Listen to the New Chrissy Murderbot EP on Planet Mu

Chrissy Murderbot‘s 2010 was all about his somewhat-insane My Year of Mixtapes project, but it’s looking like the Chicago-based artist wants to make 2011 all about establishing himself as a producer. On April 4, he’ll be releasing the Bussin’ Down EP on Planet Mu, which will be followed by a full-length album, Women’s Studies, later in the year. Not surprisingly, Murderbot has been digging into his hometown’s juke and footwork sounds, and the new EP’s title track employs the assistance of DJ Spinn. The five-track release also features a remix from Spinn & DJ Rashad, but it’s not all juke workship; also included are re-works from Ghosts on Tape and Atki2. The entire EP is streaming below.

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Altered Natives’ Eye4Eye Label to Release First Compilation

UK-based DJ/producer/label head Danny Yorke (a.k.a. Altered Natives) has brought together a crew of like-minded tunesmiths to contribute songs to his label’s first CD release, a compilation called The Guild of Synchronists. On April 4, the Eye4Eye imprint will drop the 12-song disc, which, as Yorke puts it, is “a showcase of some of the artists
soon to be featured on Eye4Eye.” Those artists include Funksta, Slaughter MobAt One, Misery Peat, Grayz, DD Black, and Altered Natives himself, among others. You can check out the artwork and tracklist for The Guild of Synchronists below.

1.Tom Ellis Featuring Lizzy B – Accidental Daydream
2. At One – A Possible Lover
3. Funksta – Arena
4. El Sudor – Hermit
5. At One – Squuaalar
6. Ceramic – The Message
7. Altered Natives – 18 Ghost Hands
8. Misery Peat – The Hyde
9. Altered Natives – Goodbye
10. Grayz– Dubskank
11. DD Black – Charge
12. Slaughter Mob – Heebie Jeebie

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Beatbully “Kosmik Regn”

After years of domination in Oslo, skweee label Dødpop and its stable of producers will be making their UK debut at fellow wonky beat-genre label Donky Pitch’s club night in Brighton on Saturday, March 5. The full lineup and all the details are here, but in tow will be Dødpop producer Beatbully, whose debut album Kosmik Regn coming at the end of the month. To celebrate both the release and Dødpop’s first time in the UK, the label is offering Beatbully’s title track for a free download. The song’s undercurrent of fat, bloated synths are barely a match for the plethora of spry and dazzling synth melodies that crackle in and out, yet lackadaisical kickdrums and handclaps stickily hold it all together.

Kosmisk regn

Podcast 186: DJ MikeQ

DJ MikeQ may not be a name that rings familiar for many XLR8R readers, but we have a pretty strong intuition that’s about to change. His name has been popping up in mixes from the likes of Kingdom and Bok Bok for awhile now, but a little digging has shown DJ MikeQ to be one of the leading figures of the East Coast’s long-running (but still largely underground) ballroom/vogue-house scene. Based in New Jersey, the 25-year-old producer is not only one of the most in-demand ballroom DJs, but he also heads up his own Qween Beat label and turns out a steady stream of vogue and ballroom tracks, re-edits, and remixes. We’ll be taking a much larger look at ballroom in the next issue of the magazine, but in the meantime, we’ve enlisted DJ MikeQ to assemble this exclusive mix and introduce himself (and by extension, the ballroom scene) to the XLR8R faithful. It’s an exciting listen; prepare yourself for lots of fierce/fabulous divas, blown-out snares, gritty sounds, and a seemingly incalculable number of tunes built upon a tiny loop from Masters at Work’s classic “The Ha Dance.”

People on the West Coast should also be happy to know that DJ Mike Q is making his first trip to California this week, where he’ll be playing alongside house legend Karizma at San Francisco’s Icee Hot party and then heading down to LA for stops at Moustache Mondays and Mad Decent’s Blow Your Head party. Show details are posted below.

01 The Trakmasterz “Bangin Re’Dub” (Trakmasterz Inc.)
02 Moi Renee “Miss Honey” (Project X)
03 DJ MikeQ “The Flylife 08” (Qween Beat)
04 DJ MikeQ “The Master Blaster 09” (Qween Beat)
05 Masters At Work “The Ha Dance (Edit)” (MAW)
06 DJ MikeQ “Pussy Took The Night” (Qween Beat)
07 DJ MikeQ “Twisted Beat” (Qween Beat)
08 DJ MikeQ “The Ha Dance 2010” (Qween Beat)
09 DJ MikeQ “The Ebony Ha” (Qween Beat)
10 DJ MikeQ ft. Roxy Cottontail “Clik, Clik Bounce Kitty” (Qween Beat)
11 DJ MikeQ “2010” (Qween Beat)
12 DJ MikeQ “Diva Work” (Qween Beat)
13 DJ MikeQ feat. Charles “Super Twister” (Qween Beat)
14 DJ MikeQ “I Whip My Ha Re-Edit” (Qween Beat)
15 DJ MikeQ “Let It All Out” (Qween Beat)
16 B.Ames “Rah Rah H” (Qween Beat)
17 Divoli S’vere “Capitol P.” (Qween Beat)
18 Greg Evisu/Kevin Prodigy/DJ MikeQ “Vogue Train” (Qween Beat)
19 Gregg Evisu feat. Jay R/DJ MikeQ “Bitch Who R U” (Qween Beat)
20 Jay R Neutron “Work It Bitch” (Qween Beat)
21 DJ MikeQ “Elevator Krash” (Qween Beat)
22 Tree Ebony/Vjuan Allure/DJ MikeQ “Bounce & Shake” (Qween Beat)
23 Miyoko “Battle Kunt” (Qween Beat)

Tour Dates:

Saturday, February 26 – Icee Hot with Karizma @ SOM, San Francisco
Monday, February 28 – Moustache Mondays @ La Cita, Los Angeles
Wednesday, March 2 – Blow Your Head @ Little Temple, Los Angeles

Download MP3
Download M4A (iTunes enhanced)
Subscribe to Podcast (RSS)

XLR8R_Podcast_MikeQ_2011_02_22

Gil Scott-Heron and Jamie xx We’re New Here

Venturing out from his beatmaking work as one third of international indie darlings The xx, here Jamie xx (né Jamie Smith) gets to fully indulge his own predilection for the sparest of dubstep/post-dubstep via the fantastic and fantastically unclassifiable post-everything comeback record of OG of OGs Gil Scott-Heron. We’re New Here is ostensibly a remix record of Heron’s 2010 I’m New Here, but “remix” is a bit of a misnomer, as so much of that original record is stripped naked and rebuilt nearly from scratch. Consider the cool handclap blues of “New York Is Killing Me,” which Jamie xx renders as a cut-up dubsteppy haunt of tinny electronic melody, skittering drums, and moody fog. The title track also receives an enjoyable overhaul, as it’s reworked through a palette of synth glimmer and tumbling bass—again, something like dubstep—and sounds not so much like a remix as an out-and-out cover. Considering that Heron’s version is itself a cover of a Smog song, the end result is a kind of bizarro funhouse mirror that morphs together the mostly faithful Heron version, the self-consciously simple and spare original, and a slice of future-forward UK bass music courtesy of Jamie xx.

There are moments—quite a few of them—on We’re New Here that are gaspingly pretty and deep, but as a companion piece to the original, there’s an unsettling weirdness: what keeps that first record together is Heron, particularly his cool, seen-it-all, out-of-time persona and not so much style or composition, but xx’s work loses that in favor of binding the record with the sound of the present. It certainly fits, but you just might miss what’s been lost.

Superisk “Find Your Way (Kahn Remix)”

Here, we have a one-off remix from recent Punch Drunk signee Kahn (whose first 12″ for the label drops February 28 and is pictured above). He’s taken aim at Superisk‘s “Find Your Way,” which first appeared last year on that artist’s own single for the excellent dubstep label. As FACT pointed out in its write-up of the grimy tune, Kahn’s version was aptly described as “fucking rude” by Superisk, a statement which is driven home by the song’s intensely overwhelming bass frequencies, its wince-inducing riddim, and those sparse sample drops of an MC in the thick of some guttural “boh! boh!”-ing. But that’s not all we have at work on “Find Your Way (Kahn Remix)”; the producer evens out his rudeness with eerie string melodies and 8-bit synth riffs that offer a touching yin to the rest of the track’s ominous yang.

Find Your Way (Kahn Remix)

Find Your Way (Kahn Remix)

Find Your Way (Kahn Remix)

Mount Kimbie to Tour North America This Spring

Dominic Maker and Kai Campos, those two guys behind the band that created our 16th favorite album from 2010, Mount Kimbie‘s Crooks & Lovers, will soon be embarking on yet another tour together, this time traversing the North American continent between dates at the SXSW and Coachella festivals. You can catch the emotive post-dubstep duo doing their thing live and in-person sometime between March 16 and April 20 if you live near—or will be travelling to—any of the various locations below. As we saw when Mount Kimbie took over Neumo’s at Seattle’s Decibel Festival last year, this is a show not to be missed. (via Resident Advisor)

Mar 16 @ SXSW 2011, SXSW, Texas
Mar 24 @ Le Poisson Rouge, New York
Mar 25 @ w/ Jamie Woon, Wrongbar, Toronto
Mar 26 @ Le Belmont, Montreal
Mar 27 @ The Luminary, Missouri
Mar 29 @ Empty Bottle, Illinois
Mar 30 @ Baltic Room, Washington State
Mar 31 @ Biltmore Cabaret, Vancouver
Apr 01 @ The Crown Room, Oregon
Apr 02 @ Mezzanine, California
Apr 03 @ Arcata Theatre, California
Apr 05 @ The Depot, Utah
Apr 06 @ Cervantes’ Masterpiece Ballroom, Colorado
Apr 07 @ King Plow Arts Center, Georgia
Apr 08 @ The Grey Eagle, North Carolina
Apr 09 @ Electric Pickle, Florida
Apr 10 @ G Bar, Florida
Apr 11 @ The Engine Room, Florida
Apr 12 @ Backbooth, Florida
Apr 13 @ The Hookah, Louisiana
Apr 15 @ Coachella 2011: D.., Empire Polo Field, California

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When Saints Go Machine “Let Me Love You For Tonight”

Danish group When Saints Go Machine (pictured above) continue to tease the listening pubic with the prospect of their 2011 debut album for !K7, having given XLR8R the title track to their Fail Forever EP and a dOP remix of the track to boot. This time around, the handsome foursome has offered up something that at first seemed unexpected—a cover of the Kariya’s 1988 rave classic, “Let Me Love You For Tonight.” Stripping the original of its ravetasticness, When Saints Go Machine keep the song sexed up, but put it in the bedroom instead of on the dancefloor. It might seem like an unusual song to cover, but given the band’s clear love of electronic music essentials—we can’t help but notice the Arthur Russell similarities yet again—maybe their song choice wasn’t so unexpected after all.

Let Me Love You For Tonight (Kariya Cover)

Pinch Drops Resident Advisor Mix, Chats About Forthcoming Collaborations

Earlier today, influential dubstep figure and Tectonic label head Pinch (pictured above) joined the ranks of Resident Advisor’s esteemed podcast series. In addition to serving up a unusually varied mix of non-140 bpm material and a slew of Tectonic dubplates, Pinch talked with RA about what he’s got in the pipeline in terms of releases. Shackleton, Distance, and Roska collaborations are all mentioned, his own solo production notwithstanding, which all but seals the deal for a Pinch and Tectonic takeover of the 2011 year. Read the entire interview and download the mix over at Resident Advisor.

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Jacques Greene “Tell Me (Kingdom Edit)”

In recent months, Montreal producer (and recent XLR8Rfeature subject) Jacques Greene has put out a a couple of white-hot releases for the LuckyMe and Night Slugs imprints. On Greene’s “Tell Me,” taken from his The Look EP for LuckyMe, he delicately shapes analog synths around an alluring woman’s desire to “tell me what you like.” His drums provide an interesting tension to the ease and fluidity of the track’s recurring vocals and melody, as they stutter and just barely avoid faltering. It may come as no surprise then that Night Slugs labelmate and R&B sample wizard Kingdom decided to put his own stamp on this sensuous tune. Honoring the original with a less manipulative “edit,” Kingdom opts mostly for a relentless, hype-inducing drum roll before he pitch-shifts the vocal into a helium-powered, space-diva stratosphere. (via RCRD LBL)

Jacques Greene – Tell Me (Kingdom Edit)

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