Ben Mullins of Midwest Product Preps Debut Solo Album

It’s been a while (and by that, we mean years) since the world heard anything from Midwest Product, but, as is usually the case, the band’s respective members haven’t given up music altogether. Ben Mullins, also of Ghostly outfit PostPrior, has assumed a new moniker, Ben Benjamin, and will release his solo debut.

Mullins’ time spent with the aforementioned outfits is evident on The Many Moods of Ben Benjamin Vol. 1. Thank god. It’s been too long since we’ve heard his emotional, guitar-meets-computer-driven songwriting, and Mullins pulls from both the fast, staccato rhythms of PostPrior and the ethereal melodies of Midwest Product on this new album. As for moods, Mullins displays a few here, though on first listen there would appear to always be an undertone of melancholy in the tracks.

The disc will be available exclusively through iTunes on December 18. But why settle for digital, when you can get a limited-edition CD version at The Ghostly Store shortly thereafter?

Tracklisting
1. Blake Bloodaxe
2. Chamber
3. Selective Periphera
4. Hypertexan
5. Sassy Blanche
6. Butane Wayne
7. Famous Cruises Through Customs
8. VIP LCD
9. Toothlike Tokens
10. Sideways Cerebus
11. Chixen
12. Temporary Texan
13. Fishin’ For Coldy Winds

Atlas Sound North American Tour Dates Announced

If you read this week’s Top 10, you’ll know that we’re loving the forthcoming debut album from Deerhunter member Bradford Cox, to be released under his Atlas Sound moniker. You’d be crazy not to bag a copy of Let the Blind Lead Those Who Can See But Cannot Feel upon its February 19 release, and crazy not to catch Cox in action at one of his North American dates that start early next year. He’ll be joined by Kranky labelmates Valet and White Rainbow.

Tour Dates
02/19 Atlanta, GA: Drunken Unicorn
02/20 Chapel Hill, NC: Local 506
02/21 Washington, DC: Black Cat
02/22 Philadelphia, PA: Johnny Brenda’s
02/23 New York, NY: Mercury Lounge
02/24 Brooklyn, NY: Music Hall
02/26 Boston, MA: Middle East
02/27 Montreal, Quebec: Casa del Popolo
02/28 Toronto, Ontario: Horseshoe Tavern
02/29 Detroit, MI: Magic Stick
03/01 Chicago, IL: Empty Bottle
03/02 Minneapolis, MN: Triple Rock Social Club
03/05 Vancouver, British Columbia: Pat’s Pub
03/06 Seattle, WA: Crocodile Cafe
03/07 Portland, OR: Holocene
03/08 San Francisco, CA: Bottom of the Hill
03/11 Los Angeles, CA: Echo

Best Albums of 2007

Justice (Vice/Ed Banger)
I really wanted to hate it. I really wanted to think the hype was just too much (which, by the way, it is) but the album is fucking great. The only way to make it better would be to permanently delete the Uffie track from their hard drive.
Jason Forrest, Cock Rock Disco

It sounds beyond contrived at this point to even mention their name, but that record pretty much ran a train on everything else in music this year.
Mike Davis, Burlesque Design

Enough bashing now. They are good. Fact is, they have just developed a very fresh and defining formula for club music without being cheesy, and that’s not too easy. It’s not their fault they’re being copied all over the place.
Paul Beller, Ben Mono

M.I.A. Kala (Interscope)
I really enjoyed her first album and the second one expands further on this super-fun, super-smart mix of art, music, fashion and politics. Sonically solid, lyrically brash, and full of punchy beats, clever messages, and 11-year-old aborigine rappers–can’t go wrong.
Gordon Hull, Surface to Air

Digeridoos, rapping children, gunshots, and a blazing hot Sri Lankan ringmaster. Viva M.I.A.!
Derek Morris, Trophy Graphics

I listened to this on repeat for three weeks. Once again, Dave Taylor reigns as king.
The Captain, Trouble & Bass

My expectations were high for this one as I loved “Galang” so much, but she delivered once again.
Shaun Roberts, Fabric

The beats on this are huge!
El Carnicero, Slit Jockey Records

The Field From Here We GoSublime (Kompakt)
My favorite album of the year has my favorite track of the year, “Everyday.” Such a beautiful and understated gem that is littered with small moments of brilliance.
Peter Berard, Domino

After I heard this dude’s remix of Gui Boratto’s “Hera,” I kinda flipped. Axel Wilner can be as dark and repetitive as OM, but can keep any stoney dude on the dancefloor. This is how techno needs to be.
Fred Miketa, XLR8R

Burial Untrue (Hyperdub)
In true Hyperdub style, Burial has produced an album awash with soundscapes haunted by ghosts and memories. Deeper, brighter, more vocal and even more ground-breaking than his first album.
Georgina Cook, photographer

The sound of the world ending in one explosion of pure bliss.
Tim Saputo, XLR8R

Battles Mirrored (Warp)
They are so good at making you think that they’re all going in different directions, and the moment when all those noises cascade into a beautiful song it’s sonic happiness.
Celeste Tabora, Modular

Panda Bear Person Pitch
This album makes everything bad in the world disappear for the 30 minutes or so it goes for. It’s more like a trance record with all the repetitive loops and harmonies. Completely hypnotic and beautiful.
Tim Hoey, Cut Copy

Apparat Walls (Shitkatapult)
Berlin’s Apparat knows good production, writes good songs, and I have 10 tracks that I like from the album, which is quite rare.
Boys Noize

Deerhunter Cryptograms (Kranky)
I always expect a few things from Kranky releases: extended periods of noise, drones, and some schizo guitar work perhaps. This little gem takes all of that, adds some melody, and voila! They’ve just re-invented shoegaze.
Mikhail Bortnick, Mishka

Turf TalkWest Coast Vaccine(The Cure)(Sick Wid It)
This album knocks! Fools outside of the Bay are sleeping, but this is some of the realest shit to drop in a long time.
Lydia Popovich, Quannum

Worst Albums of 2007

Soulja Boy Tellem (Collipark Music)
How the fark is this selling? Each track on this album sounds exactly the same–same tempo and cadence, just different words.
Lydia Popovich, Quannum

Justice (Vice/Ed Banger)
A collection of previously released singles and mostly uninspiring new tracks that combined to create a disjointed and poorly flowing “album.” Works if you didn’t buy any of their EPs or singles, but otherwise this is just a collection of songs burned onto plastic, not an album proper.
Passions, Kitsuné

Underworld Oblivion With Bells (ATO)
It’s soo bad! I don’t know what they want to express with this bullshit.
Dirt Crew

More Best of 2007
Switch: Artist of the Year
Sage Francis’ Top Five Albums of 2007
Best Artists of 2007
Best of 2007 by Cameron Bird
Best Singles of 2007
Best of 2007 by Busy P
Best Live Events of 2007
Best of 2007 by Dust La Rock
Best Visual Artists of 2007
Best of 2007 by Dirt Crew
Best Music Trends of 2007
Best Style of 2007
Best of 2007 by Mochipet
Best of 2007 by DJ Ulysses
Best Music Technology of 2007

Tom Middleton “Shinkansen”

Fifteen years, multiple monikers (Cosmos, Jedi Knights), and several remix jobs (for the likes of Prince and Jamiroquai) later, Tom Middleton has only just approached making a debut solo album. Lifetracks was created in collaboration with visual artists Nick Hillel and Ben Mason and will be an audiovisual album that Middleton has been toying with since the late-’90s. Influences from that period of dance music, from the grandiose house beats to shades of Aphex Twin and Air, appear throughout the album.

Tom Middleton – Shinkansen

Einstürzende Neubauten Alles Wieder Offen

These industrial-rock mavericks made the political wasteland of West Berlin sing loud and proud during the Cold War. Maybe it’s middle age or the fact that junk-metal has limited musical value, but our mensches sound awfully mellow here. They drop art terrorism in favor of ballads for long winter nights sung in Blixa Bargeld’s gruff baritone. But not everything is fit for a church basement dance. “Die Wellen” takes a stroll from Eden to Hades through a pounding piano chord and Bargeld’s growing frustration, and “Let’s Do It a Dada” briefly falls into a carnival-esque riot of noise. Sadly, the band’s energy runs on fumes in too many mellow grooves–getting scarily close to Broadway schmaltz.

Raz Mesinai’s Badawi Unit of Resistance

As Bush sold his brand of the American Way™ at the 2004 Republican National Convention in NYC, the Badawi quintet exhaled 10 hours of noise a few blocks away. Their clash of timeless Middle Eastern trance rhythms and outrage shined bright in the belly of Babylon–all of it remixed well on Unit. There is DJ Spooky’s appropriately sarcastic collage of various war hawks declaring victory in Iraq. The best moments magnify the sweat and grit of Badawi’s poly-rhythms, as heard under the hand of DJ /rupture and in Kode 9’s switchblade dubstep beats. As a product of those strange days in ’04, Unit is an excellent artifact that is more relevant now, as more aspiring saviors will parade into next year’s GOP convention.

Bob Marley and The Wailers Another Dance

If you ever set foot into the Bob Marley Archives, you’d quickly know there is plenty of unreleased material and rare outtakes awaiting public ears. Archivist Roger Steffens contributes liner notes and, most likely, creative direction on these 18 cuts, originally recorded for Clement Dodd between 1964 and ’66. It’s rough, analog, and gorgeous, if only because you know where Nesta was headed. This is Bob in his ska-soul days, with plenty of soloing horns and (original) dancehall rhythms. Hearing prime cuts that would never be re-recorded for Island, such as the vibrant “Ska Jerk,” and original templates of “One Love” and “Cry to Me,” make this a more-than-worthwhile investment.

Pon Di Wire: Police Shut Down Mavado Party, Reggae Vibes 2007 Poll

Police shut down dancehall artist Mavado’s birthday party at Temple Hall in Jamaica around 4:30 a.m. on Sunday, December 2. According to One876.com, police moved in with a strong contingent of soldiers, police officers, and helicopters, swooped in and shut it down before the bigger acts (Bounty Killer, Busy Signal, Elephant Man, Jah Cure, Sizzla, Pressure, and Munga Honourable) were able to perform. Last year’s event was also disrupted when Vybz Kartel attempted to rush the stage–that beef has since been squashed.

YardFlexreports that top cultural singer Jr. Reid, who has had an amazing 2007 linking up with major rap artists, is involved in a legal dispute with the Songs of Salvation company over Reid’s failure to pay for several pieces of music equipment worth thousands of dollars.

Last week, VP Records debuted its brand-new download site and digital store, which features the hottest reggae, soca, and dancehall MP3s. Mavado’s Gangsta For Life, Joe Gibbs’ dub albums, and Riddim Driven: Guardian Angel are all there now.

The Netherlands’ Reggae Vibes website has its 2007 polls for Best Producer, Best Male Dancehall Artist, Best Roots Artist, Best Male Vocalist, Best Newcomer Dancehall, as well as other categories up for a little while longer. Voters who fill out the poll are entered to win a limited amount of free CDs.

You know Jamaicans love their reggae, dancehall, R&B, and hip-hop, but how about Avril Lavigne? It’s true–rock has made major in-roads on the island, where DJs try to appease broader tastes. FAME-FM’s Kurt Riley recognizes that socio-economic differences play a role in how rock and pop are accepted in JA: “Not everywhere do you get the opportunity to play [alternative music]. On the radio, I will play it once per week for 30 minutes, but it won’t get the same rotation as dancehall, reggae, or hip hop music… mi naah go play it inna de ghetto.”

Irie TV–a multimedia company offering live streams of major reggae concerts, plus music streams and other content, launched on Tuesday, December 4, with a party at Spotlight Live club in New York. Luciano and Mr. Vegas hosted the gala, with entertainment by the Irie Jam Allstar DJs alongside Massive B and Steelie Bashment.

The Cultural Explosion stage show will take place Saturday, December 8 at Amazura in Jamaica-Queens, N.Y., and will feature Sizzla, Chuck Fenda, Gyptian, Jah Mason, Ras Shiloh, and Courtney Melody, plus Stone Love soundsystem DJs. Meanwhile, on the west coast, Cham (formerly Baby Cham) will make a small club appearance at L.A.’s Jamaica Gold on Sunday, December 16.

Speaking of gigs–New York’s Deadly Dragon held a major rub-a-dub session on Monday, November 26 at Brooklyn’s Happy Ending venue that featured the 2007 World Clash Champions Mighty Crown, plus DJs Father Downbeat, Tony Screw and mic sessions from Jamaican legends Johnny Osbourne, King Shabba Rankin’, Sadki, Sammy Dreadlocks, Major Mackerel, and more. Three hundred reggae fans attended the gig, with Loud Records’ hip-hop A&R man Dante Ross posting some choice photos on his blog.

New Riddims Set to Hit Shops:
Voiceful’s Blackjack, with tunes from Beenie Man (“Mi Nuh See It”), Bounty Killer (“Judas”), and Lady Saw (“You A Di Wife”).

Irie FM DJ G.T. Taylor’s One Up features Anthony B (“Girls Them Love We”), Chuck Fender (“Soldier”), Ninjaman (“Weh Dem A Guh Do”), and Perfect (“Jamaica Is Paradise”).

Always rootical and dope, Joe Frasier USA offers the Chi Chi Bud, with music by Freddie McGregor (“I Pray”), Terry Linen (“No Time To Linger”), Marcia Griffiths (“I Told You”), and Tarrus Riley (“Life Precious Gift”).

On the dancehall tip, check QB’s Eclipse riddim, with singles by Assassin, Busy Signal, Cobra, and Mavado’s new one, “Lippy Lippy.”

Photo of Mavado by Martei Korley.

Waxploitation Hosts Fourth Darfur Charity Auction

If you aren’t aware of Waxploitation‘s continued involvement in helping spread awareness about the crisis in Darfur by now, you must be living several feet beneath a heavy rock. Since 2004, the label has held auctions and curated compilations to benefit non-profit organizations sending aid to those affected by the crisis.

The label announced today that it will launch its fourth Darfur Benefit Auction, featuring autographed items by Gnarls Barkley, TV on the Radio, Aesop Rock, Thievery Corporation, Bloc Party, and many more. Other folks, like Adult Swim, Nintendo, Adidas, and a couple cell phone providers have also provided items for the auction, which begins December 6 (tomorrow, folks!). All proceeds will be split between three selected non-profit organizations.

And who says you shouldn’t have a little music to enjoy while you’re doing good? Waxploitation has seen to that, with the recently released Causes 1 compilation, which features exclusive and rare tracks from Animal Collective, Cornelius, Teargas & Plateglass, and more. Order it here.

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