Expats in Paris

Mike Ladd
In 2004, hip-hopper Mike Ladd was tired of paying New York rent; after finding a temporary rent-free situation in Paris, he made the official move to the 9th arrondissement–and ended up marrying his landlord. It was the sort of situation that blows away most people’s expectations of the city, but aside from that, his idea of Paris is less than romantic. “Paris is not cool. It’s a great place to retire after a career in arms dealing or real estate,” he says. “Any romantic notions of Paris as an artists’ haven were gone by the early ’70s in my opinion… What made Paris so exciting in the early and mid-20th century was the combustion of very old modes of living colliding with technology and problematic ideas of internationalism. You have to look elsewhere for that concoction now. I’m here for personal reasons and that’s what makes the living easy.”

Ladd finds Paris’ suburbs an interesting and familiar mix. The suburbs are “a different city altogether,” he explains. “Much more dynamic and diverse; more like Brooklyn and the Bronx (except everything closes at 11) and more cosmopolitan.” So what’s the weirdest facet of French vs. U.S. life? “Our cable TV,” he says. “Press the green button and most shows switch to English.”

Favorite French expression: There’s a magazine store run by an old Asian guy near Porte de Versailles. He can get you any magazine in the world, especially the ones that come with toys.

Favorite French word or expression:Touche mon palet. “Touch my cookie.”

Heartthrob’s Jesse Siminski
“Paris is not the first place one thinks to move to for techno music,” says Jesse Siminski (a.k.a. Heartthrob), but it’s certainly shown much promise for the young producer, who last called New York home. The club scene is good, the trips to the rest of Europe are quick and cheap, and “when some interesting things started to develop with [Berlin label] Minus [to whom Heartthrob recently signed], it just made sense to go for it,” he claims.

Having been in Paris for two years, Siminski laments the city’s lack of good Mexican cuisine, but claims that his neighborhood near Place de la Republique in the 10th arrondissement has “plenty of great places to eat, and creatively minded boutiques around. There is also a lovely canal a few blocks away where people hang out, drink bottles of wine, and people-watch. It’s young and energetic without being too trendy.

“Before I had moved to Paris, I had never visited,” states Heartthrob. “I had an idea that, like New York, it would be big, fast, and would allow access to most things–like any good city should. I guess I didn’t expect it to be quite as sleepy. Many of the streets are dead after 12 a.m. But as someone working at nightclubs most weekends, I don’t mind the peace.”

Siminski’s tourism tip? “I love walking along the Seine near Île de la Cité, in the very heart of Paris. From here you can see the origins of the city and most of the more known historical behemoths in the distance. The city’s elegance is amazing.”

Most romantic place in Paris: The Palais Royal is gorgeous and definitely warms my heart. It is just across from the Louvre, but at the same time out of the way and a bit hidden. There are arcaded walkways and beautiful formal gardens to stroll around in. And on one side, one of the best and oldest three-star restaurants is stationed–Le Grand Véfour. Napolean once ate there.

Favorite French expression:Dégueulasse! “Nasty!”

Beirut’s Zach Condon
“All the French films got to me as a kid,” says Beirut’s Zach Condon about why he briefly moved to Paris this summer. Though Condon expected his apartment to be “five square feet and full of mold,” he says, “it was actually quite beautiful. Other than that, things were like I imagined them to be, but I’ve spent enough time in Paris to know how the city runs. It’s made being in New York feel a bit inhuman…

“I was in Ménilmontant–the 20th arrondissement–a beautiful, uncrowded neighborhood running up and down rue des Pyrénées near Place Gambetta. It had all I wanted nearby: good bars, really good shows (The Kocani Orkestar at La Fleche d’Or in the south, and farther north I saw Mahmoud Ahmed in Parc de Belleville).

So what’s the biggest draw of Paris? “People seem more genuine there. Life is down to earth without being boring. Food. Wine. I’m trying not to repeat myself here. The city has no pretensions of being something other than it actually is… I was skating near the Eiffel Tower and an old man was walking across the bridge au natural, sans shorts. He seemed to truly enjoy it. There was also a guy looking up girls’ skirts with a mirror in the metro…”

Most romantic place in Paris: At the movie theater, watching bad American blockbusters with French subtitles.

Favorite French expression:Un dernier verre pour la route. “One last drink for the road.” I named a song on the new album after that phrase. It was a phrase my friends and I came to use a lot in Paris–bittersweet.

CocoRosie
Bianca Casady of sister act CocoRosie moved to Paris “by accident” five years ago. “It was available, like falling into an easy relationship,” she says. “It was so miserable at first… I went there as a lonely, depressed model and almost killed myself.” But things started to look up when her sister and musical partner Sierra showed up. The two now live in the 18th arrondissement (“the more North African part”), where they feel at home with their other non-French neighbors. “We understand each other’s French. [There’s] lots of action on the street corner at night. [It’s a] crackhead convention,” Casady explains. But the best part about their tenure in the French capital is the anonymity it offers them. “It’s like we’re invisible on the street, no matter what outrageous thing we’re doing,” says Casady. It’s not all they take solace in there, though. They also enjoy being “drunk by the train tracks with our tape recorder/boombox… and ‘The Track’–the outdoor track that we ran at at the local gym, where there was only boys–mostly North African.”

Most romantic place in Paris: Luxembourg Park.

Favorite French expression:Je suis l’homme sauvage. “I am the wild man.”

Chromeo’s Dave One
Pensionnaire étranger is hardly the title we Yanks might normally assign to Chromeo vocalist and Montreal-via-New York expat Dave One, but it suits him fine for his one-year stay at Paris’ Ecole Normale Supérieure, where he’s doing post-grad research for his Columbia University dissertation. He lives in Belleville, “a very bustling, cosmopolitan neighborhood in the north east–the Parisian equivalent of Jackson Heights, Queens.” Besides the scholastic offerings he’s had from the Sorbonne and the ENS, Chromeo’s also benefited from the move, mixing Fancy Footwork with Philippe Zdar on Serge Gainsbourg’s old desk, designing its album artwork with Surface to Air, and shooting the cover with ’60s erotic photographer Harry Peccinotti. Not to mention “that fall evening when Pee [Thugg, from Chromeo] and I went to Justice’s studio and we played each other our still-unfinished albums,” reminisces Dave.

So it’s all good, yeah? “The hardest thing about my move,” he offers, “aside from being away from the fam back home, was dealing with the notoriously Kafka-esque French bureaucracy. And seeing Sarkozy win the elections, of course.” His foil to all of the nonsense: “The most un-Parisian album ever: Springsteen’s Born to Run! I discovered it last winter–yes, that late, believe it or not–so it was one of the soundtracks to my year in France, and my ticket to New York nostalgia.”

Misstress Barbara
Montrealer Misstress Barbara (a.k.a. Barbara Bonfiglio) is just one of a number of Canadians (like Fesit, Gonzales, and Buck 65) who’ve made at least a partial move to Paris. She still retains her Montreal address, but uses Paris as a base for her frequent European tours. It’s home, but “some people are very cold here, not too friendly. It’s completely the opposite with Montreal!” she states emphatically. That’s not to say Paris is without its good times, obviously. Aside from falling in love in front of the Louvre, she’s also a big fan of her second-home neighborhood, the 11th arrondissement; “It’s a more popular neighborhood [with] a lot of cultures and lots of restaurants of different cuisines,” says Bonfiglio. For her, the city still retains its idealistic charm: “It’s beautiful, it’s romantic, it’s classy, and it’s also a pain in the ass when it comes to dealing with the weather,” she laughs. “There are an incredible amount of cafés and great restaurants, cinemas, parks, and museums. You never get enough of it.”

Most romantic place in Paris: There are so many. I would say any of the bridges, or l’Ile St-Louis, or Jardin des Tuileries, the Louvre, Montmartre.

Favorite French expression: I have many I like, but one I use sometimes is J’me barre! It means “I’m outta here!” but in a more mad way.

Podcast 18: Crookers

Alongside acts like The Bloody Beetroots and the Dubsided crew, Milan’s Crookers have entered the XLR8R Podcast Exclusive Mix Series in true electro-club fashion. Members DJ Phra and Bot fuse together raw B-more percussion and scratchy French touch synths for their infectious edits and remixes. Featuring a broad palate of new dancefloor killers from artists like Radioclit, Aaron LaCrate, Edu K, and Chemical Brothers, this exclusive mix will have new-schoolers salivating for days.

Subscribe to this podcast: iTunes or mp3 format. For help, click here.

Tracklisting
1. Skream! “Midnight Request Line (Switch Remix)”
2. Boy 8-Bit “The Suspense Is Killing Me”
3. Radioclit “Divine Gosa (Switch Remix)”
4. Edu K “Gatas Gatas Gatas (Crookers Remix)”
5. Don Rimini “Let Me Back Up (Crookers Tetsujin Remix)”
6. BB’s “Discommunication”
7. Chemical Brothers “Salmon Dance (Crookers Wow Mix)”
8. Cr**krs “Love To Edit”
9. Adam Sky vs. Mark Stewart “We’re All Prostitutes (Crookers Mix)”
10. Aaron LaCrate & Debonair Samir “Samirs Theme”
11. STARTINGBLOCKS “America (Brodinski Remix)”
12. Bart B More “Make Some Noise (Crookers Edit)”
13. Brabe “Hold You Here”
14. Peter Bjorn & John “Young Folks (Diplo Mix)”

Download MP3
Download M4A (iTunes enhanced)
Subscribe to Podcast (RSS)

Podcast_Mix_2007_10_11

Dancehall 2007: Drama and Military Drums

Ask a dancehall fan what sounds and trends defined the music in 2007, and most would surely respond “drama.” It was a year of celebrity break-ups (Beenie Man and D’Angel), veteran returns (Buju Banton and Ninja Man), and intimidating new talent (Mavado, Busy Signal, Munga). Thanks to the work of production crew DASECA and Stephen McGreggor, dancehall beats took on cinematic effects and lofty classical motifs, with a number of riddims based around military drumming and choral singing–a trend not entirely unexpected as the war dragged on in Iraq. Auto-Tune pitch-correction software was also a major player.

Previous years have provided their signature grooves. In 1992, Buju Banton popularized the Bogle dance and introduced us to the throbbing beat of “Batty Rider,” while other minimalist water-drum riddims dominated. By 1995, sharp, staccato beats, like Bounty Killer’s “Suspense,” jostled with tamer tunes like Beenie Man’s bubbly, Dave Kelly-produced “Wickedest Slam“. By 1997, it was all about “Romie”, a harder, reconstituted version of the classic Punany version.

As the new century dawned, dancehall music quickened its pace with speedy, 120-BPM tempos like the Diwali and Applause riddims, while thematically, the music darkened, reflecting the spiraling murder rate in Jamdown. The past year has seen a distinct sound emerge in dancehall, signified by battle-scene symphonic swathes and other dramatic sonic accessories.

Riddims like Black Chiney’s Drumline, DASECA’s Dreaming, and Stephen McGreggor’s Power Cut and Tremor riddims each featured combinations of rolling or marching snares, bold horn and classical-string flourishes, and punchy synth stabs.

Similarly dramatic, Don Corleon’s Silver Screen riddim (the backing track for Cham’s hit “Conscience” features a bouncy minimal beat draped in velvety strings. Mavado’s “Dying” took lyrical inspiration from 2Pac’s grim-reaper reflections and put them to a mournfully slow, Southern bounce, while Busy Signal’s hardcore-rap-inspired “The Days” rails profanely against haters and “friend-enemies.” Munga Honorebel’s “Bad From Mi Born” and most of Mavado’s material definitely take the trophy for Most Liberal Use of Auto-Tune.

With a new political party in charge in Jamaica, and an election year approaching in the States, one wonders if ballot-box themes will seep into dancehall’s consciousness and onto 7” singles. More likely, we’ll hear yet another technological studio innovation that only dancehall’s forward-thinking producers could dream up.

Turzi “Afghanistan”

“Afghanistan,” from the recently released A (Kemado), is the eerie, Kraut-psychedelia that bridges the gap between the Jesus and Mary Chain and Satan. Not unlike Faust or CAN, Turzi and his band Reich IV, write tripped-out, live music that will make any machine envious. If there was ever a time for acid, it’s now.

Turzi – Afghanistan

Extra Golden Hera Ma Nono

In a world both globalized and rife with xenophobia, some musicians need a visa just to rehearse. Such is the case with Extra Golden, the musical handshake between a few D.C. indie rockers and Kenyan benga musicians that was nearly buried with singer and co-founder Otieno Jagwasi’s death in 2005. But Extra Golden’s concept was, perhaps, too perfect to end: Kenyan dance rhythms injected with indie-guitar sensibilities. Hera Ma Nono proves they were right to soldier on. On “I Miss You,” for example, the weeping steel guitar meshes seamlessly with its sparkling hi-life counterparts. Hera Ma Nono (“Love in Vain”) is as culturally appreciative and exciting a cross of two cultures you’ll hear this year.

Poni Hoax Antibodies (château Flight Remix)

Château Flight’s “Antibodies” remix may be the best thing DJ Gilb’r and I:Cube have ever made together. A long intro full of all the dubby delays and effects you’ll need leads further and further into a killer Chicago-like piano-and-marimba break. Bass comes in after four minutes and the track turns into a great disco-house tune. A must have!

Ekler ‘o’ shock: Unusual Party

Everything you need to know about Parisian label Ekler‘o’shock is contained in this story from 27-year-old owner Matthieu Gazier. “Our second party under the Ekler’o’shock name was with Kid Koala in my best friend’s grandparents’ house in Paris,” he writes. “It was two Euros. We had sprayed and stenciled the walls, recreating the artwork from his album. My friend and associate Clément was totally high, and he carried all the money we got in his pockets. We had 200 people in this small house, sold some champagne, and by the end of the night–close to eight in the morning–a freaky dude took some Ecstasy. We tried to push him out but he was too energetic and talkative. So we proposed to him to help us clean the house. He fuckin’ swept the whole house in 30 minutes.”

Put simply, Ekler‘o’shock is the soundtrack to one wild party; it’s a bass label, but one whose artists don’t color neatly inside the lines of breaks, IDM, and house. From the broken crunk of New York space Rasta Crunc Tesla to datA’s suite of pumping, French Touch-inspired laser house, from the apocalyptic videogame rap of Léonard de Léonard to the sassy electro of Terry Poison, Gazier has certainly put together a crazy guestlist. But perhaps the most unusual attendee of all is Xerak, who makes sex-obsessed dance numbers inspired by punk and pixels.

Gazier started the label in July 2002. He had already logged quite a few hours toiling in the music business, doing PR for Ninja Tune and !K7 Records and marketing for Sony BMG. Conceptually, Ekler‘o’shock was inspired by Mo’ Wax. “It was more than just a label,” enthuses Gazier of the early ’90s indie-hop stalwart. “It was a total creative experience, with perfect artworks, groundbreaking artists, and their Headz compilation, [which inspired] our Unexpektheadz comp.”

As for the name? It’s a typically French play on words. “It sounds like the name of a French pastry, éclair au chocolat.” says Gazier. “Also, “Ekler” was my tag back in the days, and I added the “o’shock,” maybe ’cause I was a fan of a famous French [graffiti] writer called O’Clock, and also because for me music has to be a shock, an experience in itself.”

Teenage Bad Girl

Hailing from Paris and the small Northeast province of Jarney respectively, Teenage Bad Girl’s Guillaume Manbell and Greg Kazubski came together through a mutual adoration for punk rock and the brutal side of electronic sounds. “We’re not real clubbers,” says Manbell via email. “We both played in punk-rock bands with friends, making music when we should have been studying.” Although often grouped with the Ed Banger end of electro-house, the two once-punk producers thrive on a strange balance of gritty club kicks, frequent solos, and surprisingly rhythmic bursts of noise that place them outside the trenches of blog-hypery.

When compared to fellow robot-rock outfits like Soulwax or Digitalism, TBG’s need for speed is especially apparent. While the duo puts to use the same grinding synths and frequent breaks of their European contemporaries, they also employ an underhanded eeriness that snakes through their consistently harsh debut, Cocotte (Citizen). “Ghost House” is full of melodies reminiscent of Cut Copy’s “Hearts On Fire,” but with enough hypnotic minor-key layers to make John Carpenter devotees smile with subversive glee. “Aviateur” is a nearly beat-less trip-out, with effected vocals and delayed drums à la Throbbing Gristle. “We try to destabilize the listener as much as possible,” Kazubski chimes in. “We’d rather tell a story–even though we’re making techno, exposing emotions is the most important.”

It’s obvious that there’s more to the TBG brand than just sonics. Incorporating the profoundly suggestive artwork of Dutch artist Parra for their album cover–and unleashing an absurd Godard-esque video for the single “Cocotte,” in which a woman gives birth to a giant egg–Teenage Bad Girl offers a taste of Paris that strays into far weirder territory than the follow-the-leader line of electronic acts. “When we were filming ‘Cocotte,’ we rented chickens from a pet store and carried them around with a giant egg,” Manbell recalls. “Everybody thought we wanted to spread the bird flu. Now that is a very nice memory.”

Stones Throw and 2K Sports Bounce, Tour

New Era cap aficionados and college students, take note–your dreams are about to come true with the 2K Sports Bounce Tour. Featuring Stones Throw icons Madlib, Peanut Butter Wolf, J. Rocc, Percee P, and special guests, this hip-hop super-tour is hitting North America in support of the forthcoming Peanut Butter Wolf Presents 2K8: B-Ball Zombie War (Stones Throw), a 20-song compilation featuring a series of tracks licensed for 2K Sports. Common, Aloe Blacc, CX Kidtronik, Quasimoto, and many others make appearances here.

Compiled by Stones Throw labelhead Peanut Butter Wolf, the collection and tour will also showcase new additions to the roster, including Madlib’s new Supreme Team project and the recently signed synth-hopper, James Pants. With several exclusive tracks that see MCs like Q-Tip and MF Doom rapping over the late J Dilla’s beats, this promo-esque sampler may become one of the most interesting hip-hop releases this year.

Peanut Butter Wolf Presents 2K8: B-Ball Zombie War is out now on Stones Throw.

Tracklisting
1. Supreme Team “See (Suite)”
2. MED “Break It Down”
3. Guilty Simpson “Make It Fast”
4. J Dilla Feat. Q-Tip & Talib Kweli, “Lightworking”
5. Percee P Feat. J-Rocc “Legendary Lyricist Pt. 2”
6. J-Rocc “Super Sound”
7. Madlib “The Wigflip”
8. J Dilla Feat. MF Doom & Guilty Simpson “Mash’s Revenge”
9. Oh No “Action (Rap Version)”
10. Beat Konducta “Trouble”
11. Quasimoto “Hydrant Game (Jaylib Remix)”
12. Aloe Blacc “Find A Way”
13. Dam-Funk “Sidewayz”
14. Baron Zen “Electronic (Koushik Remix)”
15. James Pants “Ka$h (Peanut Butter Wolf Remix)”
16. Niko & DJ Babu “Now You Know”
17. Koushik “Basketball Beat”
18. Arabian Prince “Professor X Saga”
19. Jonathon Brown “Bass Creator’s Groove”
20. CX Kidtronik Feat. Tchaka Diallo “Big Girl, Skinny Girl”

Tour Dates
11/08 Los Angeles, CA: El Rey Theatre
11/16 San Francisco, CA: The Independent
11/17 Portland, OR: Berbatis Pan
11/18 Seattle, WA: Neumo’s
11/19 Vancouver, BC: Richards On Richards
11/29 Minneapolis, MN: Foundation Nightclub
11/30 Chicago, IL: The Abbey Pub
12/01 Toronto, ON: Opera House
12/02 New York, NY: Highline Ballroom
12/03 Philadelphia, PA: Starlight Ballroom
12/04 Boston, MA: Paradise
12/06 Washington, DC: Black Cat
12/07 Baltimore, MD: Sonar

Page 3075 of 3781
1 3,073 3,074 3,075 3,076 3,077 3,781