Snowgoons German Lugers

Don’t let the name fool you-The Snowgoons aren’t the latest powder-pushing hip-hop act. What they are is a gifted group of German beat-makers who use their debut album to showcase hard-hitting collaborations with 25-plus MCs from Philly, Boston, the Bronx, and beyond. With the sheer amount of guests and tracks, this release feels a bit overcrowded. But among the clutter, it’s not hard to find a number of East Coast-flavored gems like the xylophone-driven “Teacher’s Trademark,” featuring a sharp-as-ever Wise Intelligent of Poor Righteous Teachers.

Star You Star Me Simple Things

Finns making disco-soul as Star You Star Me release six years of work in one album, and Forcetracks begins to seem like the LVMH of techno labels. Forcetracks’ output is elegant and addictive, sparkling like champagne. Simple Things is your spring hobo bag, if you will, and-like well-tailored editions from MRI, Luomo, and SCSI-9 that came before-you must have it. The best tracks here add human voices, and love evades them all. Vocalist Jeny asks, “Why must all sweet things go?,” turning her back on dance partner Erlend Oye, while on “Burden,” Nega is plagued by unrequited love as he sings against a synth-pop backdrop that’s gold-chain garish, and utterly moving. Star You Star Me’s goal of making music that’s “momentous” has been met, and the best thing is, you can really afford it.

DFA Reissues Pylon?s Gyrate

Some bands break up and disappear for good. Others call it quits, but pop up in unexpected places for 20 years to follow. Such is the case with Pylon, the Athens, Georgia-based new-wave band whose tracks inspired many bands during the late ’70s and early ’80s, dropped off the face of the earth, and has now reappeared on none other than James Murphy?s and Tim Goldsworthy’s DFA imprint.

“Pylon has always been a DFA favorite,” says label manager Jonathan Galkin. “James Murphy has been DJing their records out since I have known him, as it fit so perfectly within the rhythmic rock and post-punk records he was weaving in and out of classic disco.”

Gyrate Plus sees the jagged guitar chords and scratchy, whispering vocals on the original Gyrate album (released in November of 1980) remastered and packaged with the band’s 7″ single “Cool” and its “10 inch 45 rpm” EP. An additional track, “Functionality,” is one of those previously-unreleased gems that always makes a re-release worth picking up.

This isn’t the first time Pylon has emerged from the shadows since putting down the guitars in the late ’80s. The 1990 college-radio hit “Chain” saw the band in the spotlight again, as did a tour with fellow Georgians R.E.M. (back when R.E.M.?s music was still remotely digestible) But Gyrate Plus is a slightly bigger affair than the random gig here and there.

“Considering no one had ever issued Gyrate on CD, it seemed like an ideal and obvious place for DFA to commence what we hope is an ongoing change,” says Galkin. “To reissue and re-expose artists we admire that might not have gotten their full due the first time around.”

Gyrate Plus is out October 16, 2007 on DFA

Tracklisting
1. Cool
2. Dub
3. Volume
4. Feast on My Heart
5. Precaution
6. Weather Radio
7. Human Body
8. Read a Book
9. Driving School
10. Recent Title
11. Gravity
12. Danger
13. Working is a Problem
14. Stop It
15. Danger!!
16. Functionality

Mush Records Video Bonanza

14 new additions have arrived at XLR8R’s Video Section, thanks to Mush Records. The label has courteously shared nearly their entire catalog, from the monomatic stylings of Daedelus to the thoughtful meanderings of Thavius Beck. The newest work comes from Boy in Static, whose album drops on May 29, 2007. But long-term fans of the label don’t worry, there are some older videos as well.

Mush Videos on XLR8R.Com
Awol One & Daddy Kev “The Rules Of The Week”
Bigg Jus “Illustrations of Hieronymus Bosch… That 1467 Shit”
Boom Bip & Doseone “The Birdcatcher’s Return”
Boy In Static “Where It Ends”
Busdriver “Avantcore”
Caural “Lake”
Curse Ov Dialect “Bury Me Slowly”
Daedelus “Just Briefly”
Daedelus “Sundown”
Loden “Tenofour”
Lulu Mushi “Cartwheel”
Radioinactive & Antimc “Movin’ Truck”
Reaching Quiet “Slow Polaroid”
Thavius Beck “To Make Manifest”

Various Artists Hot Chip: DJ-Kicks

Hot Chip’s music is pristinely English: its playfulness and irony, its hinted melancholy, its self-deprecating smirk. The risk in letting a group like this behind the decks-a band whose chaotic pop is as jumbled as it is studio-perfect-is that the urge to show off wide-ranging tastes rather than simply scope out a great selection. No worries: Rather than some Bill Burroughs cut-up, Hot Chip’s DJ-Kicks installment reads like James Joyce. Its stream of consciousness takes in pop and rock (Joe Jackson, New Order), soul hip-hop (Etta James, Positive K), minimalist house and techno, and Hot Chip’s own dancefloor rave-pop. Yet despite stylistic hops, the resultant whole is indeed greater than the sum of its multifaceted parts.

Stars of the Lid And Their Refinement of the Decline

Since 1993, the duo of Brian McBride and Adam Wiltzie has been at the forefront of the drone movement. And Their Refinement of the Decline is not only their first studio album in six years, it’s also the 100th release from seminal experimental imprint Kranky. Fittingly, the record is a subdued chef d’oeuvre, exploring frail melodies and dense soundscapes in equal strokes. From the opening horns of “Dungtitled (In A Major)” to the closing rumbles of “December Hunting for Vegetarian Fuckface,” Refinement of the Decline is a two-hour juggernaut of careful dynamics and warm tones.

Mathematics: Bee Teamers

The highlights of producer Mathematics’ Wu Tang and Friends: Unreleased (Nature Sounds) don’t come from Raekwon or Ghostface (though both make appearances), but rather unsung Shaolin soldiers like the currently incarcerated Superb (of American Cream Team and Supreme Clientele fame) and M-Speed, who was shot and killed in ’03. Posse cuts like “Where’s Brooklyn @?” (featuring Bad Luck, All Day, and Allah Real) and “U Don’t Care” (featuring Killah Priest, Hot Flamez, and Buddah Bless) take one back to the late-’90s glory days, when the Wu umbrella included a certifiable army of affiliated crews and sub-cliques like Sunz of Man, GPWu, Killarmy, Royal Fam… the list goes on. We took the opportunity to grill Math on the whereabouts of some of the forgotten Killa Bees who turn up on Unreleased, which collects rarities recorded between 1997 and 2006.

Solomon Childs (featured on “King Toast Queen”)
“I’ve loved Solomon’s voice from when I first heard him on Cappadonna’s The Pillage,” Mathematics says. The Staten Island MC, also known as Killa Bamz, left the Theodore Unit (the Ghostface-affiliated crew known in an earlier incarnation as T.M.F.) but recently turned up on Ghost’s More Fish. Childs recently dropped the King Kong of New York mixtape and is preparing a solo debut through Wu Music Group. “I’m supposed to be working with him on that,” Math says. “I just sent him some beats.”

Hell Razah (featured on “Masked Avengers”)
“I worked with Hell Razah a few times but we never finished nothing besides that joint there, and a track for Sunz of Man that was only released overseas,” Math recalls. Possibly the most political of all Wu affiliated MCs, Hell Razah has stayed active, forming Black Market Militia with Tragedy, Timbo King, and Killah Priest while keeping Sunz of Man alive. Renaissance Child (Nature Sounds), his first proper solo album, dropped last month. “Razah really knows how to get in there and knock it out,” Math says. “He’s not about bullshit.”

Shyheim (featured on “Masked Avengers,” “Non-Eq uivalent”)
When Shyheim first emerged he was 14 and the Wu was barely a year out the gate, making him not only the youngest Clan affiliate but the first extended fam member to release an album. While his follow-ups have all bricked, he’s been called the “greatest kiddie rapper of all time” on the strength of ’94’s AKA The Rugged Child. “I’ve worked with Shyheim many times,” Math says. “‘Non-Equivalent’ might be the first we did, around ’97. He’s been acting for a while–he was on Robert Townsend’s show The Parent ‘Hood.”

Allah Real (featured on “Where’s Brooklyn @?,” “Wanna Believe”)
A Wu elder with a soulful voice reminiscent of Al Green, Allah Real is best known for singing the lilting hook on RZA’s 2003 single “Grits.” “I basically grew up under Allah, hearing him sing all the time, before I even thought about records,” Math says. “He’s from near me in Queens but he’s been in Brooklyn for years, so I put him on that song (“Where Brooklyn @?”). I’m tryna do more with R&B, so you might just see me do an album with him.”

Colette Turns 10

Parisian style oasis Colette’s ten year existence translates into not only a decade of successful retailing, but also 110 art exhibitions, 40 fashion weeks, 60 parties, 18 dance classes, and, yes, more than 100 brands of water sold at the boutique’s famous water bar.

March being its birthday month, the store will roll out hordes of limited edition products for the ongoing celebration, all centered around the number 10. Such goodies include 10 jewelry designers collaborating on a special charm necklace, a commemorative Be@rbrick figure (pictured) signed by 10 cult toy dartists, a Cruise Bag with the number 10 hand-painted in Colette’s signature blue shade, and a gathering of the city’s best promoters to throw an event featuring artists from La Johnson, Tigersushi, KilltheDJ, and the Colette dance class. Ditch the whiny indie rockers in Austin and coked-out hipsters in Miami, and celebrate in true style this spring.

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