Chronic Youth Launches With Party, MP3

In keeping with celebrating brutal culture, XLR8R writer Fred Miketa and company launch their music and lifestyle website, Chronic Youth, with a night of live insanity and spoken word performances at Santo’s Party House in Manhattan this Saturday. Partnering with the folks at Heartworm Press for this particular bout, Heartworm #37 will feature the scuzz offerings and white-noise sacrifices of NON, Prurient, and Cold Cave, while Genesis Breyer P-Orridge (Throbbing Gristle), Jamie Stewart (Xiu Xiu), Kid Congo Powers (The Cramps), Chris Leo (Van Pelt), and others also appear throughout the night to lay down some sick spoken word. In honor of this special event, the Heartworm camp is offering a download of its latest spoken-word compilation of exclusive material from almost the entire Heartworm #37 roster here. Advance tickets can be purchased for $20 on Ticketweb or $25 night of. Festivities kick off at 7 p.m.

pictured Prurient

Native Makes Massive Announcements

If any audio company could be said to be candy flipping, it’s Germany’s Native Instruments. NI has an amazing knack when it comes to developing its digital processing “instruments” for cross-promotion, cross-pollination, and cross-genre shenanigans. Latest to augment the synergistic effect is MASCHINE Drum Selection—20 full drum kits pulled from the banks of the previously released MASCHINE groove production system. This $59 library features “a practical assortment of gritty urban kits, heavily processed acoustic drums as well as vintage analog samples for various electronic music genres,” and is a hybrid standalone/plug-in instrument powered by the KONTAKT engine. What this means is NI can pimp two potential expansions at once, and hopefully hook you for more! There are included soundshaping controls, a graphical step sequencer, and sounds come in additional formats for direct use within KORE 2, KORE PLAYER, and BATTERY.

Also being introduced is Evolve Mutations, a $119 KONTAKT-powered instrument intended for movie-, TV-, and game-sound designers. This 275-instrument collaboration with designers Heavyocity features a 2 GB “arsenal of highly expressive instruments, rhythms, and ambiences that can add profound depth and impact to any dramatic piece of music,” and is organized into thematic categories to add rhythm, percussion, transitions, tonality, and more. Again, some envelope and filter controls are included, and samples are compatible with the full version of KONTAKT 3 for advanced editing.

Finally, because every good pusher knows the first taste is free, NI has released the complimentary KONTAKT PLAYER. PLAYER provides universal playback functionality, a graphical library browser, and convenient manipulation options for “all regular KONTAKT-format libraries as well as all generations of third-party KONTAKT PLAYER instruments, including KOMPAKT and INTAKT formats as well as Native Instruments’ AKOUSTIK PIANO, ELEKTRIK PIANO, and BANDSTAND instruments.” It has 64-bit/multiprocessor support, performance views, comes with 50 supportive sounds, and much more, just omitting the editing functions. Mmmm, ear candy.

Top Billin’s Sharkslayer Offers Free Mix

Top Billin’ member Sir Nenis and DJ Pushups (here as Sharkslayer) just released a rad new Palms Out Sounds mix. Running the gamut from Baltimore club to breaks to bassline house, the mix is sure to bring summery Helsinki grooves your way, and while you’re at it, check out where the Top Billin’ crew spends summer time in their home city.

pictured Sir Nenis

Palms “Boundary Waters (Josh Dibbs remix)”

Josh Dibb (a.k.a. Deakin) of the Animal Collective compound forks out a stunner of a remix on this track from New York two-piece Palms. With arms and legs dunked in vats of mescaline and syrupy molasses, this beast sure knows how to cut a rug in a freaky way once it gets moving.

Boundary_Waters_Josh_Dibb_Remix

Mad Decent Block Party Hits Philly

Mad Decent is making it a yearly affair with its second installment of the Mad Decent Block Party, taking place on Saturday, August 15, in Philadelphia. Seeing as how last year was so much fun, it is almost guaranteed that the second go-round will be even better. Featuring Major Lazer, Blaqstarr, Maluca, DJ Sega, and more, the free, community-oriented street fest and carnival runs all day, and features all sorts of fun for kids and adults.

The Mad Decent Block Party II will take place on Saturday, August 15, on the block of 12th St. and Spring Garden St. in Philadelphia.

Underworld “Born Slippy (live)”

To celebrate their upcoming North American stretch with Crosstown Rebels head Damian Lazarus, legendary electronic duo Underworld zapped us his tweaky live take on “Born Slippy” in our direction. It goes without saying that we wish we could be in Las Vegas this Friday for the opening night of their tour.

1-03 Born Slippy

Various Artists Horse Meat Disco

Jim Stanton and James Hillard are the founders of the weekly Horse Meat Disco party at London’s Eagle club. On their debut mix, they serve up equal parts dust and glitter, seeing disco brightly though lessons learned from house and techno. Like Hercules & Love Affair, HMD has an ear for bright colors, melodic range, and clashing textures—the bassline on Karen Young’s “Deetour” sounds flat like a jazz bass played through a cardboard amp, but the melody sprouts rainbows. Later tracks like Sheryl Lee Ralph’s “In the Evening” and Fern Kinney’s “Love Me Tonight” add more emotional heft for a roundly satisfying dose of nu-disco. Even better, Disc Two features most of the same tracks in unmixed form for all the disco trainspotters out there.

C2 Reissues 69, Produces Etienne Jaumet

The autumn brings two new treats from Planet-E founder and Detroit techno wizard Carl Craig. In September, C2 will be re-releasing the four EPs that he recorded under his 69 moniker on his own venerable label; including such instant techno classics as “Desire” and “My Machines,” the four-disc vinyl-only boxed set will be released in an edition of 500, and 100 of those come with limited 69 t-shirts. Meanwhile, October sees the release of Parisian Etienne Jaumet‘s first proper solo album, Night Music (Domino), which Craig produced. Adding his own techno-hypnotism to some already engrossing loop-based synth workouts, C2 certainly brings Jaumet’s sound fully into the club, and along with his regular DJ sets and worldwide appearances, seems like our man from Detroit won’t be getting much sleep after the summer’s over!

Various Artists ZE 30 – ZE Records 1979-2009

When punk, disco, and no wave were considered bankrupt and exiled to the underground, the ZE label was there to pick up the pieces. In the process, they captured an enviable amount of schizophrenic diversity, from rides on George Clinton’s mothership like Was (Not Was)’s infectious “Tell Me That I’m Dreaming” to art-damaged affairs like Suicide’s classic L.E.S. junkie lullaby, “Dream Baby Dream.” Ironically, the stand-out here comes from our decade—Scottish no wavers Michael Dracula, who shade atonal guitar scratches across wispy vocals that are spoken like a betrayed lover tucking in her soul mate before a pillow-smothering. It’s not a moment that easily fits among so much smiley-faced disco on ZE 30, but that’s the pleasure of schizophrenia.

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