Don Rimini: Dog Days of Rave

The rave myth, defined by scores of youngsters spending hours calling hotlines and following maps to finally reach blissed-out dancefloor paradise, was alive and well in 1990s Paris. “There were raves in warehouses, but also in caves, in woods, on rooftops, in villas, in middle-age castles, empty swimming pools, old military barracks,” says producer and DJ Don Rimini (a.k.a. Xavier Gassemann). He spent his salad days at these parties, listening to English breakbeat, Chicago house, and Detroit techno tunes from the likes of Green Velvet, Underground Resistance, and Plastikman.

As a result, the gritty electro tracks on the 32-year-old’s recently released Kick N’ Run EP (put out by Delicious Gutter, Aaron Lacrate’s and Rick Ross’ new imprint) ooze lazer-happy, stomach-churning synths and four-to-the-floor rhythms evocative of rave’s heyday. “Nervous Breakdown” features slinky sirens and pounding beats, while “Ohow?” and “Rave On”’s frenetic kicks and looped vocals exude old-school U.K. rave style. While many producers choose to showcase only two original tracks on their EPs, Rimini crafted his as a mini-album. “I didn’t want to use a second-rate track for a b-side; only first choice–four tracks, four bangers,” he explains.

January 2008’s Absolutely Rad EP initially put Rimini on the map, due to the success of the massive tune “Let Me Back Up” and its attendant Crookers rework. The Delicious Gutter dudes took notice, asking Rimini to remix an old Delicious Vinyl track of his choosing for their RmXXXology compilation–a perfect fit, since he was a hip-hop DJ for a time. He decided to give Young MC’s “Bust a Move” the rave treatment, fusing epic synths with thumping beats while preserving the spirit of the original. “I was just a super fan of Delicious Vinyl. It’s really a mythic label for me; my own mini American dream,” he says of the experience.

Rimini has been busy crafting other remixes, putting a new spin on Sinden’s “Hardcore Girls” (featuring B-more club chanteuse Rye Rye), as well as tracks by Dada Life, Nu Ravers on the Block, Fires of Rome, and Numero. However, his ultimate remix fantasy is to have a go at late ’80s Dutch dance duo Quadrophonia’s “Quadrophonia.” “The original is wicked!” he exclaims jovially. “It’s got an amazing hook for ringtones!”

Clue to Kalo Lily Perdida

The hippie-fied production baked into Clue to Kalo‘s One Way, It‘s Every Way returns in great form on Lily Perdida, but it ain’t easy listenin’. Boasting orchestral folk trimmings and fussily woven vocal harmonies, Lily finds CTK’s Mark Mitchell paired with Ellen Carey (and her twee stylings) for 10 odes to the fictional character for which the album is named. Sharp moments are many—“Lull for Dear Life” shifts from churchy balladry to sparkling pop in a flash, and “The Infinite Orphan” is marked by an earnest devotion to ’60s mod fare—but Lily must’ve been some difficult kid. This is a dense, challenging ride, where the search for the big hooks is sometimes derailed by an onslaught of smaller ones.

New Black Dice Album Due in April

Brooklyn-based trio Black Dice is preparing to release its fifth full-length, REPO, on April 7 via Paw Tracks. The aural alchemists have consistently been a go-to band for quirky, blurred, experimental noise tracks that are vaguely danceable form, as seen on the tracks from 2007’s Load Blown. The new album proves to be in keeping with the band’s general interest in the buzzy, fuzzy, and bizarre. According to a press release, REPO “irreverently mulches the sounds and images of radio, TV and Internet into a fertile compost pile squirming with new, raw life.”

Sounds promising.

REPO
01 Night Cream ?
02 Glazin ?
03 Earnings Plus Interest ?
04 Whirligig ?
05 La Cucaracha ?
06 Idiots Pasture ?
07 Lazy ?
08 Buddy ?
09 Inches ?
10 Vegetable ?
11 Urban Super Mist ?
12 Ultra Vomit ?
13 Gag Shack

Wildildlife “Nervous Buzzing (Hours of Worship Remix)”

Brooklyn-by-way-of-San Francisco duo (who also happen to be former XLR8R scribes) Hours of Worship is known for mixes full of pretty, transforming hooks and shimmering subtleties rooted in straightforward techno rhythms. Their remix of “Nervous Buzzing,” a track by San Francisco trance rockers Wildildlife, throbs like a headache that feels good—so good. Restrained shifts in vibration with dark echoes radiate outwardly over a bright ambient synth and driving tempo. Five minutes just isn’t enough of this aural voyage. Hours of Worship has an EP, Into the Grass, coming out this spring on Ekler’o’shock. Look for it. Lulu McAllister

Wildlife – Nervous Buzzing (Hours of Worship Remix)

Theophilus London “Save”

Theophilus London is a soulful Brooklyn-based MC with a new mixtape album, Jam!, whose 20 tracks were produced by Machinedrum. The blaring horns introduce a glamorous beat and Londons’ serious reflections about the recent past and hopeful words for the future in this inauguration day special, “Save.” Female vocalists sing a straightforward chorus with with soulful sincerity: “The nation is fallen, looking for my hero./Can you be hero? Can somebody save me?/I’m just steady calling, looking for my hero./Can you be my hero? Can somebody save me?” President Obama, are you up to the task? Photo by TEXAS. Words by Lulu McAllister

Save

Animal Collective Launches Inevitable Tour

With all the Animal Collective/Merriweather Post Pavilion hoopla that’s held our attention most of the month, we knew that tour dates for the band were a foregone conclusion. Likewise, it seemed inevitable that said dates would be great in number, given the upsurge in popularity AC is enjoying of late. Thus, the current tour stretches from Sweden to Oakland, will keep the boys busy until June, and will probably grow in size again before the month of January has ended. Tickets will go fast. Count on it.

Dates
01/20 New York, NY – Grand Ballroom
01/21 New York, NY – Bowery Ballroom
01/22 Chicago, Illinois – Metro
01/23 Los Angeles, California – Henry Fonda Theater
01/24 Los Angeles, California – Troubadour
02/04 Oslo, Norway – Rockefeller
02/05 Lund, Sweden – Mejeriet
02/06 Copenhagen – Amager Bio
02/08 Cologne, Germany – Gloria
02/09 Heidelberg, Germany – Karlstorbahnhof
02/10 Fribourg, Germany – FriSon
02/11 Lucerne, Switzerland – Konzerthaus Schurr
02/12 Florence, Italy – Viper Room
02/13 Rome, Italy – Teatro Studio
02/14 Milan, Italy – Rolling Stone
02/16 Strasbourg, France – La Laiterie
02/17 Amsterdam – Paradiso
02/18 Brussels – Ancienne Belgique
02/19 Lille, France – Aeronef
02/20 Nantes, France – L’Olympic
02/22 Bristol, UK – Trinity Centre
02/23 Nottingham, UK – Rescue Rooms
02/24 London, UK – The Forum
02/25 Leeds, UK – TJ’s Woodhouse Club
02/26 Liverpool, UK – Static Gallery
02/27 Dublin – Tripod
02/28 Belfast – Stiff Kitten
05/11 Washington DC – 9:30 Club
05/12 Philadelphia, PA – Electric Factory
05/13 New York, NY – Terminal 5
05/14 Boston, MA – House of Blues
05/15 Montreal, Quebec – Metropolis
05/16 Toronto, Ontario – Sound Academy
05/18 Royal Oak, Michigan – Royal Oak Music Hall
05/19 Milwaukee, Wisconsin – Turner Hall Ballroom
05/20 Minneapolis, Minnesota – First Avenue
05/24 Vancouver, BC – Commodore Ballroom
05/25 Portland, Oregon – Roseland Theatre
05/26 Oakland, CA – Fox Theatre
05/27 Big Sur, CA – Henry Miller Memorial Library
05/29 Los Angeles, CA – The Wiltern
05/30 Las Vegas, Nevada – House of Blues
05/31 Tucson, AZ – Rialto Theatre
06/01 Albuquerque, NM – Sunshine Theatre
06/02 Boulder, CO – Boulder Theatre
06/04 Dallas, TX – House of Blues
06/05 Austin, TX – Stubbs
06/06 Oxford, Mississippi – The Library
06/08 St. Petersburg, Florida – State Theatre
06/09 Ft. Lauderdale, Florida – Culture Room
06/10 Orlando, Florida – Firestone

Twinight Presents Eccentric Soul Revue

The Numero Group’s Twinight label will present its first live performance, dubbed the Eccentric Soul Revue, on April 4 in Chicago’s Park West Theater.

The label founders created the event based on a desire to give more exposure to funky soul relics than the commemorative 2CD it released two years prior.

The evening will feature performances by Syl Johnson, the Notations, and Nate Evans. Also slated to perform—for the first time in 30 years—are Renaldo Domino, the Kaldirons, and the Final Solution. In keeping with the review format, The Uptown Sound will provide inter-performance “curtain” music, complete with vocals, horns, strings, and their notably tight rhythm section. Preceding the show, an interactive slideshow of Chicago soul memorabilia and a DJ set from the Numero Group (and autograph/photo session) will wrap up the evening.

Tickets are $22 and can be purchased at numerogroup.com, Ticketmaster, or at the Park West box office.

Nightmares on Wax Plans First U.S. Tour

Perplexing as the fact is, Nightmares on Wax has never actually toured the U.S., but George Evelyn is set to change that with a handful of shows that kick off at the end of this month. Dates are in support of 2008’s Thought So, which was apparently inspired by a road trip Evelyn took from the U.K. to his current hometown of Ibiza, so it’s an appropriate time for the legendary man to be traveling. He’ll be supported at these dates by a large crew of musicians and vocalists.

01/26 Boston, MA – Paradise
01/27 New York, NY – Bowery Ballroom
01/28 Brooklyn, NY – Music Hall of Williamsburg
01/29 Washington, DC – Black Cat Backstage
01/30 Cleveland, OH – Grog Shop
01/31 Chicago, IL – The Abbey Pub
02/02 Los Angeles, CA – Echoplex
02/04 San Francisco, CA – The Independent
02/06 Portland, OR – Holocene
02/07 Seattle, WA – Chop Suey

Photos By Diedre Callahan.

Tim Hecker “Sea of Pulses”

Tim Hecker‘s work has, in the past, garnered the label “cathedral ambient,” so it’s no surprise that this track sounds a little like a pipe organ being played inside of a massive church. What is somewhat more unexpected is the bassline here, which provides a small bit of chord progression underneath the otherwise unchanging keyboard notes. “Sea of Pulses” is off Hecker’s forthcoming full-length, An Imaginary Country, which will hit stores on March 9, courtesy of kranky.

Tim Hecker – Sea of Pulses

Horace Andy and Ashley Beedle Collaborate

Now that Amp Fiddler and Sly & Robbie have turned their wonderful union into a successful album release, U.K.-based Strut Records looks to the next collaboration in its ongoing Inspiration Information series.

For the second Inspiration album, the label paired Studio One legend Horace Andy with Ashley Beedle (of X-Press 2/Ballistic Brothers fame). The resulting 11 tracks combine club and roots reggae and, as Beedle himself states, the record is “is all about the drums.” It was recorded in five days in London last fall, and the guys even included a cover of Bob Marley’s “Hypocrites” and an acoustic version of The Rolling Stones’ “Angie.”

Now, of course, a few remixes are planned as well, and are currently rumored to be coming courtesy of Soul Jazz Orchestra, Pinch, Mala, and Toddla T. Inspiration Information is out March 3.

Inspiration Information – Horace Andy/Ashley Beedle
01 When the Rain Falls
02 Watch We
03 Seek It
04 Rasta Don’t
05 Hypocrite Dog
06 The Light
07 Angie
08 2 Way Traffic
09 Babylon You Lose
10 Hot Hot Hot
11 Festival Song

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