Bass Reaction! Dubstep News, Forum Awards and New Releases Galore

The annual Dubstepforum Awards were held January 17 at London’s Herbal nightclub. Forum members voted online and nominees who received more than 50 votes appeared in the final results tally. Brixton’s Digital Mystikz/DMZ crew fared well, while DM producer Mala took both the top producer award (Burial and Benga were voted second and third) and Best 12”, for “Lean Forward” (tying Uncle Sam’s “Round The World Girls – Tes La Rok Remix”). DMZ’s Sgt Pokes was voted best MC, and DMZ took top club night. N-Type reapeated for the second year in the best radio show category and was also voted best club DJ. Other winners included Rusko, for best newcomer, and Deep Medi Music, for best label. View photos and videos at Get Darker now.

More DMZ news: the club night celebrates its third birthday on March 1 at the Brixton Mass at St Mathews Church. Digital Mystikz, Loefah, Sgt Pokes, and more will appear.

And speaking of voting: San Francisco’s DJG and Australia’s Flippo were democratically chosen to appear on the second 12” single from Pressing Issues.

Bristol producer and DJ Forensics–runner-up for best digital-download track at the 2007 Dubstepforum Awards–has posted a recent Ill FM set, with tracks from Burial, RSD, and The Bug.

Watch the amazing 300-style digital animation video for The Bug and Warrior Queen’s massive tune, “Poison Dart.”

New York’s Dub War party finally got some recognition in its hometown über-paper The New York Times.

Fulham, UK-based artist Dwayne Marsh, who records for Tempa as D1, spins at San Francisco’s Shine club Wednesday, January 23, with Selector Dub U, Jus Wan, and StayPuft DJ. Other West Coast dates will follow. A recent mix showcases the producer’s house and atmospheric electronic-influenced sound.

Drumz of the South blog continues to be a crucial portal, hosting tons of excellent dubstep audio and video clips

Some supposedly new and unreleased tracks by Burial are floating around ye olde net, some in the form of YouTube posts.

Techy London producer Elemental (recently featured on Hotflush’s Space & Time comp) releases “Sirens – Refix” on his own Runtime label in February

New York’s Selector Moldy, who DJs at Lurkury and guests at Dub Wars, teams with vocalist Juakali for the new single “Glory,” out in January on Tectonic sister label Earwax. Also back in the game is noted UK DJ and producer J Da Flex, who posted this message recently announcing his return: “Wassup gang… I’m gettin’ back into the swing of things production wise and I’ve posted a new demo on MySpace. I might even see if EL-B has a track to contribute, for a possible Ghost release…who knows!” Speaking of El–preview his latest track, “Beautiful Sounds.”

Dubplate.net has copies of Benga’s Diary of an Afro Warrior triple vinyl in stock, as well as the highly anticipated Skreamizm 4 on Tempa. The latter features Skream’s heralded new tracks “Tek-A-Pill,” “Nemesis,” and “2-D.”

Other notable new releases and forthcoming tracks include:
Pattie Blingh and the Akebulan Five 10″ on Ramp, out February 25, featuring remixes of ’07’s Sagala album from 2562 and Samiyam.

Art Recordings presents Fused Forces’ six-track Safety Catch EP, out this month.

Check Bionics “Dubcore,” out now on Studio Rockers, for some sick, bassy stuff.

Kuma “Dawn Stepped Outside” b/w “DSO (Horsepower remix)” is out soon on Immerse.

Skull Disco releases Peverelist & Appleblim’s “Circling” and Shackleton’s “Death Is Not Final.”

Cyrus and Omen are back in February as Random Trio, with “Corruption,” on Random Trio Productions.

NarcoHz issues a new split single by from Juju and Djuna. “She” b/w “Sub Sol” and “Joyful Sound” by DJG.

Yip-Yip Two Kings of the Same Kingdom

This fourth full-length from the two costumed freaks in Yip-Yip sounds as if it came straight from a circus tent. The pair’s quirky, 8-bit compositions of bass-driven electronics border on nerd-dom and bring to mind artists such as Forcefield and Neon Hunk, yet lack the assaulting, drippy kinks of the aforementioned to mingle properly with the Load Records family. While Yip-Yip may outwit itself with digital crescendos or urgent stop-start fills, the most surprising element of the album is the use of actual physical instrumentation–especially the saxophone. The horn gives tracks such as “Human Wanderers” or “Jazz Rats” true character, pulsating strikingly with jazz-waltz enthusiasm. Whatever the case, it’s definitely a weird listen.

Cut Copy Readies In Ghost Colours and Lead Single

Cut Copy is finally releasing a follow-up to 2004’s Bright Like Neon Love. The forthcoming In Ghost Colours finds the Melbourne, Australia-based trio as heavily influenced by the sounds of the ’80s as ever, as well as working under the watchful eye of Tim Goldsworthy, who produced the album. Its lead single, “Lights & Music,” is so heavy on the pounding synths and epic breakdowns it’s almost possible see the neon lights flashing around a dancefloor upon hearing the track.

In Ghost Colours will be out March 8 on Modular. “Lights & Colors” is available digitally now, with remixes by Boyz Noise and Superdiscount. Preview tracks at Cut Copy’s MySpace page, then gear up to see the band at one of the dates below.

03/10 Los Angeles, CA: The Echo
03/12 Austin, TX: SXSW, Modular Showcase at Karma Lounge
03/13 Austin, TX: SXSW, Venue TBA
03/14 Austin, TX: SXSW, Venue TBA
03/15 Brooklyn, NY: Studio B
03/17 New York, NY: Mercury Lounge

Torae “Click feat. Skyzoo”

After working with the producers like DJ Clark Kent, Illmind, and DJ Babu, Torae is ready to release his debut album, Daily Conversation, and the New York-based artist has gathered a sampling of some of hip-hop’s finest for the occasion. 9th Wonder, Black Milk, Khrysis, and Marco Polo enhance the thoughtful lyrics and watertight production here, and none other than the legendary DJ Premier produced the album’s lead single, “Get it Done.” Just another day in the life of Torae.

Torae – Click feat. Skyzoo

Black Mountain In the Future

Vancouver’s Black Mountain knows how to conceive epic, 16-minute odysseys–tunes like “Bright Lights” not only keep listeners’ attention, but allow college-radio DJ a run to the can. What sets them apart from other prog revivalists is the band’s active decision to make their “prog” rock. Not merely “anthemic,” Bic-in-the-air tunes like “Tyrants” are actual anthems, with quiet, folky melodies and heavy orchestral riffs to make fanboys cry in their pints while shaking their fists. Black Mountain made a big splash with its self-titled debut, and for good reason. But check the twin harmonized guitars layered over Italo-horror synths that permeate In the Future and you’ll know: This is what rawk fans have been waiting for.

Sharaab [Evolution]

Whereas Atlanta-based producer Sharaab’s first full-length, Infusion, could be considered a collection of Indian-influenced electronic tracks, his follow-up is much more coherent as a recording. The South Asian focus is still intact; a buzzing sarangi opens the record, while a slightly distorted classical vocal line rides over the beat on “Shankara.” Yet, for the most part, Sharaab turns to rock and dark beat sensibilities to provide cohesion. The sarangi/guitar fusion on “Incomplete” and the pulsing tones of “Poison” show a harder edge to his work. Though those moments are noteworthy, he remains best with the upbeat numbers, as on the Transglobal Underground-imbued “The Awakening.”

Dizzee Rascal’s Maths+English Revamped

Dizzee Rascal has teamed up the folks at Definitive Jux to release a bigger, better version of his 2007 album Maths+English. Two new studio tracks and a remix of “Where Da G’s,” done by none other than Def Jux label boss El-P, will be packaged as bonus material, and U.S. fans–who previously could only get the album in digital format–will also have the option of purchasing this revamped version in CD or digital format. Pick all of this up at your local record store on April 29.

Meanwhile the snarky lyric master will spend the remainder of January and most of February traveling Australia and parts of the U.K.

Tracklisting
1. World Outside
2. Pussyole (Old Skool)
3. Sirens
4. Where’s Da G’s
5. Paranoid
6. Suk My Dick
7. Flex
8. Da Feelin’
9. Bubbles
10. Excuse Me Please
11. Hard Back (Industry)
12. Temptation
13. Wanna Be
14. U Can’t Tell Me Nuffin’
15. G.H.E.T.T.O*
16. Driving*
17. Where’s Da G’s (El-P Remix)*

*= new

Tour Dates
01/23 Byron Bay, AUS: Great Northern
01/24 Sydney, AUS: The Metro
01/25 Sydney, AUS:
01/28 Melbourne, AUS:
01/30 Melbourne, AUS: The Prince
02/01 Adelaide, AUS
02/03 Perth, AUS
02/15 Preston, UK: 53 Degrees
02/16 Newcastle, UK: Newcastle Academy
02/17 London, UK: Sheperds Bush
02/18 Sheffield, UK: Leadmill
02/19 Manchester, UK: Manchester Academy
02/23 Portsmouth, UK: Portsmouth Pyramid

Samiyam “Moon Shoes”

Sam Baker, known to fans as Samiyam, has made leaps and bounds as an artist, considering the fact that he doesn’t even have an album out yet. He performs with Flying Lotus, also his mentor, under the FLYamSAM name, has gained the attention of heavyweight DJs like Benji B and Andrew Meza, and none other than Daedelus has given this youngster his seal of approval. “Moon Shoes” is a bangin’ unreleased track Baker recently made that is hopefully a hint of the instrumental EP rumored to drop in the near future.

Samiyam – Moon Shoes

The Mixdown: Goya Reborn, Nusrat Remixed, Owens and Zero dB Are Back

Legendary Chicago house singer Robert Owens’s new album, Night Time Stories (Compost Records), is out February 22. Owens is backed by an all-star production cast that includes Charles Webster, Jimpster, Atjazz, Wahoo, Marc Romboy, Kirk DeGiorgio, and Kid Massive.

The recently relaunched Strictly Rhythm label has new singles from Quentin Harris, Todd Terry, and Osunlade available as downloads or vinyl at its new site.

The influential broken-beat and future-funk outlet Goya Music has been reconstituted… sort of. New digital store Adela Street has opened for online business and carries a complete line of funk, house, Latin, and broken-beat releases in digital format from Afronaught, Sinbad, Colonel Red, I.G. Culture, Domu, Phil Asher, Bugz In The Attic, and more.

Speaking of broken vibes, London’s bass-heavy Latin lovers Zero dB release their new “Heavyweight Gringos” EP on Ninja Tune this month. Remixes on the single come from Stockholm’s Dibaba, plus the U.K.’s Goetz and A.F.T.C.

Richard E of Solar Apple Quarktette, along with Further Out Recordings, will be active on the DJ and release front in 2008. He promises new tracks on FO from Bossa Futura, DJ Saturn, and K-Scope (feat Jennifer Moore) plus remixes from Nu Tropic, Sidewinder, Aaron Jerome, Flowriders, and more.

Nusrat Fateh Ali Khan, Pakistan’s greatest Sufi devotional singer who passed away in 1997, lives on with new interpretations of 2007’s Gaudi album Dub Qawwali on Six Degrees. Dub Qawwali Remixes drops February 19 (digital download only) and features reworks by Bristol dubstep innovator Pinch, Cheb i Sabbah, Pathaan, and Gaudi himself.

The Mixdown recommends the following recent and new release singles burning up our music folders and record crates:

Austria-based Dorian Concept‘s “Two Hour Power” EP (TrebleO) is killer, with Flying Lotus or Dilla-style headnod beats; dreamy and dope.

4hero‘s “Morning Child Remixes” contains deep reworks from Landau Orchestra and Massive Attack’s Daddy G.

Chieko Kinbara’s house single “Time To Love” (Nitegrooves) is produced by Louie Vega and Blaze, with gorgeous vocals and violin solos; a Shelter classic in the making.

Bill Dixon with Exploding Star Orchestra

Free jazz performers rely on unspoken understanding when performing, so it’s hardly noteworthy that these horn players–’60s icon Bill Dixon and Brazil-based Chicago expat Rob Mazurek–come together seamlessly. What makes this 2007 live recording stand out is the way two generations fused into something truly powerful. Mazurek’s Exploding Star Orchestra–who mix the slinky guitar lines, ethereal flute, effects-laden horns, and echoing xylophones perfected on previous albums–compliment Dixon’s voice, a lyrical style born in the era of Ornette Coleman and Don Cherry. While it’s more of an intriguing meeting than a monumental summit, it’s an exciting set filled with rumbling rhythms, transcendent drones, ethereal chants, and cathartic releases.

Page 3013 of 3781
1 3,011 3,012 3,013 3,014 3,015 3,781