Nicky Click I’m on My Cell Phone

Four songs in, using her best valley-girl-meets-’80s-club-diva voice, Nicky Click gets straight to the point: “Who here likes ice cream?” It takes a unique sort of sweet tooth to handle I’m on My Cell Phone; otherwise, this melts faster than soft-serve on a car radiator. Cell Phone plays out like the “Kool Thing” Kim Gordon/Chuck D. exchange stretched to 15 songs. It consists of dialogues between Click and a deep-voiced “Mr. Owl,” and one-sided talks between her and her “diary.” Topics range from the titular phone (“I got a brand new ring tone/And you’re on permanent roam”) to queer politics (“I’m gonna stay away from them/Their pleasure is much too intriguing”) to twee-indie love screeds, though the corny-as-hell production–bubblegum electro-pop and early-days hip-hop, mostly–makes The Blow sound groundbreaking.

Letters Letters Letters Letters

It’s difficult not to hear Letters Letters’ debut as a reaction to the defiant indie mega-pop of their fellow Montreal bands Arcade Fire and Wolf Parade. The trio’s sound here is anything but “big”: acoustic guitars make way for atonal washes of noise, understated, angst-ridden vocals rarely leave the lower registers, and the use of electronics is both quirky and restrained. Letters Letters works best when a bit of melody pokes through the melancholy fuzz and the broken, scattering clicks meld into a syncopated beat. In these moments, the surrounding druggy abstraction and drone get the weight they deserve and the tracks shimmer. Letters Letters isn’t a great album, but it’s certainly an interesting one.

The 12 Days of Christmas: Day 7

Canon HG10 ($1,299)

After being involved in countless shoots for XLR8R TV, I’ve come to trust and love our Canon HV20. In standard resolution or HD, the HV20 has beautiful color and excellent features, so I was super-excited to learn of the introduction of its hard-drive-based sister-in-law, the Canon HG10. With an internal 40GB drive, the HG10 eliminates the need for tape, giving you 5.5 hours of top-quality HD recording or 11.5 hours at standard quality. If you need more time than that between data dumps, you’ve got one too many nights out (or in our case, stoned interviews) recorded anyway. No one really wants to see that much of you and your friends’ “antics,” believe me. Anyway, moving on… another great feature of the HG10 is the 24p shutter mode, which has fewer frames per second than your standard TV soap-opera, giving your shots a lovely, cinematic look. The size is excellent too; the absence of the tape mechanism really shaves off some of the bulk, making this a true hand-held. When you’re done shooting, plug your camera into your computer via USB. HD video is recorded to the hard drive of the HG10 in the AVCHD video compression codec, which is still new to the scene, so check your video editing software for compatibility. Updated versions of Final Cut Pro and iMovie will support it on an Intel-based Mac.

So for this Xmas, will someone please get me this camera? The crew of XLR8R TV will thank you to no end, and make sure to keep you in the loop with stoners everywhere.

More Days of Christmas
Day 1: Rhino Box Sets
Day 2: Death In June Brown Book
Day 3: Selk’Bags
Day 4: Hangar One Raspberry Vodka
Day 5: Mishka Keep Watch Eyeball Hat
Day 6: GRN Apple Tree Hoodie and Nixon Watch
Day 8: Gee Vaucher Artwork
Day 9: Kid Robot Smoker’s Delight Bundle
Day 10: Eco-Friendly Bags from Colette
Day 11: XLR8R Subscription
Day 12: Ableton Live

Pon Di Wire: Sting News, Police Raids and New Reggae Videos

Veteran rocksteady singer Alton Ellis has been admitted to the hospital in London, U.K. Known for his soaring, soulful voice, Ellis penned the original “I’m Still In Love,” and was known as Mr. Rock & Soul. Ellis still occasionally records new tracks and regularly performs. We wish him a speedy recovery.

One veteran clash DJ will sit out the late-December Guinness Sting concert at Jamworld in Kingston. Moses Davis (a.k.a. Beenie Man) announced he will not be performing, likely due to the fact that he’d be an easy target for personal attacks from his most notorious foil, Bounty Killer. Davis recently separated from his entertainer wife, Killer’s former girlfriend D’Angel. “You can look out for Beenie Man on Pepsi Teen Splash once again. However, I will not be on Sting this year,” said David via a press release.

“Man, spliff fly like plane when the blue clothes dem touch the place,” remarked a patron in reference to a trio of police raids at Jamaican concerts over the weekend. The Riding West show in Savanna-la-mar, Rasta Bash in Negril, and Reggae Fever in Montego Bay were all subject to raids and searches of patrons and artists alike.

University of West Indies Mona Campus in Kingston, Jamaica will host the annual Global Reggae Conference 2008 February 18-24.

Veteran roots reggae vocal trio The Congos have placed their song “Children Crying” in a new Heineken beer advertising campaign. The song is taken from The Heart of the Congos, recorded in 1977 and reissued by the U.K.’s Blood & Fire Records in 1995. The trio has reunited and will tour in 2008.

YardFlex reports that roots singer Etana (pictured above), whose new album is due in 2008 on VP, has lined up a clutch of live shows for December. She’ll appear December 21 at the Welcome to Jamrock concert. On December 25, she will rock GT Taylor’s Christmas Extravaganza, and on December 26 Etana will grace Sting’s Singers Paradise stage. The roots woman recently shot a video for her new tune, “Warrior Love.”

Speaking of videos, 2007 breakthrough singer Tarrus Riley released his fourth video from the Dean Fraser-produced album Parables, for the song “Lion Paw–Live.” The video has the look and feel of a live Tarrus Riley performance.

The Bob Marley/Rita Marley Foundation’s global initiative, the Africa Unite concert, will be held in Jamaica for the first time, on February 23, 2008, at James Bond Beach, St Mary. Additionally, the feature documentary, Africa Unite, will make its Caribbean debut as part of the celebrations marking what would have been Bob Marley’s 63rd birthday.

Beenie Man, Munga Honorable, Bugsy Malone, and dancer John Hype, plus L.A.’s Tazmania Sound will hit South Central L.A.’s Shatto Ballroom (3744 W. Slauson Ave.) on Saturday, January 5, 2008.

Top Ten Reggae Albums
Sean Kingston Sean Kingston (Beluga Heights/Epic)
Duane Stephenson From August Town (VP)
Cocoa Tea Biological Warfare (Minor 7 Flat 5)
Wayne Wonder Foreva (VP)
Jah Cure True Reflections (VP)
Chezidek Inna Di Road (Greensleeves)
Steele The Love of Jah (Mobs Production)
Courtney John Unselfish (Fi Wi Music)
Shaggy Intoxication (VP/Big Yard)
Various Artists The Biggest Reggae One Drop Anthems 2007 (Greensleeves)

Soul Label Stax Celebrates With Three DVDs

Sharon Jones & The Dap Kings, Breakestra, Orgone, and The Bamboos may have caught the ear of today’s young funk fans, but those artists would be nowhere without Stax Records’ soul. The Memphis, TN label that gave the world Sam & Dave, Booker T & The MGs, The Staple Singers, Isaac Hayes (pictured above), and Otis Redding was recently reborn, signing new artists, including Angie Stone and Soulive. Three new feature DVDs, Respect Yourself: The Stax Story, Dreams To Remember: The Legacy Of Otis Redding, and Stax-Volt Review: Live In Norway 1967, highlight the label’s 50th anniversary (1957-2007) and mighty place in American music.

Stax broke racist taboos in the segregated ’60s south, bringing white and black musicians together; many of the label’s most famous hits were written at the nearby Lorraine Motel, where Dr. Martin Luther King, Jr. was assassinated in 1968. Later, Stax artists stood with pride at the 100,000-strong 1972 WattsStax music festival in L.A. For Stax, times changed, but the music never stopped.

This Monday, December 10, 2007 marked the 40th anniversary of soul genius Otis Redding’s death in a plane crash at age 26. Between 1965-67, Redding was the dominant U.S. soul artist, performing before 50,000 hippies at the ’67 Monterrey Pop Festival. After his death, and the death of King, many thought Stax and soul were dead. But as Respect chronicles, label head Al Bell and songwriter Isaac Hayes rebuilt Stax into a hit-making machine responsible for the Shaft soundtrack and dozens of radio favorites.

The three new DVDs feature restored live concert footage, rare interviews with Stax singers and artists, and artfully revives the Stax universe for a new generation. A soul museum and music academy now inhabits the lot where Stax Records forged its hits. Although times in America may seem bleak, Stax’s music, message, and resilience are a reminder that change is always blowing in the wind.

Best of 2007 by Dust La Rock

A Brooklyn-based graphic design bad man looks to the past and the future.

Best Artist
Ghostland Observatory.

Best Album
James Pants. I’m wearing it already.

Worst Album
Will.I.AM. Just the thought of it is bad karma.

Best Single/12″
Spiral Tribe’s entire back-catalogue reissue.

Best Record Label
Network 23.

Best Live Event/Festival
Yellow Magic Orchestra, live on Soul Train circa 1982. My life has never been the same.

Best City and/or Scene
The button-up shirt scene in Sacramento/Seattle is pretty big. I’d have to say Seattle takes the cake though.

Best DJ
Vin Sol.

Best Music Trend
The ’70s.

Worst Music Trend
The ’80s.

Biggest/Best Music-Related Beef of 2007:
So Me vs. Parra. Dutch kids called So Me out for biting Parra. He responded with a message via MySpace (bad look, he should have played it cool), which was quickly taken down.

Electronic Gadget You Can’t Live Without:
My taser. Never leave home without it.

Best Visual Artist
Kris Kuksi

Best Shoe
Adidas Micropacer. Timeless.

Best Clothing Label
Perks & Mini. I just can’t afford any of it.

Best Style Trend
Death of the all-over print.

Worst Style Trend
Hipsters.

Best Media Item
Alejandro Jodorowsky DVD box set.

More Best of 2007
Switch: Artist of the Year
Sage Francis’ Top Five Albums of 2007
Best Artists of 2007
Best of 2007 by Cameron Bird
Best Albums of 2007
Best Singles of 2007
Best of 2007 by Busy P
Best Live Events of 2007
Best Visual Artists of 2007
Best of 2007 by Dirt Crew
Best Music Trends of 2007
Best Style of 2007
Best of 2007 by Mochipet
Best of 2007 by DJ Ulysses
Best Music Technology of 2007

Amplive’s Radiohead Remix Album Details Unveiled

Oakland, CA-based producer and DJ Amplive has put together a Radiohead remix album entitled Rainydayz Remixes, available in digital-only format on January 10 and free to anyone that took the time to download the band’s original and highly publicized In Rainbows album.

From a recent press release:

“Unlike In Rainbows, Rainydayz Remixes has a set price: FREE. The digital-only collection will be available as a zip file including 320kbps MP3s, and hi-res artwork. But there’s a small catch. If you bought In Rainbows, you’ll most likely remember receiving an email or three from W.A.S.T.E, Radiohead’s web store, which handled the administration of the band’s digital-only, pay-what-you-want model. Well, the only way to receive a copy of Raindayz Remixes is to forward an email from W.A.S.T.E. to [email protected], proving participation in the band’s revolutionary approach to releasing their new record.”

Delivery methods aside, the remix album is shaping up to be as exciting as the original release, with contributions from Too $hort, Zion, Del Tha Funkee Homosapien, and others. And if Amplive’s version of “Weird Flashes,” which we’ve had a listen to, is any indication, Rainydayz Remixes goes above and beyond your average remix album, and that’s definitely worth the extra time.

Stay tuned for further details and a complete tracklisting…

Gussie Clarke Dread at the Controls Dub

Augustus “Gussie” Clarke produced JC Lodge’s huge Billboard-charting 1988 dancehall cut “Telephone Love,” establishing his reputation as Jamaica’s most sophisticated producer. A decade before his Music Works studio struck ’80s gold with a run of juggernaut hits by Lodge, Shabba Ranks, Gregory Isaacs, and others, Clarke linked with Sly Dunbar’s Revolutionaries studio band for this 1978 set. Although the title references Clarke’s DJ friend Michael “Mikey Dread” Campbell’s “Dread at the Controls” handle, Campbell isn’t featured in any way. Instead, Clarke dubs 10 funky, soulful, romantic, horn- and flute-accented instrumentals that backed ’70s stalwart artists Mighty Diamonds, Leroy Smart, and The Tamlins. None devastated the charts, but all were hints at the genius to come.

James Pants “This Christmas Girl”

Stones Throw once again celebrates the holidays with a Christmas/Hanukkah/Kwanzaa mix. For this year’s selection, rather than sticking to the existing Stones Throw catalog, label boss Peanut Butter Wolf went crate-digging and music licensing, and compiled Badd Santa, a lesson in obscure vinyl tracks for the holiday season. From James Brown to James Pants, this is a mix that should please many generations. Badd Santa is available exclusively at Urban Outfitters.

James Pants – This Christmas Girl

KILN Dusker

Never the types to hog the spotlight, despite their instrumental prowess, Michigan-based KILN, the trio of Kevin Hayes, Kirk Marrison, and Clark Rehberg III puts out little in the way of biographical information and, in fact, never plays live; their hushed instrumentals are similarly unassuming. Simple melodic structures act as scaffolding for an ebb-and-flow array of sounds: creaks, pops, crinkles, cricket chirps, even static fuzz on “Rustdusk.” The result is gentle, unhurried, and comforting, building through cycles so that changes come gradually. KILN risks sleepiness and preciousness, but largely avoid both with their rich, intriguing textures.

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