Mary Anne Hobbs Returns to North America in April

Now free of her BBC ties, Mary Anne Hobbs has been touring more frequently, bringing her tastemaking crate of bass favorites and occasional exclusives to locales near and far. Beginning in Seattle on April 13, MAH will often be appearing alongside a familiar cast of her favorite stateside producers and DJs, including Gonjasufi, Lorn, and Take, among others. See her full schedule below, and watch a recap of Hobbs’ recent showcase at London’s Bloc Festival, which featured Addison Groove, L-Vis 1990, and Roska.

Wednesday April 13th // Seattle WA // The Baltic Room #
Friday April 15th // San Francisco CA // 1015 # plus Kode 9, Roska, Terror Danja, & Joy Orbison
Saturday April 16th & Sunday April 17th // Indio CA // Coachella Valley Music Festival #
Wednesday April 20th // Los Angeles CA // The Airliner *
Thursday April 21st // New Orleans LA // The Hookah (Gonjasufi & Lorn)
Sunday April 25th // Boston MA // Together Festival @ Paradise (Lorn, Take & Mike Slott)
Wednesday April 27th // Toronto ON // Wrong Bar *
Friday April 28th // Montreal // CFC *
* Solo
# w/ Gonjasufi, Lorn, Take, and Strangeloop

High Powered Boys “Udon”

The Parisian party-starters of High Powered Boys just unleashed their latest tune offering to the gods of high-quality club music, the four-track Udon / Work EP. The duo’s two original productions are paired with remixes from Julio Bashmore and Tom Trago to flesh out the release, all of which you can preview here. And courtesy of the Sound Pellegrino label, we’re giving you a free download of one of those a-sides, the hyperactive, sax-infused “Udon.” Now, we’re sure everyone is aware of how easily a bleating brass instrument can turn tracks horribly wrong, but producers Bobmo and Surkin made this sax work well for them by keeping it simple and smooth. After the staccato beats, intoxicating sound effects, hyped-up vocal samples, and deep synth pads of “Udon” work out some next-level house grooves, a sultry sax hook descends upon your ears, and offers a short reprieve from the rhythmic assault before High Powered Boys launch the track straight back into the stratosphere. You can sample more of that magic in the duo’s awesome Rippin’ Off Canvas Mix, below.

Udon

Udon

Numbers Begins US Tour

If you were in Miami last weekend, or are in Philadelphia tonight, you may already be aware that Glasgow label Numbers is in the midst of its first-ever US tour. Numbers artists Jackmaster, Deadboy, and Redinho will be trekking across the continent, sometimes being joined by select Numbers artists based in the US, including LA-based Low Limit and San Francisco’s Ghosts On Tape, who will be supporting in their respective cities. Check the full tour info below, and do your homework by listening to Jackmaster’s recent guest appearance on Night Slugs’ RinseFM show, where his DJing prowess was delightfully on display.

Mon 14 March – Philadelphia
Mad Decent Mondays
w/ Jackmaster, Deadboy, Redinho and Dev 79 (Seclusiasis)
Fluid Nightclub
10pm – 2am

Weds 16 March – Austin
Numbers – Greco Roman – Night Slugs (SXSW official)
w/ Deadboy, Jackmaster, Redinho & more
The Beauty Bar
Doors: 8pm – 2am (Numbers artists: 9.50pm – 12.10pm)

Thurs 17 March – Austin
Numbers & Night Slugs (SXSW unofficial)
Dub Academy Austin, TX
2pm – 7pm all day long

Thurs 17 March – Austin
Numbers @ Clash Music, UKT&I & BPI Party ( SXSW official)
Latitude 30
Midnight – 1am
insert Austin SXSW House Parties here : )

Weds 23 March – Los Angeles
Low End Theory
w/ Deadboy, Jackmaster, Low Limit & more

Thurs 24 March – Chicago
Numbers @ Red Bull Music Academy On The Floor
w/ Jackmaster, Deadboy & more
Beauty Bar
Doors: 7pm – 2am (Numbers artists: 10pm – 2am)

Fri 25 March – New York City
TURRBOTAX
w/ Jackmaster, Deadboy & more
The Cove
10pm – 4am

Sat 26 March – San Francisco
Icee Hot
w/ Deadboy, Jackmaster, Ghosts On Tape & more
Som Bar
10pm – 3am

SBTRKT Readies New Single and Announces US Tour Dates

South London’s preeminent masked post-dubstepper SBTRKT has a busy month ahead of him with a new single and a host of dates scheduled around the US. The single, “Living Like I Do,” which features some hauntingly delivered crooning thanks to his frequent collaborator Sampha, is slated to be released digitally on March 22 via the Young Turks imprint, with a vinyl release later in April. In the meantime, SBTRKT will be busy spreading his brand of UK bass music around our side of the pond with a handful of appearances during Austin’s SXSW festival as well as stops in Arizona, California, and New York before heading back home. You can check his US dates and stream “Living Like I Do” below.

Tour Dates:
3/16 Austin, TX – Virgin Mobile Party, C3 House (DJ Set)
3/17 Austin, TX – Boys Noize Party, Elysium, 705 Red River (Live Set)
3/18 Austin, TX – AM Only Showcase – Mohawk, 912 Red River (Live Set)
3/19 Austin, TX – Mad Decent Party – Friends, 208 E.6th (Live Set)
3/19 Austin, TX – Young Turks Party – Club Barcelona, 209 E.6th (DJ Set)
3/23 Tempe, AZ – Club Red (DJ Set)
3/25 San Francisco, CA – 1015 Folsom w/Gold Panda (DJ Set)
3/26 New York, NY – Santos Party House (Dark Disco) (DJ Set)
4/16 Indio, CA – Coachella (DJ Set)

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YT057 – SBTRKT – Living Like I Do by Young Turks

Justice to Return With “Civilization” Single

Nearly four years after the release of their massive debut full-length, , the French duo of Gaspard Augé and Xavier de Rosnay (a.k.a. Justice) have finally announced their first follow-up single. The metal-obsessed electro-house outfit will release “Civilization” on April 4 via Ed Banger Records/Because Music, with a sophomore LP said to follow later in 2011. Before then, you can check out the artwork for Justice’s forthcoming “Civilization” single below.

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Simon Baker “L Train”

This slice of deep house comes courtesy of UK-based producer/DJ Simon Baker, whose debut album, Traces, comes out today. “L Train,” the second cut from the LP, finds the Leeds producer mining the deeper regions of a funky bassline and pairing it with a sped-up electro beat. As the track’s rhythm section happily rolls along, Baker creates vast atmospheres of epicly long pads and gurgling synth swells that pop up here and there along with sharply chopped vocal phrases and glimpses of cascading piano. Although his new record is said to bounce between the club and the more headphone-oriented side of house, rest assured that “L Train” definitely falls in the former category, as we can’t imagine it would have any trouble getting a dancefloor moving.

L Train

Watch a 30-Minute Grouper Performance

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Portland web and TV show Experimental ½ Hour recently had local ambient/noise songstress Liz Harris (a.k.a. Grouper) on its program for a solo live performance, which lasted the expected 30 minutes. Clad in black and donning corpse paint, Harris strings together unknown song selections—sounds that could conceivably also be heard on her two forthcoming LPs, Dream Loss and Alien Observer, which she will self-release on April 11—while analog video effects are projected behind her in real-time. It’s an artfully executed and engagingly intimate live broadcast full of subtlety and nuance from the seasoned artist. (via Pitchfork)

Deniz Kurtel Music Watching Over Me

Now that she’s established herself as a successful visual artist, employing LEDs and mirrors in her interactive installations, Deniz Kurtel is putting in her bid as a legitimate producer with this debut full-length album. She’s released a few singles over the last couple of years via Wolf+ Lamb and Crosstown Rebels, including “The L Word” and “Yeah” (both of which appear here, the latter in altered form), and Music Watching Over Me is mostly in step with her previous material, albeit in a format that allows her lean, tech-house aesthetic to unfold in a more spacious form over 70-plus minutes. It begins somewhat sluggishly with “Makyaj” and the less-than-compelling “My Ass,” but takes off with the buoyant “Best Of” and “The L Word,” the best and most lively track here, which pairs a couple of infectious synth loops and an inspired guest appearance by vocalist Jada for a luminous, alluring result. The record ranges impressively in style from the spare ambiance of “Equilibrium” to straight acid passages throughout the album version of “Yeah,” and Kurtel definitely gives her tracks enough room to breathe, but some of these tracks are a bit lacking in melody and vitality, pleasant in execution but less exhilarating than seems to have been intended. Although it drags in parts, Music Watching Over Me is, at the very least, an intriguing introduction with some stellar moments worthy of repeat rotation. For a DJ so early in her career, it’s an admirable debut, and a sure sign of interesting sounds to come from her direction.

Aphex Twin, Shackleton, How To Dress Well, Magnetic Man, and More to Play Sonar 2011

This year, the massive annual electronic music festival known as Sonar will take place in Barcelona and Galicia across June 16, 17, and 18, and will feature performances from the likes of Scuba, M.I.A., Aphex Twin (pictured above), Shackleton, Toro Y Moi, Floating Points, How to Dress Well, Magnetic Man, Underworld, Buraka Som Sistema, and many more. An early Sonar festival was also scheduled to take place on April 2 and 3 in Tokyo, but, in light of last Friday’s devastating events, could quite possibly be cancelled. You can get tickets for the festival dates in Spain here and here, and check out the full list of performers here.

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B.C. x Delivery “Return to Me (GODDOLLARS Remix)”

The folks at Scion A/V have teamed up with Rhonda International, the label arm of LA’s “polysexual” disco/house night A Club Called Rhonda, to release a new EP (artwork above) for “Return to Me,” a new track produced by Marc Kinchen, who’s perhaps better known simply as the highly influential ’90s dance hit machine MK. Amongst the five remixes of the B.C. x Delivery tune that grace the EP is this classic house-inspired take from GODDOLLARS, which just might be the most faithful to MK’s classic sound. Piano reigns king as a handful of chopped chords bounce atop skittering hi-hats and a thumping kick drum, but aside from the eventual mid-section synth breakdown, B.C. x Delivery’s vocal is the song’s co-star, taking center stage without much accompaniment and longingly belting out a lonely plea in ’90s freestyle fashion. This remix, along with the original and remixes from Munk, Art of Tones, and SFVacid, can be found on the forthcoming Return to Me EP.

Return To Me (GODDOLLARS Remix)

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