Trentemøller The Trentemøller Chronicles

One doesn’t really expect a producer with a public output of fewer than five years to be at a “chronicles” stage in his career, but then again, not many producers/remixers are as in demand as Trentemøller. This stunning double-CD sweeps together 20-plus original tracks and remixes, most of which were released on small compilations or singles. They highlight everything everyone loved about Trentemøller’s full-length, The Last Resort: the play of icy against warm; the squelch of electro against techno kicks; and the staggeringly high production value that somehow never feels overdone. Whether he’s presenting his original tracks or acting as your guide to artists that he’s remixed (Röyksopp, The Knife), Trentemøller is always a dazzling showman.

The Octopus Project Hello, Avalanche

Who knew post-rock indie pop would become such a crowded field? Austin trio Octopus Project has to work hard to put their own stamp on the subgenre, and they succeed convincingly on their third album, Hello, Avalanche, by adding dense, noisy guitar melodies and sweetly layered electronics. “Bees Been Struggling” is the album’s standout, a handclap-led instrumental that builds up with colorful piano chords, and down with buzzing guitars like a rafter dodging boulders through rapids. OP is at its best when the synths and drum machines are subtle buttresses around their superb acoustic strings, glockenspiels, and brass, as on the energetic “Ghost Moves.” The songs are better than ever, and it’s exciting to hear the band hitting its stride.

Soul I.D. Sex, Love & Philosophy

With members hailing from Burundi, the Congo, Rwanda, and Belgium, Soul I.D. takes all its collective identities to heart. The group’s self-described “Afropean” soul music combines rich, layered vocal harmonies and hip-hop-inspired production with a distinct Euro sleekness reminiscent of Jazzanova, La Funk Mob, and 4Hero. The quartet nearly pulls off a Dwele-style R&B remake of Spandau Ballet’s sappy ballad “True”; it’s not their best side, though. But the dead fonky male/female vocal interplay on “Believe” and the Donny Hathaway stylings of “Even Though” are exceptional. Soul I.D. forges a peaceful coexistence between neo-soul songcraft and Jeep-tough hip-hop beats, polishing the mix for an album with an ample share of shiny nuggets.

The Emergency “Spending Time”

Funk is one of the most grossly overused words in music journalism, but one can’t help thinking of the term when listening to The Emergency‘s “Spending Time.” The basslines groove, the the harmonies slink, and if the vocals didn’t remind us of pasty white Englishmen from the mid-’80s, we might be convinced this track is straight from the 1960s. Love those handclaps too.

The Emergency – Spending Time

Ethan Rose’s Artist Tips

Most of what Portland-based found-sound fanatic Ethan Rose records are things meant to be forgotten: antique player pianos, music boxes, the bells of a carillon, and soon, the wheezing of a dusty pipe organ. The melodies are near random, coming from punching a buckshot of holes in strips of paper (how music boxes are “programmed”), or breaking off nubs in player piano reels. Once fed through a rack of modern-day effects tools, these quietly scratching, hissing, singing ambient tapestries–many of which comprise the soundtrack to Gus Van Sant’s film Paranoid Park and this September’s Spinning Pieces (Locust)–are some of the most incomparably lovely works to come out of the Northwest in recent memory. Here’s how Rose puts it all together.

Have a Plan
Everything I record is part of a larger artistic narrative. I started out with music boxes, then it made sense to record player pianos, and then I found the carillon. It was perfect for what I’m doing; I traveled to Stanford and climbed a tower to record it. Next up is this enormous, all-but-abandoned pipe organ I found at an old theater in Portland. What I put a microphone to is as deliberate as putting a song–notating it–on paper.

Record Everything
Every sound happens in an environment: it has a context and a history. Capturing this can be as important as choosing the sound itself. I barely, if ever, use noise-reduction equipment. The first player piano recordings were done in this antique shop, and I could hear Martha, the owner, shuffling around, probably trying to figure out why I was so fascinated with her old collection of music-tech detritus. In “The Dot and the Line” you can just barely hear police sirens from outside on Belmont Avenue.

Perfect Your Microphone Placement
With the pianos, I used two microphones. One stayed right next to the paper, catching the sound of rubbing paper and this odd rhythm that whomever built the thing could’ve never imagined being so important a century or whatever later. Obviously, the second mic sat further out in the room, catching the melody. I did the same thing when I recorded the carillon; put a mic right up against the growling machinery, which added a strange, very cool industrial shade to the final product.

Know Your Sound
I spent a lot of time researching the carillon. I wanted to know its past, how it worked–everything. I spent time at the library. I interviewed the caretaker. This approach should apply to anything. Know the sound, and you’ll know how it fits, not to mention the basic technicalities of capturing it as accurately as possible. Say you’re recording a bird–know why it’s singing, and you’ll know what to record next.

Various Vintage Grooves: Funk Volume 1

In the second installment of DJ/music historian Ian Dewhirst’s Vintage Grooves series, the best funk singles of the ’70s are carefully compiled into a party-ready double-disc set. With many of today’s indie labels putting such a strong emphasis on digging up and reissuing the rarest funk and soul records possible, it’s actually good to hear more recognizable tracks here such as The O’Jays cautionary classic “For the Love of Money.” If there’s one drawback to this compilation it’s that Dewhirst’s idea of funk can be too loose at times. As catchy as Cheryl Lynn’s “Got to Be Real” is, the song is pure disco. But a few technical blips don’t stop this collection from being largely enjoyable.

Clipd Beaks “Black Glass”

Hoarse LordsClipd Beaks‘ debut for Brooklyn’s Lovepump United imprint–sees the California-based band rolling out more heavy-handed synths, jagged, indecipherable vocals, and unpredictable tempo shifts. Love them or hate them, but it’s hard not to pay attention to this band and its bizarre form of experimental rock.

Clipd Beaks – Black Glass

Del the Funky Homosapien Preps New Full-Length

Founding Hieroglyphics crew member Del the Funky Homosapien is taking a break from his Hiero Imperium homebase to release The 11th Hour on EL-P’s Definitive Jux label. This will be the Richmond, CA-based artist’s first solo endeavor since 2002’s Both Sides of the Brain, and if rumors are true, we should expect Del’s humorous banter (previously he’s rapped about things like videogames and intergalactic battles) on the mic to shine through, reminding us that hip-hop doesn’t have to be 100% pissed off to be worth a listen. The album drops February 26.

If you’re keen to catch Del on the road, it really is the eleventh hour. Head out to one of these few remaining dates to see the man in action.

11/08 Portland, OR: Roseland
11/09 Seattle, WA: Showbox
11/10 Eugene, OR: Wow Hall
11/11 Chico, CA: Senator Theater
11/13 San Francisco, CA: Slims
11/14 San Francisco, CA: Slims

Blue Note Preps Most-Sampled Compilation

You don’t have to be a jazz aficionado to have heard of Blue Note Records. Formed in 1939, the label has been both an important landmark in American jazz and also one of the top go-to places for sampling, particularly true where hip-hop is concerned. Jazz icons like Lou Donaldson, Ronnie Foster, and Donald Byrd have, over the years, found their way into tracks by everyone from DJ Krush to Dr. Dre, and whether the kids know it or not, have wielded much influence on hip-hop’s creative geniuses.

In early 2008, Blue Note intends to give credit where it’s due, by compiling some of its most widely sampled tracks for Droppin’ Science: Greatest Samples from the Blue Note Lab. As written in a statement from the label, “Blue Note’s aim is to re-introduce these classics to the public and to highlight the innovative ways in which [various] artists and producers utilized jazz material in their work.”

The 10-track compilation (digital and vinyl versions also include three bonus tracks) is set for release on February 12. Read on to see the compilation tracklisting, as well as what artists have sampled which tracks.

1. Lou Donaldson “It’s Your Thing” Originally on the album Hot Dog (Blue Note, 1969)
Brand Nubian “Punks Jump Up To Get Beat Down” (Elektra)
De La Soul “Bitties In The BK Lounge” (Tommy Boy)
Lox “Get This $” (Bad Boy/Arista)
Real Live “Day You Die” (Pirate/Big Beat)
Madonna “I’d Rather Be Your Lover” (Warner Bros.)

2. Ronnie Foster “Mystic Brew” Originally on the album Two Headed Freap (Blue Note, 1972)
A Tribe Called Quest “Electric Relaxation” (Jive)
Rell “Real Love” (Roc-A-Fella/Def Jam)
E.T.A. “Ayia Napa” (Flex)

3. Donald Byrd “Think Twice” Originally on the album Stepping into Tomorrow (Blue Note, 1974)
A Tribe Called Quest “Footprints” (Jive)
Main Source “Lookin At The Front Door” (Wild Pitch)
De La Soul “Simply Havin” (Tommy Boy)
DJ Krush “Big City Lover” (Instinct)
J Dilla “Think Twice” (BBE)

4. David Axelrod/David McCullum “The Edge” Originally on the album Music: A Bit More of Me (Capitol, 1968)
Dr. Dre “The Next Episode” (Aftermath/Interscope)

5. Jack McDuff “Oblighetto” Originally on the album Moon Rappin’ (Blue Note, 1969)
A Tribe Called Quest “Scenario” (Jive)
J Dilla “Oblighetto Remix” (Blue Note)

6. Joe Williams “Get Out Of My Life Woman” Originally on the album Presenting Joe Williams and the Thad Jones/Mel Lewis Jazz Orchestra (Solid State, 1966)
Kool G Rap “Ill Street Blues” (Cold Chillin’/Warner Bros.)
Biz Markie “Funk Is Back” (Cold Chillin’/Warner Bros.)
Cadillac Tah “You Loose” (Def Jam)
Jill Scott “Brotha” (Hidden Beach)

7. Grant Green “Down Here On The Ground” Originally on the album Alive! (Blue Note, 1970)
A Tribe Called Quest “Vibes & Stuff” (Jive)
Madonna “Forbidden Love” (Boy Toy/Warner Bros.)

8. Lonnie Smith “Spinnin Wheel” Originally on the album Drives (Blue Note, 1970)
A Tribe Called Quest “Can I Kick It” (Jive)
Pete Rock And C.L. Smooth “Act Like You Know” (Elektra)
Brian Austin Green “Didn’t Have A Clue” (Yam Yum Entertainment)

9. Jeremy Steig “Howling For Judy” Originally on the album Legwork (Solid State, 1970)
Beastie Boys “Get It Together” (Capitol)

10. Lou Donaldson “Who’s Makin Love (To Your Old Lady)” Originally on the album Hot Dog (Blue Note, 1969)
Biggie Smalls “One More Chance” Remix. (Bad Boy)
Marley Marl & Craig G “Droppin Science” (Cold Chillin”/Warner Bros)
Mary J. Blige “Everyday It Rains” (Def Jams)

Bonus Tracks
11. Ronnie Laws “Tidal Wave” Originally on the album Pressure Sensitive (Blue Note, 1975)
Black Moon “Who Got The Props” (Nervous)
Jackson 5 “I Want You Back (Remix)” (Motown)

12. Monk Higgins “Little Green Apples” Originally on the album Extra Soul Perception (Solid State, 1969)
Gangstarr “Code Of The Streets” (Chrysalis/EMI)

13. Donald Byrd “Wind Parade” Originally on the album Places and Spaces (Blue Note, 1975)
Black Moon “Buck Em Down” (Nervous)
2 Pac “Definition of A Thug Nigga” (Columbia Pictures/Sony) and (Amaru/Interscope/Jive)
2 Pac “Late Night” (Interscope)
Organized Confusion “Stray Bullet” (Hollywood)

WHY? Announces Tour Dates

Anticon‘s leftfield hip-hop trio WHY? is all over the news these days. As well as keeping busy with the soon-to-be released EP, The Hollows, and a forthcoming full-length (Alopecia, due out March 11), Yoni Wolf and company will also be playing some California dates this month. Wolf is set to open this handful of shows with a couple DJ sets at benefit gigs, and will be joined by bandmates later on in the month.

For those of you far, far away from California, stay tuned for a longer tour–SXSW appearances included–sometime early next year.

Download “The Hollows”

Tour Dates
11/08 San Francisco, CA: Rickshaw Stop (Yoni Wolf DJ Set for KALX Benefit)
11/16 Oakland, CA: Lobot Gallery (Yoni Wolf DJ Set for AIDS Benefit)
11/23 San Francisco, CA: Hotel Utah
11/24 Los Angeles, CA: Spaceland
11/25 Oakland, CA: 21 Grand

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