Illegal Sampling Motivates Kevin Saunderson to Speak Out

In a press release titled “From the Desk of Kevin Saunderson,” the Detroit techno icon (pictured above) spelled out his concerns over an illegal sampling of his 1987 classic, “The Sound,” which was produced with Santonio Echols and released under the artist name Reese & Santonio. The offenders, an Italian production duo named Giacomo Godi & Emiliano Nencion, lifted a generous portion of the original’s hook, looping it as the central element of their song, “Beat Me Back.” No licensing fees were paid to Saunderson, and seeing as how Godi & Nencion have achieved considerable success with the track, he feels that the transgression is clear. In response, Saunderson has decided to offer the original of “The Sound” for free (downloadable here), as well as Godi & Nencion’s track over on his own Soundcloud. In regards to sampling ethos, Saunderson has this tidbit to say, “I have a huge affection for sampling, it’s how some of the most inspiring and ground breaking tracks of our times were created. We’ve pretty much all sampled records at some time, and cleared the sample so we can use it on our releases, but it is just not cool to take someone else’s music, create a big old loop of it and then put your name on it and try to have success entirely off the back of another artist’s efforts.”

Video Premiere: Salva “Weeeird Science”

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Fresh off the release of his debut full-length, Complex Housing, newly minted LA resident Salva has released the album’s first video, and it’s a wild one. The Frite Nite label head, who until recently called San Francisco home, enlisted psychedelic “video-turntablist” Dr. Plot to put together this trippy clip, a three-minute journey that chops up Sun Ra’s Space Is the Place and combines sexually suggestive spaceships, vintage film footage, ancient Egypt, and perhaps the funkiest aliens ever recorded. It’s a crazy ride, and one that pairs nicely with Salva’s wonky synths and skittery futurism.

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Justin K. Broadrick Assembles a FACT Mix

Just last week, we posted a new song from Justin K. Broadrick‘s Pale Sketcher project and remarked that the dude is almost impossibly prolific. Apparently, we weren’t kidding, as this morning FACT magazine unveiled a new mix from the post-metal demigod. It’s an eclectic offering, one that combines gauzy gems from Slowdive, Seefeel, and Mark Kozelek with the electronic stylings of Boards of Canada, Burial, Oval, The Field and more. He even makes a few forays into hip-hop, sliding in tracks from RZA and Dr. Octagon. Go here to grab the mix and find more details. The full tracklist is posted below.

Justin K. Broadrick – FACT Mix 224
Donnacha Costello – ‘Always A Part’
Caustic Window – ‘A1?
Fairmont – ‘Walk Home’
Lootpack – ‘Questions’
Seefeel – ‘Spangle’
Dettinger – ‘A1?
Burial – ‘Archangel’
Slowdive – ‘Shine’
Dr Octagon – ‘Moosebumps’
Oval – ‘Do While X’
The Field – ‘Kappsta’
Various Artists – ’7?
Cabaret Voltaire – ‘Doublevision’
Pale Sketcher – Unreleased Dubplate 1
The Aggrovators – ‘Find A Dub’
Boards Of Canada – ‘Music Is Math’
Mark Kozelek – ‘Leo And Luna’
Pale Sketcher – Unreleased Dubplate 2
RZA – ‘Grits’
Babybird – ‘Saturday’
Cabaret Voltaire – ‘Jazz The Glass’ (
D Bridge – ‘The Question’

Bubblin’: Ghostpoet

Who:Ghostpoet
Where: London, UK

When it comes to quality hip-hop, the UK’s record is spotty at best, but that hasn’t stopped 24-year-old Obaro Ejimiwe from getting into the game. A Gilles Peterson favorite, he sports a remarkably laid-back, almost sleepy flow and cites a number of disparate influences, from MF Doom and Fela Kuti to Squarepusher and Badly Drawn Boy. Last June, he released a free four-track EP, The Sound of Strangers, and followed it up with his debut full-length, Peanut Butter Blues & Melancholy Jam, earlier this month.

Watch: “Cash and Carry Me Home”

Jay Haze Love = Evolution

It goes without saying that for the past 10 years, Jay Haze has been one of the most interesting and engaging techno producers around, dealing with sounds as diverse as new classical, African and Latin American musics, and, of course, the minimal house genre. His dynamism and enthusiasm will be sorely missed, as Love = Evolution will be his final album, and will also mark the shutdown of his Tuning Spork and Contexterrior imprints. (It is worth noting, however, that Haze is not halting his musical output entirely, just shifting his priorities towards smaller releases as well as humanitarian causes).

The good news is that his swan song is an 11-song collection that sonically embodies everything that Haze does well—from the shimmering synths and disembodied voices of the title track to the Chicago house-flavored groove of “The Darkest Disco” (a collaboration with occasional partner-in-crime Ricardo Villalobos), Love = Evolution delivers what could be a perfect record. The wonky dubstep of “The Light,” featuring Paul St. Hilaire, plays nicely off of the lushly dark Tangerine Dream sound of “I’m Riding High,” and the plaintive tech-house of “I Wait for You” (featuring vocalist Laila Tov) contrasts nicely against the album closer, a subtly pulsing number which echoes The Aztec Mystic releases from Underground Resistance. As a listener, one can only marvel at and appreciate Haze’s dedication to approaching sound from as many different angles as possible, as Love = Evolution is most certainly one of the high notes in Haze’s storied tenure as a producer. Let’s hope that he continues to follow his own path on future releases.

RSD “Righteous Dubstep Remix”

Bristol’s Rob Smith (a.k.a. RSD) delivers this remix from Reggae Roast’s recently released Righteous EP (artwork above). The London-based label has made a name for itself connecting the dots between traditional reggae music and the exploding styles of the UK bass scene, and this, its fifth release, is set to continue that reputation. The organ and horns of the original track (featuring the production of Evergreen, Landlord, and Ruckspin) are replaced with their dubbed-out counterparts, letting MC Danman’s uplifting lyrics take the lead when present. As the track progresses, it seems to float like a lazy river, the beat acting as the constant rhythmic anchor of the remix while Smith manages to bathe almost every element, save the kick drum and bass, in gloriously vast delay and reverb trails. The Righteous EP features this remix as well as the original, a dub from Nucleus Roots, and another remix courtesy of Dark Arx. It is available now in both 12″ vinyl and digital format.

Righteous Dubstep Remix

Wolfram feat. Haddaway “Thing Called Love (Legowelt Remix)”

From the onset, this MP3 clears up two pieces of information we weren’t 100% sure about until today—first of all, Haddaway is still alive (really could have guessed either way on that one), and secondly, the electronic music community is in the midst of fully embracing it’s guilty-pleasure past. Here we have a remix from Dutch producer Legowelt, who sends Wolfram‘s original track soaring to the heights of its Euro-disco potential. Haddaway delivers a trademark vocal performance that could easily have fit into any of his ’90s hits but also feels appropriate amongst the lazery arpeggios and pulsating drums of this more modern (albeit retro-inspired) production. The original “Thing Called Love” can be found on Wolfram’s forthcoming LP, which features collaborations with the likes of Holy Ghost!, Hercules and Love Affair, and Patrick Cowley-associated disco singer Paul Parker. (via Discobelle)

Thing Called Love (Legowelt remix)

Oneman Drops New Mix for LuckyMe

In the realm of hot mixes, Oneman‘s reputation certainly proceeds him. Hailed as a DJ’s DJ (not to say he doesn’t also know how to rock the regular non-DJ folk too), Oneman has become a celebrated Rinse FM jock and unleashed a barrage of killer mixes along the way, including the closing chapter of last year’s XLR8R podcast series with an impressive set. Now Oneman’s dropped a monster of a mix for the LuckyMe imprint that spans over 70 minutes and covers a wide range of UK bass music and much, much more (you’ll even find a Prince track hidden somewhere in there). You can download his Ninety Three Mixtape and get more details here. The playlist is below.

LITE – Drops
Mobb Deep – Quiet Storm [inst .]
Bad Autopsy – Pour It On
Zed Bias – Music Deep Inside
Damage Daneeka – Creeper
French Fries – Charlotte [Canblaster remix]
Boddika – Basement
Search & Destroy – Candyfloss [Toasty remix]
Unknown – Knock, Knock
Pelican Fly – Bendin’ [Jay Weed remix]
Boddika – Soul What
Prince – I Would Die For You
Velour – She Wore Velour
Marcus Intalex – Under Surveillance
Oneohtrix Point Never – Nobody Here
Scuba – Twitch [Jamie Vex’d remix]
Fantastic Mr Fox – Peep Show [Desto remix]
Joker & Rustie – Tempered
Addison Groove – Sexual
Ikonika – Space Ugly
Gil Scott Heron & Jamie XX – NY Is Killing Me
50 Cent & Justin Timberlake – Ayo Technology [Acapella]
Girl Unit – WUT
Wiley – Shower Eski [Mickey Pearce remix]
Digital Mystikz – Lost City
Starkey – Miracles
Desto, Clouds & Jimi Tenor ft. ChaCha – Time Bird
Wiley – Saw It Coming

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50Weapons to Release New Benjamin Damage and Doc Daneeka Collaborative Single

The Modeselektor-run 50Weapons imprint (a sub-label of the duo’s other imprint, Monkeytown) has announced the release of its ninth single, a collaborative effort between two burgeoning UK producers, Benjamin Damage and Doc Daneeka. The “Creeper” b/w “Infamous” single finds the two meeting somewhere in the middle of their respective styles, creating two tracks that incorporate classic house and techno elements into their usual funky, future-house style productions (which, if need be, you can refamiliarize yourself with by listening to Daneeka’s excellent XLR8Rpodcast from last year). The “Creeper” b/w “Infamous” single (artwork below) is slated for release March 11 and will be available in 12″ vinyl and digital format.

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Applescal “De Brigade”

Coming off two excellent releases for the renowned Traum Schallplatten imprint, Holland-based prodcuer Pascal Terstappen (a.k.a. Applescal) has a new EP set for release on the same label that first debuted his music back in 2007, Manual Music. “De Brigade,” taken from Terstappen’s forthcoming EP which sports the extremely serious title 5 Songs, a Pizza, and Some Marshmallows Please, finds the young producer crafting bubbly, house-infused techno in which a simple, distorted line is repeated and manipulated amongst pitched toms that bounce around like perfectly quantized basketballs falling onto a gym floor. Not too much progresses throughout the course of the track, as Terstappen decides to stick with the solid groove, throwing in some tasteful breakdowns and just the right amount of percussion to keep things moving smoothly along. 5 Songs, a Pizza, and Some Marshmallows Please will be available February 21.

De Brigade

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