Yacht See Mystery Lights

DFA’s willingness to take the road less traveled is a big part of what has made the label so beloved. As such, even when an ostensibly ‘pop’ act like Yacht is added to the stable, it’s a safe bet that the music won’t be a paint-by-numbers affair. See Mystery Lights is the fourth Yacht album, but the first since Jona Bechtolt officially expanded the band to a duo with the addition of new member Claire L. Evans. Together, the pair has bolstered Yacht’s sound with enough off-kilter beats and bass thump to make See Mystery Lights an unabashed dance record, albeit one that recalls the deadpan vocals and quirky sounds of early-’80s groups like The Waitresses and Sexual Harassment. While the music tips a little farther toward the indie-pop end of the spectrum than DFA is accustomed to, for every avant-pop track like “The Afterlife” or “Psychic City (Voodoo City),”—both of which are album standouts—there is a sweaty dancefloor number like “It’s Boring/You Can Live Anywhere You Want” or “Summer Song.” The robotic R&B vibe of “I’m in Love With a Ripper” is a bit of a surprise, but the song doesn’t sound out of place on the album or as part of the larger DFA discography. The label may be creeping in new directions as it gets older, but the quality control hasn’t slipped an inch.

New Clipse Track Surfaces

The hip-hop world clambers at just about any music news from the reliably slow-moving Clipse front, so you can imagine our excitement upon learning that the Virginia Beach-based duo was hard at work with a multitude of producers on its third full-length, Till the Casket Drops. A couple of the album’s tracks have surfaced to whet the appetites of all those fiending for some quality coke-rap, the most recent of these being a leak that we found on The Fader blog of the new jam “Warning (ft. Rock City).” This dark slice sounds a bit like a rough mix, but Pusha T’s and Malice’s flows are still sharp as ever.

Neil Landstrumm “You Can’t See Me (feat. Profisee)”

Sounding like a Venetian Snares track cut to less than a fourth of its tempo, the U.K’s Neil Landstrumm just dropped his grimy gem “You Can’t See Me (ft. Profisee)” in the XLR8R inbox. A suffocating cut from his forthcoming mini-album on Planet Mu, Bambatta Eats His Breakfast, Landstrumm’s song features omnipresent bass, glitched vocals, and stomping beat-work—this seasoned producer has entrenched himself in low-end sounds, and is clearly loving every minute of it.

You Can’t See Me (ft. Profisee)

Rainbow Arabia Kabukimono

Los Angeles-based husband-and-wife duo Rainbow Arabia made some waves with last year’s debut EP The Basta, and Kabukimono finds the band effectively building upon its unique brew of exotic synths, south-of-the-equator dance beats, and post-punk songwriting sensibilities. There’s certainly some cultural tourism going on—Kabukimono hops between the Middle East, Africa, Southeast Asia, and Latin America (sometimes within a single song) with little regard for traditional memes and Tiffany Preston’s affected vocals occasionally border on mimicry—but the music is undeniably enjoyable. “Haunted Hall” is a spooky Middle Eastern delight, “Harlem Sunrise” goes Caribbean with its steel drums and tropical bounce, and the synth-powered title track is a percussive whirlwind suited for dancefloors on any continent. Ghost on Tape’s wobble-bass theatrics on his remix of “Omar K” are also not to be missed.

Kingdom, Bok Bok Go 1-for-1 on the Radio

Brooklyn party starter Kingdom recently spent some time in London, much of it bumming around with folks like L-Vis 1990, Bok Bok, and the rest of the Night Slugs crew. The Night Slugs boys even invited him to stop by their monthly radio show on Sub.FM, where some technical difficulties forced Kingdom and Bok Bok to break out an impromptu 1-for-1 DJ mix that combined some of the hottest sounds bubbling up from both sides of the Atlantic. Grab the audio here from Bok Bok’s excellent Lower End Spasm blog.

Tracklist:
01. Mini Kingz – Funk Me
02. Soultonic Soundsystem – Generals
03. Cooly G – Dis Boy Part 4
04. Cooly G – Craze Refix
05. Ghosts On Tape – Predator Mode (Roska remix)
06. Fuzzy Logik – The Way You Move
07. Hardsoul ft Fierce Ruling Diva – Self Religion (Believe in Me) (Hardsoul Reconstruction)
08. Kingdom – Bakka
09. Doneo – Be Mine
10. Dre Skull – I Want You (Bok Bok Dub)
11. Cooly G – Digitally Higher
12. Footsteps – Baby Kinta
13. Lil Silva – Red Remix
14. Lil Silva – Different (Kingdom’s Jazmine Sullivan Remix)
15. Mosca – Square One
16. DJ Corlando – Passa Passa (Kingdom Refix)
17. Brackles & Shortstuff – Sutorito Faita
18. Gremino – Scarce
19. Mark Pritchard and Om’mas Keith – Wind it Up
20. Terror Danjah – Zumpi Huntah (DOK Remix)
21. Zomby – No
22. Kingdom – Joshua Juke
23. Untold – Stop What You’re Doing (Bok Bok edit)
24. Maluca – Culebra (prod. NGUZUNGUZU)
25. R1 Ryders – Karnifour
26. Kingdom – Mindreader ft. Shyvonne
27. Joy Orbison – Hyph Mngo
28. Submerse – 2nite
29. Bok Bok – Ripe Banana
30. Baileee – Live Drums
31. Terror Danjah – Save The Last Dance ft Elrea
32. Xara – You Got Me
33. Pangea – Memories

Chico Sonido “Antes Que Nadie”

Born in Mexico but currently setting up shop in Los Angeles, Chico Sonido is one of the names often bandied about in conversations about the ongoing cumbia explosion. After all, his bootleg remix of Blaqstarr and Rye Rye’s “Shake It to the Ground” was one of the first Latin-flavored tunes to really blow up the whole Mad Decent/global bass blogger circuit. Yet those expecting another cumbia nueva floor filler might be a little surprised by “Antes Que Nadie,” the first offering from his forthcoming debut album. The music is undoubtedly steeped in Latin sounds, but its psychedelic flavor, vintage breaks, and slow burn make this much more of a crate-digger exercise.

08 Antes Que Nadie

New Zomby EP Out in August

The elusive boy beyond breakbeat-hardcore-revivalist persona Zomby is at it again, this time with One Foot Ahead of the Other, an EP expected August 24 on
Ramp Recordings. A tracklist follows, but if you just can’t wait, preview a few of the tunes here and at the Ramp MySpacepage.

1. One Foot Ahead of the Other
2. Helter Skelter
3. Pumpkinhead’s Revenge
4. Polka Dot
5. Godzilla
6. Expert Tuition
7. Bubble Bobble
8. Mescaline Cola
9. Firefly Finale

Kid Koala Presents The Slew “It’s All Over”

A nice little slice of rock-hop from the tour-only album 100% from Kid Koala, Dynomite D, and members of Wolfmother under the moniker The Slew. Scratches (natches!), dope-ass beats, and rock guitar and vocals round out this exclusive track from the foursome to promote their upcoming one-off North American tour.

02 It’s All Over

Exclusive: Kid Koala Unveils The Slew

Exclusive XLR8R news comin’ atcha! A couple years ago, turntablist extraordinaire Kid Koala (a.k.a. Eric San) and his friend Dynomite D (a.k.a. Dylan Frombach) were assigned the task of soundtracking a documentary. Said film never saw the light of day, but its music—at the urging, and with the assistance, of Wolfmother’s old rhythm section—is about to. Ex-Wolf-members Chris Ross and Myles Heskett are now set to join Koala on tour as they present The Slew, and they’ll unveil their very special set-up in the cities below. Working with live drums, bass, keys, and six turntables, the group is going to deliver 70-minute sets of raw guitar and some of the dopest manipulated beats you’ve heard all year. (In fact, you can check out one of the fine samplings from this tour here.) This is a one-off tour, so consider yourself warned—if you miss this one, well, you’re S.O.L.

9/23 VANCOUVER, BC, Commodore
9/24 SEATTLE, WA, Nectar
9/25 SAN FRANCISCO, CA, Independent
9/27 LOS ANGELES, CA, Key Club
9/30 BROOKLYN, NY, Music Hall of Williamsburg
10/1 BOSTON, MA, Great Scott
10/2 MONTREAL, QC, La Tulipe
10/3 TORONTO, ON, Lee’s Palace
10/4 CHICAGO, IL, Abbey

Kleerup Kleerup

Stepping out from behind the mixing boards is never an easy task, but synth-loving Swede Andreas Kleerup glides into the artist role on his debut album. Best known for co-authoring the international smash “With Every Heartbeat” with Robyn, here Kleerup continues to pair tastefully bopping dance beats with plaintive pop vocals, making songs like “Longing for Lullabies” and “3am” sound like lost slices of ’80s teenage synth-pop. Lykke Li collaboration “Until We Bleed” is a melancholy delight, and even when the tempo picks up on upbeat instrumentals like “Thank You for Nothing” and “Tower of Trellick,” the music’s polish and restraint maintains a vibe that is almost pastoral, a welcome respite in this age of buzzing bangers.

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