Bad Brains Are Back!

Bands reunite all the time and it’s not always that big of a deal. Who really cares if The Smashing Pumpkins are playing 77 shows in two cities? But when Bad Brains get together for their first album in over a decade, it’s not only a big deal, it’s a reason to celebrate. Slated for release on Mega Force Records (home of Anthrax, S.O.D., Danzig, and Ministry), Build A Nation is the same type of hardcore decadence that helped change the entire punk landscape.

Produced by Beastie Boys’ Adam Yauch, Build A Nation embodies the spirit of ’88, complete with distorted basslines and manic three-chord progressions. Instead of relying solely on vocalist HR’s recent dub efforts, Build a Nation is Rasta punk at its finest–urgent, angry, and filled with uplifting lyrics.

In addition to the band’s studio album, Bad Brains will also embark on a short East Coast tour with one date taking place on a boat cruising around New York City. Jah has just handed the world another blessing.

Build A Nation is out June 26 on Mega Force.

Tracklisting
1. Give Thanks and Praises
2. Jah People Make the World Go Round
3. Pure Love
4. Natty Dreadlocks ‘Pon the Mountain Top
5. Build A Nation
6. Expand Your Soul
7. Jah Love
8. Let There Be Angels (Just Like You)
9. Universal Peace
10. Roll On
11. Until Kingdom Comes
12. In the Beginning
13. Send You No More Flowers
14. Peace Be Unto Thee

Tourdates
06/24 Asbury Park, NJ: NY School of Rock Festival
06/25 New York, NY: NY Boat Ride
07/29 Toronto, ON: The Rogers Picnic
08/05 Baltimore, MD: Virgin Festival

Von Sudenfed “Fledermaus Can’t Get Enough”

When Mouse and Mars and The Fall’s Mark E. Smith join forces, the result is an album packed with the grittiest electro, bassiest dubstep, and the most ear-splitting noise we’ve heard in a while. “Fledermaus Can’t Get Enough” makes for one of the most creative collaborations in recent history.

Von Sudenfed – Fledermaus Can’t Get It

Someone Else Pen Caps and Colored Pencils

After a long stint in psychedelic drone-pop unit Flowchart, Philadelphia producer Someone Else (Sean O’Neal) has ascended swiftly to minimal techno’s upper echelon, placing tracks on Michael Mayer’s Immer 2 and Richie Hawtin’s DE9 | Transitions mixes. O’Neal further enhances his rep with this outstanding debut solo album. Pen Caps and Colored Pencils abounds with dark yet quirky minimal techno marked by what Nurse With Wound would call “The Strange Play of the Mouth.” Jocular vocal manipulations pepper sexily slithering tracks that are atwitter with strange textural sounds, turning dance floors into funhouses. Like fellow North American techno luminaries Bruno Pronsato and Akufen, Someone Else specializes in crazy-angled, rubber-roomed club bangers that provoke both dancing and laughter.

Deerhunter and Calvin Johnson Rock Athens

Georgia-based PR firm Team Clermont is on the brink of celebrating its 10th anniversary at its Summer Festival and Blue Ribbon Ball in Athens. The event will feature performances by artists represented by the firm before ringing in “The Prom,” with the formally garbed Bobby Conn, Thrill Jockey’s resident avant-pop badass.

The fest features performances from Atlanta-based Deerhunter, A Northern Chorus, Starlight Mints, Castantes, and K Records founder, Halo Benders member, and Dub Narcotic Sound System frontman Calvin Johnson. Not to mention, there’s going to be a kickball tournament and a grip of Pabst Blue Ribbon. The South shall rise again.

The Summer Festival and Blue Ribbon Ball takes place July 25-28. For full line-up info and venue information go to: Team Clermont.

Pon Di Wire: Collie Budz, Sean Paul, Paul McCartney

Orlando’s Uncle Sam has been raising eyebrows with his confident vocal tunes that strongly resemble those of Sanchez or Tristan Palma. The Caucasian singer joins Bahamian Collie Buddz, UK-based YT, and Germany’s Gentleman in a recent wave of multicultural international attention. While some decry the “whitewashing” of reggae, many Jamaican fans are embracing the colorblind ethic, judging by the number of major stage shows in Jamdown that have invited international reggae acts.

In a recent interview with the Jamaican Gleaner, early-’90s DJ sensation Tiger admitted that it’s unlikely he will return to a full recording career. The gruff-throated artist was nearly killed in a motorcycle accident in 1994 and still suffers speech and movement impairments. While dancehall MCs Kiprich and Left Side recently impersonated the Tiger-esque Zebra on a humorous single, it hasn’t inspired the real Tiger to bear his claws in retaliation.

BBC1Xtra’s Robbo Ranks opened his show last week with a collaborative track featuring The Beatles’ Paul McCartney with Lady Saw and Sizzla. “Nod Your Head” is an aggressive dancehall-rock hybrid. Watch out–reggae gone Boomer!

Win $5000 and other prizes in VP Records’ new pirate-inspired contest–the Reggae Gold 2007 Scavenger Hunt–to support the new RG compilation. The collection features hits from Sean Paul, Munga, and Movado.

VP is also prepping the September 18 release of Morgan Heritage’s Mission in Progress. The album is slated to be the group’s most diverse work yet, including forays into rock, lovers rock, and hip-hop influenced songs. It arrives after the band’s second stint on the Vans Warped Tour. Says member Peter “Jahpetes” Morgan: “A lot of those punk bands we’ve toured with, when you put their records on, it’s the same energy that you get [on ours]. We generate such a vibration at our concerts that it’s unreal, so we’ve learned that you can get that on record.”

Gay magazine The Advocate reports that reggae/dancehall artists Beenie Man, Sizzla, and Capleton have all signed the Reggae Compassion Act, promising to end their use of anti-gay lyrics in their music. By agreeing to the terms of the act, the artists pledge to “respect and uphold the rights of all individuals to live without violence due to their religion, sexual orientation, race, ethnicity, or gender.”

Riddims galore fill the store this week as roots and one-drop vibes charge back. The Pete imprint’s Swinging My Love features Half Pint, Jah Mason, and Lutan Fyah, amongst others. It sounds a little like the classic Lecturer riddim. Pam Hall, Roger Robin, and Maxi Priest get harmonious on a new lick of Beres Hammond’s Full Attention (Joe Fraser). Pleasure Beat’s latest version of Majestic scores big with conscious cuts from Luciano (“Throw Down Your Arms”), Norris Man, and Lukie D–great horns and instrumentation. Penthouse’s version of the classic Channel One M16 riddim (so named for Sammy Dread’s lyric “Bad bwoy a fire M16/ police dem a fire AK47/ but soldierman, dem a fire LSR“) is timely, with hits from Tony Rebel. Germany’s Pow Pow label’s Overstand is a deep roots riddim with 7”s from Gentleman, Anthony B, and newcomer Ray Darwin. Gwine go find dem!

The Go! Team Readies Proof of Youth

Every hipster, hip-hop head, and downtown shopper should be familiar with The Go! Team’s cheerleading squad that chanted on the band’s hits “Junior Kickstart” and “Huddle Formation.” Two years after such antics, the Brighton-based sextet remains in place on the indie sensation map and is unleashing its sophomore full-length, Proof of Youth.

Instead of relying on the sample-heavy bombast of its previous effort, Thunder, Lightning, Strike, the band employs live instrumentation for the new album, as well as a few friends–namely Chuck D, Double DutchDivas, Marina from Bonde Do Role, and the Frederick Douglas All Star Cheer Team–and a glockenspiel that was apparently on hand. Should we be scared?

Proof of Youth is out September 11, 2007 on Sub Pop.

Tracklisting
1. Grip Like a Vice
2. Doing It Right
3. My World
4. Titanic Vandalism
5. Fake ID
6. Universal Speech
7. Keys to the City
8. The Wrath of Marcie
9. I Never Needed It Now So Much
10. Flashlight Fight
11. Patricia’s Moving Picture

People Press Play People Press Play

Germany’s People Press Play is very much the sum of their four creative parts. The members are veterans of electronic outfits Dub Tractor, Opiate, Acustic, and Savery, and combined they make sleepy, IDM-pop anchored by Sara Savery’s feathery vocals. The group incorporates elements of their other projects (dub techno bass, brittle drum loops, luxuriant synth programming) but wisely adds live guitar, bass, and acoustic instruments that make each song uniquely tuned. While sonically similar to recordings by Barbara Morgenstern, Lali Puna, or Dntel, the self-titled album achieves its own gradually unfolding authenticity. If your ears crave some hazy, digital shoegazer bliss, press play now.

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