Apse Spirit

If you thought post-rock had run out of inspiration, this debut album will renew your faith in the maligned genre. Spirit is a gorgeous, portentous work, infused with a morose grandeur that’s devoid of corn and cloyingness. Singer/guitarist Robert Toher’s high voice sometimes recalls that of Sigur Rós’ Jonsi Birgisson, but the Connecticut-based Apse’s majestic swathes of tom-heavy, clangorous rock more often evoke Savage Republic–if they recorded for Constellation, perhaps. At once spacey and turbulent, eerie and dramatic, Spirit repeatedly makes one think that this is where Mercury Rev should’ve gone after See You on the Other Side. The aptly titled Spirit is heroic and immense, almost too large for the silver screen.

Rainbow Arabia “Let Them Dance”

Danny and Tiffany Preston have dropped another call-to-war-style single off their forthcoming EP, The Basta. Judging from this and a previous track, duo’s got an uncanny ability to make music that calls to mind the disconcerting feel of war (you know, bullets and tanks and invasions and such), while still providing an energy that would work on the dancefloor. “Let Them Dance” could also work in a rock setting, with its driving guitars layered over synths and quick-paced breakbeats.

Rainbow Aabia – Let Them Dance

Jean Grae Jeanius

Jean Grae’s underground credentials are as rock-solid as they come, and not just because she releases new material less frequently than some rappers who have supposedly retired. Jeanius, her heavily anticipated (and bootlegged) collaboration with producer 9th Wonder, arrives after years of delays and setbacks, and while it would be nice to hail it as an underdog masterpiece, it’s really just quality backpacker hip-hop. Grae’s flow is impeccable, and on those rare moments when she sounds like she’s having fun, her charisma shines through. But 9th’s Little Brother and Justus League cohorts upstage her on grittier numbers like “Smashmouth” and “American Pimp,” the album’s highlights. Grae’s moment will come, but this isn’t it.

Kid Static: Easing Into Adulthood

Of the many ways Moses “Kid Static” Harris Jr. has been described, “energetic” is arguably the most fitting. The 25-year-old Chicago MC/producer isn’t exactly bouncing off the walls, but he can’t hide his youthful passion for everything he tries his hand at–which includes making music, stunt work for films like I Am Legend, and practicing the acrobatic French art known as parkour, which requires him to literally bounce off the walls of various urban structures. “It’s about confidence and getting in touch with the part of your mind that says ‘You can do it,’ before the other part that goes ‘Maybe that’s not a good idea’ comes in,” says Harris, enthusiastically describing parkour and the related art of free running.

That confidence no doubt came in handy when Kid Static approached the boss at his nine-to-five about letting him do his web-coding work from the road while on tour with progressive producer Yea Big. His boss agreed, and the duo took its synchronized dance routines and electric renditions of offbeat hip-hop from Yea Big + Kid Static, their 2007 Jib Door debut, across North America, making new fans and sharing stages with spaz punks and crunk acts. Kid Static argues that he and Yea Big can fit in anywhere. “No matter what’s playing, people identify with fun,” he says.

While the duo preps their second LP, Kid Static doesn’t want people to forget that he’s also a solo act; he originally started rhyming over self-made drum & bass and IDM tracks as Static Messenger. “Before I was with Yea Big, I was still that energetic rapping dude,” says Harris. “[It was] like, ‘Man, you’re like all over the place. I can’t take pictures of you ’cause you don’t stay in one place for too long.’”

After deciding to take a stab at producing hip-hop–“It was just a natural transformation,” he explains–Kid Static went on to put out the self-released LP, Have You Seen This Man?, in 2005. He also spent two years rapping and playing keys for the now-defunct comedic hip-hop live band The Cankles. More recently he dropped another self-released album, the experimental In the Meantime, an appetizer to his official forthcoming sophomore set.

His new solo LP will feature tracks produced by Maker, Ill Legit, Yoda Rock, and himself, with grooves ranging from the uplifting, horn-drenched heater “I’ll Be” to the meditative downtempo vibes of “Breathe.” “You can see the adult coming out with how I feel about certain things that are going on today, but not in a preachy manner,” he explains of the record’s lyrical content.

Even though he’s growing up, Kid Static isn’t about to take the doom-and-gloom route. “I’m a lighthearted individual,” he says. “The things I care about I take very seriously, but the things that don’t affect me or aren’t really worth worrying about in my mind, I brush off.”

DJ Spooky Sound Unbound

In the liner notes to his latest mix, DJ Spooky writes: “Today, for me, music isn’t music anymore–it’s information.” Thus his second shot at remixing the diverse Sub Rosa catalog–the first resulted in 2004’s Rhythm Science–is, appropriately enough, a sort of novel in musical form. Taking a collage of heavy and heady audio bytes from Allen Ginsberg, Gertrude Stein, William Burroughs, and James Joyce, Spooky drops them into a sonic mosaic constructed by John Cage, Bill Laswell, Edgard Varèse, and many others. Spooky is a philosopher of sound; this is not a mix you can put on without paying keen attention. Fortunately these 45 diced-up tracks merit an in-depth exploration.

Inní Mér Syngur Vitleysingur

Up next from Sigur Rós is this live footage, though it’s set to the album version of the track “Inní mér syngur vitleysingur,” off the Icelandic band’s fifth studio album, Með suð í eyrum við spilum endalaust. Featuring a string quartet and plenty of colorful costumes, this video is a good hint at what goes down at a Sigur Rós live show.

Stars Like Fleas to Tour

Stars Like Fleas have been on our radar a few years now, but when the Brooklyn-based band dropped its folk-meets-jazz-meets-rock album, The Ken Burns Effect this past June, the music world sat up and took note of the band’s ambitious musical arrangements that seem both soothing and disorienting. It’s a combination that seems apt for live performances, and we’ll see for sure when the band hits the road this fall. Check this track for a hint at what’s to come.

08/22 New York, NY: The Stone
09/10 Rochester, NY: The Bug Jar
09/11 Hamilton, ON: The Casbah Lounge
09/12 Toronto, ON: The Music Gallery
09/13 Brantford, ON: The Ford Plant
09/14 Montreal, QC: Lab. Synthese
09/15 Ithaca, NY: No Radio Records
09/16 Pittsburg, PA: Brillobox
09/17 Cleveland, OH: Grog Shop
09/18 Chicago, IL: The Empty Bottle
09/20 Madison, WI: Forward Music Festival
09/21 Grand Rapids, MI: The DAAC
10/04 Brooklyn, NY: Market Hotel
10/17 Reykjavik, Iceland: Iceland Airwaves Festival
11/09 New York, NY: Le Poisson Rouge

Stars Like Fleas “I Was Only Dancing”

Stars Like Fleas gave experimental rock an emotional touch earlier this year, with the release of its third full-length, The Ken Burns Effect. Steeped in dizzying guitar textures, layered vocals, and the occasional interlude of quirky electronics, the Brooklyn-based band’s album is a convergence of free-jazz, indie rock, and soft folk flavors, as seen with this track, which also features some subtle Americana strings. Finally, check the band on tour this fall.

Stars Like Fleas – I Was Only Dancing

Bradford Cox “Ending All Bad Vibes”

Following this weekend’s drama, in which an unmastered copy of Deerhunter’s Weird Era Cont. and Atlas Sound’s unreleased Logos were found on Bradford Cox’s blog and leaked, the über-prolific songwriter is ready to call a truce (following a rather impassioned rant).

Cox has posted a Bible-length entry to his Deerhunter blog, in which he accepts responsibility for the situation, apologizes for his earlier reaction, and urges fans to buy the aforementioned albums legally. “I am seriously ending all bad vibes here,” he noted.

But it wouldn’t be the same if we just summarized his musings, so check the posting here, and yeah, purchase legit copies of this stuff via iTunes or the label, folks.

Photo by Josh McNey.

Larytta “Ya-Ya-Ya”

We’re currently loving the eclectic musings of Lausanne, Switzerland-based duo Larytta, mostly because the music made by Guy Meldem and Christian Pahud sounds like, well, nothing else we’ve had come through the office the entire year.

Mixing off-kilter electronic beats with African chants and rhythms, vocal harmonies, and a bunch of other laptop-generated sounds, tracks on the boys’ debut album, Difficult Fun, certainly live up to its name. This is entirely danceable music that simultaneously needles the brain and makes you scratch your head and wonder what in the hell is going on.

More tracks from these guys will be available come October 3, when the full album drops on Creaked Records.

Difficult Fun
01 Wonder Vendor
02 Money For Pizza
03 Bauch Amp
04 Voodoo Thing (Difficult Lee)
05 Love Love Odyssey
06 Ya-Ya-Ya
07 Is This Cheese?
08 Spoiled Kids
09 Souvenir De Chine
10 The Money
11 The City Walls
12 Filthy Jim
13 Tous Mes Amis

Larytta – Ya-Ya-Ya

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