Pon Di Wire: Jah Cure, Junior Reid, Don Corleon

On the eve of his nearly sold-out tour, Jah Cure faces protests in the U.K. by women’s rights groups who think it is inappropriate that Cure has regained his celebrity status so soon after his release from prison. Campaigner Paulette Coombs commented to The Guardian: “He is able to move on with his life. Who cares about the young woman he raped?” Meanwhile, Cure’s representatives maintain that the singer is sincere about using his music and fame to promote healing and peace.

Former lead singer of Black Uhuru and successful solo artist Junior Reid has made major inroads in the American rap market after an appearance on Mims’ single “This Is Why I’m Hot.” He recently performed in New York City at Radio City Music Hall alongside the rapper Fabolous. The reggae singer known for the anthem “One Blood” has a combination joint on “Real Gangsta.” “Right now, Reid ah record with the hottest set of youth who ah run the place inna the U.S.,” son Wadda Blood told One876. “He has done tunes with Jeezy, Snoop Dogg, a track that hasn’t come out yet, he has worked with Rick Ross, he has a song on Mims’ album, he has a song with Sean P, formerly of the Youngbloodz, called ‘Good Look.’ Reid is hot right now.”

Singer and actor Ky-Mani Marley will star in BET’s reality-TV program Living the Life of Marley. The show examines how he and his siblings are carrying on the legacy of their father. “The show touches a little bit on how I was raised in the inner-city ghetto (Liberty City, Miami). I was growing up in a two-bedroom place with nine people. It explains a bit of why I am the way I am, the way I am musically,” reports Marley.

Producer Don Corleon is currently working with hot shots Munga Honourable, Alaine, and Pressure. The DASECA producers are working with Bugle and Serani, and have produced and helped buss numerous hits for Mavado. According to Craig Harrisingh, “Usually, [it ’s] the young artists that will take the time to the producers, which makes for a better song.”

Ever wanted to raise your child like a Jamaican? Author Dahlia D Welsh wants to teach you how by explaining, “Everything, starting with the accents. I love patois and speaking in patois–it is so lovely and lyrical. Of course, the food, and my parents always made sure to keep us connected by having us spend summers in Jamaica, which really helped us preserve our culture and our roots.” Welsh, a second-generation Jamaican living in Brooklyn, also emphasizes hard work, attention to school, and humility in her tome.

Chino, son of reggae legend Freddie McGregor, will be dropping his Unstoppable album in mid-October, via JVC Victor Japan. The debut contains his popular singles “Inna the Club” and “Red Bull and Guinness,” as well as a collaboration with the late Dennis Brown called “Handwritings.” “We’re going all out,” says Chino, “There are only two collaborations on the album because I wanted my first album to display my talent.”

Plenty of new riddims for the end of the year are starting to creep into shops. Birchill’s electro-dance-inspired Madness riddim features Sean Paul, Ele, Tami Chynn, and TOK. Producer Birch started out as a musician and later began his production tenure at Shaggy’s Big Yard stable; his previous riddims include Thrilla, Military, Salsa, Ghetto Blues, and Stage Time.

Beres Hammond sings on his own Greatest riddim, which also features Taxi Gang veteran singer Jimmy Riley’s “Love For Life.”

Known for hyper, techno-dancehall, H2O label’s Blue Tooth riddim should satisfy dancefloor fans with new joints by Pressure, Assassin, Mavado, and Munga.

Sly & Robbie’s classic Baltimore riddim already delivered Pressure’s massive “Ghetto Life.” Now, follow-up versions come from Tony Rebel and vocalist Courtney John. John’s latest album, Unselfish, offers a new look at the singer formerly known as Yogie, whose distinct voice should earn him fans the same way Anthony Cruz and Da’Ville have in recent months.

The U.K.’s Maximum Sound label is already on the charts with its Black Board riddim (a hip-hop remake of Lee Perry’s “Blackboard Jungle”), but don’t sleep on its recent Ashanti Warrior riddim, which features solid tracks by Natty King, Warrior King, Jah Mason, and Anthony B.

Reggae Sources Top Five Reggae Albums
1. Sizzla I-Space (Greensleeves)
2. Mavado Gangster for Life (VP)
3. Ras Shiloh Coming Home (VP)
4. Various Artists Reggae Gold 2007 (VP)
5. Cocoa Tea Biological Warfare (Minor 7 Flat)

Modeselektor “2000007 feat. TTC”

Berlin-based power duo Modeselektor have returned. Gernot Bronsert and Sebastian Szary have taken their grimey techno blueprint and mapped out a landscape of bass-driven, world-tech that’s by far their most varied work to date. Featuring guests like Radiohead’s Thom Yorke, TTC, and Maximo Park, Happy Birthday! is this year’s key to late night salvation.

Modeselektor – 2000007 feat. TTC

Discolobos The Thieves’ Machine

Originally a group of DJs out of Rochester, NY, Discolobos (a.k.a. the two-man crew Brasby and Wagun) have pumped out the self-releases in recent years. This album, though, was slated for release on an indie label, but when relations between the producers and the label got strained, the Lobos started the Fish and Crown imprint on their own. Fish and Crown promises “sumthin’ different,” but, if Thieves’ Machine is the measuring stick, the jury’s still out. Sure, the sample-tastic instrumental hip-hop here-a pop culture grab bag sliced and diced into head-nodding beats and loops-is sharply done, but it’s not a life-changer. Still, it’s on-point enough to make it a smart launch for the label.

Oliver Koletzki Get Wasted

Get Wasted shows techno producer Oliver Koletzki’s love of deeply embedded funk, which places his electronic style about as far away from monotonous as you can get. “Song For S.,” one of Wasted‘s strongest tracks, sends a catchy riff snaking around tech-house territory, while the funky “Terence Hill” bleeds into raspier techno textures. Koletzki’s ear holds equal love for clean, driving techno rhythms and bouncy house, and his hybrid is engaging. “Dieses Lied Glaubt An Sich” starts out like a Basic Channel track, but then neatly ties its zigzag minimal beats to lush piano rhythms, creating something both unexpected and hip-swerving.

Drifting in Silence Fallto

With his third album in as many years, electronic multi-instrumentalist Derrick Stembridge shows that not all of Nashville’s songwriters are fixated on tears in your beer. Of course, the melancholy ambience of his clicky, glitchy productions does evoke themes of loss and searching. This is 3 a.m., “I lost my lover” electronic ambient, which only falters when applying a more aggressive mental massage. A couple of tracks come off as circa-1998 gothic/industrial psychodrama; it’s a little too caught between moods to feel conceptually complete. But on the whole, Fallto shows Stembridge navigating a passion for various styles with a very personal compass. With a few more late nights, he’s sure to find his way.

My Paris By Teki Latex

TTC’s womanizing hip-hop superstar, Teki Latex gives us the recipe for macking honeys in the 1st arrondissement.

When XLR8R asked me to create a guide to my favorite spots to romance a girl in Paris, I knew it wouldn’t be easy. Paris is just globally romantic. Paris makes the most random grey building with pigeons sitting on the roof look romantic. So I focused only on the district I find the most romantic: the 1st arrondissement. (Also, we were kind of too lazy to drive around Paris.) This will be more practical for taking your girl around anyway. She’ll love the funny bubbles at the metro station Palais Royal, and find it artistic and stuff.

Girls love when you buy them expensive useless things. So take her to Colette. Show her the water bar in the basement where you can, you know, sip some water. And then buy her a candle. This is me and my upset-looking little sister (who worked there this summer) in front of Colette.

Higuma is a neat Japanese joint. Their gyoza is easily the best in town. It’s kind of cheap, too, so impress her while saving some money. Higuma is right next to the Paris Paris club, so DJs often eat there before their sets. If you’re lucky, you might bump into Busy P or Justice. Pretend you know them–impress the girl!

The Louvre is obviously the ultimate romantic cultural spot to get all intellectual-sexy-artistic. Show her a couple of paintings, tell her she smiles like Mona Lisa, count the triangles in the pyramid, crack a few Da Vinci Code jokes, make her laugh. Girls love that.

The Jardin des Tuileries is a huge garden situated near the Louvre. In the summer they hold a temporary amusement park there with a Ferris wheel–now that’s romantic! My photographer, Guillaume, thought it would look romantic if I sat next to this girl in Jardin des Tuileries. You can actually see the Place de la Concorde and the Champs Elysées from there. As soon as she saw him taking pictures, the girl left.

Taking the girl you wanna get with to the opera is, as we say, pretty “risqué.” But if you take that risk, it will be heavily rewarded. Although just showing her the outside of the Paris Opéra and surprising her by kissing on the stairs should be sufficient.

Hippopotamus is the ultimate romantic culinary experience. Plus it’s the only restaurant in Paris that stays open all night! Hippo = crazy-dope chick magnet. Try the cote de boeuf.

The neighborhood near the opera has cinemas everywhere. If all else fails (the candle, the pyramid, the Ferris wheel, Hippo), you can always take her to that dark room in the Paramount Opera where they show Divx files on a big large screen. Gently place your arm around her when no one is watching, and try to French kiss her. ’Cause that’s what France is all about, right? French kisses. Thank you and good luck!

Bisous,
Teki Latex

Point Éphémère: Cutting-Edge Culture

A former cargo warehouse situated along the banks of the Canal St. Martin houses Point Éphémère, a unique cultural center and community meeting place named for its own impermanence. It’s the latest project of Christophe Pasquet and Frederique Magal, founders of Usines Éphémères, a Parisian organization that recycles unused industrial buildings into dynamic temporary art spaces.

The group got its start in 1987 when Pasquet transformed a dilapidated factory in the 19th Arrondissement into an artistic center; it contained studios for visual artists, musicians, and dancers and also hosted exhibitions and parties. Despite being a rousing success, the center was forced to close two years later when the factory was scheduled for demolition. After that, Magal explains, “cities and private owners asked us to do the same thing in different places–hospitals, factories, and military barracks–and always for a temporary term.”

Point Éphémère is the group’s 13th such project and has quickly become a hub of bohemian creativity in Paris. The multi-use venue accommodates working artists of all sorts. It rents rehearsal space to musicians, offers dance classes (modern and African) in its studio, and schedules frequent artistic workshops and debates. As a gallery, Point Éphémère also commissions established visual artists to display at the space; recent exhibitions included abstract expressionist Eugénie Goldschmeding and whimsical pop artist Suzanne Déry. And, with its bustling restaurant and bar, top-notch DJ nights, and a concert schedule comprising indie-rock, electro, and experimental sounds, Point Éphémère has become one of Paris’ most sought-after clubs for fans of the avant-garde. Magal says without hesitation that the venue’s finest show thus far was an impromptu Sonic Youth performance in 2006, but many current greats have played there, including psych-pummelers Comets on Fire and avant-popsters Deerhoof and The Blow.

More than anything, Point Éphémère is about community–the antiquated notion that folks should have a place to share thoughts on the making of art: “The transmission of ideas is the basis of this place,” echoes Magal. Nearing the end of its predetermined five-year run, the venue will likely shut down in 2009, but Parisians should keep their eyes peeled for a similar space to spring up shortly thereafter.”

Flying Lotus Releases, Attacks

On October 2, Flying LotusWarp debut Reset hit the streets. But unlike most EPs, this bleep-heavy offering is being celebrated with Attack, an interactive videogame set to Lotus’ spacey hip-hop. Available through the producer’s website, Attack is essentially a recreation of Space Invaders, with the ability to send missles flying into weird pyramids, ghosts, and the occasional dusty star. Not unlike the arcade-styled games of yore, Attack tracks highest scores and can be embedded into your website. Now, how’s that for promotion?

Release is out now on Warp.

Tour Dates
10/13 Brooklyn, NY: Luna Lounge
11/07 London, UK: Gramophone
11/09 Manchester, UK: Mint Lounge
11/16 Leeds, UK: Faversham
11/17 London, UK: Cargo
11/21 Oslo, NO: Café Mono
11/22 Nottingham, UK: Dogma
11/23 Glasgow, UK: Numbers
11/24 Brixton, UK: 3rd Bass Brixton

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