Germany’s Siriusmo has been DJing and producing music for a long time—dropping singles and EPs on labels like Exploited and Boysnoize Records since the early ’00s (remember this one?). Only now is producer Moritz Friedrich readying the release of his debut album, a 17-track record to be released via Modeselektor’s Monkeytown Records on March 1. The lightheartedly ominous track “Einmal in der Woche Schreien” (which translates to “Once a Week, Shouting”) is lifted off of that forthcoming LP, and finds Friedrich loading mass amounts of synth tones, chopped vocal bits, electronic sound bytes, and straightforward dance beats into four minutes of choice electro-pop. And if that makes you wish you knew what the rest of Mosaik sounds like, you can listen to a preview of the whole thing on Siriusmo’s Soundcloud.
Thing one about Oslo in the winter: It’s cold. But really, that should sorta be thing two, because thing one in Oslo in the winter is the city’s By:larm Festival, which took place last weekend. (Actually, Oslo residents would tell you that the world skiing championship is thing one, but whatever…) Each year at By:larm, Scandinavia showcases its finest musicians across roughly 20 venues and four nights. Besides sampling artists from Norway, Sweden, Denmark, Iceland, and Finland, the festival also gathers more established music-industry legends for on-stage interviews, panels, and presentations.
Over the course of those four nights (from February 16-19), we saw everything from icy jazz abstractions to Balearic-inspired disco to sprightly indie rock to full-on Norwegian black metal. Below, we share with you some of our favorites.
Supersilent @ Blå It’s awesome that in a place like Oslo, a trio of abstract jazz-noise fusionists can be superstars—at least if you’re to go by their last two By:larm performances. Last year’s gig won us over, and this year’s, at Sunkissed Live at club Blå, was no exception. It’s near impossible to accurately describe Supersilent’s vibe: They seemingly assemble blocks of sound like Legos, arranging scrapes, hits, and (occasionally colorful) synth tones in a jazz-informed way, but make it sound as intense as it is free of recognizable structure. It came out beautifully, and was no doubt a head-scratching surprise for many who gathered at this dance-friendly club, likely looking for a booming four-to-the-floor.
Vaughan Oliver Presentation We’ve always been huge fans of 4AD—especially the classics like Cocteau Twins, Pixies, The The, etc.—so it was pretty awesome to get a look into the creative side of lead designer Vaughan Oliver, who is as responsible for the label’s brand as its founders. His 45-minute presentation on the last 30 years of his career was equally as enjoyable as any of By:larm’s musical showcases, and offered more than just an abstract inspirational chat about cover design, as he went into riveting detail about his own inspirations and his creative and collaborative processes.
Niki & The Dove @ Stratos High above Oslo, Stratos offers nearly 360 degree views of the city, but during most By:larm nights, the place is packed so densely that you can really only look forward. That was fine for everyone on the night that Niki & The Dove performed, as the duo delivered melodic indie-flavored dance pop. Singer Malin Dahlström and keyboardist Gustaf Karlöf maybe take the dove thing a little too far, festooning themselves with bits of feathery flair and face-makeup flourishes, but, musically, there’s more to it, combining bits of modern pop (ie. MGMT and Chairlift) with ’80s acts like Cyndi Lauper and The Motels.
Black Metal Tour As the story goes, the black metal scene in Norway was, in the early ’90s, centered around all of about six people, who were anti- just about everything—capitalism and religion, of course, but even… fans? Anyhow, when one of its central figures, Mayhem guitarist Euronymous, accused Varg Vikernes (a.k.a. Burzum; a.k.a. Count Grishnákh) of beginning to popularize the scene, he plotted to take him out to the woods and kill him—and videotape it. The Count quickly turned the tables on Euronymous, showing up at his Oslo apartment in the middle of the night and stabbing him to death, leaving his pocketknife in Euronymous’ forehead. A mythology ripe for a bus tour, right? Well, that’s just what Satyricon and Celtic Frost member Anders Odden has organized, and it’s pretty amazing. See the rebuilt church that Vikernes and friends burned to the ground (next to the world skiing championships’ ski jump)! See the basement of Euronymous’ former record shop, Helvete, ground zero for Norwegian black metal! See the apartment complex where he got done-in! And then take a trip to Neseblod Records (the new ground-zero shop) and buy the t-shirt! Does it milk the legacy of this bunch of D&D nerds gone wild? Entirely. But it was also one of the best things to see in Oslo, hands down.
Svarte Greiner @ John Dee Erik K. Skodvin’s Svarte Greiner project is a quiet listen, if you’re on headphones checking out his gorgeous records for the Type label. If you were at John Dee on this night, it’s a different affair—all noisy guitar run through a battery of loopers and effects, with the guitar more or less tossed off to the side and acting as a simple tone generator. By:larm is nothing if not a varied festival of Scandinavian delights, and this show, at the abstract end of the spectrum, was one of its most pleasing.
Telephones @ Blå As Telephones, Henning Severud’s latest incarnation as a three-piece group takes Norway’s well-worn approximation of Balearic-inspired disco to its logical end, filling in the sparseness with all sorts of gorgeous, maximal color. It’s no wonder that Prins Thomas signed the project to his Full Pupp label. Definitely worth keeping an eye out for in the future.
1349 @ John Dee After the black metal bus tour, it would seem a disservice to ourselves to not check out at least one “real” black metal band. And damn, are we glad we did. To the relatively uninitiated (uh, that’s us), 1349 sort of appears like a parody of black metal, and actually, that’s totally okay by us tonight—the circumstances of a bunch of white indie-rock hipsters watching this kind of performance in a certified club atmosphere (and not a dank basement out in the sticks) lends itself to a bit of over-the-top extravagance. And 1349 is nothing if not over the top, with all the hallmarks of what you probably think black metal’s all about: hulking band members, long head-banging hair, guitars that look like medieval battle weapons, and a shitload of “scary” facepaint. Real black metal? Hardly for us to say (apparently, they started around 1997, long after the Euronymous murder). Entertaining and well worth our time? Fuck, yes.
Shine 2009 @ Internasjonalen The recipe for Finland’s Shine 2009 includes equal parts early ’90s piano house, Pet Shop Boys pop, and laid-back breakbeat hardcore. When the duo brought all those touchstones together at By:larm, it was hard to not at least nod your head a bit, if not outright get down. “New Rules” is a gorgeous slice of summery electro-pop, and if the audience members mouthing the words to the song was any indication, this group is destined to build exponential hype over the next year.
Frisk Frugt @ Jakob Kulturkirke We really just caught the last couple minutes of this intensely minimal performance by Denmark’s Frisk Frugt (translation: Fresh Fruit)—a calming, simple, single tone squeezed from an organ, twisting its way through a series of sonic manipulation. But the real star of this show was maybe the venue, Jakob Kulturkirke, a converted church that’s now a performance space. The lighting and acoustics are intense and beautiful, and we can only imagine what Dungen would’ve sounded like the next night, had the line to get in not been wrapped around the block.
As you may have noticed, we’ve been covering just about every thing going on with San Francisco outfit Mi Ami, and that’s mostly because the now-duo has recently taken on the task of making psyched-out, DIY dance tunes, which we’re quite fond of. The band is only weeks away from releasing its first EP of such material, and will also be touring the US and Europe in support of Dolphins starting next month. Between March 11 and March 27, you can find Mi Ami in one section or another of the US, and between April 9 and April 27, they’ll be traipsing about Italy, France, Germany, the UK, and the Netherlands. You can check out the full list of dates below.
Mar 11 – Brooklyn, NY @ Pianos Mar 12 – Philadelphia, PA @ Danger Danger Gallery Mar 13 – Baltimore, MD @ Floristree Mar 14 – Chapel Hill, NC @ The Nightlight Mar 16 – New Orleans, LA @ The Pearl Mar 17 – Atlanta, GA @ 529 Mar 18 – Charlottesville, VA @ Magnolia Mar 19 – Washington, DC @ Subterranean A Mar 20 – Swarthmore, PA @ Olde Club (Swarthmore College) Mar 21 – Detroit, MI @ Magic Stick Lounge Mar 22 – Chicago, IL @ Reuben’s Palace Mar 23 – Ann Arbor, MI @ Yellow Barn Mar 26 – Brooklyn, NY @ Glasslands w/ Laurel Halo, Psychic Reality Mar 25 – Pittsburg, PA @ Gooski’s Mar 27 – Brooklyn, NY @ Public Assembly (DJ Set) Apr 9 – Rome, Italy @ Init Roma Apr 10 – Paris, France @ La Java Apr 12 – Lille, France @ Aeronef w/ Battles Apr 13 – Brighton, UK @ The Green Door Store Apr 14 – London, UK @ Corsica Studios Apr 15 – Liverpool, UK @ Mello Mello Apr 16 – Dublin, Ireland @ Button Factory Apr 17 – Cork, Ireland @ Crane Lane Apr 19 – Manchester, UK @ Islington Mill Apr 20 – Glasgow, UK @ Arts School Apr 22 – Den Haag, Netherlands @ Paard Apr 23 – Amsterdam, Netherlands @ OCCII Apr 24 – Koln, Germany @ Genau Apr 25 – Trier, Germany @ Exhaus Apr 26 – Leipzig, Germany @ Conne Island Apr 27 – Berlin, Germany @ Levee
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UK producers Throwing Snow (pictured above) and Greymatter seem to really enjoy remixing each other’s material, and with good reason: It all turns out sounding quite excellent. The latest tune to come from that fruitful trade-off is this version of Throwing Snow’s “Un Vingt” single, reworked by his counterpart for a forthcoming, two-volume remix record, which will also include the likes of George Fitzgerlad, Ital Tek, d’Eon, and others (listen to clips here and here). The resulting production is a thick, slow-brewing blend of shuffling club beats, spacey atmospheres, and soulful melodies that could just as easily fit into Hotflush’s release schedule as it could your next late-night-comedown DJ set. Look for Greymatter’s version of “Un Vingt,” along with the original Throwing Snow tracks and other remixes, when it’s all made available for digital download March 14.
Some of you may know him as the man behind the consistently on-point Hotflush label and others may simply know him has the producer making dub-heavy bass and techno music as Scuba, but Paul Rose has also made more house-influenced tracks under the name SCB since 2008, building a small discography of obscure remixes and singles. Now, Rose is about to slip another single under his side project’s belt with the “Loss” b/w “FutureUnknown” 12″ (pictured above), which is set for release via Will Saul’s Aus imprint on March 21. The press release describes SCB’s songs as “pure unadulterated dancefloor joy” and “an almost Scuba-esque brand of floating euphoria.” That sounds pretty good to us.
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A few weeks back, UK garage badman MJ Cole sent over the details about his forthcoming EP. Now, we’ve got those new tracks along with the green light to exclusively stream them here on XLR8R.com. Set for release via Cole’s own Prolific imprint, the Satellite EP was originally slated to drop March 7, but has since been moved up to February 28. Over the course of its four tracks, the EP touches on house, garage, and a variety of bass mutations. The artwork and streaming audio are posted below.
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Brooklyn’s R&B-pilfering, bass-bumping DJ/producer extraordinaire Brenmar just sent over this fresh cut from his backlog of unreleased tunes to help alert UK club-goers that he’ll be making his first appearances behind London decks this Thursday, Friday, and Saturday. It’s sort of a shame that it took until now for these gigs to go down, simply because we would’ve liked to have had this jam on our hard drives long ago. The “Paper Running” track bounces and sways with a futuristic ghetto swagger, no fewer than three solid melodies wafting around its stuttering beat, and a properly tweaked snippet from Currency’s “Where Da Cash At” single. It all adds up to not only another great tune in Brenmar’s repertoire, but also another reason why Londoners should go see him play this weekend. You can check out more details on those dates after the jump.
Thursday 24 Feb – So Bones @ The Nest (w/ Romy xx & Girl Unit), Dalston Friday 25 Feb – Fuck The White Board @ The Roundhouse // Bump! @ Plan B, Brixton Saturday 26 – Feb Bang Bang @ Bar 512, 512 Kingsland Rd.
LA’s globally minded synth-pop duo Rainbow Arabia is just days away from the release of its debut long-player, Boys and Diamonds, which will be followed almost immediately by an extensive tour of the US and Europe. Daniel and Tiffany Preston will start things off on March 8 at Mighty in San Francisco, and end their string of US dates on March 26 in San Diego—touring that whole span of time with South Africa’s Spoek Mathambo. Then, after a short break, Rainbow Arabia will fly across the pond to deliver its well-regarded jams to European fans between April 5 and May 5. You can check out that full list of tour dates below.
US TOUR // all dates with Spoek Mathambo (except SXSW) March 8th – San Francisco, CA at The Mighty March 10th – Seattle, WA at Nectar March 11th – Portland, OR at Branx March 12th – Boise, ID at The Reef March 13th – Salt Lake City, UT at the Urban Lounge March 14th – Aspen, CO at Belly Up March 16th – Austin, TX at Red 7 (SXSW) March 19th – Austin, TX at Malverde (SXSW) March 22nd – El Paso, TX at Lowbrow Palace March 24th – Tucson, AZ at Club Congress March 25th – Los Angeles, CA at The Echoplex (Record Release Party) March 26th – San Diego, CA at Soda Bar
SPRING EUROPEAN TOUR April 5th – Festival SUPER MON AMOUR ! @ Grand Mix – Tourcoing – FRANCE April 6th – Festival SUPER MON AMOUR ! @ Olympic – Nantes – FRANCE April 8th – De Helling – Utrecht – NETHERLANDS April 9th – Melkweg – Amsterdam – NETHERLANDS April 10th – Festival SUPER MON AMOUR ! @ Laiterie – Strasbourg – FRANCE April 11th – Gebaeude 9 – Koeln – GERMANY April 12th – Astra Stube – Hamburg – GERMANY April 13th – Debaser – Malmo – SWEDEN April 14th – Debaser Slussen – Stockholm – SWEDEN April 15th- Bla ! – Olso – NORWAY April 16th – Jazzhuset – Goteborg – SWEDEN April 18th – Musikcafeen – Arhus – DENMARK April 19th – Huset Magstræde – Copenhaguen – DENMARK April 20th – Berghain Kantine – Berlin – GERMANY April 21st – Karlstorbahnhof – Heidelberg – GERMANY April 22nd – Carré Rotondes – Luxembourg – LUXEMBOURG April 24th – Electron Festival – Geneve – SWITZERLAND April 27th – Le 106 – Rouen – FRANCE April 28th – Witloof Bar Botanique – Bruxelles – BELGIUM April 29th- La Machine – Paris – FRANCE April 30th – Camden Crawl Festival – London – UK May 1st – Sounds from the other city – Manchester – UK May 2nd – Captains Rest – Glasgow – UK May 5th – CAMP – London – UK
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Although it’s something we rarely indulge in the pages of XLR8R, it’s somewhat of an open secret that at least half of our staff is in love with Ciara… and her music, of course. So we owe Finnish duo Femme En Fourrure a big ‘thank you’ for sending along this bootleg re-work of Ciara’s “Gimme Dat,” as it not only gave us an excuse to spend 20-plus minutes scrolling through Ciara photos online, but it also offers an interesting new spin on a track that we already liked to begin with. Apparently, Femme En Fourrure wasn’t so keen on Ciara’s vocals, so they began by stripping them out entirely before stepping up the 808-ish drums and putting the synths front and center. It’s not a radical overhaul, but it works. Plus, it’s Ciara! We’ll go back to quietly swooning now.
Manhattan’s multi-purpose art/music/etc. venue Santos Party House has an exciting new series of art installations premiering this Friday, February 26, interestingly titled Somebody Arted in Here!. Among the artists involved in the inaugural event is Gang Gang Dance vocalist Lizzie Bougatsos (pictured above), who will be transforming the venue’s storefront with an installation made collaboratively with Rita Ackermann. There will also be a “late-night rager” that will follow the opening of the art show, and will feature DJ sets from Brian Degraw (also of Gang Gang Dance), Thomas Bullock (A.R.E. Weapons, Rub ‘n Tug), and others. You can check out the flier for the event below, and get more info here.