with XLR8R contrib Andrew Parks’ self-titled—about his signing to 4AD, his musician father’s recent death, and what his new album’s title, Dedication, means to him. It’s a great read, and Jessie Craig’s photography is pretty amazing, too, so check it all out here.

Video: Africa Hitech “Out in the Streets”

The boys of Africa Hitech have been busy in 2011, particularly following the release of recent album 93 Million Miles. A couple of weeks back, Mark Pritchard put together some detailed iPhone production tips for us, and now he and Steve Spacek have unveiled a new video for “Out in the Streets.” Set in a world filled with human-sized service robots, the clip explores said robots’ existential crisis when it’s revealed that their batteries are faulty. Rest assured, the video is not nearly as depressing as that sounds.

Nightwave “Feel (Lotide Mix)”

Name changes can be a tricky business for any artist, but sometimes they are absolutely necessary. No offense to Maya Medvesek, but changing her moniker from 8Bitch to Nightwave (pictured above) just might be the smartest thing she’s ever done. Along with the new name, she’s also promising a more mature approach to music-making, as displayed by her brand-new EP, The Feel, which dropped earlier this week. However, even with Medvesek putting more refined techniques into practice, her original version of “Feel” still thumps pretty hard, a characteristic completely absent on this remix from Southern California youngster Lotide. His version is loaded with white space, the gaps only partially filled in by clattering, off-kilter percussion and lightly wafting synth melodies. The remix recalls the work of someone like Teebs, which definitely isn’t a bad thing. Svetlana is promising a couple of proper Lotide EPs in the near future, but we’ll have to tide ourselves over with his thoughtful remix of “Feel” in the meantime.

Feel (Lotide Mix)

Paco Osuna to Release Brand New Single

Just because we haven’t covered Paco Osuna much since we featured him as an Artist to Watch back in 2009 doesn’t mean that the Spanish techno legend hasn’t been busy. The one-time Amnesia resident has busied himself with touring the world’s superclubs, producing techno tracks for Richie Hawtin’s Plus 8 label, and running Mindshake, his own imprint. Now he’s back with the Four EP, a new release on Plus 8 that features more of the sound that made him famous. Flirting heavily with tech-house, Four EP is a journey through atypical sound design and dancefloor-friendly rhythms, complete with an excellent rework of Arthur Russell’s classic “Tree House.” The Four EP drops on wax July 4 and digitally July 6. Impatient types can check below for the album art and tracklisting.

1. Atopisimo
2. What That
3. Jackathor
4. Pum Pum

XLR8R Interviews Mute Founder Daniel Miller

If you’ve been paying attention at all this week, you’ve probably noticed that Mute Records recently celebrated its renewed independence with the Short Circuit Festival in London, and we were there to take a few pics and talk to some of the luminaries associated with the classic underground label, like Moby and Thomas Fehlmann. Today we wrap up Mute Fest 2011 with a talk with Mute’s founder, Daniel Miller, as he discusses the impact of the festival and the label then and now. Check out the video interview above, and then peep all our pics of the festival below.

London’s Roundhouse

The Short Circuit Crowd by Day

Cosey Fanni Tutti

Non’s Boyd Rice

DIY Music Station Workshop

Dirty Electronics Workshop

Moby

Moby’s Crowd

Liars

Scum

Scum

Richie Hawtin

Richie Hawtin

Tobias “Free No. 2”

It’s pretty easy to say that Tobias Freund has an impressive resume. The German dance-music veteran has had the pleasure to work with artists as disparate as Milli Vanilli and Ellen Allien. Despite being an in-demand sound engineer, the man has also enjoyed a successful career as a producer of some of the finest minimal techno to come out of Germany. Last month XLR8R reported on Leaning Over Backwards, the upcoming full-length from Tobias Freund’s brand-new, streamlined moniker, Tobias. With the album’s imminent release, he’s put on offer “Free No. 2,” a track that navigates through underwater electro-funk of the Drexciyan variety, complete with pressurized atmospheric synthesizers and snappy drum programming. “Free No. 2” is an exclusive, an alternate version of album cut “Free No. 1” to be exact, but nonetheless hints at the high quality of Leaning Over Backwards, which drops July 4 via Ostgut Ton.

Free No 2

Samiyam Sam Baker’s Album

Back in 2008, Samiyam kicked off FlyLo’s Brainfeeder label with Rap Beats Vol. 1. Now, he returns to the imprint yet again, this time armed with 40 minutes of non-stop, syrupy head-nodders. Perhaps unsurprisingly, Sam Baker’s Album is more of a beat tape than it is a comprehensive work, and with almost half of its tracks clocking in under two minutes, it feels like the LA-based producer is simply showcasing a smattering of ideas over the course of the LP’s 17 selections. That’s not to say that they aren’t good ideas; Samiyam’s place high amongst the list of dusty beatsmiths is clearly warranted, as the record proves yet again that the man knows his way around side-chained chords, dripping G-funk, and swaggering boom-bap like a true veteran. But his talents are utilized most interestingly on songs like “Turtles” or “Lifesized Stuffed Animal,” where he skims the corners of futuristic jazz long enough to place a curious melody amongst the stoney hip-hop core. Of course, there’s also a healthy amount of straight blunted bangers to be found here, such as colossal album opener “Escape” or the slow-motion mind-warp of “Frosting Pockets.” A blatant reference to “weed cookies,” not to mention the inherent stigma that comes with being part of the LA beat scene, suggests that this is music most likely crafted under and enhanced by the use of a hazy, purple veil. All in all, most every cut on Sam Baker’s Album is solid in its own right, but maybe 40 minutes is just too much, considering that the lines which box in the instrumental hip-hop genre become only more clear as the album pushes on.

Check Out FACT’s Top Albums of the Year So Far

Hey, we all do it—”it” being self-promoting our favorite albums or tracks of the year “so far.” So we can’t begrudge our kindred spirits over in London, FACT, from doing the same thing. Yesterday they published their mid-year report of the best albums of the last three months, and not surprisingly it features some of our favorites, too, like records from Hyetal, Gang Gang Dance, Instra:Mental, and Rick Wilhite (pictured above). Check it all out here.

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