Pon Di Wire: Ninja Man at Sting Concert, Dennis Brown Releases, Queen Ifrica

Promoters of Jamaica’s notoriously rowdy Sting dancehall concert have promised to keep it peaceful this year. “Last year’s Sting was incident-free and we intend to continue that trend,” Howard McIntosh of Supreme Promotions commented to Jamaica Observer on Friday. Along with the “King of Sting,” Ninjaman, dancehall giants Bounty Killer and Beenie Man, as well as rising stars Mavado (pictured above), Busy Signal, and Vybz Kartel, are already confirmed to perform at Jamworld in Portmore, St. Catherine, on December 26. Ninjaman has issued a challenge to the above artists to lyrically throw down.

There’s a slate of crucial new albums at Juno Records this week that may fly below reviewers’ radars; of course we’ll tell you about them here! First, there’s a restock of the solid, late-period Dennis Brown 10-song LP set, Generosity, on Gator Records, which sounds like his richly produced Gussie Clark material. Sound System Records has an amazing set from deceased dancehall toaster Nicodemus. Serious Nicodemus Volume 2: Nicodemus Meets Roots Radics At Channel One is a deep collection of rub-a-dub-era chanting, with killer dub production. There’s also a brilliant LP from roots singer Rod Taylor (Garden of Eden: 1975-82, on Patate), whose haunting vocals and conscious lyrics are the foundation of much of today’s modern roots.

If strictly conscious roots reggae is your thing–artists like Midnite, Chezidek, or Israel Vibration–check roots specialist iReggae for a top 10 of new roots titles.

Guyana’s Stabroek News features an account of Buju Banton’s career, in which it declares that the singer “embraces two worlds.” Editorialist Andre Haynes writes: “As the headliner at the inaugural Guyana Music Festival, he embraced the dichotomy, switching easily from an old-school dancehall one minute to a roots reggae ballad the next.” The article reveals Buju’s newly defiant attitude towards being continually targeted by gay-rights groups. From the stage, Buju declared, “Buju no like batty boys,” he told the cheering crowd, “and dem batty boy attack Buju.”

Roots singer Queen Ifrica’s latest single, “Daddy,” is allegedly being widely bootlegged in the streets of Jamaica and overseas. Despite the lost revenue, Ifrica producer Flava told One876, “We plan to make a DVD of the making of this video, and we will be donating 50 per cent of the proceeds to a charity of Ifrica’s choice.”

Child sexual abuse is the painful topic of “Daddy.” A number of Jamaican artists have begun a campaign to address sexual abuse of all types. Warrior King, Ce’Cile, and Richie Stephens are among those who have recorded songs examining the sensitive subject.

As reggae from outside of Jamaica continues to garner interest and fans, Dominica singer Nasio Fontaine, known for his distinctive nasal falsetto and conscious lyrics, is achieving greater heights. Last week, the Government of the Commonwealth of Dominica awarded Fontaine the Sisserou Award of Honour for meritorious service–the island nation’s highest honor.

Virgin Atlantic airlines now serves the London to Kingston route, and to promote it, Virgin billionaire CEO Sir Richard Bronson has recorded a cover of Bob Marley’s classic “One Love.” Tuesday, October 30, Bronson visited Tuff Gong Studios, where he collaborated on the song with Stephen Marley and the I Threes. Virgin extensively supported reggae during the ’70s and ’80s via its respected Frontline catalog.

Photo of Mavado by Martei Korley.

New York’s Top Ten Reggae Singles
1. Sean Kingston “Beautiful Girl” (Beluga Heights/Epic)
2. T.O.K. “Guardian Angel” (Fresh Ear)
3. Beenie Man “Back It Up” (357 Records)
4. Daville “Give Thanks For What You Got” (Fresh Ear)
5. Screechy Dan “Panty Town” (Big Yard)
6. Cham “Conscience” (Don Corleon)
7. Shaggy/Rik Rok & Tony Gold “Bonafide Girl/Move Hype” (Big Yard)
8. Alaine “Rising Love” (Fresh Ear)
9. Ce’Cile “I’m Waiting” (Danger Zone)
10. Jah Cure “Sticky” (Danger Zone)

Luke Solomon Preps Rekids Debut

Many folks only associate Luke Solomon with his work in London-based disco-funk band Freaks, but the Classic Recordings co-founder, DJ, and band member is also a ridiculously talented producer. Just listen to the “Ghouls” single on Matt Edwards’ Rekids imprint for proof. And in the spirit of this single, Solomon has also announced his first full-length as a solo artist, The Difference Engine (Rekids).

Set for release in January 2008, Solomon’s entrance into the long-player fleet is a necessary decision. “Lyrically and musically, the album deals with pretty much a whole range of personal emotions: the trials and tribulations of life, careers, and getting older,” says Solomon. “For me, music is about taking inspiration from the past and using it with the present in order to move forward. It is not about following trends and fashions. It is not about copying what has been done already.”

We caught up with London’s most motivated producer to see what tracks helped inspire The Difference Engine.

Luke Solomon Top Ten
1. Jjak Hogan “Devo (Freaks Remix)” Rekids
2. Green Velvet “Time to Jak” Cajual
3. Daniel Iddon “A New Beginning” Classic
4. Supermayer “Letting Go (Ewan Pearson Dub)” Kompakt
5. Luke Solomon “Spirits (Prins Thomas Remix)” Rekids
6. Radiohead “Weird Fishes (Edit)” white
7. Luke Solomon “The Darkest Secret/Space Invaders (Andomat Remix)” Rekids
8. Freaks “Zombies” CDR
9. Andomat “BND2” Four Twenty Recordings
10. Etienne Jaumet “Repeat Again (âme Remix)” Versatile

The Difference Engine Tracklisting
1. The Difference Engine
2. The Beat Goes
3. Robots
4. People, Places, Thoughts, and Faces
5. Skins
6. Top, Bottom (Version)
7. Martin, A Cello, and Me
8. Out of Control
9. Spirits
10. Open Fire
11. The Darkest Secret
12. Junkies and Whores
13. Liquid

Disco D and Fred Armisen DVDs

Hustle Harder XXL
Thanks to its production tutorials and record-industry advice, the Disco D-centered DVD Hustle Harder XXL (Kagi Media; $99) is worth its weight in gold. As a documentary, however, don’t expect it to win too many awards. The first half of the DVD concerns itself with the right and wrong ways to “hustle” in a cutthroat music industry. As the late Disco D takes us through the pros and cons of self-management, the beauty of MySpace networking, and why kindness toward interns is always beneficial, it becomes evident that the real entertainment value in this documentary is Disco D himself. Known for his confident, intense personality, the perpetually stoned, fast-talking Disco D is full of hilarious sound bites and is a complete pleasure to watch. Moving into tech terrain, the DVD’s second half includes detailed production lessons covering sampling and MPC beat-making, tracking, mixing, and mastering, all with helpful pop-up, user’s eye-view screenshots of D’s work flow. One just wishes that the same technical effort were put into editing the video’s b-roll.

Ross Holland

Complicated Drumming Technique
If your formative musical years included watching Vanilla Fudge drummer Carmine Appice’s Power Rock! or Eric Johnson’s Total Electric Guitar, you’re plenty familiar with the cottage industry of embarrassingly lame music-instruction DVDs. In response, Fred Armisen–the Saturday Night Live actor and erstwhile drummer for Chicago indie rockers Trenchmouth–offers up Complicated Drumming Technique: Jens Hannemann (Drag City; $14.98), a short-but-sweet parody of the genre. No, you’re not going to glean any useable tips from the disc, but you’ll get a glimpse into Armisen’s hilarious psyche as he portrays Jens Hannemann (a typical long-haired, muscle-shirt-wearing Euro metal drummer) and instructor Victor Benedetto (who provides the DVD’s stick-control “tips”). You’ll also get 30 minutes of Hannemann’s live drumming, recorded at the Tampa School of Music, where Armisen shows off not just his comedic genius (playing two hi-hats at once–only) but his actual musical skill as well.

Ken Taylor

Various Lion Vs. Dragon in Dub

Illustrator/journalist Edwin Pouncey (a.k.a. Savage Pencil) has long been inspired by the sounds of dub; indeed, dub’s otherworldly sensibility filters through his graphic work. On this cryptically named compilation, Pouncey pulls together choice deejay cuts from U-Roy, Prince Jazzbo, Ranking Joe, and Jah Whoosh, two niyabinghi numbers by Ras Michael (in the guise of Dadawah), and a boatload of mind-bending dubs, courtesy of King Tubby, Lee Perry, and Augustus Pablo. It’s a compelling set that never lets the tension drop for a moment, despite the inclusion of dub fakery in the form of “Pablo in Black Ark” (which is still a killer despite not featuring Pablo and not being recorded at the Ark).

Aceyalone Lightning Strikes

As legendary wordsmith and Freestyle Fellowship vet Aceyalone reminded us on his first solo effort, if he didn’t have a mic check he wouldn’t have a check at all. That thought recurs often while listening to the crunk-hall sound of Lightning Strikes, courtesy of L.A. producer Bionik, who wraps Acey’s frenetic raps in digital wizardry that too often comes off as wankery. No offense to Bionik or dancehall’s postmodern incarnation, but their overproduction overwhelms Acey’s mind-blowing rhymes on the title track, “Genie,” and on “Easy” (with fellow Good Life grad and Jurassic 5 baritone Chali 2Na). Yes, anything from Acey is worth your cash, but I can’t wait until he goes retro with analog drums on reel-to-reel.

Junk Science “Do It Easy (Daedelus Remix)”

Definitive Jux’s newest addition to its ever-growing arsenal of street-saavy Caucasian rappers comes in the form of Brooklyn-based duo Junk Science. These beer-loving hip-hop heads’ sophomore album, Gran’Dad’s Nerve Tonic, is witty, soulful, and still gangster enough to keep up with labelmate Cage. This Daedelus remix can also be found on limited-edition 7” vinyl.

Junk Science – Do It Easy (Daedelus Remix)

Cass McCombs Dropping the Writ

T.S. Eliot wrote, “I should have been a pair of ragged claws/Scuttling across the floors of silent seas,” and Cass McCombs fans sometimes remark he should’ve become a literary figure rather than the singer-songwriter he is. McCombs has come a long way since 2002’s lo-fi Not the Way EP, and even from his most recent PREfection. Dropping the Writ shows an increased mastery of melancholia and symbolic language, employed in the way Eliot used a religion-and-classics background to comment on the here-and-now. Writ is fleshed out musically with help from Deerhoof and Gang Gang Dance, and lyrically with McCombs’ clearer voice and stronger storytelling. He’s a massively underrated talent who should always dare disturb the universe.

Supermayer Save the World

There’s no denying Michael Mayer’s and Aksel Schaufler’s pioneering genius, but things have taken a turn for the zestless on their Supermayer collaboration. In keeping with its comic-superhero get-up, Save the World is more novelty than substance. Tracks like “The Lonesome King” and “Us and Them” play like the soundtrack to some corny Eastern Bloc cartoon, and “The Art of Letting Go” follows suit on the level of a bad ’80s sitcom, trading Kompakt’s signature free-spirited chic for a deflated knock-off of the real McCoy. “Cocktails For Two” sports a pleasantly relaxed melancholy and “Two of Us” does admittedly rock with its monstrous, granulated bassline (despite the xylophone element), but the rest is pretty uninspired.

Podcast 21: John Selway

Multi-instrumentalist and producer John Selway laces XLR8R with its latest DJ mix, spinning twelve danceable tracks from a handful of the world’s favorite house and techno imprints. From training as a classical violinist during adolescence to his rave days under the moniker Disintegrator, this techno veteran has been around the block dishing out singles and remixes for a heap of labels from Minus to Cocoon and Turbo. Featuring minimal, glitchy, and bass-heavy tracks from Stefan Goldmann, Dubfire, Paul Ritch, Pan-Pot, and more, this exclusive mix is some of that late night gold.

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Tracklisting
1. Stefan Goldmann “The Bribe” (Macro Recordings)
2. Piemont “Sympathetic” (MBF)
3. Mikael Stavöstrand “Q Fresa (Andomat 3000 Remix)” (Sushitech)
4. Valentino Kanzyani “Zvijaca (Christian Smith & John Selway Remix)” (Circle Music)
5. Pan-Pot “Charly” (Mobilee Records)
6. Paul Ritch “June” (Get Physical Music)
7. Dubfire “Roadkill (Maurizio And Danyelino Remix)” (Electronic Elements)
8. Christian Smith & John Selway “The Coming Storm” (Sino)
9. Secret Cinema “Saccades”(EC Records)
10. Piemont “Sick Certificate” (MBF)
11. Amox & Atle “A Witch’s Kiss (Ink And Needle Remix)” (Tic Tac Toe Records)
12. Luciano Pizzella “Biomes (Max Cavalerra Remix)” (Broque)

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